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120 relations: Alban Berg, Alexander Scriabin, Alexandre-Étienne Choron, Alfred Einstein, Anton Bruckner, Anton Webern, Arabic maqam, Arnold Schoenberg, Atonality, Béla Bartók, Benjamin Britten, Cadence (music), Carl Dahlhaus, Castil-Blaze, Chord (music), Chord progression, Circle of fifths, Classical music, Claude Debussy, Claudio Monteverdi, Common practice period, Consonance and dissonance, Constant-Q transform, Contemporary classical music, Cuthbert Girdlestone, David Cope, Diatonic function, Dominant (music), Dominant seventh chord, Edward Lowinsky, Elisabeth Mann Borgese, Folk music, Forte number, François-Joseph Fétis, Francesco Durante, Francis Poulenc, Friedrich Wilhelm Marpurg, Gamelan, George Perle, Gregorian chant, Grunge, Gustav Mahler, Harmonic rhythm, Harmony, Harold Powers, Harry Partch, Heavy metal music, Heinrich Schenker, Henry Pleasants (music critic), Hermann von Helmholtz, ..., History of music, Homophony, Hugo Riemann, Hugo Wolf, I–IV–V–I, Ii–V–I progression, Irving Fine, Jazz, Jean le Rond d'Alembert, Jean-Philippe Rameau, Johannes Kepler, John Tyrrell (musicologist), Josquin des Prez, Katharine Ellis, Key (music), Leading-tone, Leonard B. Meyer, Leonard Bernstein, Lou Harrison, Major and minor, Major scale, Martin Litchfield West, Minor scale, Mode (music), Modernism (music), Modulation (music), Monophony, Moritz Hauptmann, Music for Strings, Percussion and Celesta, Music information retrieval, Music theory, Neapolitan School, Neo-Riemannian theory, Neotonality, New wave music, Oswald Jonas, Otonality and Utonality, Paul Hindemith, Pelog, Perfect fifth, Peter Westergaard's tonal theory, Philip Tagg, Pitch (music), Pitch class, Polytonality, Popular music, Post-romanticism, Punk rock, Pyotr Ilyich Tchaikovsky, Raga, Richard Strauss, Richard Wagner, Root (chord), Rudolph Reti, Samuel Barber, Schenkerian analysis, Sergei Prokofiev, Slendro, Stanley Sadie, The Magic Flute, Theodor W. Adorno, Tonality diamond, Tonic (music), Triad (music), Tritone, Twelve-tone technique, University of Chicago Press, Vi–ii–V–I, William Duckworth (composer), Yuri Kholopov. Expand index (70 more) »
Alban Berg
Alban Maria Johannes Berg (February 9, 1885 – December 24, 1935) was an Austrian composer of the Second Viennese School.
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Alexander Scriabin
Alexander Nikolayevich Scriabin (Алекса́ндр Никола́евич Скря́бин; –) was a Russian composer and pianist.
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Alexandre-Étienne Choron
Alexandre-Étienne Choron (21 October 1771 – 29 June 1834) was a French musicologist.
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Alfred Einstein
Alfred Einstein (December 30, 1880February 13, 1952) was a German-American musicologist and music editor.
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Anton Bruckner
Josef Anton Bruckner was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets.
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Anton Webern
Anton Friedrich Wilhelm (von) Webern (3 December 188315 September 1945) was an Austrian composer and conductor.
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Arabic maqam
Arabic maqam (maqām, literally "place"; مقامات) is the system of melodic modes used in traditional Arabic music, which is mainly melodic.
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Arnold Schoenberg
Arnold Franz Walter Schoenberg or Schönberg (13 September 187413 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter.
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Atonality
Atonality in its broadest sense is music that lacks a tonal center, or key.
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Béla Bartók
Béla Viktor János Bartók (25 March 1881 – 26 September 1945) was a Hungarian composer, pianist and an ethnomusicologist.
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Benjamin Britten
Edward Benjamin Britten, Baron Britten of Aldeburgh (22 November 1913 – 4 December 1976) was an English composer, conductor and pianist.
