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Baroque music

Index Baroque music

Baroque music is a style of Western art music composed from approximately 1600 to 1750. [1]

199 relations: Abendmusik, Absolute monarchy, Accompaniment, Alessandro Scarlatti, Alessandro Stradella, Allemande, Ancient Greece, Angélique (instrument), Anthem, Antonio Cesti, Antonio Vivaldi, Arcangelo Corelli, Archlute, Aria, Art music, Bandora (instrument), Baroque, Baroque guitar, Baroque pearl, Baroque trumpet, Baroque violin, Bass violin, Bassline, Bassoon, Bourrée, British Isles, Brittany, Cadence (music), Cantata, Canzona, Carlo Gesualdo, Castanets, Cello, Chaconne, Chalumeau, Chamber music, Charles de Brosses, Chorale, Chorale prelude, Chorale setting, Chord progression, Cithara, Cittern, Classical music, Classical period (music), Claudio Monteverdi, Clavichord, Codex Faenza, Concertato, Concerto, ..., Concerto grosso, Conducting, Contrabass, Cornett, Counterpoint, Courante, Curt Sachs, Da capo aria, Dafne, Dauphiné, Diego Ortiz, Dieterich Buxtehude, Diminished triad, Domenico Scarlatti, Dominant seventh chord, Double bass, Drama, Dramma per musica, Dulcian, Euridice (Peri), Fantasia (music), Figured bass, Florentine Camerata, Folk music, Fortepiano, François Couperin, Francesco Cavalli, French overture, Fugue, Gavotte, Georg Philipp Telemann, George Frideric Handel, Giacomo Carissimi, Gigue, Giovanni Battista Pergolesi, Giovanni de' Bardi, Giovanni Legrenzi, Giuseppe Tartini, Glossary of ballet, Gradus ad Parnassum, Harmony, Harp, Harpsichord, Heinrich Schütz, Heinrich Wölfflin, Henry Purcell, Homophony, Hurdy-gurdy, Jacopo Peri, Jean-Baptiste Lully, Jean-Philippe Rameau, Jig, Johann Joseph Fux, Johann Pachelbel, Johann Sebastian Bach, Key (music), Keyboard instrument, L'incoronazione di Poppea, L'Orfeo, Languedoc, Les Vingt-quatre Violons du Roi, Louis XIV of France, Luigi Rossi, Lute, Mandolin, Mandora, Manfred Bukofzer, Marc-Antoine Charpentier, Masque, Mass (music), Melody, Messiah (Handel), Minuet, Mode (music), Monody, Mordent, Movement (music), Musette de cour, Musical improvisation, Natural horn, Oboe, Opéra comique, Opéra-ballet, Opera, Opera seria, Oratorio, Organ (music), Ornament (music), Oxford University Press, Palazzo Pamphilj, Partita, Passacaglia, Passepied, Passion (music), Paul Henry Lang, Piano, Pipe organ, Pizzicato, Polyphony, Popular music, Prelude (music), Prima pratica, Provence, Rackett, Recitative, Recorder (musical instrument), Renaissance, Renaissance music, Ricercar, Rigaudon, Ritornello, Sackbut, Sarabande, Seconda pratica, Serpent (instrument), Silvestro Ganassi dal Fontego, Sinfonia, Sonata, Sonata da camera, Sonata da chiesa, Stylus fantasticus, Suite (Bach), Suite (music), Tambourine, Tangent piano, Tempo, Tenor violin, Texture (music), Theorbo, Timpani, Toccata, Tomaso Albinoni, Tonality, Tremolo, Trill (music), Trio sonata, Triple metre, Tritone, Trombone, Viol, Viola, Viola d'amore, Viola pomposa, Violino piccolo, Violone, Voicing (music), Western canon, Western concert flute, Zarzuela. Expand index (149 more) »

Abendmusik

(German for "evening music", plural) is an evening concert, usually performed in a church.

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Absolute monarchy

Absolute monarchy, is a form of monarchy in which one ruler has supreme authority and where that authority is not restricted by any written laws, legislature, or customs.

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Accompaniment

Accompaniment is the musical part which provides the rhythmic and/or harmonic support for the melody or main themes of a song or instrumental piece.

