Logo
Unionpedia
Communication
Get it on Google Play
New! Download Unionpedia on your Android™ device!
Free
Faster access than browser!
 

Secondary chord and The Shoop Shoop Song (It's in His Kiss)

Shortcuts: Differences, Similarities, Jaccard Similarity Coefficient, References.

Difference between Secondary chord and The Shoop Shoop Song (It's in His Kiss)

Secondary chord vs. The Shoop Shoop Song (It's in His Kiss)

A secondary chord is an analytical label for a specific harmonic device that is prevalent in the tonal idiom of Western music beginning in the common practice period, the use of diatonic functions for tonicization. In the tonal idiom, a song or piece of music has a tonic note and chord, which is based on the root of the key that the piece is in. The most important chords in a tonal song or piece are the tonic chord (labeled as I in harmonic analysis) and the dominant chord (V). A piece or song is said to be in the key of the tonic. In the key of C major, the tonic chord is C major and the dominant chord is G. Chords are named after the function they serve and their position (for example, the "dominant" is considered the most important after the tonic and the "subdominant" is the same distance from the tonic as the dominant but below rather than above) and numbered by the scale step of the chord's base note (the root of the vi chord is the sixth scale step). Secondary chords are altered or borrowed chords, chords which are not in the key. Secondary chords are referred to as the function they are serving of the key or chord to which they function and written "function/key". Thus, the dominant of the dominant is written "V/V" and read as, "five of five," or, "dominant of the dominant". Any scale degree with a major or minor chord on it may have any secondary function applied to it; secondary functions may be applied to diminished triads in some special circumstances. Secondary chords were not used until the Baroque period and are found more frequently and freely in the Classical period, even more so in the Romantic period, and, although they began to be used less frequently with the breakdown of conventional harmony in modern classical music, secondary dominants are a "cornerstone," of popular music and jazz of the 20th century.Benward & Saker (2003), p.273-7. "The Shoop Shoop Song (It's in His Kiss)" is a song written and composed by Rudy Clark.

Similarities between Secondary chord and The Shoop Shoop Song (It's in His Kiss)

Secondary chord and The Shoop Shoop Song (It's in His Kiss) have 1 thing in common (in Unionpedia): Betty Everett.

Betty Everett

Betty Everett (November 23, 1939 – August 19, 2001) was an American soul singer and pianist, best known for her biggest hit single, the million-selling "The Shoop Shoop Song (It's in His Kiss)", and her duet Let It Be Me with Jerry Butler, in which Jerry sings "without your sweet love, Betty, what would life be?".

Betty Everett and Secondary chord · Betty Everett and The Shoop Shoop Song (It's in His Kiss) · See more »

The list above answers the following questions

Secondary chord and The Shoop Shoop Song (It's in His Kiss) Comparison

Secondary chord has 75 relations, while The Shoop Shoop Song (It's in His Kiss) has 112. As they have in common 1, the Jaccard index is 0.53% = 1 / (75 + 112).

References

This article shows the relationship between Secondary chord and The Shoop Shoop Song (It's in His Kiss). To access each article from which the information was extracted, please visit:

Hey! We are on Facebook now! »