Similarities between Iran and Sasanian music
Iran and Sasanian music have 14 things in common (in Unionpedia): Achaemenid Empire, Bamshad, Barbad, Byzantine Empire, Daf, Harp, Iranian calendars, Khosrow II, Nagisa (harpist), Sarkash, Sasanian art, Sasanian Empire, Taq Bostan, Zoroastrianism.
Achaemenid Empire
The Achaemenid Empire, also called the First Persian Empire, was an empire based in Western Asia, founded by Cyrus the Great.
Achaemenid Empire and Iran · Achaemenid Empire and Sasanian music ·
Bamshad
Bamshad (in Persian: بامشاد) was one of the four most famous and skilled musicians (with Barbad, Nagisa (Nakisa), and Ramtin) who lived in the Persian Sassanid dynasty when Xusro Parviz was in power (591-628).
Bamshad and Iran · Bamshad and Sasanian music ·
Barbad
Barbad (بربد) or Barbad-ī MarvaziBorhan-e Ghate', By Mohammad Hossein ibn-khalaf Tabrizi (باربد جهرمی / باربد / باربذ) was a Persian musician of the Sassanid era, who lived during the rule of Khosrau II, 590 to 628.
Barbad and Iran · Barbad and Sasanian music ·
Byzantine Empire
The Byzantine Empire, also referred to as the Eastern Roman Empire and Byzantium, was the continuation of the Roman Empire in its eastern provinces during Late Antiquity and the Middle Ages, when its capital city was Constantinople (modern-day Istanbul, which had been founded as Byzantium).
Byzantine Empire and Iran · Byzantine Empire and Sasanian music ·
Daf
The daf (دف daf; دُفْ duf) is a large Middle Eastern frame drum used in popular and classical music.
Daf and Iran · Daf and Sasanian music ·
Harp
The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers.
Harp and Iran · Harp and Sasanian music ·
Iranian calendars
The Iranian calendars (گاهشماری ایرانی Gâhshomâriye Irâni) are a succession of calendars invented or used for over two millennia in Iran (Persia).
Iran and Iranian calendars · Iranian calendars and Sasanian music ·
Khosrow II
Khosrow II (Chosroes II in classical sources; Middle Persian: Husrō(y)), entitled "Aparvēz" ("The Victorious"), also Khusraw Parvēz (New Persian: خسرو پرویز), was the last great king of the Sasanian Empire, reigning from 590 to 628.
Iran and Khosrow II · Khosrow II and Sasanian music ·
Nagisa (harpist)
Nagisa (from Persian negin,(Negin-Sa) alternately Nakisa) was a master harpist and composer of the royal court of King Khosrau II of Persia (died 628 AD).
Iran and Nagisa (harpist) · Nagisa (harpist) and Sasanian music ·
Sarkash
Sarkash is the least renowned of the three most influential musicians of the Sassanids.
Iran and Sarkash · Sarkash and Sasanian music ·
Sasanian art
Sasanian art, or Sassanid art, was produced under the Sasanian Empire which ruled from the 3rd to 7th centuries AD, before the Muslim conquest of Persia was completed around 651.
Iran and Sasanian art · Sasanian art and Sasanian music ·
Sasanian Empire
The Sasanian Empire, also known as the Sassanian, Sasanid, Sassanid or Neo-Persian Empire (known to its inhabitants as Ērānshahr in Middle Persian), was the last period of the Persian Empire (Iran) before the rise of Islam, named after the House of Sasan, which ruled from 224 to 651 AD. The Sasanian Empire, which succeeded the Parthian Empire, was recognised as one of the leading world powers alongside its neighbouring arch-rival the Roman-Byzantine Empire, for a period of more than 400 years.Norman A. Stillman The Jews of Arab Lands pp 22 Jewish Publication Society, 1979 International Congress of Byzantine Studies Proceedings of the 21st International Congress of Byzantine Studies, London, 21–26 August 2006, Volumes 1-3 pp 29. Ashgate Pub Co, 30 sep. 2006 The Sasanian Empire was founded by Ardashir I, after the fall of the Parthian Empire and the defeat of the last Arsacid king, Artabanus V. At its greatest extent, the Sasanian Empire encompassed all of today's Iran, Iraq, Eastern Arabia (Bahrain, Kuwait, Oman, Qatif, Qatar, UAE), the Levant (Syria, Palestine, Lebanon, Israel, Jordan), the Caucasus (Armenia, Georgia, Azerbaijan, Dagestan), Egypt, large parts of Turkey, much of Central Asia (Afghanistan, Turkmenistan, Uzbekistan, Tajikistan), Yemen and Pakistan. According to a legend, the vexilloid of the Sasanian Empire was the Derafsh Kaviani.Khaleghi-Motlagh, The Sasanian Empire during Late Antiquity is considered to have been one of Iran's most important and influential historical periods and constituted the last great Iranian empire before the Muslim conquest and the adoption of Islam. In many ways, the Sasanian period witnessed the peak of ancient Iranian civilisation. The Sasanians' cultural influence extended far beyond the empire's territorial borders, reaching as far as Western Europe, Africa, China and India. It played a prominent role in the formation of both European and Asian medieval art. Much of what later became known as Islamic culture in art, architecture, music and other subject matter was transferred from the Sasanians throughout the Muslim world.
Iran and Sasanian Empire · Sasanian Empire and Sasanian music ·
Taq Bostan
Taq-e Bostan (طاق بستان, تاقوەسان) means "Arch of the Garden" or "Arch made by stone" is a site with a series of large rock reliefs from the era of Sassanid Empire of Persia (Iran), carved around 4th century AD.
Iran and Taq Bostan · Sasanian music and Taq Bostan ·
Zoroastrianism
Zoroastrianism, or more natively Mazdayasna, is one of the world's oldest extant religions, which is monotheistic in having a single creator god, has dualistic cosmology in its concept of good and evil, and has an eschatology which predicts the ultimate destruction of evil.
Iran and Zoroastrianism · Sasanian music and Zoroastrianism ·
The list above answers the following questions
- What Iran and Sasanian music have in common
- What are the similarities between Iran and Sasanian music
Iran and Sasanian music Comparison
Iran has 1136 relations, while Sasanian music has 23. As they have in common 14, the Jaccard index is 1.21% = 14 / (1136 + 23).
References
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