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Alessandro Scarlatti

Pietro Alessandro Gaspare Scarlatti (2 May 1660 – 22 October 1725) was an Italian Baroque composer, known especially for his operas and chamber cantatas.

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Alessandro Stradella

Alessandro Stradella (Nepi, 3 April 1639 – Genoa, 25 February 1682) was an Italian composer of the middle Baroque period.

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Allemande

An allemande (allemanda, almain(e), or alman(d), French: "German (dance)") is a renaissance and baroque dance, and one of the most popular instrumental dance styles in baroque music, with notable examples by Couperin, Purcell, Bach and Handel.

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Ancient Greece

Ancient Greece was a civilization belonging to a period of Greek history from the Greek Dark Ages of the 13th–9th centuries BC to the end of antiquity (AD 600).

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Angélique (instrument)

The angélique (French, from Italian angelica) is a plucked string instrument of the lute family of the baroque era.

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Anthem

An anthem is a musical composition of celebration, usually used as a symbol for a distinct group, particularly the national anthems of countries.

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Antonio Cesti

Pietro Marc'Antonio Cesti (baptism 5 August 162314 October 1669), known today primarily as an Italian composer of the Baroque era, was also a singer (tenor), and organist.

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Antonio Vivaldi

Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher and cleric.

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Arcangelo Corelli

Arcangelo Corelli (17 February 1653 – 8 January 1713) was an Italian violinist and composer of the Baroque era.

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Archlute

The archlute (Spanish archilaúd, Italian arciliuto, German Erzlaute, Russian Архилютня) is a European plucked string instrument developed around 1600 as a compromise between the very large theorbo, the size and re-entrant tuning of which made for difficulties in the performance of solo music, and the Renaissance tenor lute, which lacked the bass range of the theorbo.

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Aria

An aria (air; plural: arie, or arias in common usage, diminutive form arietta or ariette) in music was originally any expressive melody, usually, but not always, performed by a singer.

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Art music

Art music (alternately called classical music, cultivated music, serious music, and canonic music) is music that implies advanced structural and theoretical considerationsJacques Siron, "Musique Savante (Serious music)", Dictionnaire des mots de la musique (Paris: Outre Mesure): 242.

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Bandora (instrument)

The bandora or bandore is a large long-necked plucked string-instrument that can be regarded as a bass cittern though it does not have the re-entrant tuning typical of the cittern.

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Baroque

The Baroque is a highly ornate and often extravagant style of architecture, art and music that flourished in Europe from the early 17th until the late 18th century.

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Baroque guitar

The Baroque guitar (c. 1600–1750) is a string instrument with five courses of gut strings and moveable gut frets.

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Baroque pearl

Baroque pearls are pearls with an irregular non-spherical shape.

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Baroque trumpet

The baroque trumpet is a musical instrument in the brass family.

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Baroque violin

A Baroque violin is a violin set up in the manner of the baroque period of music.

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Bass violin

Bass violin is the modern term for various 16th- and 17th-century bass instruments of the violin (i.e. "viola da braccio") family.

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Bassline

A bassline (also known as a bass line or bass part) is the term used in many styles of music, such as jazz, blues, funk, dub and electronic, traditional music, or classical music for the low-pitched instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric organ, or synthesizer).

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Bassoon

The bassoon is a woodwind instrument in the double reed family that typically plays music written in the bass and tenor clefs, and occasionally the treble.

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Bourrée

The bourrée (borrèia; also in England, borry or bore) is a dance of French origin and the words and music that accompany it.

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British Isles

The British Isles are a group of islands off the north-western coast of continental Europe that consist of the islands of Great Britain, Ireland, the Isle of Man and over six thousand smaller isles.

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Brittany

Brittany (Bretagne; Breizh, pronounced or; Gallo: Bertaèyn, pronounced) is a cultural region in the northwest of France, covering the western part of what was known as Armorica during the period of Roman occupation.

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Cadence (music)

In Western musical theory, a cadence (Latin cadentia, "a falling") is "a melodic or harmonic configuration that creates a sense of resolution."Don Michael Randel (1999).

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Cantata

A cantata (literally "sung", past participle feminine singular of the Italian verb cantare, "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir.

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Canzona

The canzona (It. plural canzone) is an instrumental musical form of the 16th and 17th centuries that developed from the Netherlandish chanson.

