Birmingham ElectroAcoustic Sound Theatre and Musique concrète

Shortcuts: Differences, Similarities, Jaccard Similarity Coefficient, References.

Difference between Birmingham ElectroAcoustic Sound Theatre and Musique concrète

Birmingham ElectroAcoustic Sound Theatre vs. Musique concrète

Birmingham ElectroAcoustic Sound Theatre, or as it is more commonly known, BEAST, is a sound diffusion system specifically designed for the performance of electroacoustic music. Musique concrète (meaning "concrete music")" problem for any translator of an academic work in French is that the language is relatively abstract and theoretical compared to English; one might even say that the mode of thinking itself tends to be more schematic, with a readiness to see material for study in terms of highly abstract dualisms and correlations, which on occasion does not sit easily with the perhaps more pragmatic English language.

Similarities between Birmingham ElectroAcoustic Sound Theatre and Musique concrète

Birmingham ElectroAcoustic Sound Theatre and Musique concrète have 8 things in common (in Unionpedia): Acousmonium, Canadian Electroacoustic Community, Computer Music Journal, Electroacoustic music, Francis Dhomont, Jonty Harrison, Loudspeaker, Mixing console.

Acousmonium

The Acousmonium is the sound diffusion system designed in 1974 by Francois Bayle and used originally by the Groupe de Recherches Musicales at the Maison de Radio France.

Acousmonium and Birmingham ElectroAcoustic Sound Theatre · Acousmonium and Musique concrète · See more »

Canadian Electroacoustic Community

Founded in 1986, La Communauté électroacoustique canadienne / The Canadian Electroacoustic Community (CEC) is Canada’s national electroacoustic / computer music / sonic arts organization and as such is dedicated to promoting this progressive art form in its broadest definition: from “pure” acousmatic and computer music to soundscape and sonic art to hardware hacking and beyond.

Birmingham ElectroAcoustic Sound Theatre and Canadian Electroacoustic Community · Canadian Electroacoustic Community and Musique concrète · See more »

Computer Music Journal

Computer Music Journal is a peer-reviewed academic journal that covers a wide range of topics related to digital audio signal processing and electroacoustic music.

Birmingham ElectroAcoustic Sound Theatre and Computer Music Journal · Computer Music Journal and Musique concrète · See more »

Electroacoustic music

Electroacoustic music originated in Western art music around the middle of the 20th century, following the incorporation of electric sound production into compositional practice.

Birmingham ElectroAcoustic Sound Theatre and Electroacoustic music · Electroacoustic music and Musique concrète · See more »

Francis Dhomont

Francis Dhomont (born Paris, France, 2 November 1926) is a French composer of electroacoustic / acousmatic music.

Birmingham ElectroAcoustic Sound Theatre and Francis Dhomont · Francis Dhomont and Musique concrète · See more »

Jonty Harrison

Jonty Harrison is an electroacoustic music composer born 27 April 1952 in Scunthorpe, UK, and currently living in Birmingham, UK.

Birmingham ElectroAcoustic Sound Theatre and Jonty Harrison · Jonty Harrison and Musique concrète · See more »

Loudspeaker

A loudspeaker (or loud-speaker or speaker) is an electroacoustic transducer; which converts an electrical audio signal into a corresponding sound.

Birmingham ElectroAcoustic Sound Theatre and Loudspeaker · Loudspeaker and Musique concrète · See more »

Mixing console

In sound recording and reproduction, and sound reinforcement systems, a mixing console is an electronic device for combining sounds of many different audio signals.

Birmingham ElectroAcoustic Sound Theatre and Mixing console · Mixing console and Musique concrète · See more »

The list above answers the following questions

What Birmingham ElectroAcoustic Sound Theatre and Musique concrète have in common
What are the similarities between Birmingham ElectroAcoustic Sound Theatre and Musique concrète

Birmingham ElectroAcoustic Sound Theatre and Musique concrète Comparison

Birmingham ElectroAcoustic Sound Theatre has 32 relations, while Musique concrète has 130. As they have in common 8, the Jaccard index is 4.94% = 8 / (32 + 130).

References

This article shows the relationship between Birmingham ElectroAcoustic Sound Theatre and Musique concrète. To access each article from which the information was extracted, please visit:

Unionpedia is a concept map or semantic network organized like an encyclopedia – dictionary. It gives a brief definition of each concept and its relationships.

This is a giant online mental map that serves as a basis for concept diagrams. It's free to use and each article or document can be downloaded. It's a tool, resource or reference for study, research, education, learning or teaching, that can be used by teachers, educators, pupils or students; for the academic world: for school, primary, secondary, high school, middle, technical degree, college, university, undergraduate, master's or doctoral degrees; for papers, reports, projects, ideas, documentation, surveys, summaries, or thesis. Here is the definition, explanation, description, or the meaning of each significant on which you need information, and a list of their associated concepts as a glossary. Available in English, Spanish, Portuguese, Japanese, Chinese, French, German, Italian, Polish, Dutch, Russian, Arabic, Hindi, Swedish, Ukrainian, Hungarian, Catalan, Czech, Hebrew, Danish, Finnish, Indonesian, Norwegian, Romanian, Turkish, Vietnamese, Korean, Thai, Greek, Bulgarian, Croatian, Slovak, Lithuanian, Filipino, Latvian, Estonian and Slovenian. More languages soon.

All the information was extracted from Wikipedia, and it's available under the Creative Commons Attribution-ShareAlike License.

Unionpedia is not endorsed by or affiliated with the Wikimedia Foundation.

Google Play, Android and the Google Play logo are trademarks of Google Inc.