Communication

466 relations: Ach Gott, vom Himmel sieh darein, BWV 2, Ach Gott, wie manches Herzeleid, BWV 3, Ach Gott, wie manches Herzeleid, BWV 58, Ach Herr, mich armen Sünder, BWV 135, Ach wie flüchtig, ach wie nichtig, BWV 26, Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162, Ach, lieben Christen, seid getrost, BWV 114, Alessandro Marcello, Alfred Dörffel, Alfred Dürr, Allein zu dir, Herr Jesu Christ, BWV 33, Alles mit Gott und nichts ohn' ihn, BWV 1127, Alles nur nach Gottes Willen, BWV 72, Alles, was von Gott geboren, BWV 80a, Also hat Gott die Welt geliebt, BWV 68, Am Abend aber desselbigen Sabbats, BWV 42, Amore traditore, BWV 203, Angenehmes Wiederau, BWV 30a, Antonio Caldara, Antonio Lotti, Antonio Vivaldi, Arcangelo Corelli, Aria variata alla maniera italiana, Auf Christi Himmelfahrt allein, BWV 128, Auf, schmetternde Töne der muntern Trompeten, BWV 207a, Aus der Tiefen rufe ich, Herr, zu dir, BWV 131, Aus tiefer Not schrei ich zu dir, BWV 38, Ärgre dich, o Seele, nicht, BWV 186, Bach Archive, Bach cantata, Bach Gesellschaft, Bach's church music in Latin, Barmherziges Herze der ewigen Liebe, BWV 185, Bärenreiter, Bekennen will ich seinen Namen, BWV 200, Benedetto Marcello, Bereitet die Wege, bereitet die Bahn, BWV 132, Bernhard Christoph Breitkopf, Bisher habt ihr nichts gebeten in meinem Namen, BWV 87, Bist du bei mir, Blast Lärmen, ihr Feinde, BWV 205a, Bleib bei uns, denn es will Abend werden, BWV 6, Brandenburg Concerto No. 5, Brandenburg Concertos, Breitkopf & Härtel, Brich dem Hungrigen dein Brot, BWV 39, Bringet dem Herrn Ehre seines Namens, BWV 148, Canonic Trio Sonata in F major, BWV 1040, Canonic Variations on "Vom Himmel hoch da komm' ich her", Cantata, BWV 248a, ..., Capriccio on the departure of a beloved brother, Carl Philipp Emanuel Bach, Carlo Zuccari, Catalogues of classical compositions, Cello Suites (Bach), Christ lag in Todes Banden, BWV 4, Christ unser Herr zum Jordan kam, BWV 7, Christen, ätzet diesen Tag, BWV 63, Christian Friedrich Witt, Christian Petzold (composer), Christmas Oratorio, Christoph Wolff, Christum wir sollen loben schon, BWV 121, Christus, der ist mein Leben, BWV 95, Chromatic Fantasia and Fugue, Church cantata (Bach), Clavier-Übung III, Concerto for Two Violins (Bach), Darzu ist erschienen der Sohn Gottes, BWV 40, Das ist je gewißlich wahr, Das neugeborne Kindelein, BWV 122, Dem Gerechten muß das Licht, BWV 195, Denn du wirst meine Seele nicht in der Hölle lassen, Der Friede sei mit dir, BWV 158, Der Geist hilft unser Schwachheit auf, BWV 226, Der Herr denket an uns, BWV 196, Der Herr ist mein getreuer Hirt, BWV 112, Der Himmel dacht auf Anhalts Ruhm und Glück, BWV 66a, Der Himmel lacht! Die Erde jubilieret, BWV 31, Die Elenden sollen essen, BWV 75, Die Freude reget sich, BWV 36b, Die Himmel erzählen die Ehre Gottes, BWV 76, Die Zeit, die Tag und Jahre macht, BWV 134a, Du Friedefürst, Herr Jesu Christ, BWV 116, Du Hirte Israel, höre, BWV 104, Du sollt Gott, deinen Herren, lieben, BWV 77, Du wahrer Gott und Davids Sohn, BWV 23, Durchlauchtster Leopold, BWV 173a, Easter Oratorio, Ehre sei Gott in der Höhe, BWV 197a, Eight Short Preludes and Fugues, Ein feste Burg ist unser Gott, BWV 80, Ein Herz, das seinen Jesum lebend weiß, BWV 134, Ein ungefärbt Gemüte, BWV 24, English Suites (Bach), Enharmonic, Entfernet euch, ihr heitern Sterne, BWV Anh. 9, Entfliehet, verschwindet, entweichet, ihr Sorgen, BWV 249a, Er rufet seinen Schafen mit Namen, BWV 175, Erforsche mich, Gott, und erfahre mein Herz, BWV 136, Erfreut euch, ihr Herzen, BWV 66, Erfreute Zeit im neuen Bunde, BWV 83, Erhalt uns, Herr, bei deinem Wort, BWV 126, Erhöhtes Fleisch und Blut, BWV 173, Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172, Erwählte Pleißenstadt, BWV 216a, Erwünschtes Freudenlicht, BWV 184, Es erhub sich ein Streit, BWV 19, Es ist das Heil uns kommen her, BWV 9, Es ist dir gesagt, Mensch, was gut ist, BWV 45, Es ist ein trotzig und verzagt Ding, BWV 176, Es ist euch gut, daß ich hingehe, BWV 108, Es ist nichts Gesundes an meinem Leibe, BWV 25, Es lebe der König, der Vater im Lande, BWV Anh. 11, Es reißet euch ein schrecklich Ende, BWV 90, Es wartet alles auf dich, BWV 187, Falsche Welt, dir trau ich nicht, BWV 52, Fantasia and Fugue in C minor, BWV 537, Fantasia and Fugue in C minor, BWV 562, Fantasia in G major, BWV 572, Fürchte dich nicht, BWV 228, Flute Sonata in A major, BWV 1032, Flute Sonata in B minor, BWV 1030, Flute Sonata in C major, BWV 1033, Flute Sonata in E major, BWV 1035, Flute Sonata in E minor, BWV 1034, Flute Sonata in E-flat major, BWV 1031, François Couperin, Francesco Antonio Bonporti, Francesco Durante, French Suites (Bach), Freue dich, erlöste Schar, BWV 30, Froher Tag, verlangte Stunden, BWV Anh. 18, Fugue in G minor, BWV 1000, Fugue in G minor, BWV 131a, Fugue in G minor, BWV 578, Gedenke, Herr, wie es uns gehet, BWV 217, Geist und Seele wird verwirret, BWV 35, Gelobet sei der Herr, mein Gott, BWV 129, Gelobet seist du, Jesu Christ, BWV 91, Georg Böhm, Georg Christian Schemelli, Georg Philipp Telemann, George Frideric Handel, Geschwinde, ihr wirbelnden Winde, BWV 201, Giovanni Battista Bassani, Giovanni Legrenzi, Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18, Gloria in excelsis Deo, BWV 191, Glossary of musical terminology, Goldberg Variations, Gott der Herr ist Sonn und Schild, BWV 79, Gott der Hoffnung erfülle euch, Gott fähret auf mit Jauchzen, BWV 43, Gott ist mein König, BWV 71, Gott ist unsre Zuversicht, BWV 197, Gott soll allein mein Herze haben, BWV 169, Gott, gib dein Gerichte dem Könige, BWV Anh. 3, Gott, man lobet dich in der Stille, BWV 120, Gott, man lobet dich in der Stille, BWV 120b, Gott, wie dein Name, so ist auch dein Ruhm, BWV 171, Gottes Zeit ist die allerbeste Zeit, BWV 106, Gottfried August Homilius, Gottfried Heinrich Stölzel, Gottlob! nun geht das Jahr zu Ende, BWV 28, Great Eighteen Chorale Preludes, Great Fantasia and Fugue in G minor, BWV 542, Halt im Gedächtnis Jesum Christ, BWV 67, Harpsichord, Höchsterwünschtes Freudenfest, BWV 194, Herr Christ, der einge Gottessohn, BWV 96, Herr Gott, Beherrscher aller Dinge, BWV 120a, Herr Gott, dich loben alle wir, BWV 130, Herr Gott, dich loben wir, BWV 16, Herr Jesu Christ, du höchstes Gut, BWV 113, Herr Jesu Christ, wahr' Mensch und Gott, BWV 127, Herr, deine Augen sehen nach dem Glauben, BWV 102, Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105, Herr, wie du willt, so schicks mit mir, BWV 73, Herz und Mund und Tat und Leben, BWV 147, Herz und Mund und Tat und Leben, BWV 147a, Himmelskönig, sei willkommen, BWV 182, Ich armer Mensch, ich Sündenknecht, BWV 55, Ich bin ein guter Hirt, BWV 85, Ich bin in mir vergnügt, BWV 204, Ich bin vergnügt mit meinem Glücke, BWV 84, Ich elender Mensch, wer wird mich erlösen, BWV 48, Ich freue mich in dir, BWV 133, Ich geh und suche mit Verlangen, BWV 49, Ich glaube, lieber Herr, hilf meinem Unglauben, BWV 109, Ich hab in Gottes Herz und Sinn, BWV 92, Ich habe genug, BWV 82, Ich habe meine Zuversicht, BWV 188, Ich hatte viel Bekümmernis, BWV 21, Ich lasse dich nicht, BWV Anh. 159, Ich lasse dich nicht, du segnest mich denn, BWV 157, Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145, Ich liebe den Höchsten von ganzem Gemüte, BWV 174, Ich ruf zu dir, Herr Jesu Christ, BWV 177, Ich steh an deiner Krippen hier, Ich steh mit einem Fuß im Grabe, BWV 156, Ich weiß, daß mein Erlöser lebt, TWV 1:877, Ich will den Kreuzstab gerne tragen, BWV 56, Ihr Häuser des Himmels, ihr scheinenden Lichter, BWV 193a, Ihr Menschen, rühmet Gottes Liebe, BWV 167, Ihr Tore zu Zion, BWV 193, Ihr werdet weinen und heulen, BWV 103, Ihr, die ihr euch von Christo nennet, BWV 164, In allen meinen Taten, BWV 97, Inventions and Sinfonias (Bach), Italian Concerto (Bach), Jauchzet dem Herrn alle Welt, Jauchzet Gott in allen Landen, BWV 51, Jean-Baptiste Lully, Jesu, der du meine Seele, BWV 78, Jesu, meine Freude, BWV 227, Jesu, nun sei gepreiset, BWV 41, Jesus nahm zu sich die Zwölfe, BWV 22, Jesus schläft, was soll ich hoffen? BWV 81, Johann Adam Reincken, Johann Caspar Ferdinand Fischer, Johann Caspar Kerll, Johann Caspar Vogler, Johann Christian Bach, Johann Christoph Kellner, Johann Christoph Pez, Johann David Heinichen, Johann Ernst Eberlin, Johann Friedrich Fasch, Johann Georg Albrechtsberger, Johann Gottfried Walther, Johann Gottlieb Goldberg, Johann Kirnberger, Johann Ludwig Bach, Johann Ludwig Krebs, Johann Michael Bach, Johann Nicolaus Bach, Johann Pachelbel, Johann Peter Kellner, Johann Rosenmüller, Johann Sebastian Bach, Johann Tobias Krebs, Justin Heinrich Knecht, Karl Geiringer, Keyboard concertos by Johann Sebastian Bach, Klagt, Kinder, klagt es aller Welt, BWV 244a, Klavierbüchlein für Wilhelm Friedemann Bach, Komm, du süße Todesstunde, BWV 161, Komm, Jesu, komm, BWV 229, Komm, süßer Tod, komm selge Ruh, Kyrie–Gloria masses, BWV 233–236, L'estro armonico, La stravaganza, Laß, Fürstin, laß noch einen Strahl, BWV 198, Laßt uns sorgen, laßt uns wachen, BWV 213, Lautenwerck, Leichtgesinnte Flattergeister, BWV 181, Liebster Gott, wenn werd ich sterben? BWV 8, Liebster Immanuel, Herzog der Frommen, BWV 123, Liebster Jesu, mein Verlangen, BWV 32, List of Bach cantatas, List of chamber music works by Johann Sebastian Bach, List of chorale harmonisations by Johann Sebastian Bach, List of compositions by Johann Ludwig Krebs, List of compositions by Johann Sebastian Bach, List of fugal works by Johann Sebastian Bach, List of keyboard and lute compositions by Johann Sebastian Bach, List of masses, passions and oratorios by Johann Sebastian Bach, List of motets by Johann Sebastian Bach, List of orchestral works by Johann Sebastian Bach, List of organ compositions by Johann Sebastian Bach, List of secular cantatas by Johann Sebastian Bach, List of songs and arias by Johann Sebastian Bach, Lobe den Herren, den mächtigen König der Ehren, BWV 137, Lobe den Herrn, meine Seele, BWV 143, Lobe den Herrn, meine Seele, BWV 69, Lobe den Herrn, meine Seele, BWV 69a, Lobet den Herrn, alle Heiden, BWV 230, Lobet den Herrn, alle seine Heerscharen, BWV Anh. 5, Lobet Gott in seinen Reichen, BWV 11, Lobt ihn mit Herz und Munde, BWV 220, Lute Suite in E minor, BWV 996, Mache dich, mein Geist, bereit, BWV 115, Magnificat (Bach), Magnificat in E-flat major, BWV 243a, Man singet mit Freuden vom Sieg, BWV 149, Mass in B minor, Mein Gott, wie lang, ach lange? BWV 155, Mein Herze schwimmt im Blut, BWV 199, Mein liebster Jesus ist verloren, BWV 154, Mein Odem ist schwach, BWV 222, Meine Seel erhebt den Herren, BWV 10, Meine Seele rühmt und preist, BWV 189, Meine Seele soll Gott loben, BWV 223, Meine Seufzer, meine Tränen, BWV 13, Meinen Jesum laß ich nicht, BWV 124, Melchior Hoffmann (composer), Mer hahn en neue Oberkeet, BWV 212, Minuet in G major, BWV Anh. 114, Mit Fried und Freud ich fahr dahin, BWV 125, Nach dir, Herr, verlanget mich, BWV 150, Neumeister Collection, New Bach Edition, Nicolaus Vetter, Nimm von uns, Herr, du treuer Gott, BWV 101, Nimm, was dein ist, und gehe hin, BWV 144, Non sa che sia dolore, BWV 209, Notebook for Anna Magdalena Bach, Nun danket alle Gott, BWV 192, Nun ist das Heil und die Kraft, BWV 50, Nun komm, der Heiden Heiland, BWV 61, Nun komm, der Heiden Heiland, BWV 62, Nur jedem das Seine, BWV 163, O angenehme Melodei, BWV 210a, O ewiges Feuer, o Ursprung der Liebe, BWV 34, O ewiges Feuer, o Ursprung der Liebe, BWV 34a, O Ewigkeit, du Donnerwort, BWV 20, O Ewigkeit, du Donnerwort, BWV 60, O heilges Geist- und Wasserbad, BWV 165, O holder Tag, erwünschte Zeit, BWV 210, O Jesu Christ, meins Lebens Licht, BWV 118, Oboe, Oboe Concerto (Marcello), Orchestral Suite in G minor, BWV 1070, Orchestral suites (Bach), Organ Sonatas (Bach), Orgelbüchlein, Overture in the French style, BWV 831, Partita for keyboard No. 4 (Bach), Partita for keyboard No. 6 (Bach), Partita for Violin No. 1 (Bach), Partita for Violin No. 2 (Bach), Partita for Violin No. 3 (Bach), Partita in A minor for solo flute (Bach), Partitas for keyboard (Bach), Passacaglia and Fugue in C minor, BWV 582, Passions (Bach), Picander, Pietro Torri, Preise dein Glücke, gesegnetes Sachsen, BWV 215, Preise, Jerusalem, den Herrn, BWV 119, Prelude (Toccata) and Fugue in E major, BWV 566, Prelude and Fugue in A minor, BWV 543, Prelude and Fugue in B minor, BWV 893, Prelude and Fugue in C major, BWV 846, Prelude and Fugue in C major, BWV 870, Prelude and Fugue in C minor, BWV 847, Prelude and Fugue in C-sharp major, BWV 848, Prelude and Fugue in C-sharp minor, BWV 849, Prelude and Fugue in C-sharp minor, BWV 873, Prelude and Fugue in D major, BWV 532, Prelude and Fugue in E minor, BWV 548, Prelude and Fugue in E minor, BWV 855, Prelude and Fugue in F minor, BWV 881, Prelude and Fugue in G minor, BWV 861, Prelude in C minor, BWV 999, Prelude, Fugue and Allegro in E-flat major, BWV 998, Prince Johann Ernst of Saxe-Weimar, Quodlibet, BWV 524, Reißt euch los, bedrängte Sinnen, BWV 224, Ryom-Verzeichnis, Süßer Trost, mein Jesus kömmt, BWV 151, Schau, lieber Gott, wie meine Feind, BWV 153, Schauet doch und sehet, ob irgend ein Schmerz sei, BWV 46, Schübler Chorales, Schlage doch, gewünschte Stunde, BWV 53, Schleicht, spielende Wellen, BWV 206, Schmücke dich, o liebe Seele, BWV 180, Schweigt stille, plaudert nicht, BWV 211, Schwingt freudig euch empor, BWV 36, Schwingt freudig euch empor, BWV 36c, Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64, Sehet, wir gehn hinauf gen Jerusalem, BWV 159, Sei gegrüßet, Jesu gütig (chorale partita), Sei Lob und Ehr dem höchsten Gut, BWV 117, Selig ist der Mann, BWV 57, Sie werden aus Saba alle kommen, BWV 65, Sie werden euch in den Bann tun, BWV 183, Sie werden euch in den Bann tun, BWV 44, Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei, BWV 179, Siehe, es hat überwunden der Löwe, Siehe, ich will viel Fischer aussenden, BWV 88, Sinfonia in D major, BWV 1045, Singet dem Herrn ein neues Lied, BWV 190, Singet dem Herrn ein neues Lied, BWV 190a, Singet dem Herrn ein neues Lied, BWV 225, Six Little Preludes (Bach), Six Sonatas for Violin and Harpsichord, BWV 1014–1019, Sonata in G major for two flutes and basso continuo, BWV 1039, Sonatas and Partitas for Solo Violin (Bach), Sonatas for viola da gamba and harpsichord (Bach), St John Passion, St Luke Passion, BWV 246, St Mark Passion (attributed to Keiser), St Mark Passion, BWV 247, St Matthew Passion, Stabat Mater (Pergolesi), Steigt freudig in die Luft, BWV 36a, Suite in G minor, BWV 995, Sylvius Leopold Weiss, Tönet, ihr Pauken! Erschallet, Trompeten! BWV 214, Telemann-Werke-Verzeichnis, The Art of Fugue, The Diapason (magazine), The Musical Offering, The New Grove Dictionary of Music and Musicians, The Well-Tempered Clavier, Tilge, Höchster, meine Sünden, BWV 1083, Toccata and Fugue in D minor, BWV 538, Toccata and Fugue in D minor, BWV 565, Toccata and Fugue in F major, BWV 540, Toccata, Adagio and Fugue in C major, BWV 564, Tomaso Albinoni, Triple Concerto, BWV 1044, Tritt auf die Glaubensbahn, BWV 152, Tue Rechnung! Donnerwort, BWV 168, Twelve Concertos, Op. 7 (Vivaldi), Twelve Little Preludes, Uns ist ein Kind geboren, BWV 142, Unser Mund sei voll Lachens, BWV 110, Vereinigte Zwietracht der wechselnden Saiten, BWV 207, Vergnügte Pleißenstadt, BWV 216, Vergnügte Ruh, beliebte Seelenlust, BWV 170, Verjaget, zerstreuet, zerrüttet, ihr Sterne, BWV 249b, Viol, Violin Concerto in A minor (Bach), Violin Concerto in E major (Bach), Wachet auf, ruft uns die Stimme, BWV 140, Wachet! betet! betet! wachet! BWV 70, Wahrlich, wahrlich, ich sage euch, BWV 86, Warum betrübst du dich, mein Herz, BWV 138, Was frag ich nach der Welt, BWV 94, Was Gott tut, das ist wohlgetan, BWV 100, Was Gott tut, das ist wohlgetan, BWV 98, Was Gott tut, das ist wohlgetan, BWV 99, Was mein Gott will, das g'scheh allzeit, BWV 111, Was mir behagt, ist nur die muntre Jagd, BWV 208, Was mir behagt, ist nur die muntre Jagd, BWV 208a, Was soll ich aus dir machen, Ephraim, BWV 89, Was willst du dich betrüben, BWV 107, Wär Gott nicht mit uns diese Zeit, BWV 14, Weichet nur, betrübte Schatten, BWV 202, Weimar concerto transcriptions (Bach), Weinen, Klagen, Sorgen, Zagen, BWV 12, Wer da gläubet und getauft wird, BWV 37, Wer Dank opfert, der preiset mich, BWV 17, Wer ist der, so von Edom kömmt, Wer mich liebet, der wird mein Wort halten, BWV 59, Wer mich liebet, der wird mein Wort halten, BWV 74, Wer nur den lieben Gott läßt walten, BWV 93, Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47, Wer sucht die Pracht, wer wünscht den Glanz, BWV 221, Wer weiß, wie nahe mir mein Ende? BWV 27, Widerstehe doch der Sünde, BWV 54, Wie schön leuchtet der Morgenstern, BWV 1, Wilhelm Friedemann Bach, Wilhelm Hieronymus Pachelbel, Wir danken dir, Gott, wir danken dir, BWV 29, Wir müssen durch viel Trübsal, BWV 146, Wo gehest du hin? BWV 166, Wo Gott der Herr nicht bei uns hält, BWV 1128, Wo Gott der Herr nicht bei uns hält, BWV 178, Wo soll ich fliehen hin, BWV 5, Wohl dem, der sich auf seinen Gott, BWV 139, Wolfgang Schmieder, Zerreißet, zersprenget, zertrümmert die Gruft, BWV 205. Expand index (416 more) » « Shrink index