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Carlo Gesualdo

Carlo Gesualdo da Venosa (8 March 1566 – 8 September 1613) was Prince of Venosa and Count of Conza.

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Castanets

Castanets are a percussion instrument (idiophone), used in Kalo, Moorish, Ottoman, ancient Roman, Italian, Spanish, Sephardic, Swiss, and Portuguese music.

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Cello

The cello (plural cellos or celli) or violoncello is a string instrument.

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Chaconne

A chaconne (chacona; ciaccona,; earlier English: chacony) is a type of musical composition popular in the baroque era when it was much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line (ground bass) which offered a compositional outline for variation, decoration, figuration and melodic invention.

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Chalumeau

The chalumeau (plural chalumeaux) is a single-reed woodwind instrument of the late baroque and early classical eras.

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Chamber music

Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room.

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Charles de Brosses

Charles de Brosses, comte de Tournay, baron de Montfalcon, seigneur de Vezins et de Prevessin (7 February 1709 – 7 May 1777), was a French writer of the 18th century.

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Chorale

Chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale.

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Chorale prelude

In music, a chorale prelude is a short liturgical composition for organ using a chorale tune as its basis.

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Chorale setting

Chorale settings refer to a wide variety of musical compositions, almost entirely of Protestant origin, which use a chorale as their basis.

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Chord progression

A chord progression or harmonic progression is a succession of musical chords, which are two or more notes, typically sounded simultaneously.

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Cithara

The cithara or kithara (translit, cithara) was an ancient Greek musical instrument in the lyre or lyra family.

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Cittern

The cittern or cithren (Fr. cistre, It. cetra, Ger. zitter, zither, Sp. cistro, cedra, cítola) is a stringed instrument dating from the Renaissance.

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Classical music

Classical music is art music produced or rooted in the traditions of Western culture, including both liturgical (religious) and secular music.

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Classical period (music)

The Classical period was an era of classical music between roughly 1730 to 1820, associated with the style of Haydn, Mozart and Beethoven.

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Claudio Monteverdi

Claudio Giovanni Antonio Monteverdi (15 May 1567 (baptized) – 29 November 1643) was an Italian composer, string player and choirmaster.

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Clavichord

The clavichord is a European stringed keyboard instrument that was used largely in the late Medieval, through the Renaissance, Baroque and Classical eras.

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Codex Faenza

The Codex Faenza (Faenza, Biblioteca Comunale 117) abbreviated as "(I-FZc 117)", and sometimes known as Codex Bonadies, is a 15th-century musical manuscript containing some of the oldest preserved keyboard music along with additional vocal pieces.

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Concertato

Concertato is a term in early Baroque music referring to either a genre or a style of music in which groups of instruments or voices share a melody, usually in alternation, and almost always over a basso continuo.

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Concerto

A concerto (plural concertos, or concerti from the Italian plural) is a musical composition usually composed in three movements, in which, usually, one solo instrument (for instance, a piano, violin, cello or flute) is accompanied by an orchestra or concert band.

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Concerto grosso

The concerto grosso (Italian for big concert(o), plural concerti grossi) is a form of baroque music in which the musical material is passed between a small group of soloists (the concertino) and full orchestra (the ripieno or concerto grosso).

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Conducting

Conducting is the art of directing a musical performance, such as an orchestral or choral concert.

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Contrabass

Contrabass (from contrabbasso) refers to a musical instrument of very low pitch—generally one octave below bass register instruments.

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Cornett

The cornett, cornetto, or zink is an early wind instrument that dates from the Medieval, Renaissance and Baroque periods, popular from 1500 to 1650.

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Counterpoint

In music, counterpoint is the relationship between voices that are harmonically interdependent (polyphony) yet independent in rhythm and contour.

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Courante

The courante, corrente, coranto and corant are some of the names given to a family of triple metre dances from the late Renaissance and the Baroque era.

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Curt Sachs

Curt Sachs (June 29, 1881 – February 5, 1959) was a German-born but American-domiciled musicologist.

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Da capo aria

The da capo aria is a musical form for arias that was prevalent in the Baroque era.

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Dafne

Dafne is the earliest known work that, by modern standards, could be considered an opera.

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Dauphiné

The Dauphiné or Dauphiné Viennois, formerly Dauphiny in English, is a former province in southeastern France, whose area roughly corresponded to that of the present departments of Isère, Drôme, and Hautes-Alpes.

