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Frédéric Chopin and Requiem (Mozart)

Shortcuts: Differences, Similarities, Jaccard Similarity Coefficient, References.

Difference between Frédéric Chopin and Requiem (Mozart)

Frédéric Chopin vs. Requiem (Mozart)

Frédéric François Chopin (1 March 181017 October 1849) was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for solo piano. The Requiem in D minor, K. 626, is a requiem mass by Wolfgang Amadeus Mozart.

Similarities between Frédéric Chopin and Requiem (Mozart)

Frédéric Chopin and Requiem (Mozart) have 19 things in common (in Unionpedia): Arpeggio, B-flat major, Bass (voice type), Breitkopf & Härtel, Cadence (music), Canon (music), Counterpoint, Dynamics (music), Figured bass, Franz Liszt, G minor, Legato, Muzio Clementi, Phrase (music theory), Soprano, Tempo, Tenor, The Well-Tempered Clavier, Wolfgang Amadeus Mozart.

Arpeggio

A broken chord is a chord broken into a sequence of notes.

Arpeggio and Frédéric Chopin · Arpeggio and Requiem (Mozart) · See more »

B-flat major

In music theory, Bflat major is a major scale based on flat, with pitches B, C, D, flat, F, G, and A. Its key signature has two flats.

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Bass (voice type)

A bass is a type of classical male singing voice and has the lowest vocal range of all voice types.

Bass (voice type) and Frédéric Chopin · Bass (voice type) and Requiem (Mozart) · See more »

Breitkopf & Härtel

Breitkopf & Härtel is the world's oldest music publishing house.

Breitkopf & Härtel and Frédéric Chopin · Breitkopf & Härtel and Requiem (Mozart) · See more »

Cadence (music)

In Western musical theory, a cadence (Latin cadentia, "a falling") is "a melodic or harmonic configuration that creates a sense of resolution."Don Michael Randel (1999).

Cadence (music) and Frédéric Chopin · Cadence (music) and Requiem (Mozart) · See more »

Canon (music)

In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitations of the melody played after a given duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or dux), while the imitative melody, which is played in a different voice, is called the follower (or comes).

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Counterpoint

In music, counterpoint is the relationship between voices that are harmonically interdependent (polyphony) yet independent in rhythm and contour.

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Dynamics (music)

In music, the dynamics of a piece is the variation in loudness between notes or phrases.

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Figured bass

Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols (often accidentals) indicate intervals, chords, and non-chord tones that a musician playing piano, harpsichord, organ, lute (or other instruments capable of playing chords) play in relation to the bass note that these numbers and symbols appear above or below.

Figured bass and Frédéric Chopin · Figured bass and Requiem (Mozart) · See more »

Franz Liszt

Franz Liszt (Liszt Ferencz, in modern usage Liszt Ferenc;Liszt's Hungarian passport spelt his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simply "c" in all words except surnames; this has led to Liszt's given name being rendered in modern Hungarian usage as "Ferenc". From 1859 to 1867 he was officially Franz Ritter von Liszt; he was created a Ritter (knight) by Emperor Francis Joseph I in 1859, but never used this title of nobility in public. The title was necessary to marry the Princess Carolyne zu Sayn-Wittgenstein without her losing her privileges, but after the marriage fell through, Liszt transferred the title to his uncle Eduard in 1867. Eduard's son was Franz von Liszt. 22 October 181131 July 1886) was a prolific 19th-century Hungarian composer, virtuoso pianist, conductor, music teacher, arranger, organist, philanthropist, author, nationalist and a Franciscan tertiary during the Romantic era.

Frédéric Chopin and Franz Liszt · Franz Liszt and Requiem (Mozart) · See more »

G minor

G minor is a minor scale based on G, consisting of the pitches G, A, flat, C, D, Eflat, and F. Its key signature has two flats.

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Legato

In music performance and notation, legato (Italian for "tied together"; French lié; German gebunden) indicates that musical notes are played or sung smoothly and connected.

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Muzio Clementi

Muzio Filippo Vincenzo Francesco Saverio Clementi (23 January 1752 – 10 March 1832) was an Italian-born English composer, pianist, pedagogue, conductor, music publisher, editor, and piano manufacturer.

Frédéric Chopin and Muzio Clementi · Muzio Clementi and Requiem (Mozart) · See more »

Phrase (music theory)

In music theory, a phrase (φράση) is a unit of musical meter that has a complete musical sense of its own, built from figures, motifs, and cells, and combining to form melodies, periods and larger sections.

Frédéric Chopin and Phrase (music theory) · Phrase (music theory) and Requiem (Mozart) · See more »

Soprano

A soprano is a type of classical female singing voice and has the highest vocal range of all voice types.

Frédéric Chopin and Soprano · Requiem (Mozart) and Soprano · See more »

Tempo

In musical terminology, tempo ("time" in Italian; plural: tempi) is the speed or pace of a given piece.

Frédéric Chopin and Tempo · Requiem (Mozart) and Tempo · See more »

Tenor

Tenor is a type of classical male singing voice, whose vocal range is normally the highest male voice type, which lies between the baritone and countertenor voice types.

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The Well-Tempered Clavier

The Well-Tempered Clavier, BWV 846–893, is a collection of two sets of preludes and fugues in all 24 major and minor keys, composed for solo keyboard by Johann Sebastian Bach.

Frédéric Chopin and The Well-Tempered Clavier · Requiem (Mozart) and The Well-Tempered Clavier · See more »

Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the classical era.

Frédéric Chopin and Wolfgang Amadeus Mozart · Requiem (Mozart) and Wolfgang Amadeus Mozart · See more »

The list above answers the following questions

Frédéric Chopin and Requiem (Mozart) Comparison

Frédéric Chopin has 392 relations, while Requiem (Mozart) has 344. As they have in common 19, the Jaccard index is 2.58% = 19 / (392 + 344).

References

This article shows the relationship between Frédéric Chopin and Requiem (Mozart). To access each article from which the information was extracted, please visit:

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