Ach Gott, vom Himmel sieh darein, BWV 2

Ach Gott, vom Himmel sieh darein (Oh God, look down from heaven),, is a chorale cantata composed by Johann Sebastian Bach for the second Sunday after Trinity in 1724.

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Ach Gott, wie manches Herzeleid, BWV 3

Ach Gott, wie manches Herzeleid (Oh God, how much heartache),, is a church cantata by Johann Sebastian Bach.

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Ach Gott, wie manches Herzeleid, BWV 58

Ach Gott, wie manches Herzeleid (Ah God, how much heartbreak),, is a church cantata by Johann Sebastian Bach.

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Ach Herr, mich armen Sünder, BWV 135

Johann Sebastian Bach composed the church cantata Ach Herr, mich armen Sünder (Ah Lord, poor sinner that I am),, in Leipzig for the third Sunday after Trinity and first performed it on 25 June 1724.

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Ach wie flüchtig, ach wie nichtig, BWV 26

Ach wie flüchtig, ach wie nichtig (Ah, how fleeting, ah how insignificant),, is a church cantata by Johann Sebastian Bach.

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Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162

Johann Sebastian Bach composed the church cantata Ach! ich sehe, itzt, da ich zur Hochzeit gehe (Ah! I see, now, when I go to the wedding),, in Weimar for the 20th Sunday after Trinity and first performed it in 1715 or 1716.

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Ach, lieben Christen, seid getrost, BWV 114

Johann Sebastian Bach composed the church cantata Ach, lieben Christen, seid getrost (Ah, dear Christians, be comforted),, in Leipzig for the 17th Sunday after Trinity and first performed it on 1 October 1724.