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Diego Ortiz

Diego Ortiz (c. 1510 – c. 1570) was a Spanish composer and music theorist in service to the Spanish viceroy of Naples and later to Philip II of Spain.

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Dieterich Buxtehude

Dieterich Buxtehude (Diderich,; c. 1637/39 – 9 May 1707) was a Danish-German organist and composer of the Baroque period.

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Diminished triad

In music, a diminished triad, also known as the minor flatted fifth (m5), is a triad consisting of two minor thirds above the root — if built on C, a diminished triad would have a C, an E and a G. It resembles a minor triad with a lowered (flattened) fifth.

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Domenico Scarlatti

Giuseppe Domenico Scarlatti (Naples, 26 October 1685 Madrid, 23 July 1757) was an Italian composer who spent much of his life in the service of the Portuguese and Spanish royal families.

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Dominant seventh chord

In music theory, a dominant seventh chord, or major minor seventh chord, is a chord composed of a root, major third, perfect fifth, and minor seventh.

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Double bass

The double bass, or simply the bass (and numerous other names), is the largest and lowest-pitched bowed string instrument in the modern symphony orchestra.

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Drama

Drama is the specific mode of fiction represented in performance: a play performed in a theatre, or on radio or television.

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Dramma per musica

Dramma per musica (Italian, literally: drama for music, plural: drammi per musica) is a term which was used by dramatists in Italy and elsewhere between the late-17th and mid-19th centuries.

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Dulcian

The dulcian is a Renaissance woodwind instrument, with a double reed and a folded conical bore.

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Euridice (Peri)

Euridice (also Erudice or Eurydice) is an opera by Jacopo Peri, with additional music by Giulio Caccini.

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Fantasia (music)

The fantasia (also English: fantasy, fancy, fantazy, phantasy, Fantasie, Phantasie, fantaisie) is a musical composition with its roots in the art of improvisation.

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Figured bass

Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols (often accidentals) indicate intervals, chords, and non-chord tones that a musician playing piano, harpsichord, organ, lute (or other instruments capable of playing chords) play in relation to the bass note that these numbers and symbols appear above or below.

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Florentine Camerata

The Florentine Camerata, also known as the Camerata de' Bardi, were a group of humanists, musicians, poets and intellectuals in late Renaissance Florence who gathered under the patronage of Count Giovanni de' Bardi to discuss and guide trends in the arts, especially music and drama.

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Folk music

Folk music includes both traditional music and the genre that evolved from it during the 20th century folk revival.

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Fortepiano

A fortepiano is an early piano.

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François Couperin

François Couperin (10 November 1668 – 11 September 1733) was a French Baroque composer, organist and harpsichordist.

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Francesco Cavalli

Francesco Cavalli (born Pietro Francesco Caletti-Bruni 14 February 1602 – 14 January 1676) was an Italian composer of the early Baroque period.

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French overture

The French overture is a musical form widely used in the Baroque period.

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Fugue

In music, a fugue is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition.

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Gavotte

The gavotte (also gavot, gavote, or gavotta) is a French dance, taking its name from a folk dance of the Gavot, the people of the Pays de Gap region of Dauphiné in the southeast of France, where the dance originated according to one source.

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Georg Philipp Telemann

Georg Philipp Telemann (– 25 June 1767) was a German Baroque composer and multi-instrumentalist.

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George Frideric Handel

George Frideric (or Frederick) Handel (born italic; 23 February 1685 (O.S.) – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well-known for his operas, oratorios, anthems, and organ concertos.

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Giacomo Carissimi

Giacomo Carissimi (baptized 18 April 160512 January 1674) was an Italian composer and music teacher.

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Gigue

The gigue or giga is a lively baroque dance originating from the Ireland jig.

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Giovanni Battista Pergolesi

Giovanni Battista Draghi (4 January 1710 – 16 or 17 March 1736), often referred to as Giovanni Battista Pergolesi, was an Italian composer, violinist and organist.

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Giovanni de' Bardi

Giovanni de' Bardi (5 February 1534 – September 1612), Count of Vernio, was an Italian literary critic, writer, composer and soldier.

