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39 relations: Bar (music), Barbershop arranging, Cadence (music), Cantus firmus, Charles Burkhart, Conclusion (music), Conductus, Da capo, Dal segno, Diminutive, Epilogue, Exposition (music), Fade (audio engineering), Glossary of ballet, Italian language, Key (music), Latin, Ludwig Ritter von Köchel, Ludwig van Beethoven, Melisma, Modulation (music), Movement (music), Musical argument, Musical development, Musical form, Musical notation, Oxford University Press, Phrase (music theory), Piano Sonata No. 16 (Mozart), Piano Sonata No. 7 (Mozart), Popular music, Recapitulation (music), Repeat sign, Rock music, Section (music), Sonata form, Symphony No. 8 (Beethoven), Transition (music), Variation (music).
Bar (music)
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines.
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Barbershop arranging
Barbershop arranging is the art of creating arrangements of barbershop music.
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Cadence (music)
In Western musical theory, a cadence (Latin cadentia, "a falling") is "a melodic or harmonic configuration that creates a sense of resolution."Don Michael Randel (1999).
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Cantus firmus
In music, a cantus firmus ("fixed song") is a pre-existing melody forming the basis of a polyphonic composition.
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Charles Burkhart
Charles Burkhart is an American musicologist, theorist, composer, and pianist.
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Conclusion (music)
In music, the conclusion is the ending of a composition and may take the form of a coda or outro.
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Conductus
In medieval music, conductus (plural: conductus) is a type of sacred, but non-liturgical vocal composition for one or more voices.
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Da capo
Da capo,, is an Italian musical term that means "from the beginning" (literally, "from the head").
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Dal segno
In music notation, Dal segno, often abbreviated D.S., is used as a navigation marker.
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Diminutive
A diminutive is a word that has been modified to convey a slighter degree of its root meaning, to convey the smallness of the object or quality named, or to convey a sense of intimacy or endearment.
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Epilogue
An epilogue or epilog (from Greek ἐπίλογος epílogos, "conclusion" from ἐπί epi, "in addition" and λόγος logos, "word") is a piece of writing at the end of a work of literature, usually used to bring closure to the work.
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Exposition (music)
In musical form and analysis, exposition is the initial presentation of the thematic material of a musical composition, movement, or section.
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Fade (audio engineering)
In audio engineering, a fade is a gradual increase or decrease in the level of an audio signal.
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Glossary of ballet
Because ballet became formalized in France, a significant part of ballet terminology is in the French language.
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Italian language
Italian (or lingua italiana) is a Romance language.
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Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a music composition in classical, Western art, and Western pop music.
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Latin
Latin (Latin: lingua latīna) is a classical language belonging to the Italic branch of the Indo-European languages.
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Ludwig Ritter von Köchel
Ludwig Alois Friedrich Ritter von Köchel (14 January 1800 – 3 June 1877) was an Austrian musicologist, writer, composer, botanist and publisher.
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Ludwig van Beethoven
Ludwig van Beethoven (baptised 17 December 1770Beethoven was baptised on 17 December. His date of birth was often given as 16 December and his family and associates celebrated his birthday on that date, and most scholars accept that he was born on 16 December; however there is no documentary record of his birth.26 March 1827) was a German composer and pianist.
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Melisma
Melisma (Greek:, melisma, song, air, melody; from, melos, song, melody, plural: melismata) is the singing of a single syllable of text while moving between several different notes in succession.
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Modulation (music)
In music, modulation is most commonly the act or process of changing from one key (tonic, or tonal center) to another.
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Movement (music)
A movement is a self-contained part of a musical composition or musical form.
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Musical argument
A musical argument is a means of creating tension through the relation of expressive content and musical form: Experimental musics may use process or indeterminacy rather than argument.
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Musical development
In classical music, musical development is a process by which a musical idea is communicated in the course of a composition.
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Musical form
The term musical form (or musical architecture) refers to the overall structure or plan of a piece of music; it describes the layout of a composition as divided into sections.
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Musical notation
Music notation or musical notation is any system used to visually represent aurally perceived music played with instruments or sung by the human voice through the use of written, printed, or otherwise-produced symbols.
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Oxford University Press
Oxford University Press (OUP) is the largest university press in the world, and the second oldest after Cambridge University Press.
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Phrase (music theory)
In music theory, a phrase (φράση) is a unit of musical meter that has a complete musical sense of its own, built from figures, motifs, and cells, and combining to form melodies, periods and larger sections.
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Piano Sonata No. 16 (Mozart)
The Piano Sonata No.
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Piano Sonata No. 7 (Mozart)
Wolfgang Amadeus Mozart's Piano Sonata No.
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Popular music
Popular music is music with wide appeal that is typically distributed to large audiences through the music industry.
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Recapitulation (music)
In music theory, the recapitulation is one of the sections of a movement written in sonata form.
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Repeat sign
In music, a repeat sign is a sign that indicates a section should be repeated.
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Rock music
Rock music is a broad genre of popular music that originated as "rock and roll" in the United States in the early 1950s, and developed into a range of different styles in the 1960s and later, particularly in the United Kingdom and in the United States.
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Section (music)
In music, a section is a complete, but not independent, musical idea.
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Sonata form
Sonata form (also sonata-allegro form or first movement form) is a musical structure consisting of three main sections: an exposition, a development, and a recapitulation.
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Symphony No. 8 (Beethoven)
The Symphony No.
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Transition (music)
A transition is a passage of music composed to link one section of music to another.
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Variation (music)
In music, variation is a formal technique where material is repeated in an altered form.
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References
[1] https://en.wikipedia.org/wiki/Coda_(music)