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Alessandro Marcello

Alessandro Ignazio Marcello (1 February 1673 – 19 June 1747 in Venice) was an Italian nobleman and composer.

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Alfred Dörffel

Alfred Dörffel (24 January 1821 – 22 January 1905) was a German pianist, music publisher and librarian.

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Alfred Dürr

Alfred Dürr (3 March 1918, Berlin-Charlottenburg – 7 April 2011, Göttingen) was a German musicologist.

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Allein zu dir, Herr Jesu Christ, BWV 33

Johann Sebastian Bach composed the church cantata Allein zu dir, Herr Jesu Christ (Only upon You, Lord Jesus Christ),, in Leipzig in 1724 for the thirteenth Sunday after Trinity and first performed it on 3 September 1724.

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Alles mit Gott und nichts ohn' ihn, BWV 1127

Alles mit Gott und nichts ohn' ihn (Everything with God and nothing without him), BWV 1127, is an aria for soprano, strings, and basso continuo written in October 1713 by Johann Sebastian Bach to a text by theologian Johann Anton Mylius.

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Alles nur nach Gottes Willen, BWV 72

Alles nur nach Gottes Willen (Everything according to God's will alone),, is a church cantata by Johann Sebastian Bach.

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Alles, was von Gott geboren, BWV 80a

Alles, was von Gott geboren (All that is born of God), BWV 80a, is a church cantata by Johann Sebastian Bach.

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Also hat Gott die Welt geliebt, BWV 68

Also hat Gott die Welt geliebt (God so loved the world),, is a cantata by Johann Sebastian Bach, a church cantata for the second day of Pentecost.

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Am Abend aber desselbigen Sabbats, BWV 42

Am Abend aber desselbigen Sabbats (On the evening, however, of the same Sabbath),, is a church cantata by Johann Sebastian Bach.

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Amore traditore, BWV 203

Amore traditore (Treacherous love), BWV 203, is a secular cantata composed by Johann Sebastian Bach in Weimar between 1718 and 1723.

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Angenehmes Wiederau, BWV 30a

Angenehmes Wiederau (Pleasant Wiederau), BWV 30a, is a secular cantata composed by Johann Sebastian Bach.

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Antonio Caldara

Antonio Caldara (1670 – 28 December 1736) was an Italian Baroque composer.

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Antonio Lotti

Antonio Lotti (5 January 1667 – 5 January 1740) was an Italian Baroque composer.

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Antonio Vivaldi

Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher and cleric.

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Arcangelo Corelli

Arcangelo Corelli (17 February 1653 – 8 January 1713) was an Italian violinist and composer of the Baroque era.

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Aria variata alla maniera italiana

Aria variata alla maniera italiana in A minor, BWV 989 is a keyboard work by Johann Sebastian Bach from around 1709, recorded in the Andreas Bach Book.

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Auf Christi Himmelfahrt allein, BWV 128

Auf Christi Himmelfahrt allein (On Christ's ascension into heaven alone),, is a church cantata by Johann Sebastian Bach.

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Auf, schmetternde Töne der muntern Trompeten, BWV 207a

Auf, schmetternde Töne der muntern Trompeten (Arise, blaring tones of high-spirited trumpets), BWV 207a, is a secular cantata composed by Johann Sebastian Bach and likely premiered in 1735.

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Aus der Tiefen rufe ich, Herr, zu dir, BWV 131

Aus der Tiefen rufe ich, Herr, zu dir (Out of the depths I call, Lord, to You),, is a church cantata by the German composer Johann Sebastian Bach.

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Aus tiefer Not schrei ich zu dir, BWV 38

Aus tiefer Not schrei ich zu dir (Out of deep anguish I call to You), BWV 38, is a church cantata by Johann Sebastian Bach.

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Ärgre dich, o Seele, nicht, BWV 186

Ärgre dich, o Seele, nicht (Do not be confounded, o soul),, is a church cantata by Johann Sebastian Bach.

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Bach Archive

The Bach-Archiv Leipzig or Bach-Archiv is an institution for the documentation and research of the life and work of Johann Sebastian Bach.

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Bach cantata

The cantatas of Johann Sebastian Bach (German: Bachkantaten) consist of at least 209 surviving works.

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Bach Gesellschaft

The German Bach-Gesellschaft (Bach Society) was a society formed in 1850 for the express purpose of publishing the complete works of Johann Sebastian Bach without editorial additions.

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Bach's church music in Latin

Most of Johann Sebastian Bach's extant church music in Latin —settings of (parts of) the Mass ordinary and the Magnificat— dates from his Leipzig period (1723–50).

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Barmherziges Herze der ewigen Liebe, BWV 185

Johann Sebastian Bach composed the church cantata Barmherziges Herze der ewigen Liebe (Merciful heart of eternal love),, in Weimar for the fourth Sunday after Trinity and first performed it on 14 July 1715.

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Bärenreiter

Bärenreiter (Bärenreiter-Verlag) is a German classical music publishing house based in Kassel.

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Bekennen will ich seinen Namen, BWV 200

Bekennen will ich seinen Namen (I shall acknowledge His name), BWV 200, is an arrangement by Johann Sebastian Bach of the aria "Dein Kreuz, o Bräutgam meiner Seelen" contained in Gottfried Heinrich Stölzel's passion-oratorio Die leidende und am Kreuz sterbende Liebe.

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Benedetto Marcello

Benedetto Giacomo Marcello ((31 July or 1 August 1686 – 24 July 1739) was an Italian composer, writer, advocate, magistrate, and teacher.

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Bereitet die Wege, bereitet die Bahn, BWV 132

Johann Sebastian Bach composed the church cantata Bereitet die Wege, bereitet die Bahn (Prepare the paths, prepare the road), in Weimar in 1715 for the fourth Sunday of Advent and led the first performance on 22 December 1715.

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Bernhard Christoph Breitkopf

Bernhard Christoph Breitkopf (2 March 1695 in Clausthal, now Clausthal-Zellerfeld – 26 March 1777 in Leipzig) was a German printer and publisher, and founder of the publisher that became Breitkopf & Härtel.

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Bisher habt ihr nichts gebeten in meinem Namen, BWV 87

Bisher habt ihr nichts gebeten in meinem Namen (Until now you have asked for nothing in My name),, is a church cantata by Johann Sebastian Bach.

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Bist du bei mir

"" (If you are with me, I go with joy) is an aria from Gottfried Heinrich Stölzel's opera Diomedes.

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Blast Lärmen, ihr Feinde, BWV 205a

Blast Lärmen, ihr Feinde (Enemies, blow the alarm), BWV 205a, is a secular cantata composed by Johann Sebastian Bach.

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Bleib bei uns, denn es will Abend werden, BWV 6

Bleib bei uns, denn es will Abend werden (Stay with us, for evening falls),, is a cantata by Johann Sebastian Bach for use in a Lutheran service.

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Brandenburg Concerto No. 5

Johann Sebastian Bach wrote his fifth Brandenburg Concerto, BWV 1050, for harpsichord, flute and violin as soloists, and an orchestral accompaniment consisting of strings and continuo.

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Brandenburg Concertos

The Brandenburg Concertos by Johann Sebastian Bach (BWV 1046–1051, original title: Six Concerts à plusieurs instruments)Johann Sebastian Bach's Werke, vol.

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Breitkopf & Härtel

Breitkopf & Härtel is the world's oldest music publishing house.

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Brich dem Hungrigen dein Brot, BWV 39

Johann Sebastian Bach composed the church cantata Brich dem Hungrigen dein Brot ("Break with hungry men thy bread" or "Give the hungry ones thy bread"),, in Leipzig and first performed on 23 June 1726, the first Sunday after Trinity that year.

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Bringet dem Herrn Ehre seines Namens, BWV 148

Johann Sebastian Bach composed the church cantata Bringet dem Herrn Ehre seines Namens (Bring to the Lord the honor due His name),, probably in 1723 in Leipzig for the 17th Sunday after Trinity.

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Canonic Trio Sonata in F major, BWV 1040

The Canonic Trio Sonata in F major is a short piece by Johann Sebastian Bach, catalogued as BWV 1040.

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Canonic Variations on "Vom Himmel hoch da komm' ich her"

The Canonic Variations on "Vom Himmel hoch da komm' ich her" ("From Heaven above to Earth I come"), BWV 769, are a set of five variations in canon for organ with two manuals and pedals by Johann Sebastian Bach on the Christmas hymn by Martin Luther of the same name.

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Cantata, BWV 248a

BWV 248a is a lost cantata composed by Johann Sebastian Bach in 1734 or before.

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Capriccio on the departure of a beloved brother

The Capriccio on the departure of a beloved brother (Italian: Capriccio sopra la lontananza del suo fratello dilettissimo), BWV 992, is an early work by Johann Sebastian Bach, possibly modeled on the Biblical Sonatas of Johann Kuhnau.

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Carl Philipp Emanuel Bach

Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, was a German Classical period musician and composer, the fifth child and second (surviving) son of Johann Sebastian Bach and Maria Barbara Bach.

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Carlo Zuccari

Carlo Zuccari (November 10, 1703 – May 3, 1792) was an Italian composer and violinist.

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Catalogues of classical compositions

This article gives some details of the various catalogues of classical compositions that have come into general use.

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Cello Suites (Bach)

The six Cello Suites, BWV 1007-1012, are suites for unaccompanied cello by Johann Sebastian Bach.

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Christ lag in Todes Banden, BWV 4

Christ lag in Todes Banden (also spelled Todesbanden) ("Christ lay in death's bonds" or "Christ lay in the snares of death"),, is a cantata for Easter by German composer Johann Sebastian Bach, one of his earliest church cantatas.

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Christ unser Herr zum Jordan kam, BWV 7

Johann Sebastian Bach composed the church cantata Christ unser Herr zum Jordan kam (Christ our Lord came to the Jordan),, in Leipzig for the Feast of St. John the Baptist and led its first performance on 24 June 1724.

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Christen, ätzet diesen Tag, BWV 63

Christen, ätzet diesen Tag (Christians, engrave this day),, is a church cantata by Johann Sebastian Bach.

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Christian Friedrich Witt

Christian Friedrich Witt, or Witte (c. 1660 – 13 April 1716) was a German composer, music editor and teacher.

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Christian Petzold (composer)

Christian Petzold (1677 – before 2 June 1733) was a German composer and organist.

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Christmas Oratorio

The Christmas Oratorio,, is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season.

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Christoph Wolff

Christoph Wolff (born May 24, 1940) is a German-born musicologist.

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Christum wir sollen loben schon, BWV 121

Christum wir sollen loben schon (We should praise Christ highly), BWV 121, is a church cantata by Johann Sebastian Bach.

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Christus, der ist mein Leben, BWV 95

Johann Sebastian Bach composed the church cantata Christus, der ist mein Leben (Christ, he is my life),, in Leipzig for the 16th Sunday after Trinity and first performed it on 12 September 1723.

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Chromatic Fantasia and Fugue

The Chromatic Fantasia and Fugue in D minor,, is a work for harpsichord by Johann Sebastian Bach.

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Church cantata (Bach)

Throughout his life as a musician, Johann Sebastian Bach composed cantatas for both secular and sacred use.

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Clavier-Übung III

The Clavier-Übung III, sometimes referred to as the German Organ Mass, is a collection of compositions for organ by Johann Sebastian Bach, started in 1735–36 and published in 1739.

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Concerto for Two Violins (Bach)

The Concerto for Two Violins in D minor, BWV 1043, also known as the Double Violin Concerto, is one of the most famous works by Johann Sebastian Bach and considered among the best examples of the work of the late Baroque period.

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Darzu ist erschienen der Sohn Gottes, BWV 40

Darzu ist erschienen der Sohn Gottes (For this the Son of God appeared),, is a church cantata by Johann Sebastian Bach.