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Giovanni Legrenzi

Giovanni Legrenzi (baptized August 12, 1626 – May 27, 1690) was an Italian composer of opera, vocal and instrumental music, and organist, of the Baroque era.

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Giuseppe Tartini

Giuseppe Tartini (8 April 1692 – 26 February 1770) was an Italian Baroque composer and violinist.

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Glossary of ballet

Because ballet became formalized in France, a significant part of ballet terminology is in the French language.

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Gradus ad Parnassum

The Latin phrase gradus ad Parnassum means "steps to Parnassus".

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Harmony

In music, harmony considers the process by which the composition of individual sounds, or superpositions of sounds, is analysed by hearing.

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Harp

The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers.

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Harpsichord

A harpsichord is a musical instrument played by means of a keyboard which activates a row of levers that in turn trigger a mechanism that plucks one or more strings with a small plectrum.

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Heinrich Schütz

Heinrich Schütz (– 6 November 1672) was a German composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach and often considered to be one of the most important composers of the 17th century.

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Heinrich Wölfflin

Heinrich Wölfflin (21 June 1864, Winterthur – 19 July 1945, Zurich) was a Swiss art historian, whose objective classifying principles ("painterly" vs. "linear" and the like) were influential in the development of formal analysis in art history in the early 20th century.

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Henry Purcell

Henry Purcell (or; c. 10 September 1659According to Holman and Thompson (Grove Music Online, see References) there is uncertainty regarding the year and day of birth. No record of baptism has been found. The year 1659 is based on Purcell's memorial tablet in Westminster Abbey and the frontispiece of his Sonnata's of III. Parts (London, 1683). The day 10 September is based on vague inscriptions in the manuscript GB-Cfm 88. It may also be relevant that he was appointed to his first salaried post on 10 September 1677, which would have been his eighteenth birthday. – 21 November 1695) was an English composer.

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Homophony

In music, homophony (Greek: ὁμόφωνος, homóphōnos, from ὁμός, homós, "same" and φωνή, phōnē, "sound, tone") is a texture in which a primary part is supported by one or more additional strands that flesh out the harmony and often provide rhythmic contrast.

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Hurdy-gurdy

The hurdy-gurdy is a stringed instrument that produces sound by a hand crank-turned, rosined wheel rubbing against the strings.

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Jacopo Peri

Jacopo Peri (Zazzerino) (20 August 156112 August 1633) was an Italian composer and singer of the transitional period between the Renaissance and Baroque styles, and is often called the inventor of opera.

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Jean-Baptiste Lully

Jean-Baptiste Lully (born Giovanni Battista Lulli,; 28 November 1632 – 22 March 1687) was an Italian-born French composer, instrumentalist, and dancer who spent most of his life working in the court of Louis XIV of France.

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Jean-Philippe Rameau

Jean-Philippe Rameau (–) was one of the most important French composers and music theorists of the 18th century.

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Jig

The jig (port) is a form of lively folk dance in compound metre, as well as the accompanying dance tune.

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Johann Joseph Fux

Johann Joseph Fux (c. 1660 – 13 February 1741) was an Austrian composer, music theorist and pedagogue of the late Baroque era.

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Johann Pachelbel

Johann Pachelbel (baptised 1 September 1653 – buried 9 March 1706) was a German composer, organist, and teacher who brought the south German organ tradition to its peak.

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Johann Sebastian Bach

Johann Sebastian Bach (28 July 1750) was a composer and musician of the Baroque period, born in the Duchy of Saxe-Eisenach.

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Key (music)

In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a music composition in classical, Western art, and Western pop music.

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Keyboard instrument

A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers.

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L'incoronazione di Poppea

L'incoronazione di Poppea (SV 308, The Coronation of Poppaea) is an Italian opera by Claudio Monteverdi, with a libretto by Giovanni Francesco Busenello, first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1643 carnival season.

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L'Orfeo

L'Orfeo (SV 318), sometimes called La favola d'Orfeo, is a late Renaissance/early Baroque favola in musica, or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio.

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Languedoc

Languedoc (Lengadòc) is a former province of France.

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Les Vingt-quatre Violons du Roi

Les Vingt-quatre Violons du Roi (in original orthography Les Vingt-quatre Violons du Roy) were a famous five-part string orchestra at the French royal court, existing from 1626 to 1761.

