Aeolian dominant scale and F (musical note)

Shortcuts: Differences, Similarities, Jaccard Similarity Coefficient, References.

Difference between Aeolian dominant scale and F (musical note)

Aeolian dominant scale vs. F (musical note)

The Aeolian dominant scale (also known as the Hindu scale, the Mixolydian 6, Aeolian major, and melodic major) is the fifth mode of the melodic minor scale. F is a musical note, the fourth above C. It is also known as fa in fixed-do solfège.

Acoustic scale

In music, the acoustic scale, overtone scale, Lydian dominant scale, or Lydian 7 scale, is a seven-note synthetic scale.

Acoustic scale and Aeolian dominant scale · Acoustic scale and F (musical note) · See more »

Aeolian mode

The Aeolian mode is a musical mode or, in modern usage, a diatonic scale called the natural minor scale.

Aeolian dominant scale and Aeolian mode · Aeolian mode and F (musical note) · See more »

Altered scale

In jazz, the altered scale or altered dominant scale is a seven-note scale that is a dominant scale where all non-essential tones have been altered.

Aeolian dominant scale and Altered scale · Altered scale and F (musical note) · See more »

Dorian ♭2 scale

The Dorian 2 scale, also known as Phrygian 6 is the second mode of the jazz minor scale (or the ascending melodic minor scale).

Aeolian dominant scale and Dorian ♭2 scale · Dorian ♭2 scale and F (musical note) · See more »

Half diminished scale

The half diminished scale is a seven-note musical scale.

Aeolian dominant scale and Half diminished scale · F (musical note) and Half diminished scale · See more »

Lydian augmented scale

In music, the Lydian augmented scale (Lydian 5 scale) is the third mode of the ascending melodic minor scale or jazz minor scale.

Aeolian dominant scale and Lydian augmented scale · F (musical note) and Lydian augmented scale · See more »

Mixolydian mode

Mixolydian mode may refer to one of three things: the name applied to one of the ancient Greek harmoniai or tonoi, based on a particular octave species or scale; one of the medieval church modes; a modern musical mode or diatonic scale, related to the medieval mode.

Aeolian dominant scale and Mixolydian mode · F (musical note) and Mixolydian mode · See more »

Perfect fourth

In classical music from Western culture, a fourth spans exactly four letter names (staff positions), while a perfect fourth (harmonic series) always involves the same interval, regardless of key (sharps and flats) between letters. A perfect fourth is the relationship between the third and fourth harmonics, sounding neither major nor minor, but consonant with an unstable quality (additive synthesis). In the key of C, the notes C and F constitute a perfect fourth relationship, as they're separated by four semitones (C, C#, D, D#, E, F). Up until the late 19th century, the perfect fourth was often called by its Greek name, diatessaron. A perfect fourth in just intonation corresponds to a pitch ratio of 4:3, or about 498 cents, while in equal temperament a perfect fourth is equal to five semitones, or 500 cents. The perfect fourth is a perfect interval like the unison, octave, and perfect fifth, and it is a sensory consonance. In common practice harmony, however, it is considered a stylistic dissonance in certain contexts, namely in two-voice textures and whenever it appears above the bass. If the bass note also happens to be the chord's root, the interval's upper note almost always temporarily displaces the third of any chord, and, in the terminology used in popular music, is then called a suspended fourth. Conventionally, adjacent strings of the double bass and of the bass guitar are a perfect fourth apart when unstopped, as are all pairs but one of adjacent guitar strings under standard guitar tuning. Sets of tom-tom drums are also commonly tuned in perfect fourths. The 4:3 just perfect fourth arises in the C major scale between G and C.

Aeolian dominant scale and Perfect fourth · F (musical note) and Perfect fourth · See more »