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Das ist je gewißlich wahr

Das ist je gewißlich wahr (This is now the gospel truth), TWV 1:183, is a cantata by Georg Philipp Telemann.

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Das neugeborne Kindelein, BWV 122

Das neugeborne Kindelein (The new-born infant child), BWV 122, is a church cantata by Johann Sebastian Bach.

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Dem Gerechten muß das Licht, BWV 195

Dem Gerechten muß das Licht (The light shall for the righteous), BWV 195, is a church cantata by Johann Sebastian Bach for a wedding.

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Denn du wirst meine Seele nicht in der Hölle lassen

Denn du wirst meine Seele nicht in der Hölle lassen (For you shall not leave my soul in hell), JLB 21, BWV 15, is a church cantata spuriously attributed to Johann Sebastian Bach but most likely composed by Johann Ludwig Bach.

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Der Friede sei mit dir, BWV 158

Der Friede sei mit dir (Peace be with you), BWV 158, is the shortest of the cantatas by Johann Sebastian Bach and features a bass soloist.

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Der Geist hilft unser Schwachheit auf, BWV 226

Der Geist hilft unser Schwachheit auf (The Spirit gives aid to our weakness), BWV 226, is a motet by Johann Sebastian Bach, composed in Leipzig in 1729 for the funeral of Johann Heinrich Ernesti.

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Der Herr denket an uns, BWV 196

Der Herr denket an uns (The Lord is mindful of us),, is a cantata by Johann Sebastian Bach.

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Der Herr ist mein getreuer Hirt, BWV 112

Der Herr ist mein getreuer Hirt (The Lord is my faithful Shepherd),, is a cantata by Johann Sebastian Bach, a church cantata for the second Sunday after Easter.

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Der Himmel dacht auf Anhalts Ruhm und Glück, BWV 66a

Der Himmel dacht auf Anhalts Ruhm und Glück (Since heaven cared for Anhalt's fame and bliss), BWV 66a, is a congratulatory cantata by Johann Sebastian Bach.

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Der Himmel lacht! Die Erde jubilieret, BWV 31

Der Himmel lacht! Die Erde jubilieret (Heaven laughs! Earth exults),, is a church cantata by Johann Sebastian Bach for the first day of Easter.

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Die Elenden sollen essen, BWV 75

Johann Sebastian Bach composed the church cantata Die Elenden sollen essen (The miserable shall eat),, in Leipzig for the first Sunday after Trinity and first performed it on 30 May 1723.

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Die Freude reget sich, BWV 36b

Die Freude reget sich (Joy awakens), BWV 36b, is a secular cantata composed by Johann Sebastian Bach.

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Die Himmel erzählen die Ehre Gottes, BWV 76

Johann Sebastian Bach composed the church cantata Die Himmel erzählen die Ehre Gottes,, in Leipzig for the second Sunday after Trinity of the liturgical year and first performed it on 6 June 1723.

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Die Zeit, die Tag und Jahre macht, BWV 134a

Die Zeit, die Tag und Jahre macht (Time, which day and year doth make),, is a secular cantata or serenata by Johann Sebastian Bach.

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Du Friedefürst, Herr Jesu Christ, BWV 116

Du Friedefürst, Herr Jesu Christ (You Prince of Peace, Lord Jesus Christ),, is a church cantata written by Johann Sebastian Bach in 1724 in Leipzig for the 25th Sunday after Trinity.

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Du Hirte Israel, höre, BWV 104

Du Hirte Israel, höre (You Shepherd of Israel, hear),, is a church cantata by Johann Sebastian Bach.

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Du sollt Gott, deinen Herren, lieben, BWV 77

Johann Sebastian Bach composed the church cantata Du sollt Gott, deinen Herren, lieben (You shall love God, your Lord), in Leipzig for the thirteenth Sunday after Trinity and first performed it on 22 August 1723.

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Du wahrer Gott und Davids Sohn, BWV 23

Du wahrer Gott und Davids Sohn (You true God and Son of David),, is a church cantata by Johann Sebastian Bach.

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Durchlauchtster Leopold, BWV 173a

Durchlauchtster Leopold (Most illustrious Leopold), BWV 173a, is a secular cantata by Johann Sebastian Bach.

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Easter Oratorio

The Easter Oratorio,, is an oratorio by Johann Sebastian Bach, beginning with Kommt, eilet und laufet ("Come, hasten and run").

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Ehre sei Gott in der Höhe, BWV 197a

Ehre sei Gott in der Höhe (Glory be to God in the Highest),, is a Christmas cantata by Johann Sebastian Bach.

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Eight Short Preludes and Fugues

The Eight Short Preludes and Fugues (also Eight Little Preludes and Fugues), BWV 553–560, are a collection of works for keyboard and pedal formerly attributed to Johann Sebastian Bach.

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Ein feste Burg ist unser Gott, BWV 80

Ein feste Burg ist unser Gott ("A Mighty Fortress Is Our God"), BWV 80, is a chorale cantata for Reformation Day by Johann Sebastian Bach.

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Ein Herz, das seinen Jesum lebend weiß, BWV 134

Ein Herz, das seinen Jesum lebend weiß (A heart that knows its Jesus is living),, is a church cantata for Easter by Johann Sebastian Bach.

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Ein ungefärbt Gemüte, BWV 24

Johann Sebastian Bach composed the church cantata Ein ungefärbt Gemüte (An open mind) (literally: An undyed mind),, in Leipzig for the fourth Sunday after Trinity and first performed it on 20 June 1723.

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English Suites (Bach)

The English Suites, BWV 806–811, are a set of six suites written by the German composer Johann Sebastian Bach for harpsichord (or clavichord) and generally thought to be the earliest of his 19 suites for keyboard, the others being the six French Suites, BWV 812–817, the six Partitas, BWV 825-830 and the Overture in the French style, BWV 831.

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Enharmonic

In modern musical notation and tuning, an enharmonic equivalent is a note, interval, or key signature that is equivalent to some other note, interval, or key signature but "spelled", or named differently.

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Entfernet euch, ihr heitern Sterne, BWV Anh. 9

Entfernet euch, ihr heitern Sterne (Disperse yourselves, ye stars, serenely!),, is a birthday cantata by Johann Sebastian Bach.

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Entfliehet, verschwindet, entweichet, ihr Sorgen, BWV 249a

Entfliehet, verschwindet, entweichet, ihr Sorgen (Fly, vanish, flee, o worries), BWV 249a, is a secular cantata by Johann Sebastian Bach.

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Er rufet seinen Schafen mit Namen, BWV 175

Er rufet seinen Schafen mit Namen (He calls His sheep by name), BWV 175, is a church cantata by Johann Sebastian Bach.

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Erforsche mich, Gott, und erfahre mein Herz, BWV 136

Erforsche mich, Gott, und erfahre mein Herz (Examine me, God, and know my heart), BWV 136, is a church cantata by Johann Sebastian Bach.

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Erfreut euch, ihr Herzen, BWV 66

Erfreut euch, ihr Herzen (Rejoice, you hearts),, is a church cantata for Easter by Johann Sebastian Bach.

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Erfreute Zeit im neuen Bunde, BWV 83

Erfreute Zeit im neuen Bunde (Joyful time in the new covenant),, is a church cantata by Johann Sebastian Bach.

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Erhalt uns, Herr, bei deinem Wort, BWV 126

Erhalt uns, Herr, bei deinem Wort (Sustain us, Lord with your word),, is a cantata by Johann Sebastian Bach for use in a Lutheran service.

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Erhöhtes Fleisch und Blut, BWV 173

Erhöhtes Fleisch und Blut (Exalted flesh and blood), BWV 173, is a church cantata by Johann Sebastian Bach.

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Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172

Erschallet, ihr Lieder, erklinget, ihr Saiten!,, is a church cantata by Johann Sebastian Bach, composed in Weimar in 1714 for Pentecost Sunday.

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Erwählte Pleißenstadt, BWV 216a

Erwählte Pleißenstadt ("O chosen Leipzig", literally: "Chosen city on the Pleiße"),, is a secular cantata composed by Johann Sebastian Bach.

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Erwünschtes Freudenlicht, BWV 184

Erwünschtes Freudenlicht (Desired light of joy),, is a cantata by Johann Sebastian Bach for the Lutheran church service.

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Es erhub sich ein Streit, BWV 19

Es erhub sich ein Streit (There arose a war),, is a church cantata by Johann Sebastian Bach.

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Es ist das Heil uns kommen her, BWV 9

Johann Sebastian Bach composed the church cantata Es ist das Heil uns kommen her (It is our salvation come here to us),, in Leipzig for the sixth Sunday after Trinity between 1732 and 1735.

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Es ist dir gesagt, Mensch, was gut ist, BWV 45

Es ist dir gesagt, Mensch, was gut ist (It has been told to you, man, what is good), BWV 45, is a church cantata by Johann Sebastian Bach.

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Es ist ein trotzig und verzagt Ding, BWV 176

Es ist ein trotzig und verzagt Ding (There is something defiant and fainthearted), BWV 176, is a church cantata by Johann Sebastian Bach.

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Es ist euch gut, daß ich hingehe, BWV 108

Es ist euch gut, daß ich hingehe (It is good for you that I leave),, is a church cantata by Johann Sebastian Bach.

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Es ist nichts Gesundes an meinem Leibe, BWV 25

Johann Sebastian Bach composed the church cantata Es ist nichts Gesundes an meinem Leibe (There is nothing sound in my body),, in Leipzig for the 14th Sunday after Trinity and first performed it on 29 August 1723.

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Es lebe der König, der Vater im Lande, BWV Anh. 11

Es lebe der König, der Vater im Lande (Long live the King, the father of the country),, is a secular cantata by J. S. Bach to a text by Picander.

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Es reißet euch ein schrecklich Ende, BWV 90

Es reißet euch ein schrecklich Ende (A horrible end will carry you off), BWV 90, is a church cantata by Johann Sebastian Bach.

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Es wartet alles auf dich, BWV 187

Johann Sebastian Bach composed the church cantata Es wartet alles auf dich (Everything waits for You),, in Leipzig for the seventh Sunday after Trinity and first performed it on 4 August 1726.

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Falsche Welt, dir trau ich nicht, BWV 52

Johann Sebastian Bach composed the church cantata Falsche Welt, dir trau ich nicht (False world, I trust you not),, in Leipzig for the 23rd Sunday after Trinity.

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Fantasia and Fugue in C minor, BWV 537

The Fantasia and Fugue in C minor, BWV 537 is a piece for the organ written by Johann Sebastian Bach.

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Fantasia and Fugue in C minor, BWV 562

The Fantasia and Fugue in C minor, BWV 562 is a relatively short piece written for the organ by Johann Sebastian Bach.

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Fantasia in G major, BWV 572

The Fantasia or Pièce d'Orgue (organ piece) in G major, BWV 572, is a composition for organ by Johann Sebastian Bach.

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Fürchte dich nicht, BWV 228

Fürchte dich nicht (Do not fear),, is a motet for a funeral by Johann Sebastian Bach, set for double chorus.

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Flute Sonata in A major, BWV 1032

The Sonata in A major for transverse flute and harpsichord by J. S. Bach (BWV 1032) is a sonata in 3 movements.

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Flute Sonata in B minor, BWV 1030

The Sonata in B minor for transverse flute and obbligato harpsichord by Johann Sebastian Bach (BWV 1030) is a sonata in trio sonata form in 3 movements.

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Flute Sonata in C major, BWV 1033

The Sonata in C major for flute or recorder and basso continuo (BWV 1033) is a sonata in 4 movements.

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Flute Sonata in E major, BWV 1035

The Sonata in E major for flute and basso continuo (BWV 1035) is a sonata for transverse flute and figured bass composed by Bach in the 1740s.

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Flute Sonata in E minor, BWV 1034

Sonata in E minor for flute or recorder and basso continuo by J. S. Bach (BWV 1034) is a sonata in four movements.

