Similarities between Anton Webern and Contemporary classical music
Anton Webern and Contemporary classical music have 17 things in common (in Unionpedia): Arnold Schoenberg, Atonality, Bruno Maderna, Elliott Carter, George Benjamin (composer), György Ligeti, Henri Pousseur, John Cage, Karlheinz Stockhausen, Luigi Nono, Milton Babbitt, Olivier Messiaen, Pierre Boulez, Romanticism, Serialism, Timbre, Twelve-tone technique.
Arnold Schoenberg
Arnold Franz Walter Schoenberg or Schönberg (13 September 187413 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter.
Anton Webern and Arnold Schoenberg · Arnold Schoenberg and Contemporary classical music ·
Atonality
Atonality in its broadest sense is music that lacks a tonal center, or key.
Anton Webern and Atonality · Atonality and Contemporary classical music ·
Bruno Maderna
Bruno Maderna (21 April 1920 – 13 November 1973) was an Italian conductor and composer.
Anton Webern and Bruno Maderna · Bruno Maderna and Contemporary classical music ·
Elliott Carter
Elliott Cook Carter Jr. (December 11, 1908 – November 5, 2012) was an American composer who was twice awarded the Pulitzer Prize.
Anton Webern and Elliott Carter · Contemporary classical music and Elliott Carter ·
George Benjamin (composer)
Sir George William John Benjamin, CBE (born 31 January 1960) is an English composer of classical music.
Anton Webern and George Benjamin (composer) · Contemporary classical music and George Benjamin (composer) ·
György Ligeti
György Sándor Ligeti (Ligeti György Sándor,; 28 May 1923 – 12 June 2006) was a Hungarian-Austrian composer of contemporary classical music.
Anton Webern and György Ligeti · Contemporary classical music and György Ligeti ·
Henri Pousseur
Henri Pousseur (23 June 1929 – 6 March 2009) was a Belgian composer, teacher, and music theorist.
Anton Webern and Henri Pousseur · Contemporary classical music and Henri Pousseur ·
John Cage
John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist.
Anton Webern and John Cage · Contemporary classical music and John Cage ·
Karlheinz Stockhausen
Karlheinz Stockhausen (22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries.
Anton Webern and Karlheinz Stockhausen · Contemporary classical music and Karlheinz Stockhausen ·
Luigi Nono
Luigi Nono (29 January 1924 – 8 May 1990) was an Italian avant-garde composer of classical music and remains one of the most prominent composers of the 20th century.
Anton Webern and Luigi Nono · Contemporary classical music and Luigi Nono ·
Milton Babbitt
Milton Byron Babbitt (May 10, 1916 – January 29, 2011) was an American composer, music theorist, and teacher.
Anton Webern and Milton Babbitt · Contemporary classical music and Milton Babbitt ·
Olivier Messiaen
Olivier Eugène Prosper Charles Messiaen (December 10, 1908 – April 27, 1992) was a French composer, organist, and ornithologist, one of the major composers of the 20th century.
Anton Webern and Olivier Messiaen · Contemporary classical music and Olivier Messiaen ·
Pierre Boulez
Pierre Louis Joseph Boulez CBE (26 March 1925 – 5 January 2016) was a French composer, conductor, writer and founder of institutions.
Anton Webern and Pierre Boulez · Contemporary classical music and Pierre Boulez ·
Romanticism
Romanticism (also known as the Romantic era) was an artistic, literary, musical and intellectual movement that originated in Europe toward the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850.
Anton Webern and Romanticism · Contemporary classical music and Romanticism ·
Serialism
In music, serialism is a method of composition using series of pitches, rhythms, dynamics, timbres or other musical elements.
Anton Webern and Serialism · Contemporary classical music and Serialism ·
Timbre
In music, timbre (also known as tone color or tone quality from psychoacoustics) is the perceived sound quality of a musical note, sound or tone.
Anton Webern and Timbre · Contemporary classical music and Timbre ·
Twelve-tone technique
Twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition devised by Austrian composer Arnold Schoenberg (1874–1951) and associated with the "Second Viennese School" composers, who were the primary users of the technique in the first decades of its existence.
Anton Webern and Twelve-tone technique · Contemporary classical music and Twelve-tone technique ·
The list above answers the following questions
- What Anton Webern and Contemporary classical music have in common
- What are the similarities between Anton Webern and Contemporary classical music
Anton Webern and Contemporary classical music Comparison
Anton Webern has 230 relations, while Contemporary classical music has 251. As they have in common 17, the Jaccard index is 3.53% = 17 / (230 + 251).
References
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