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A (musical note) and C (musical note)

Shortcuts: Differences, Similarities, Jaccard Similarity Coefficient, References.

Difference between A (musical note) and C (musical note)

A (musical note) vs. C (musical note)

La or A is the sixth note of the fixed-do solfège. C (Do, Do, C) is the first note of the C major scale, the third note of the A minor scale (the relative minor of C major), and the fourth note (F, A, B, C) of the Guidonian hand, commonly pitched around 261.63 Hz.

Similarities between A (musical note) and C (musical note)

A (musical note) and C (musical note) have 27 things in common (in Unionpedia): A minor, A440 (pitch standard), Acoustic scale, Aeolian dominant scale, Aeolian mode, Altered scale, Concert pitch, Diatonic scale, Dorian ♭2 scale, Dorian mode, Frequency, Half diminished scale, Helmholtz pitch notation, Hertz, Ionian mode, Jazz minor scale, Locrian mode, Lydian augmented scale, Lydian mode, Mixolydian mode, Musical note, Octave, Phrygian mode, Piano, Piano key frequencies, Root (chord), Scientific pitch notation.

A minor

A minor is a minor scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has no flats and no sharps.

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A440 (pitch standard)

A440 or A4 (also known as the Stuttgart pitch), which has a frequency of 440 Hz, is the musical note of A above middle C and serves as a general tuning standard for musical pitch.

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Acoustic scale

In music, the acoustic scale, overtone scale, Lydian dominant scale, or Lydian 7 scale, is a seven-note synthetic scale.

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Aeolian dominant scale

The Aeolian dominant scale (also known as the Hindu scale, the Mixolydian 6, Aeolian major, and melodic major) is the fifth mode of the melodic minor scale.

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Aeolian mode

The Aeolian mode is a musical mode or, in modern usage, a diatonic scale called the natural minor scale.

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Altered scale

In jazz, the altered scale or altered dominant scale is a seven-note scale that is a dominant scale where all non-essential tones have been altered.

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Concert pitch

Concert pitch is the pitch reference to which a group of musical instruments are tuned for a performance.

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Diatonic scale

In western music theory, a diatonic scale is a heptatonic scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps, depending on their position in the scale.

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Dorian ♭2 scale

The Dorian 2 scale, also known as Phrygian 6 is the second mode of the jazz minor scale (or the ascending melodic minor scale).

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Dorian mode

Dorian mode or Doric mode can refer to three very different but interrelated subjects: one of the Ancient Greek harmoniai (characteristic melodic behaviour, or the scale structure associated with it), one of the medieval musical modes, or, most commonly, one of the modern modal diatonic scales, corresponding to the white notes from D to D, or any transposition of this.

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Frequency

Frequency is the number of occurrences of a repeating event per unit of time.

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Half diminished scale

The half diminished scale is a seven-note musical scale.

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Helmholtz pitch notation

Helmholtz pitch notation is a system for naming musical notes of the Western chromatic scale.

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Hertz

The hertz (symbol: Hz) is the derived unit of frequency in the International System of Units (SI) and is defined as one cycle per second.

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Ionian mode

Ionian mode is a musical mode or, in modern usage, a diatonic scale also called the major scale.

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Jazz minor scale

The jazz minor scale is a derivative of the melodic minor scale, except only the ascending form of the scale is used.

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Locrian mode

The Locrian mode is either a musical mode or simply a diatonic scale.

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Lydian augmented scale

In music, the Lydian augmented scale (Lydian 5 scale) is the third mode of the ascending melodic minor scale or jazz minor scale.

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Lydian mode

The modern Lydian mode is a seven-tone musical scale formed from a rising pattern of pitches comprising three whole tones, a semitone, two more whole tones, and a final semitone.

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Mixolydian mode

Mixolydian mode may refer to one of three things: the name applied to one of the ancient Greek harmoniai or tonoi, based on a particular octave species or scale; one of the medieval church modes; a modern musical mode or diatonic scale, related to the medieval mode.

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Musical note

In music, a note is the pitch and duration of a sound, and also its representation in musical notation (♪, ♩).

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Octave

In music, an octave (octavus: eighth) or perfect octave is the interval between one musical pitch and another with half or double its frequency.

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Phrygian mode

The Phrygian mode (pronounced) can refer to three different musical modes: the ancient Greek tonos or harmonia sometimes called Phrygian, formed on a particular set of octave species or scales; the Medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter.

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Piano

The piano is an acoustic, stringed musical instrument invented in Italy by Bartolomeo Cristofori around the year 1700 (the exact year is uncertain), in which the strings are struck by hammers.

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Piano key frequencies

This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A4), tuned to 440 Hz (referred to as A440).

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Root (chord)

In music theory, the concept of root is the idea that a chord can be represented and named by one of its notes.

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Scientific pitch notation

Scientific pitch notation (or SPN, also known as American Standard Pitch Notation (ASPN) and International Pitch Notation (IPN)) is a method of specifying musical pitch by combining a musical note name (with accidental if needed) and a number identifying the pitch's octave.

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The list above answers the following questions

A (musical note) and C (musical note) Comparison

A (musical note) has 33 relations, while C (musical note) has 53. As they have in common 27, the Jaccard index is 31.40% = 27 / (33 + 53).

References

This article shows the relationship between A (musical note) and C (musical note). To access each article from which the information was extracted, please visit:

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