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Flute Sonata in E-flat major, BWV 1031

The Sonata in E major for flute or recorder and harpsichord, probably by J. S. Bach (BWV 1031), is a sonata in 3 movements.

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François Couperin

François Couperin (10 November 1668 – 11 September 1733) was a French Baroque composer, organist and harpsichordist.

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Francesco Antonio Bonporti

Francesco Antonio Bonporti (11 June 1672 – 19 December 1749) was an Italian priest and amateur composer.

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Francesco Durante

Francesco Durante (31 March 1684 – 30 September 1755) was a Neapolitan composer.

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French Suites (Bach)

The French Suites, BWV 812–817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725.

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Freue dich, erlöste Schar, BWV 30

Freue dich, erlöste Schar (Rejoice, redeemed flock), BWV 30, is a church cantata composed by Johann Sebastian Bach.

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Froher Tag, verlangte Stunden, BWV Anh. 18

Froher Tag, verlangte Stunden (Happy day, long hoped-for hours),, is a cantata by J.S. Bach.

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Fugue in G minor, BWV 1000

The Fugue in G minor is a musical composition, possibly for the lute, written by Johann Sebastian Bach shortly after he moved from Köthen to Leipzig in 1723.

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Fugue in G minor, BWV 131a

The Fugue in G minor, BWV 131a, is a piece of organ music attributed to Johann Sebastian Bach.

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Fugue in G minor, BWV 578

Fugue in G minor, BWV 578, (popularly known as the Little Fugue), is a piece of organ music written by Johann Sebastian Bach during his years at Arnstadt (1703–1707).

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Gedenke, Herr, wie es uns gehet, BWV 217

Gedenke, Herr, wie es uns gehet (Be mindful of our condition, Lord), BWV 217, is a church cantata, formerly attributed to Johann Sebastian Bach.

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Geist und Seele wird verwirret, BWV 35

Geist und Seele wird verwirret (Spirit and soul become confused),, is a church cantata by Johann Sebastian Bach.

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Gelobet sei der Herr, mein Gott, BWV 129

Gelobet sei der Herr, mein Gott (Praised be the Lord, my God), is a church cantata by Johann Sebastian Bach.

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Gelobet seist du, Jesu Christ, BWV 91

Gelobet seist du, Jesu Christ (Praise be to You, Jesus Christ),, is a church cantata by Johann Sebastian Bach.

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Georg Böhm

Georg Böhm (2 September 1661 – 18 May 1733) was a German Baroque organist and composer.

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Georg Christian Schemelli

Georg Christian Schemelli (born 1676 or 1678 or 1680 - 5 March 1762) was a German Protestant church musician.

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Georg Philipp Telemann

Georg Philipp Telemann (– 25 June 1767) was a German Baroque composer and multi-instrumentalist.

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George Frideric Handel

George Frideric (or Frederick) Handel (born italic; 23 February 1685 (O.S.) – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well-known for his operas, oratorios, anthems, and organ concertos.

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Geschwinde, ihr wirbelnden Winde, BWV 201

Geschwinde, ihr wirbelnden Winde (Swift, you swirling winds), BWV 201, is a secular cantata by Johann Sebastian Bach, with a libretto by Christian Friedrich Henrici, who published the cantata's libretto under his pen name Picander as Der Streit zwischen Phoebus und Pan (The Dispute between Phoebus and Pan).

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Giovanni Battista Bassani

Giovanni Battista Bassani (c. 1650 – 1 October 1716) was an Italian composer, violinist, and organist.

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Giovanni Legrenzi

Giovanni Legrenzi (baptized August 12, 1626 – May 27, 1690) was an Italian composer of opera, vocal and instrumental music, and organist, of the Baroque era.

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Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18

Gleichwie der Regen und Schnee vom Himmel fällt (Just as the rain and snow fall from heaven),, is an early church cantata by Johann Sebastian Bach.

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Gloria in excelsis Deo, BWV 191

Gloria in excelsis Deo (Glory to God in the Highest),, is a church cantata written by the German Baroque composer Johann Sebastian Bach, and the only one of his church cantatas set to a Latin text.

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Glossary of musical terminology

This is a list of musical terms that are likely to be encountered in printed scores, music reviews, and program notes.

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Goldberg Variations

The Goldberg Variations, BWV 988, are a work written for harpsichord by Johann Sebastian Bach, consisting of an aria and a set of 30 variations.

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Gott der Herr ist Sonn und Schild, BWV 79

Johann Sebastian Bach composed the church cantata Gott der Herr ist Sonn und Schild (God the Lord is sun and shield),, in Leipzig in 1725, his third year as Thomaskantor, for Reformation Day and led the first performance on 31 October 1725.

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Gott der Hoffnung erfülle euch

Gott der Hoffnung erfülle euch (May the God of hope fill you), TWV 1:634, BWV 218, is a church cantata by Georg Philipp Telemann formerly credited to Johann Sebastian Bach.

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Gott fähret auf mit Jauchzen, BWV 43

Gott fähret auf mit Jauchzen ("God goes up with jubilation" or "God has gone up with a shout"),, is a church cantata by Johann Sebastian Bach.

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Gott ist mein König, BWV 71

Gott ist mein König (God is my King),, is a cantata by Johann Sebastian Bach written in Mühlhausen when the composer was 23 years old.

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Gott ist unsre Zuversicht, BWV 197

Gott ist unsre Zuversicht (God is our confidence), BWV 197, is a church cantata by Johann Sebastian Bach.

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Gott soll allein mein Herze haben, BWV 169

Johann Sebastian Bach composed the church cantata Gott soll allein mein Herze haben (God alone shall have my heart),,, a solo cantata for an alto soloist, in Leipzig for the 18th Sunday after Trinity and first performed it on 20 October 1726.

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Gott, gib dein Gerichte dem Könige, BWV Anh. 3

Gott, gib dein Gerichte dem Könige (God, give now thy judgement unto the King),, is a lost cantata composed by Johann Sebastian Bach.

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Gott, man lobet dich in der Stille, BWV 120

Gott, man lobet dich in der Stille (God, You are praised in the stillness),, is a sacred cantata by Johann Sebastian Bach.

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Gott, man lobet dich in der Stille, BWV 120b

Gott, man lobet dich in der Stille (God, you are praised in the stillness), BWV 120b, is a cantata by Johann Sebastian Bach.

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Gott, wie dein Name, so ist auch dein Ruhm, BWV 171

Gott, wie dein Name, so ist auch dein Ruhm (God, as Your name is, so is also Your praise),, is a church cantata by Johann Sebastian Bach.

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Gottes Zeit ist die allerbeste Zeit, BWV 106

Gottes Zeit ist die allerbeste Zeit (God's time is the very best time),, also known as Actus tragicus, is an early sacred cantata composed by Johann Sebastian Bach in Mühlhausen, intended for a funeral.

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Gottfried August Homilius

Gottfried August Homilius (2 February 1714 – 2 June 1785) was a German composer, cantor and organist.

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Gottfried Heinrich Stölzel

Gottfried Heinrich Stölzel (13 January 1690 in – 27 November 1749 in Gotha) was a prolific German baroque composer.

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Gottlob! nun geht das Jahr zu Ende, BWV 28

Gottlob! nun geht das Jahr zu Ende (Praise God! The year now draws to a close),, Bach Cantatas Website BWV 28, is a church cantata by Johann Sebastian Bach for the Sunday after Christmas.

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Great Eighteen Chorale Preludes

The Great Eighteen Chorale Preludes, BWV 651–668, are a set of chorale preludes for organ prepared by Johann Sebastian Bach in Leipzig in his final decade (1740–1750), from earlier works composed in Weimar, where he was court organist.

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Great Fantasia and Fugue in G minor, BWV 542

The Great Fantasia and Fugue in G minor, BWV 542, is an organ prelude and fugue by Johann Sebastian Bach.

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Halt im Gedächtnis Jesum Christ, BWV 67

Halt im Gedächtnis Jesum Christ (Keep Jesus Christ in mind),, is a church cantata by Johann Sebastian Bach.

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Harpsichord

A harpsichord is a musical instrument played by means of a keyboard which activates a row of levers that in turn trigger a mechanism that plucks one or more strings with a small plectrum.

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Höchsterwünschtes Freudenfest, BWV 194

Höchsterwünschtes Freudenfest (Most highly desired festival of joy),, is a church cantata by Johann Sebastian Bach.

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Herr Christ, der einge Gottessohn, BWV 96

Johann Sebastian Bach composed the church cantata Herr Christ, der einge Gottessohn (Lord Christ, the only Son of God), BWV 96, in Leipzig for the 18th Sunday after Trinity and first performed it on 8 October 1724.

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Herr Gott, Beherrscher aller Dinge, BWV 120a

Herr Gott, Beherrscher aller Dinge (Lord God, ruler of all things),, is a wedding cantata by Johann Sebastian Bach.

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Herr Gott, dich loben alle wir, BWV 130

Johann Sebastian Bach composed the church cantata Herr Gott, dich loben alle wir, BWV 130 (Lord God, we all praise you),, in Leipzig in 1724 for Michaelis, the feast of Michael, the archangel, on 29 September 1724.

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Herr Gott, dich loben wir, BWV 16

Herr Gott, dich loben wir (Lord God, we praise You),, is a church cantata by Johann Sebastian Bach.

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Herr Jesu Christ, du höchstes Gut, BWV 113

Johann Sebastian Bach composed the church cantata Herr Jesu Christ, du höchstes Gut (Lord Jesus Christ, O highest good),, in Leipzig for the eleventh Sunday after Trinity and first performed it on 20 August 1724.

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Herr Jesu Christ, wahr' Mensch und Gott, BWV 127

Herr Jesu Christ, wahr' Mensch und Gott (Lord Jesus Christ, true Man and God),, is a cantata by Johann Sebastian Bach for use in a Lutheran service.

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Herr, deine Augen sehen nach dem Glauben, BWV 102

Johann Sebastian Bach composed the church cantata Herr, deine Augen sehen nach dem Glauben (Lord, Your eyes look for faith),, in Leipzig for the tenth Sunday after Trinity and first performed on 25 August 1726.

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Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105

Herr, gehe nicht ins Gericht mit deinem Knecht (Lord, do not pass judgment on Your servant), BWV 105, is a church cantata by Johann Sebastian Bach.

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Herr, wie du willt, so schicks mit mir, BWV 73

Herr, wie du willt, so schicks mit mir (Lord, as you will, so let it be done with me),, is a church cantata by Johann Sebastian Bach.

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Herz und Mund und Tat und Leben, BWV 147

Johann Sebastian Bach composed the church cantata Herz und Mund und Tat und Leben (Heart and mouth and deed and life),, in 1723 during his first year as Thomaskantor, the director of church music in Leipzig.

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Herz und Mund und Tat und Leben, BWV 147a

Herz und Mund und Tat und Leben (Heart and mouth and deed and life),, is a cantata by Johann Sebastian Bach.

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Himmelskönig, sei willkommen, BWV 182

Himmelskönig, sei willkommen (King of Heaven, welcome),, is a church cantata by Johann Sebastian Bach.

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Ich armer Mensch, ich Sündenknecht, BWV 55

Johann Sebastian Bach composed the church cantata Ich armer Mensch, ich Sündenknecht (I, wretched man, a servant to sin),, in Leipzig for the 22nd Sunday after Trinity and first performed it on 17 November 1726.

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Ich bin ein guter Hirt, BWV 85

Ich bin ein guter Hirt (I am a Good Shepherd),, is a church cantata by Johann Sebastian Bach.

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Ich bin in mir vergnügt, BWV 204

Ich bin in mir vergnügt (I am content in myself), BWV 204, is a secular cantata composed by Johann Sebastian Bach in Leipzig between 1726 and 1727.

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Ich bin vergnügt mit meinem Glücke, BWV 84

Ich bin vergnügt mit meinem Glücke (I am content with my fortune),, is a church cantata by Johann Sebastian Bach.