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Louis XIV of France

Louis XIV (Louis Dieudonné; 5 September 16381 September 1715), known as Louis the Great (Louis le Grand) or the Sun King (Roi Soleil), was a monarch of the House of Bourbon who reigned as King of France from 1643 until his death in 1715.

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Luigi Rossi

Luigi Rossi (c. 1597 – 20 February 1653) was an Italian Baroque composer.

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Lute

A lute is any plucked string instrument with a neck (either fretted or unfretted) and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body.

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Mandolin

A mandolin (mandolino; literally "small mandola") is a stringed musical instrument in the lute family and is usually plucked with a plectrum or "pick".

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Mandora

The mandora or gallichon is a type of 18th- and early 19th-century lute, with six to nine courses of strings.

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Manfred Bukofzer

Manfred Fritz Bukofzer (March 27, 1910 – December 7, 1955) was a German-American musicologist and humanist.

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Marc-Antoine Charpentier

Marc-Antoine Charpentier (1643 – 24 February 1704) was a French composer of the Baroque era.

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Masque

The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant).

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Mass (music)

The Mass (italic), a form of sacred musical composition, is a choral composition that sets the invariable portions of the Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism) to music.

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Melody

A melody (from Greek μελῳδία, melōidía, "singing, chanting"), also tune, voice, or line, is a linear succession of musical tones that the listener perceives as a single entity.

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Messiah (Handel)

Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the version of the Psalms included with the Book of Common Prayer.

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Minuet

A minuet (also spelled menuet) is a social dance of French origin for two people, usually in 4 time.

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Mode (music)

In the theory of Western music, a mode is a type of musical scale coupled with a set of characteristic melodic behaviors.

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Monody

In poetry, the term monody has become specialized to refer to a poem in which one person laments another's death.

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Mordent

In music, a mordent is an ornament indicating that the note is to be played with a single rapid alternation with the note above or below.

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Movement (music)

A movement is a self-contained part of a musical composition or musical form.

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Musette de cour

The musette de cour or baroque musette is a musical instrument of the bagpipe family.

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Musical improvisation

Musical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians.

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Natural horn

The natural horn is a musical instrument that is the ancestor of the modern-day horn, and is differentiated by its lack of valves.

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Oboe

Oboes are a family of double reed woodwind instruments.

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Opéra comique

Opéra comique (plural: opéras comiques) is a genre of French opera that contains spoken dialogue and arias.

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Opéra-ballet

Opéra-ballet (French; plural: opéras-ballets) is a genre of French Baroque lyric theatre that was most popular during the 18th century, combining elements of opera and ballet, "that grew out of the ballets à entrées of the early seventeenth century".

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Opera

Opera (English plural: operas; Italian plural: opere) is a form of theatre in which music has a leading role and the parts are taken by singers.

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Opera seria

Opera seria (plural: opere serie; usually called dramma per musica or melodramma serio) is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770.

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Oratorio

An oratorio is a large musical composition for orchestra, choir, and soloists.

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Organ (music)

In music, the organ (from Greek ὄργανον organon, "organ, instrument, tool") is a keyboard instrument of one or more pipe divisions or other means for producing tones, each played with its own keyboard, played either with the hands on a keyboard or with the feet using pedals.

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Ornament (music)

In music, ornaments or embellishments are musical flourishes—typically, added notes—that are not essential to carry the overall line of the melody (or harmony), but serve instead to decorate or "ornament" that line (or harmony), provide added interest and variety, and give the performer the opportunity to add expressiveness to a song or piece.

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Oxford University Press

Oxford University Press (OUP) is the largest university press in the world, and the second oldest after Cambridge University Press.

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Palazzo Pamphilj

Palazzo Pamphilj, also spelled Palazzo Pamphili, is a palace facing onto the Piazza Navona in Rome.

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Partita

Partita (also partie, partia, parthia, or parthie) was originally the name for a single-instrumental piece of music (16th and 17th centuries), but Johann Kuhnau (Thomaskantor until 1722) and his successor Johann Sebastian Bach used it for collections of musical pieces, as a synonym for dance suite (see Bach Suites).

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Passacaglia

The passacaglia is a musical form that originated in early seventeenth-century Spain and is still used today by composers.

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Passepied

The passepied ("pass-foot", from a characteristic dance step) is a French court dance.