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Cadence (music)
In Western musical theory, a cadence (Latin cadentia, "a falling") is "a melodic or harmonic configuration that creates a sense of resolution."Don Michael Randel (1999).
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Carl Dahlhaus
Carl Dahlhaus (June 10, 1928 – March 13, 1989), a musicologist from (West) Berlin, was one of the major contributors to the development of musicology as a scholarly discipline during the post-war era.
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Castil-Blaze
François-Henri-Joseph Blaze, known as Castil-Blaze (1 December 1784 – 11 December 1857), was a French musicologist, music critic, composer, and music editor.
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Chord (music)
A chord, in music, is any harmonic set of pitches consisting of two or more (usually three or more) notes (also called "pitches") that are heard as if sounding simultaneously.
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Chord progression
A chord progression or harmonic progression is a succession of musical chords, which are two or more notes, typically sounded simultaneously.
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Circle of fifths
In music theory, the circle of fifths (or circle of fourths) is the relationship among the 12 tones of the chromatic scale, their corresponding key signatures, and the associated major and minor keys.
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Classical music
Classical music is art music produced or rooted in the traditions of Western culture, including both liturgical (religious) and secular music.
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Claude Debussy
Achille-Claude Debussy (22 August 1862 – 25 March 1918) was a French composer.
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Claudio Monteverdi
Claudio Giovanni Antonio Monteverdi (15 May 1567 (baptized) – 29 November 1643) was an Italian composer, string player and choirmaster.
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Common practice period
In the history of European art music, the common practice period is the era between the formation and the decline of the tonal system.
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Consonance and dissonance
In music, consonance and dissonance are categorizations of simultaneous or successive sounds.
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Constant-Q transform
In mathematics and signal processing, the constant-Q transform transforms a data series to the frequency domain.
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Contemporary classical music
Contemporary classical music can be understood as belonging to the period that started in the mid-1970s to early 1990s, which includes modernist, postmodern, neoromantic, and pluralist music.
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Cuthbert Girdlestone
Cuthbert Morton Girdlestone (born in Bovey Tracey, Devon, 17 September 1895; died 10 December 1975) was a British musicologist and literary scholar.
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David Cope
David Cope (born May 17, 1941 in San Francisco, California) is an American author, composer, scientist, and former professor of music at the University of California, Santa Cruz.
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Diatonic function
In tonal music theory, a function (often called harmonic function, tonal function or diatonic function, or also chord area) is the relationship of a chord to a tonal center.
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Dominant (music)
In music, the dominant is the fifth scale degree of the diatonic scale, called "dominant" because it is next in importance to the tonic, and a dominant chord is any chord built upon that pitch, using the notes of the same diatonic scale.
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Dominant seventh chord
In music theory, a dominant seventh chord, or major minor seventh chord, is a chord composed of a root, major third, perfect fifth, and minor seventh.
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Edward Lowinsky
Edward Elias Lowinsky (January 12, 1908 – October 11, 1985) was an American musicologist born in Stuttgart, Germany to Leopold L. and Clara Rosenfeld.
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Elisabeth Mann Borgese
Elisabeth Veronika Mann Borgese, (April 24, 1918 – February 8, 2002) was an internationally recognized expert on maritime law and policy and the protection of the environment.
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Folk music
Folk music includes both traditional music and the genre that evolved from it during the 20th century folk revival.
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Forte number
In musical set theory, a Forte number is the pair of numbers Allen Forte assigned to the prime form of each pitch class set of three or more members in The Structure of Atonal Music (1973). The first number indicates the number of pitch classes in the pitch class set and the second number indicates the set's sequence in Forte's ordering of all pitch class sets containing that number of pitches.
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François-Joseph Fétis
François-Joseph Fétis (25 March 1784 – 26 March 1871) was a Belgian musicologist, composer, teacher, and one of the most influential music critics of the 19th century.
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Francesco Durante
Francesco Durante (31 March 1684 – 30 September 1755) was a Neapolitan composer.
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Francis Poulenc
Francis Jean Marcel Poulenc (7 January 189930 January 1963) was a French composer and pianist.
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Friedrich Wilhelm Marpurg
Friedrich Wilhelm Marpurg (21 November 1718 – 22 May 1795) was a German music critic, music theorist and composer.