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Ich elender Mensch, wer wird mich erlösen, BWV 48

Johann Sebastian Bach composed the church cantata Ich elender Mensch, wer wird mich erlösen (Wretched man that I am, who shall deliver me),, in Leipzig for the 19th Sunday after Trinity and first performed it on 3 October 1723.

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Ich freue mich in dir, BWV 133

Ich freue mich in dir (I rejoice in You),, is a church cantata by Johann Sebastian Bach.

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Ich geh und suche mit Verlangen, BWV 49

Johann Sebastian Bach composed the church cantata Ich geh und suche mit Verlangen (I go forth and seek with longing),, in Leipzig for the twentieth Sunday after Trinity Sunday and first performed it on 3 November 1726.

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Ich glaube, lieber Herr, hilf meinem Unglauben, BWV 109

Johann Sebastian Bach composed the church cantata Ich glaube, lieber Herr, hilf meinem Unglauben (I believe, dear Lord, help my unbelief), BWV 109, in Leipzig for the 21st Sunday after Trinity and first performed it on 17 October 1723.

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Ich hab in Gottes Herz und Sinn, BWV 92

Ich hab in Gottes Herz und Sinn (I have given over to God's heart and mind),, is a cantata by Johann Sebastian Bach for use in the Lutheran service.

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Ich habe genug, BWV 82

Ich habe genug (original: Ich habe genung, English: "I have enough" or "I am content"),, is a church cantata by Johann Sebastian Bach.

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Ich habe meine Zuversicht, BWV 188

Ich habe meine Zuversicht (I have my confidence), BWV 188, is a church cantata by Johann Sebastian Bach.

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Ich hatte viel Bekümmernis, BWV 21

Johann Sebastian Bach composed the church cantata Ich hatte viel Bekümmernis (I had much grief),, in Weimar, possibly in 1713, partly even earlier.

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Ich lasse dich nicht, BWV Anh. 159

Ich lasse dich nicht, also Ich lasse dich nicht, du segnest mich denn (I will not let you go unless you bless me),, is a motet set for double choir.

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Ich lasse dich nicht, du segnest mich denn, BWV 157

Ich lasse dich nicht, du segnest mich denn (I will not let you go, except you bless me), BWV 157, is a church cantata by Johann Sebastian Bach.

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Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145

Ich lebe, mein Herze, zu deinem Ergötzen (I live, my heart, for your pleasure), BWV 145, is a five-movement church cantata on a libretto by Picander which Johann Sebastian Bach, as its composer, probably first performed in Leipzig on Easter Tuesday, 19 April 1729.

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Ich liebe den Höchsten von ganzem Gemüte, BWV 174

Ich liebe den Höchsten von ganzem Gemüte (I love the Highest with my entire being),, is a church cantata by Johann Sebastian Bach.

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Ich ruf zu dir, Herr Jesu Christ, BWV 177

Johann Sebastian Bach composed the church cantata Ich ruf zu dir, Herr Jesu Christ (I call to You, Lord Jesus Christ),,. He composed the chorale cantata in Leipzig for the fourth Sunday after Trinity and first performed it on 6 July 1732.

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Ich steh an deiner Krippen hier

"" (I stand by your manger here) is a German Christmas hymn, with lyrics by Paul Gerhardt which were first published in 1653.

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Ich steh mit einem Fuß im Grabe, BWV 156

Ich steh mit einem Fuß im Grabe (I am standing with one foot in the grave), BWV 156, is a church cantata by Johann Sebastian Bach.

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Ich weiß, daß mein Erlöser lebt, TWV 1:877

Ich weiß, daß mein Erlöser lebt (I know that my Redeemer lives), TWV 1:877, BWV 160, is a church cantata composed around 1725 by Georg Philipp Telemann for Easter Sunday, formerly attributed to Johann Sebastian Bach.

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Ich will den Kreuzstab gerne tragen, BWV 56

Ich will den Kreuzstab gerne tragen ("I will the cross-staff gladly carry" or "I will gladly carry the Cross"),, is a church cantata composed by Johann Sebastian Bach in Leipzig for the 19th Sunday after Trinity Sunday.

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Ihr Häuser des Himmels, ihr scheinenden Lichter, BWV 193a

Ihr Häuser des Himmels, ihr scheinenden Lichter (Ye houses of heaven, ye radiant lights), BWV 193a, is a secular cantata by Johann Sebastian Bach composed in 1727.

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Ihr Menschen, rühmet Gottes Liebe, BWV 167

Johann Sebastian Bach composed the church cantata Ihr Menschen, rühmet Gottes Liebe (You people, glorify God's love),, in Leipzig for the Feast of St. John the Baptist (German: Fest Johannes des Täufers, also Johannistag) and first performed it on 24 June 1723.

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Ihr Tore zu Zion, BWV 193

Ihr Tore zu Zion also called Ihr Pforten zu Zion (You gates of Zion), BWV 193, is a sacred cantata by Johann Sebastian Bach.

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Ihr werdet weinen und heulen, BWV 103

Ihr werdet weinen und heulen (You shall weep and wail),, is a cantata by Johann Sebastian Bach, a church cantata for the third Sunday after Easter, called Jubilate (Jubilate Sunday).

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Ihr, die ihr euch von Christo nennet, BWV 164

Johann Sebastian Bach composed the church cantata Ihr, die ihr euch von Christo nennet (You, who call yourselves of Christ),, in Leipzig for the 13th Sunday after Trinity and first performed it on 26 August 1725.

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In allen meinen Taten, BWV 97

In allen meinen Taten (In all that I do / In all my undertakings), BWV 97, is a church cantata by Johann Sebastian Bach.

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Inventions and Sinfonias (Bach)

The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 inventions, which are two-part contrapuntal pieces, and 15 sinfonias, which are three-part contrapuntal pieces.

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Italian Concerto (Bach)

The Italian Concerto, BWV 971, originally titled Concerto nach Italienischen Gusto (Concerto in the Italian taste), is a three-movement concerto for two-manual harpsichord solo composed by Johann Sebastian Bach and published in 1735 as the first half of Clavier-Übung II (the second half being the French Overture).

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Jauchzet dem Herrn alle Welt

Jauchzet dem Herrn alle Welt is a three-movement pasticcio motet for double SATB choir.

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Jauchzet Gott in allen Landen, BWV 51

Johann Sebastian Bach composed the church cantata Jauchzet Gott in allen Landen ("Exult in God in every land" or "Shout for joy to God in all lands"), in Leipzig.

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Jean-Baptiste Lully

Jean-Baptiste Lully (born Giovanni Battista Lulli,; 28 November 1632 – 22 March 1687) was an Italian-born French composer, instrumentalist, and dancer who spent most of his life working in the court of Louis XIV of France.

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Jesu, der du meine Seele, BWV 78

Jesu, der du meine Seele (Jesus, You, who are my soul),, is a church cantata of Johann Sebastian Bach.

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Jesu, meine Freude, BWV 227

Jesu, meine Freude, BWV 227, is a motet composed by Johann Sebastian Bach.

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Jesu, nun sei gepreiset, BWV 41

Jesu, nun sei gepreiset (Jesus, now be praised),, is a church cantata by Johann Sebastian Bach.

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Jesus nahm zu sich die Zwölfe, BWV 22

Jesus nahm zu sich die Zwölfe (Jesus gathered the twelve to Himself),, is a church cantata by Johann Sebastian Bach composed for Quinquagesima, the last Sunday before Lent.

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Jesus schläft, was soll ich hoffen? BWV 81

Jesus schläft, was soll ich hoffen? (Jesus sleeps, what shall I hope for?),, is a church cantata by Johann Sebastian Bach.

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Johann Adam Reincken

Johann Adam Reincken (also Jan Adams, Jean Adam, Reinken, Reinkinck, Reincke, Reinicke, Reinike; baptized 10 December 1643 – 24 November 1722) was a Dutch/German organist and composer.

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Johann Caspar Ferdinand Fischer

Johann Caspar Ferdinand Fischer (some authorities use the spelling Johann Kaspar Ferdinand Fischer) (1656 August 27, 1746) was a German Baroque composer.

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Johann Caspar Kerll

Johann Caspar Kerll (9 April 1627 – 13 February 1693) was a German baroque composer and organist.

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Johann Caspar Vogler

Johann Caspar Vogler (23 May 1696 – 3 June 1763) was a German organist and composer taught by Johann Sebastian Bach.

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Johann Christian Bach

Johann Christian Bach (September 5, 1735 – January 1, 1782) was a composer of the Classical era, the eleventh surviving child and youngest son of Johann Sebastian Bach.

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Johann Christoph Kellner

Johann Christoph Kellner (15 August 1736 – 1803) was a German organist and composer.

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Johann Christoph Pez

Johann Christoph Pez, also Petz, (9 September 1664 – 25 September 1716) was a German Baroque musician, Kapellmeister, and composer who worked in the courts of the Electorate of Bavaria and Duchy of Württemberg.

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Johann David Heinichen

Johann David Heinichen (17 April 1683 – 16 July 1729) was a German Baroque composer and music theorist who brought the musical genius of Venice to the court of Augustus the Strong in Dresden.

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Johann Ernst Eberlin

Johann Ernst Eberlin (27 March 1702 – 19 June 1762) was a German composer and organist whose works bridge the baroque and classical eras.

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Johann Friedrich Fasch

Johann Friedrich Fasch (15 April 1688 – 5 December 1758) was a German violinist and composer.

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Johann Georg Albrechtsberger

Johann Georg Albrechtsberger (3 February 1736 – 7 March 1809) was an Austrian composer, organist, and music theorist.

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Johann Gottfried Walther

Johann Gottfried Walther (18 September 1684 – 23 March 1748) was a German music theorist, organist, composer, and lexicographer of the Baroque era.

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Johann Gottlieb Goldberg

Johann Gottlieb Goldberg (baptized 14 March 1727 – 13 April 1756) was a German virtuoso harpsichordist, organist, and composer of the late Baroque and early Classical period.

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Johann Kirnberger

Johann Philipp Kirnberger (also Kernberg; 24 April 1721, Saalfeld – 27 July 1783, Berlin) was a musician, composer (primarily of fugues), and music theorist.

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Johann Ludwig Bach

Johann Ludwig Bach (– 1 May 1731) was a composer and violinist.

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Johann Ludwig Krebs

Johann Ludwig Krebs (baptized 12 October 1713 – 1 January 1780) was a German Baroque musician and composer for the pipe organ, harpsichord, other instruments and orchestras.

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Johann Michael Bach

Johann Michael Bach (baptised, Arnstadt, Schwarzburg-Sondershausen –, Gehren) was a German composer of the Baroque period.

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Johann Nicolaus Bach

Johann Nicolaus Bach (or Johann Nikolaus Bach) (– 4 November 1753) was a German composer of the Baroque period.

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Johann Pachelbel

Johann Pachelbel (baptised 1 September 1653 – buried 9 March 1706) was a German composer, organist, and teacher who brought the south German organ tradition to its peak.

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Johann Peter Kellner

Johann Peter Kellner (variants: Keller, Kelner) (28 September 1705 – 19 April 1772) was a German organist and composer.

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Johann Rosenmüller

Johann Rosenmüller (1619 – 10 September 1684) was a German Baroque composer, who played a part in transmitting Italian musical styles to the north.

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Johann Sebastian Bach

Johann Sebastian Bach (28 July 1750) was a composer and musician of the Baroque period, born in the Duchy of Saxe-Eisenach.

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Johann Tobias Krebs

Johann Tobias Krebs (7 July 1690 – 11 February 1762) was a German organist and composer, today best remembered as the father of Johann Ludwig Krebs, one of Bach's most accomplished pupils.

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Justin Heinrich Knecht

Justinus or Justin Heinrich Knecht (30 September 1752 – 1 December 1817) was a German composer, organist, and music theorist.

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Karl Geiringer

Karl Geiringer (April 26, 1899 – January 10, 1989)Will Crutchfield, January 12, 1989,.