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Passion (music)

In Christian music, a Passion is a setting of the Passion of Christ.

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Paul Henry Lang

Paul Henry Lang (August 28, 1901, Budapest – September 21, 1991, Lakeville, Connecticut) was a Hungarian-American musicologist and music critic.

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Piano

The piano is an acoustic, stringed musical instrument invented in Italy by Bartolomeo Cristofori around the year 1700 (the exact year is uncertain), in which the strings are struck by hammers.

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Pipe organ

The pipe organ is a musical instrument that produces sound by driving pressurized air (called wind) through organ pipes selected via a keyboard.

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Pizzicato

Pizzicato (pizzicato, translated as pinched, and sometimes roughly as plucked) is a playing technique that involves plucking the strings of a string instrument.

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Polyphony

In music, polyphony is one type of musical texture, where a texture is, generally speaking, the way that melodic, rhythmic, and harmonic aspects of a musical composition are combined to shape the overall sound and quality of the work.

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Popular music

Popular music is music with wide appeal that is typically distributed to large audiences through the music industry.

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Prelude (music)

A prelude (Präludium or Vorspiel; praeludium; prélude; preludio) is a short piece of music, the form of which may vary from piece to piece.

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Prima pratica

Prima pratica (Italian,"first practice") refers to early Baroque music which looks more to the style of Palestrina, or the style codified by Gioseffo Zarlino, than to more "modern" styles.

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Provence

Provence (Provençal: Provença in classical norm or Prouvènço in Mistralian norm) is a geographical region and historical province of southeastern France, which extends from the left bank of the lower Rhône River to the west to the Italian border to the east, and is bordered by the Mediterranean Sea to the south.

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Rackett

The rackett, cervelas, or Sausage Bassoon is a Renaissance-era double reed wind instrument, introduced late in the sixteenth century and already superseded by bassoons at the end of the seventeenth century.

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Recitative

Recitative (also known by its Italian name "recitativo") is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms of ordinary speech.

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Recorder (musical instrument)

The recorder is a woodwind musical instrument in the group known as internal duct flutes—flutes with a whistle mouthpiece.

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Renaissance

The Renaissance is a period in European history, covering the span between the 14th and 17th centuries.

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Renaissance music

Renaissance music is vocal and instrumental music written and performed in Europe during the Renaissance era.

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Ricercar

A ricercar (also spelled ricercare, recercar, recercare) is a type of late Renaissance and mostly early Baroque instrumental composition.

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Rigaudon

The rigaudon (also spelled rigadon, rigadoon) is a French baroque dance with a lively duple metre.

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Ritornello

A ritornello (Italian; "little return") is a recurring passage in Baroque music for orchestra or chorus.

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Sackbut

A sackbut is a type of trombone from the Renaissance and Baroque eras, characterised by a telescopic slide that is used to vary the length of the tube to change pitch.

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Sarabande

The sarabande (from Spanish zarabanda) is a dance in triple metre.

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Seconda pratica

Seconda pratica, Italian for "second practice", is the counterpart to prima pratica and is more commonly referred to as Stile moderno.

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Serpent (instrument)

The serpent is a bass wind instrument, descended from the cornett, and a distant ancestor of the tuba, with a mouthpiece like a brass instrument but side holes like a woodwind.

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Silvestro Ganassi dal Fontego

Silvestro di Ganassi dal Fontego, also given as Sylvestro di Ganassi dal Fontego, Silvestro Ganasi dal Fontego, and Silvestro dal Fontego (1 January 1492 – 1565) was a Venetian musician and author of two important treatises on instrumental technique.

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Sinfonia

Sinfonia is the Italian word for symphony, from the Latin symphonia, in turn derived from Ancient Greek συμφωνία symphōnia (agreement or concord of sound), from the prefix σύν (together) and ϕωνή (sound).

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Sonata

Sonata (Italian:, pl. sonate; from Latin and Italian: sonare, "to sound"), in music, literally means a piece played as opposed to a cantata (Latin and Italian cantare, "to sing"), a piece sung.

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Sonata da camera

Sonata da camera is literally translated to mean 'chamber sonata' and is used to describe a group of instrumental pieces set into three or four different movements, beginning with a prelude, or small sonata, acting as an introduction for the following movements.

