Similarities between Frédéric Chopin and Requiem (Mozart)
Frédéric Chopin and Requiem (Mozart) have 19 things in common (in Unionpedia): Arpeggio, B-flat major, Bass (voice type), Breitkopf & Härtel, Cadence (music), Canon (music), Counterpoint, Dynamics (music), Figured bass, Franz Liszt, G minor, Legato, Muzio Clementi, Phrase (music theory), Soprano, Tempo, Tenor, The Well-Tempered Clavier, Wolfgang Amadeus Mozart.
Arpeggio
A broken chord is a chord broken into a sequence of notes.
Arpeggio and Frédéric Chopin · Arpeggio and Requiem (Mozart) ·
B-flat major
In music theory, Bflat major is a major scale based on flat, with pitches B, C, D, flat, F, G, and A. Its key signature has two flats.
B-flat major and Frédéric Chopin · B-flat major and Requiem (Mozart) ·
Bass (voice type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types.
Bass (voice type) and Frédéric Chopin · Bass (voice type) and Requiem (Mozart) ·
Breitkopf & Härtel
Breitkopf & Härtel is the world's oldest music publishing house.
Breitkopf & Härtel and Frédéric Chopin · Breitkopf & Härtel and Requiem (Mozart) ·
Cadence (music)
In Western musical theory, a cadence (Latin cadentia, "a falling") is "a melodic or harmonic configuration that creates a sense of resolution."Don Michael Randel (1999).
Cadence (music) and Frédéric Chopin · Cadence (music) and Requiem (Mozart) ·
Canon (music)
In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitations of the melody played after a given duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or dux), while the imitative melody, which is played in a different voice, is called the follower (or comes).
Canon (music) and Frédéric Chopin · Canon (music) and Requiem (Mozart) ·
Counterpoint
In music, counterpoint is the relationship between voices that are harmonically interdependent (polyphony) yet independent in rhythm and contour.
Counterpoint and Frédéric Chopin · Counterpoint and Requiem (Mozart) ·
Dynamics (music)
In music, the dynamics of a piece is the variation in loudness between notes or phrases.
Dynamics (music) and Frédéric Chopin · Dynamics (music) and Requiem (Mozart) ·
Figured bass
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols (often accidentals) indicate intervals, chords, and non-chord tones that a musician playing piano, harpsichord, organ, lute (or other instruments capable of playing chords) play in relation to the bass note that these numbers and symbols appear above or below.
Figured bass and Frédéric Chopin · Figured bass and Requiem (Mozart) ·
Franz Liszt
Franz Liszt (Liszt Ferencz, in modern usage Liszt Ferenc;Liszt's Hungarian passport spelt his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simply "c" in all words except surnames; this has led to Liszt's given name being rendered in modern Hungarian usage as "Ferenc". From 1859 to 1867 he was officially Franz Ritter von Liszt; he was created a Ritter (knight) by Emperor Francis Joseph I in 1859, but never used this title of nobility in public. The title was necessary to marry the Princess Carolyne zu Sayn-Wittgenstein without her losing her privileges, but after the marriage fell through, Liszt transferred the title to his uncle Eduard in 1867. Eduard's son was Franz von Liszt. 22 October 181131 July 1886) was a prolific 19th-century Hungarian composer, virtuoso pianist, conductor, music teacher, arranger, organist, philanthropist, author, nationalist and a Franciscan tertiary during the Romantic era.
Frédéric Chopin and Franz Liszt · Franz Liszt and Requiem (Mozart) ·
G minor
G minor is a minor scale based on G, consisting of the pitches G, A, flat, C, D, Eflat, and F. Its key signature has two flats.
Frédéric Chopin and G minor · G minor and Requiem (Mozart) ·
Legato
In music performance and notation, legato (Italian for "tied together"; French lié; German gebunden) indicates that musical notes are played or sung smoothly and connected.
Frédéric Chopin and Legato · Legato and Requiem (Mozart) ·
Muzio Clementi
Muzio Filippo Vincenzo Francesco Saverio Clementi (23 January 1752 – 10 March 1832) was an Italian-born English composer, pianist, pedagogue, conductor, music publisher, editor, and piano manufacturer.
Frédéric Chopin and Muzio Clementi · Muzio Clementi and Requiem (Mozart) ·
Phrase (music theory)
In music theory, a phrase (φράση) is a unit of musical meter that has a complete musical sense of its own, built from figures, motifs, and cells, and combining to form melodies, periods and larger sections.
Frédéric Chopin and Phrase (music theory) · Phrase (music theory) and Requiem (Mozart) ·
Soprano
A soprano is a type of classical female singing voice and has the highest vocal range of all voice types.
Frédéric Chopin and Soprano · Requiem (Mozart) and Soprano ·
Tempo
In musical terminology, tempo ("time" in Italian; plural: tempi) is the speed or pace of a given piece.
Frédéric Chopin and Tempo · Requiem (Mozart) and Tempo ·
Tenor
Tenor is a type of classical male singing voice, whose vocal range is normally the highest male voice type, which lies between the baritone and countertenor voice types.
Frédéric Chopin and Tenor · Requiem (Mozart) and Tenor ·
The Well-Tempered Clavier
The Well-Tempered Clavier, BWV 846–893, is a collection of two sets of preludes and fugues in all 24 major and minor keys, composed for solo keyboard by Johann Sebastian Bach.
Frédéric Chopin and The Well-Tempered Clavier · Requiem (Mozart) and The Well-Tempered Clavier ·
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the classical era.
Frédéric Chopin and Wolfgang Amadeus Mozart · Requiem (Mozart) and Wolfgang Amadeus Mozart ·
The list above answers the following questions
- What Frédéric Chopin and Requiem (Mozart) have in common
- What are the similarities between Frédéric Chopin and Requiem (Mozart)
Frédéric Chopin and Requiem (Mozart) Comparison
Frédéric Chopin has 392 relations, while Requiem (Mozart) has 344. As they have in common 19, the Jaccard index is 2.58% = 19 / (392 + 344).
References
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