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Gamelan
Gamelan is the traditional ensemble music of Java and Bali in Indonesia, made up predominantly of percussive instruments.
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George Perle
George Perle (May 6, 1915 – January 23, 2009) was a composer and music theorist.
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Gregorian chant
Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song of the Roman Catholic Church.
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Grunge
Grunge (sometimes referred to as the Seattle sound) is a subgenre of alternative rock and a subculture that emerged during the in the Pacific Northwest U.S. state of Washington, particularly in Seattle and nearby towns.
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Gustav Mahler
Gustav Mahler (7 July 1860 – 18 May 1911) was an Austro-Bohemian late-Romantic composer, and one of the leading conductors of his generation.
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Harmonic rhythm
In music theory, harmonic rhythm, also known as harmonic tempo is the rate at which the chords change (or progress) in a musical composition, in relation to the rate of notes.
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Harmony
In music, harmony considers the process by which the composition of individual sounds, or superpositions of sounds, is analysed by hearing.
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Harold Powers
Harold Stone Powers (August 5, 1928 – March 15, 2007) was an American musicologist, ethnomusicologist, and music theorist.
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Harry Partch
Harry Partch (June 24, 1901 – September 3, 1974) was an American composer, music theorist, and creator of musical instruments.
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Heavy metal music
Heavy metal (or simply metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom.
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Heinrich Schenker
Heinrich Schenker (19 June 1868, Wiśniowczyk – 14 January 1935, Vienna) was a music theorist, music critic, teacher, pianist, and composer, best known for his approach to musical analysis, now usually called Schenkerian analysis.
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Henry Pleasants (music critic)
Henry Pleasants (May 12, 1910 – January 4, 2000) was an American music critic and intelligence officer.
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Hermann von Helmholtz
Hermann Ludwig Ferdinand von Helmholtz (August 31, 1821 – September 8, 1894) was a German physician and physicist who made significant contributions in several scientific fields.
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History of music
Music is found in every known culture, past and present, varying widely between times and places.
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Homophony
In music, homophony (Greek: ὁμόφωνος, homóphōnos, from ὁμός, homós, "same" and φωνή, phōnē, "sound, tone") is a texture in which a primary part is supported by one or more additional strands that flesh out the harmony and often provide rhythmic contrast.
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Hugo Riemann
Karl Wilhelm Julius Hugo Riemann (18 July 1849 – 10 July 1919) was a German music theorist and composer.
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Hugo Wolf
Hugo Philipp Jacob Wolf (13 March 1860 – 22 February 1903) was an Austrian composer of Slovene origin, particularly noted for his art songs, or Lieder.
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I–IV–V–I
In music, I–IV–V–I or IV-V-I is a common chord progression and cadence that, "unequivocally defines the point of origin and the total system, the key."Jonas, Oswald (1982).
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Ii–V–I progression
The ⅱ–Ⅴ–I progression (occasionally referred to as ⅱ–Ⅴ–I turnaround, and ⅱ–Ⅴ–I) is a common cadential chord progression used in a wide variety of music genres, including jazz harmony.
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Irving Fine
Irving Gifford Fine (December 3, 1914 – August 23, 1962) was an American composer.
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in blues and ragtime.
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Jean le Rond d'Alembert
Jean-Baptiste le Rond d'Alembert (16 November 1717 – 29 October 1783) was a French mathematician, mechanician, physicist, philosopher, and music theorist.
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Jean-Philippe Rameau
Jean-Philippe Rameau (–) was one of the most important French composers and music theorists of the 18th century.
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Johannes Kepler
Johannes Kepler (December 27, 1571 – November 15, 1630) was a German mathematician, astronomer, and astrologer.
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John Tyrrell (musicologist)
John Tyrrell (born 1942) is a British musicologist.
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Josquin des Prez
Josquin des Prez (– 27 August 1521), often referred to simply as Josquin, was a French composer of the Renaissance.
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Katharine Ellis
Katharine Ellis, is a British musicologist and academic, specialising in music history.
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Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a music composition in classical, Western art, and Western pop music.
