Similarities between Requiem (Mozart) and SATB
Requiem (Mozart) and SATB have 7 things in common (in Unionpedia): Alto, Bass (voice type), Choir, Contralto, Fugue, Soprano, Tenor.
Alto
The musical term alto, meaning "high" in Italian (Latin: altus), refers to the second highest part of a contrapuntal musical texture and is also applied to its associated vocal range, especially in choral music.
Alto and Requiem (Mozart) · Alto and SATB ·
Bass (voice type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types.
Bass (voice type) and Requiem (Mozart) · Bass (voice type) and SATB ·
Choir
A choir (also known as a quire, chorale or chorus) is a musical ensemble of singers.
Choir and Requiem (Mozart) · Choir and SATB ·
Contralto
A contralto is a type of classical female singing voice whose vocal range is the lowest female voice type.
Contralto and Requiem (Mozart) · Contralto and SATB ·
Fugue
In music, a fugue is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition.
Fugue and Requiem (Mozart) · Fugue and SATB ·
Soprano
A soprano is a type of classical female singing voice and has the highest vocal range of all voice types.
Requiem (Mozart) and Soprano · SATB and Soprano ·
Tenor
Tenor is a type of classical male singing voice, whose vocal range is normally the highest male voice type, which lies between the baritone and countertenor voice types.
The list above answers the following questions
- What Requiem (Mozart) and SATB have in common
- What are the similarities between Requiem (Mozart) and SATB
Requiem (Mozart) and SATB Comparison
Requiem (Mozart) has 344 relations, while SATB has 33. As they have in common 7, the Jaccard index is 1.86% = 7 / (344 + 33).
References
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