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Sonata da chiesa

Sonata da chiesa (Italian for church sonata) is an instrumental composition dating from the Baroque period, generally consisting of four movements.

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Stylus fantasticus

The stylus fantasticus (or stylus phantasticus) is a style of early baroque music.

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Suite (Bach)

Johann Sebastian Bach composed suites, partitas and overtures in the baroque dance suite format for solo instruments such as harpsichord, lute, violin, cello and flute, and for orchestra.

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Suite (music)

A suite, in Western classical music and jazz, is an ordered set of instrumental or orchestral/concert band pieces.

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Tambourine

The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zils".

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Tangent piano

The tangent piano is a very rare keyboard instrument that resembles a harpsichord and early pianos in design.

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Tempo

In musical terminology, tempo ("time" in Italian; plural: tempi) is the speed or pace of a given piece.

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Tenor violin

A tenor violin (or tenor viola) is an instrument with a range between those of the cello and the viola.

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Texture (music)

In music, texture is how the tempo, melodic, and harmonic materials are combined in a composition, thus determining the overall quality of the sound in a piece.

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Theorbo

The theorbo is a plucked string instrument of the lute family, with an extended neck and a second pegbox.

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Timpani

Timpani or kettledrums (also informally called timps) are musical instruments in the percussion family.

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Toccata

Toccata (from Italian toccare, literally, "to touch") is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuosic passages or sections, with or without imitative or fugal interludes, generally emphasizing the dexterity of the performer's fingers.

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Tomaso Albinoni

Tomaso Giovanni Albinoni (8 June 1671 – 17 January 1751) was an Italian Baroque composer.

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Tonality

Tonality is the arrangement of pitches and/or chords of a musical work in a hierarchy of perceived relations, stabilities, attractions and directionality.

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Tremolo

In music, tremolo, or tremolando, is a trembling effect.

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Trill (music)

The trill (or shake, as it was known from the 16th until the 19th century) is a musical ornament consisting of a rapid alternation between two adjacent notes, usually a semitone or tone apart, which can be identified with the context of the trill.

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Trio sonata

The trio sonata is a musical form that was found throughout the Baroque era and occurred in two forms in the last decades of the 17th century to the first half of the 18th century: the sonata da camera and the sonata da chiesa.

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Triple metre

Triple metre (or Am. triple meter, also known as triple time) is a musical metre characterized by a primary division of 3 beats to the bar, usually indicated by 3 (simple) or 9 (compound) in the upper figure of the time signature, with,, and being the most common examples.

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Tritone

In music theory, the tritone is defined as a musical interval composed of three adjacent whole tones.

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Trombone

The trombone is a musical instrument in the brass family.

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Viol

The viol, viola da gamba, or (informally) gamba, is any one of a family of bowed, fretted and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings.

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Viola

The viola is a string instrument that is bowed or played with varying techniques.

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Viola d'amore

The viola d'amore (Italian for "love viol") is a 7- or 6-stringed musical instrument with sympathetic strings used chiefly in the baroque period.

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Viola pomposa

The viola pomposa (also known as the violino pomposo) is a five-stringed instrument developed around 1725.

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Violino piccolo

The violino piccolo (also called the Diskantgeige, Terzgeige, Quartgeige or Violino alla francese) is a stringed instrument of the baroque period.

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Violone

The term violone (literally "large viol" in Italian, "-one" being the augmentative suffix) can refer to several distinct large, bowed musical instruments which belong to either the viol or violin family.

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Voicing (music)

In music theory, voicing refers to either of the two closely related concepts of.

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Western canon

The Western canon is the body of Western literature, European classical music, philosophy, and works of art that represents the high culture of Europe and North America: "a certain Western intellectual tradition that goes from, say, Socrates to Wittgenstein in philosophy, and from Homer to James Joyce in literature".

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Western concert flute

The Western concert flute is a transverse (side-blown) woodwind instrument made of metal or wood.

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Zarzuela

Zarzuela is a Spanish lyric-dramatic genre that alternates between spoken and sung scenes, the latter incorporating operatic and popular song, as well as dance.

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Baroque (music), Baroque Music, Baroque suite, Baroquesque music, Jesusurus, Music baroque.

References

[1] https://en.wikipedia.org/wiki/Baroque_music

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