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Keyboard concertos by Johann Sebastian Bach

The harpsichord concertos, BWV 1052–1065, are concertos for harpsichord, strings and continuo by Johann Sebastian Bach.

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Klagt, Kinder, klagt es aller Welt, BWV 244a

Klagt, Kinder, klagt es aller Welt (Cry, children, cry to all the world), also called Köthener Trauermusik (Köthen funeral music), BWV 244a, is a cantata by Johann Sebastian Bach.

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Klavierbüchlein für Wilhelm Friedemann Bach

Klavierbüchlein für Wilhelm Friedemann Bach (Bach's original spelling: Clavier-Büchlein vor Wilhelm Friedemann Bach) is a collection of keyboard music compiled by the German Baroque composer Johann Sebastian Bach for his eldest son Wilhelm Friedemann.

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Komm, du süße Todesstunde, BWV 161

Johann Sebastian Bach composed the church cantata Komm, du süße Todesstunde (Come, you sweet hour of death),, in Weimar for the 16th Sunday after Trinity, probably first performed on 27 September 1716.

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Komm, Jesu, komm, BWV 229

Komm, Jesu, komm (Come, Jesus, come),, is a motet by Johann Sebastian Bach, with a text by Paul Thymich.

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Komm, süßer Tod, komm selge Ruh

"Komm, süßer Tod, komm selge Ruh" (Come, sweet death, come, blessed rest) is a song for solo voice and basso continuo from the 69 Sacred Songs and Arias that Johann Sebastian Bach contributed to Musicalisches Gesangbuch by Georg Christian Schemelli (BWV 478), edited by Schemelli in 1736.

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Kyrie–Gloria masses, BWV 233–236

Apart from the 1733 Mass for the Dresden court (later incorporated in the Mass in B minor), Johann Sebastian Bach wrote four further Kyrie–Gloria Masses, BWV 233–236.

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L'estro armonico

L'estro armonico (the harmonic inspiration), Antonio Vivaldi's Op. 3, is a set of 12 concertos for stringed instruments, first published in Amsterdam in 1711.

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La stravaganza

La stravaganza (The Extravagance), Op. 4, is a set of concertos written by Antonio Vivaldi in 1712–1713.

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Laß, Fürstin, laß noch einen Strahl, BWV 198

Laß, Fürstin, laß noch einen Strahl (Let, Princess, let still one more glance) is a secular cantata composed as a funeral ode by Johann Sebastian Bach, first performed on 17 October 1727.

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Laßt uns sorgen, laßt uns wachen, BWV 213

Laßt uns sorgen, laßt uns wachen (Let us take care, let us watch over), BWV 213, is a secular cantata by Johann Sebastian Bach.

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Lautenwerck

The lautenwerck (also spelled lautenwerk), or lute-harpsichord (lute-clavier), is a European keyboard instrument of the Baroque period.

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Leichtgesinnte Flattergeister, BWV 181

Leichtgesinnte Flattergeister (Light-minded frivolous spirits),, is a church cantata by Johann Sebastian Bach.

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Liebster Gott, wenn werd ich sterben? BWV 8

Liebster Gott, wenn werd ich sterben? (Dearest God, when will I die?),, is a church cantata by Johann Sebastian Bach.

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Liebster Immanuel, Herzog der Frommen, BWV 123

Liebster Immanuel, Herzog der Frommen (Dearest Emmanuel, duke of the pious),, is a church cantata by Johann Sebastian Bach.

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Liebster Jesu, mein Verlangen, BWV 32

Liebster Jesu, mein Verlangen (Dearest Jesus, my desire),, is a church cantata by Johann Sebastian Bach.

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List of Bach cantatas

This is a sortable list of the Bach cantatas, the cantatas of Johann Sebastian Bach.

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List of chamber music works by Johann Sebastian Bach

Chamber music by Johann Sebastian Bach refers to the compositions in the tenth chapter of the Bach-Werke-Verzeichnis (BWV, catalogue of Bach's compositions), or, in the New Bach Edition, the compositions in Series VI.

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List of chorale harmonisations by Johann Sebastian Bach

Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following.

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List of compositions by Johann Ludwig Krebs

This page lists the compositions of Johann Ludwig Krebs as compiled by Felix Friedrich in the Krebs-Werkeverzeichnis (Krebs Works Catalogue).

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List of compositions by Johann Sebastian Bach

Johann Sebastian Bach composed cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias.

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List of fugal works by Johann Sebastian Bach

This page lists the fugal works of Johann Sebastian Bach, defined here as the fugues, fughettas, and canons, as well as other works containing fugal expositions but not denoted as fugues, such as some choral sections of the Mass in B minor, the St Matthew Passion, the St John Passion, and the cantatas.

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List of keyboard and lute compositions by Johann Sebastian Bach

Keyboard and Lute Works is the topic of the fifth series of the New Bach Edition.

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List of masses, passions and oratorios by Johann Sebastian Bach

Masses, Passions, Oratorios is the subject of the second series of the Neue Bach-Ausgabe (NBA, New Bach Edition), a publication of Johann Sebastian Bach's music from 1954 to 2007.

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List of motets by Johann Sebastian Bach

It is uncertain how many motets Johann Sebastian Bach composed, because some have been lost, and there are some doubtful attributions among the surviving ones associated with him.

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List of orchestral works by Johann Sebastian Bach

Orchestral works by Johann Sebastian Bach refers to the compositions in the eleventh chapter of the Bach-Werke-Verzeichnis (BWV, catalogue of Bach's compositions), or, in the New Bach Edition, the compositions in Series VII.

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List of organ compositions by Johann Sebastian Bach

Organ compositions by Johann Sebastian Bach refers to the compositions in the seventh chapter of the Bach-Werke-Verzeichnis (BWV, catalogue of Bach's compositions), or, in the New Bach Edition, the compositions in Series IV.

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List of secular cantatas by Johann Sebastian Bach

Apart from his hundreds of church cantatas Johann Sebastian Bach wrote secular cantatas in Weimar, Köthen and Leipzig, for instance for members of the Royal-Polish and Prince-electoral Saxonian family (e.g. Trauer-Ode), or other public or private occasions (e.g. Hunting Cantata).

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List of songs and arias by Johann Sebastian Bach

Songs and arias by Johann Sebastian Bach are compositions listed in Chapter 6 of the Bach-Werke-Verzeichnis (BWV 439–524), which also includes the Quodlibet.

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Lobe den Herren, den mächtigen König der Ehren, BWV 137

Johann Sebastian Bach composed the church cantata Lobe den Herren, den mächtigen König der Ehren (Praise the Lord, the mighty King of honor),, in Leipzig for the twelfth Sunday after Trinity and first performed it on 19 August 1725.

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Lobe den Herrn, meine Seele, BWV 143

Lobe den Herrn, meine Seele (Praise the Lord, my soul),, is an early cantata by Johann Sebastian Bach.

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Lobe den Herrn, meine Seele, BWV 69

Lobe den Herrn, meine Seele (Praise the Lord, my soul),, is a cantata by Johann Sebastian Bach.

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Lobe den Herrn, meine Seele, BWV 69a

Johann Sebastian Bach composed the church cantata Lobe den Herrn, meine Seele (Praise the Lord, my soul),, in Leipzig for the twelfth Sunday after Trinity and first performed it on 15 August 1723.

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Lobet den Herrn, alle Heiden, BWV 230

Lobet den Herrn, alle Heiden (Praise the Lord, all ye nations), BWV 230, is a motet by Johann Sebastian Bach.

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Lobet den Herrn, alle seine Heerscharen, BWV Anh. 5

Lobet den Herrn, alle seine Heerscharen (Praise ye the Lord, all ye of his great armies),, is a cantata by Johann Sebastian Bach.

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Lobet Gott in seinen Reichen, BWV 11

Lobet Gott in seinen Reichen (Laud to God in all his kingdoms),, known as the Ascension Oratorio (Himmelfahrtsoratorium), is an oratorio by Johann Sebastian Bach, marked by him as Oratorium In Festo Ascensionis Xsti (Oratorio for the feast of the Ascension of Christ), probably composed in 1735 for the service for Ascension and first performed on 19 May 1735.

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Lobt ihn mit Herz und Munde, BWV 220

Lobt ihn mit Herz und Munde (Praise him with heart and voice), BWV 220, is a church cantata by an unknown composer, formerly attributed to Johann Sebastian Bach.

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Lute Suite in E minor, BWV 996

Suite in E minor, BWV 996, is a musical composition written by Johann Sebastian Bach (16851750) between 1708 and 1717.

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Mache dich, mein Geist, bereit, BWV 115

Johann Sebastian Bach composed the church cantata Mache dich, mein Geist, bereit (Make yourself ready, my spirit),, in Leipzig for the 22nd Sunday after Trinity and first performed it on 5 November 1724.

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Magnificat (Bach)

Johann Sebastian Bach's Magnificat is a musical setting of the biblical canticle Magnificat.

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Magnificat in E-flat major, BWV 243a

The italic in E-flat major, BWV 243a, by Johann Sebastian Bach is a musical setting of the Latin text of the Magnificat, Mary's canticle from the Gospel of Luke.

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Man singet mit Freuden vom Sieg, BWV 149

Man singet mit Freuden vom Sieg (One sings with joy about victory),, is a church cantata by Johann Sebastian Bach.

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Mass in B minor

The Mass in B minor (BWV 232) by Johann Sebastian Bach is a musical setting of the complete Ordinary of the Latin Mass.

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Mein Gott, wie lang, ach lange? BWV 155

Mein Gott, wie lang, ach lange? (My God, how long, ah, how long), BWV 155, is a church cantata by Johann Sebastian Bach.

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Mein Herze schwimmt im Blut, BWV 199

Johann Sebastian Bach composed the church cantata Mein Herze schwimmt im Blut (My heart swims in blood), in Weimar between 1711 and 1714, and performed it on the eleventh Sunday after Trinity, 12 August 1714.

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Mein liebster Jesus ist verloren, BWV 154

Mein liebster Jesus ist verloren (My dearest Jesus is lost),, is a church cantata by Johann Sebastian Bach.

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Mein Odem ist schwach, BWV 222

Mein Odem ist schwach (My breath is weak), BWV 222, is a church cantata composed by Johann Ernst Bach II.

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Meine Seel erhebt den Herren, BWV 10

In 1724 Johann Sebastian Bach composed the church cantata Meine Seel erhebt den Herren,, as part of his second cantata cycle.

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Meine Seele rühmt und preist, BWV 189

Meine Seele rühmt und preist (My soul extols and praises),, is a church cantata credited to Johann Sebastian Bach and Melchior Hoffmann.

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Meine Seele soll Gott loben, BWV 223

Meine Seele soll Gott loben (My soul will praise God), BWV 223, is a church cantata probably composed by Johann Sebastian Bach in Mühlhausen around 1707.

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Meine Seufzer, meine Tränen, BWV 13

Meine Seufzer, meine Tränen (My sighs, my tears), BWV 13, is a church cantata by Johann Sebastian Bach.

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Meinen Jesum laß ich nicht, BWV 124

Meinen Jesum laß ich nicht (I will not let go of my Jesus),, is a church cantata by Johann Sebastian Bach.

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Melchior Hoffmann (composer)

Georg Melchior Hoffmann (c. 1679 – 6 October 1715) was a Baroque composer who was influential as the leader at the Collegium Musicum in Leipzig.

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Mer hahn en neue Oberkeet, BWV 212

Mer hahn en neue Oberkeet (We have a new governor), BWV 212, is a secular cantata by Johann Sebastian Bach.

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Minuet in G major, BWV Anh. 114

The Minuet in G major is a keyboard piece included in the 1725 Notebook for Anna Magdalena Bach.

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Mit Fried und Freud ich fahr dahin, BWV 125

Johann Sebastian Bach composed the cantata Mit Fried und Freud ich fahr dahin (With peace and joy I depart),, for use in a Lutheran service.