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Leading-tone
In music theory, a leading-note (also subsemitone, and called the leading-tone in the US) is a note or pitch which resolves or "leads" to a note one semitone higher or lower, being a lower and upper leading-tone, respectively.
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Leonard B. Meyer
Leonard B. Meyer (January 12, 1918 – December 30, 2007) was a composer, author, and philosopher.
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Leonard Bernstein
Leonard Bernstein (August 25, 1918 – October 14, 1990) was an American composer, conductor, author, music lecturer, and pianist.
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Lou Harrison
Lou Silver Harrison (May 14, 1917 – February 2, 2003) was an American composer.
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Major and minor
In Western music, the adjectives major and minor can describe a musical composition, movement, section, scale, key, chord, or interval.
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Major scale
The major scale (or Ionian scale) is one of the most commonly used musical scales, especially in Western music.
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Martin Litchfield West
Martin Litchfield West, (23 September 1937 – 13 July 2015) was a British classical scholar.
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Minor scale
In music theory, the term minor scale refers to three scale formations – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending) – rather than just one as with the major scale.
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Mode (music)
In the theory of Western music, a mode is a type of musical scale coupled with a set of characteristic melodic behaviors.
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Modernism (music)
In music, modernism is a philosophical and aesthetic stance underlying the period of change and development in musical language that occurred around the turn of the 20th century, a period of diverse reactions in challenging and reinterpreting older categories of music, innovations that led to new ways of organizing and approaching harmonic, melodic, sonic, and rhythmic aspects of music, and changes in aesthetic worldviews in close relation to the larger identifiable period of modernism in the arts of the time.
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Modulation (music)
In music, modulation is most commonly the act or process of changing from one key (tonic, or tonal center) to another.
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Monophony
In music, monophony is the simplest of musical textures, consisting of a melody (or "tune"), typically sung by a single singer or played by a single instrument player (e.g., a flute player) without accompanying harmony or chords.
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Moritz Hauptmann
Moritz Hauptmann (13 October 1792 – 3 January 1868), was a German music theorist, teacher and composer.
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Music for Strings, Percussion and Celesta
Music for Strings, Percussion and Celesta, Sz.
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Music information retrieval
Music information retrieval (MIR) is the interdisciplinary science of retrieving information from music.
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Music theory
Music theory is the study of the practices and possibilities of music.
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Neapolitan School
In music history, the Neapolitan School is a group, associated with opera, of 18th-century composers who studied or worked in Naples, Italy,Don Michael Randel (2003).
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Neo-Riemannian theory
Neo-Riemannian theory is a loose collection of ideas present in the writings of music theorists such as David Lewin, Brian Hyer, Richard Cohn, and Henry Klumpenhouwer.
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Neotonality
Neotonality (or Neocentricity) is an inclusive term referring to musical compositions of the twentieth century in which the tonality of the common-practice period (i.e. functional harmony and tonic-dominant relationships) is replaced by one or several nontraditional tonal conceptions, such as tonal assertion or contrapuntal motion around a central chord.
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New wave music
New wave is a genre of rock music popular in the late 1970s and the 1980s with ties to mid-1970s punk rock.
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Oswald Jonas
Oswald Jonas (January 10, 1897 – March 19, 1978) was a music theorist and musicologist and student of Heinrich Schenker.
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Otonality and Utonality
Otonality and utonality are terms introduced by Harry Partch to describe chords whose pitch classes are the harmonics or subharmonics of a given fixed tone (identity), respectively.
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Paul Hindemith
Paul Hindemith (16 November 1895 – 28 December 1963) was a prolific German composer, violist, violinist, teacher and conductor.
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Pelog
Pelog is one of the two essential scales of gamelan music native to Bali and Java, in Indonesia.
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Perfect fifth
In music theory, a perfect fifth is the musical interval corresponding to a pair of pitches with a frequency ratio of 3:2, or very nearly so.
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Peter Westergaard's tonal theory
Peter Westergaard's tonal theory is the theory of tonal music developed by Peter Westergaard and outlined in Westergaard's 1975 book An Introduction to Tonal Theory (hereafter referred to as ITT).
