Electroacoustic music and Pauline Oliveros

Shortcuts: Differences, Similarities, Jaccard Similarity Coefficient, References.

Difference between Electroacoustic music and Pauline Oliveros

Electroacoustic music vs. Pauline Oliveros

Electroacoustic music originated in Western art music around the middle of the 20th century, following the incorporation of electric sound production into compositional practice. Pauline Oliveros (May 30, 1932 – November 24, 2016) was an American composer, accordionist and a central figure in the development of experimental and post-war electronic art music.

Similarities between Electroacoustic music and Pauline Oliveros

Electroacoustic music and Pauline Oliveros have 2 things in common (in Unionpedia): Electronic music, The New York Times.

Electronic music

Electronic music is music that employs electronic musical instruments, digital instruments and circuitry-based music technology.

Electroacoustic music and Electronic music · Electronic music and Pauline Oliveros · See more »

The New York Times

The New York Times (sometimes abbreviated as The NYT or The Times) is an American newspaper based in New York City with worldwide influence and readership.

Electroacoustic music and The New York Times · Pauline Oliveros and The New York Times · See more »

The list above answers the following questions

What Electroacoustic music and Pauline Oliveros have in common
What are the similarities between Electroacoustic music and Pauline Oliveros

Electroacoustic music and Pauline Oliveros Comparison

Electroacoustic music has 145 relations, while Pauline Oliveros has 63. As they have in common 2, the Jaccard index is 0.96% = 2 / (145 + 63).

References

This article shows the relationship between Electroacoustic music and Pauline Oliveros. To access each article from which the information was extracted, please visit:

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