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Philip Tagg
Philip Tagg (born 1944 in Oundle, Northamptonshire, UK) is a British musicologist, writer and educator.
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Pitch (music)
Pitch is a perceptual property of sounds that allows their ordering on a frequency-related scale, or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melodies.
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Pitch class
In music, a pitch class (p.c. or pc) is a set of all pitches that are a whole number of octaves apart, e.g., the pitch class C consists of the Cs in all octaves.
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Polytonality
Polytonality (also polyharmony) is the musical use of more than one key simultaneously.
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Popular music
Popular music is music with wide appeal that is typically distributed to large audiences through the music industry.
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Post-romanticism
Post-romanticism or Postromanticism refers to a range of cultural endeavors and attitudes emerging in the late nineteenth and early twentieth centuries, after the period of Romanticism.
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Punk rock
Punk rock (or "punk") is a rock music genre that developed in the mid-1970s in the United States, United Kingdom, and Australia.
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Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky Often "Peter Ilich Tchaikovsky" in English.
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Raga
A raga or raaga (IAST: rāga; also raag or ragam; literally "coloring, tingeing, dyeing") is a melodic framework for improvisation akin to a melodic mode in Indian classical music.
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Richard Strauss
Richard Georg Strauss (11 June 1864 – 8 September 1949) was a leading German composer of the late Romantic and early modern eras.
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Richard Wagner
Wilhelm Richard Wagner (22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his later works were later known, "music dramas").
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Root (chord)
In music theory, the concept of root is the idea that a chord can be represented and named by one of its notes.
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Rudolph Reti
Rudolph Reti, also Réti (translit; November 27, 1885 – February 7, 1957), was a musical analyst, composer and pianist.
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Samuel Barber
Samuel Osborne Barber II (March 9, 1910 – January 23, 1981) was an American composer of orchestral, opera, choral, and piano music.
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Schenkerian analysis
Schenkerian analysis is a method of musical analysis of tonal music based on the theories of Heinrich Schenker (1868–1935).
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Sergei Prokofiev
Sergei Sergeyevich Prokofiev (r; 27 April 1891 – 5 March 1953) was a Russian Soviet composer, pianist and conductor.
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Slendro
Slendro (called salendro by the Sundanese) is a pentatonic scale, the older of the two most common scales (laras) used in Indonesian gamelan music, the other being pélog.
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Stanley Sadie
Stanley John Sadie, CBE (30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor.
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The Magic Flute
The Magic Flute (German), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder.
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Theodor W. Adorno
Theodor W. Adorno (born Theodor Ludwig Wiesengrund; September 11, 1903 – August 6, 1969) was a German philosopher, sociologist, and composer known for his critical theory of society.
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Tonality diamond
In music theory and tuning, a tonality diamond is a two-dimensional diagram of ratios in which one dimension is the Otonality and one the Utonality.
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Tonic (music)
In music, the tonic is the first scale degree of a diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music and traditional music.
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Triad (music)
In music, a triad is a set of three notes (or "pitches") that can be stacked vertically in thirds.
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Tritone
In music theory, the tritone is defined as a musical interval composed of three adjacent whole tones.
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Twelve-tone technique
Twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition devised by Austrian composer Arnold Schoenberg (1874–1951) and associated with the "Second Viennese School" composers, who were the primary users of the technique in the first decades of its existence.
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University of Chicago Press
The University of Chicago Press is the largest and one of the oldest university presses in the United States.
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Vi–ii–V–I
In music, the vi–ii–V–I progression is a chord progression (also called the circle progression for the circle of fifths, along which it travels).
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William Duckworth (composer)
William Duckworth (January 13, 1943 – September 13, 2012) was an American composer, author, educator, and Internet pioneer.
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Yuri Kholopov
Yuri Nikolaevich Kholopov (Ю́рий Никола́евич Холóпов, Yury Holopov) (August 14, 1932, Ryazan – April 24, 2003, Moscow) was a Russian musicologist and educator.
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Redirects here:
Diatonic tonality, Extended tonality, Functional tonality, Major-minor tonality, Tonal Music, Tonal harmony, Tonal music, Tonal theory.
References
[1] https://en.wikipedia.org/wiki/Tonality