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Nach dir, Herr, verlanget mich, BWV 150

Nach dir, Herr, verlanget mich (For Thee, O Lord, I long),, is an early church cantata by Johann Sebastian Bach composed for an unknown occasion.

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Neumeister Collection

The Neumeister Collection is a compilation of 82 chorale preludes found in a manuscript copy produced by Johann Gottfried Neumeister (1757–1840).

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New Bach Edition

The New Bach Edition (NBE), in German Neue Bach-Ausgabe (NBA), is the second complete edition of the music of Johann Sebastian Bach, published by Bärenreiter.

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Nicolaus Vetter

Andreas Nicolaus Vetter (October 1666 – 13 June 1734) was a German organist and composer.

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Nimm von uns, Herr, du treuer Gott, BWV 101

Johann Sebastian Bach composed the church cantata Nimm von uns, Herr, du treuer Gott (Take away from us, Lord, faithful God),, in Leipzig for the tenth Sunday after Trinity and first performed it on 13 August 1724.

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Nimm, was dein ist, und gehe hin, BWV 144

Nimm, was dein ist, und gehe hin (Take what is yours and go away),, is a church cantata by Johann Sebastian Bach.

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Non sa che sia dolore, BWV 209

Non sa che sia dolore (He knows not what sorrow is), BWV 209, is a secular cantata composed by Johann Sebastian Bach and first performed in Leipzig in 1747.

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Notebook for Anna Magdalena Bach

The title Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bach presented to his second wife, Anna Magdalena.

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Nun danket alle Gott, BWV 192

Nun danket alle Gott (Now thank ye all our God),,, is a church cantata for Trinity Sunday composed by Johann Sebastian Bach in Leipzig in 1730.

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Nun ist das Heil und die Kraft, BWV 50

Nun ist das Heil und die Kraft (Now is salvation and strength),, is a choral movement long attributed to Johann Sebastian Bach and assumed to be part of a lost cantata.

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Nun komm, der Heiden Heiland, BWV 61

Johann Sebastian Bach composed the church cantata Nun komm, der Heiden Heiland (Now come, Savior of the heathens),, in Weimar for the first Sunday in Advent, the Sunday which begins the liturgical year, and first performed it on 1714.

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Nun komm, der Heiden Heiland, BWV 62

Johann Sebastian Bach composed the church cantata Nun komm, der Heiden Heiland (Now come, Savior of the heathens),, in Leipzig for the first Sunday in Advent and first performed it on 3 December 1724.

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Nur jedem das Seine, BWV 163

Nur jedem das Seine (To each his own!),, is a church cantata by Johann Sebastian Bach.

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O angenehme Melodei, BWV 210a

O angenehme Melodei (O pleasing melody),, is a secular cantata by Johann Sebastian Bach.

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O ewiges Feuer, o Ursprung der Liebe, BWV 34

O ewiges Feuer, o Ursprung der Liebe (O eternal fire, o source of love),, is a church cantata by Johann Sebastian Bach.

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O ewiges Feuer, o Ursprung der Liebe, BWV 34a

O ewiges Feuer, o Ursprung der Liebe (O eternal fire, o source of love), BWV 34a, is an incomplete secular cantata composed by Johann Sebastian Bach, of which only the complete libretto and some parts (movements 2, 3 and 6) have survived.

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O Ewigkeit, du Donnerwort, BWV 20

Johann Sebastian Bach composed the church cantata O Ewigkeit, du Donnerwort (O eternity, you word of thunder),, in Leipzig for the first Sunday after Trinity and first performed it on 11 June 1724.

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O Ewigkeit, du Donnerwort, BWV 60

O Ewigkeit, du Donnerwort (O eternity, you word of thunder),, is a church cantata for the 24th Sunday after Trinity composed by Johann Sebastian Bach.

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O heilges Geist- und Wasserbad, BWV 165

O heilges Geist- und Wasserbad (O holy bath of Spirit and water),, is a church cantata by Johann Sebastian Bach.

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O holder Tag, erwünschte Zeit, BWV 210

O holder Tag, erwünschte Zeit (O lovely day, o hoped-for time),, is a secular cantata by Johann Sebastian Bach.

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O Jesu Christ, meins Lebens Licht, BWV 118

O Jesu Christ, meins Lebens Licht (O Jesus Christ, light of my life), BWV 118, is a sacred motet composed by Johann Sebastian Bach.

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Oboe

Oboes are a family of double reed woodwind instruments.

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Oboe Concerto (Marcello)

The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello.

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Orchestral Suite in G minor, BWV 1070

The Orchestral Suite in G minor, BWV 1070 is a work by an unknown composer.

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Orchestral suites (Bach)

The four orchestral suites (called ouvertures by their author), BWV 1066–1069 are four suites by Johann Sebastian Bach.

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Organ Sonatas (Bach)

The organ sonatas, BWV 525–530 by Johann Sebastian Bach are a collection of six sonatas in trio sonata form.

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Orgelbüchlein

The Orgelbüchlein ("Little Organ Book") BWV 599−644 is a collection of 46 chorale preludes for organ written by Johann Sebastian Bach.

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Overture in the French style, BWV 831

The Overture in the French style, BWV 831, original title Ouvertüre nach Französischer Art, also known as the French Overture and published as the second half of Clavier-Übung II in 1735 (paired with the Italian Concerto), is a suite in B minor for two-manual harpsichord written by Johann Sebastian Bach.

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Partita for keyboard No. 4 (Bach)

Partita for keyboard No.

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Partita for keyboard No. 6 (Bach)

The Partita for keyboard No.

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Partita for Violin No. 1 (Bach)

The Partita No.

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Partita for Violin No. 2 (Bach)

The Partita in D minor for solo violin (BWV 1004) by Johann Sebastian Bach was written between 1717 and 1720.

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Partita for Violin No. 3 (Bach)

The Partita No.

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Partita in A minor for solo flute (Bach)

The Partita in A minor for solo flute, BWV 1013, is a partita in four movements composed by Johann Sebastian Bach.

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Partitas for keyboard (Bach)

The Partitas, BWV 825–830, are a set of six harpsichord suites written by Johann Sebastian Bach, published from 1726 to 1730 as Clavier-Übung I, and the first of his works to be published under his direction.

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Passacaglia and Fugue in C minor, BWV 582

Passacaglia and Fugue in C minor (BWV 582) is an organ piece by Johann Sebastian Bach.

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Passions (Bach)

As Thomaskantor Johann Sebastian Bach provided Passion music for Good Friday services in Leipzig.

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Picander

Christian Friedrich Henrici (January 14, 1700 – May 10, 1764), writing under the pen name Picander, was a German poet and librettist for many of the cantatas which Johann Sebastian Bach composed in Leipzig.

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Pietro Torri

Pietro Torri (ca. 1650 in Peschiera del Garda – 6 July 1737) was an Italian Baroque composer.

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Preise dein Glücke, gesegnetes Sachsen, BWV 215

Preise dein Glücke, gesegnetes Sachsen (Praise your good fortune, blessed Saxony), BWV 215, is a secular cantata by Johann Sebastian Bach.

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Preise, Jerusalem, den Herrn, BWV 119

Preise, Jerusalem, den Herrn (Praise the Lord, Jerusalem), BWV 119, is a sacred cantata by Johann Sebastian Bach.

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Prelude (Toccata) and Fugue in E major, BWV 566

Prelude (Toccata) and Fugue in (C or) E major, BWV 566 is an organ work written by Johann Sebastian Bach probably during his 4 month-stay at Lubeck or afterwards in the winter of 1705–1706.

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Prelude and Fugue in A minor, BWV 543

Prelude and Fugue in A minor, BWV 543 is a piece of organ music written by Johann Sebastian Bach sometime around his years as court organist to the Duke of Saxe-Weimar (1708–1717).

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Prelude and Fugue in B minor, BWV 893

Prelude and Fugue in B minor, BWV 893 was written by J. S. Bach in 1738.

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Prelude and Fugue in C major, BWV 846

The Prelude and Fugue in C Major, BWV 846, is a keyboard composition written by Johann Sebastian Bach.

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Prelude and Fugue in C major, BWV 870

Prelude and Fugue in C major, BWV 870, is a keyboard composition written by Johann Sebastian Bach.

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Prelude and Fugue in C minor, BWV 847

Prelude and Fugue in C Minor, BWV 847, is a keyboard composition written by Johann Sebastian Bach.

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Prelude and Fugue in C-sharp major, BWV 848

Prelude and Fugue in C sharp Major, BWV 848, is a keyboard composition written by Johann Sebastian Bach.

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Prelude and Fugue in C-sharp minor, BWV 849

The Prelude and Fugue in C-sharp minor, BWV 849, is a pair of keyboard compositions by Johann Sebastian Bach.

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Prelude and Fugue in C-sharp minor, BWV 873

Prelude and Fugue in C-sharp minor, BWV 873, is a keyboard composition written by Johann Sebastian Bach in 1738.

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Prelude and Fugue in D major, BWV 532

Johann Sebastian Bach's Prelude and Fugue in D major (BWV 532) is a prelude and fugue written for the organ 1710, and has an approximate duration of minutes.

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Prelude and Fugue in E minor, BWV 548

Prelude and Fugue in E minor, BWV 548 is a piece of organ music written by Johann Sebastian Bach sometime between 1727 and 1736, during his time in Leipzig.

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Prelude and Fugue in E minor, BWV 855

Prelude and Fugue in E minor, BWV 855, is the 10th prelude and fugue for keyboard (harpsichord) in the first book of The Well Tempered Clavier, composed in 1722 by Johann Sebastian Bach.

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Prelude and Fugue in F minor, BWV 881

The Prelude and Fugue in F minor, BWV 881, is a keyboard composition written by Johann Sebastian Bach.

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Prelude and Fugue in G minor, BWV 861

Prelude and Fugue in G minor, BWV 861, is No. 16 in Johann Sebastian Bach's Well-Tempered Clavier Book I, keyboard music consisting of 24 preludes and fugues in every major and minor key.

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Prelude in C minor, BWV 999

Prelude in C Minor, BWV 999, also termed The "Little" Prelude in C Minor, is a piece written by Johann Sebastian Bach sometime between 1717 and 1723.

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Prelude, Fugue and Allegro in E-flat major, BWV 998

Prelude, Fugue, and Allegro in E-flat major, BWV 998, is a musical composition written by Johann Sebastian Bach for Lute or Harpsichord.

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Prince Johann Ernst of Saxe-Weimar

Johann Ernst of Saxe-Weimar (Johann Ernst von Sachsen-Weimar) (25 December 1696 – 1 August 1715) was a German prince, son by his second marriage of Johann Ernst III, Duke of Saxe-Weimar.

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Quodlibet, BWV 524

The Quodlibet or Wedding Quodlibet, BWV 524, is a lighthearted composition by Johann Sebastian Bach which today exists only in fragmentary form.

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Reißt euch los, bedrängte Sinnen, BWV 224

Reißt euch los, bedrängte Sinnen (You are torn loose, afflicted sinners), BWV 224, is a cantata by Johann Sebastian Bach.

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Ryom-Verzeichnis

The Ryom-Verzeichnis or Ryom Verzeichnis (both often abbreviated RV) is a (now standard) catalog of the music of Antonio Vivaldi created by Peter Ryom.

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Süßer Trost, mein Jesus kömmt, BWV 151

Süßer Trost, mein Jesus kömmt (Sweet comfort, my Jesus comes),, is a church cantata by Johann Sebastian Bach.

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Schau, lieber Gott, wie meine Feind, BWV 153

Schau, lieber Gott, wie meine Feind (See, dear God, how my enemies),, is a church cantata by Johann Sebastian Bach.

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Schauet doch und sehet, ob irgend ein Schmerz sei, BWV 46

Schauet doch und sehet, ob irgend ein Schmerz sei (Behold and see, if there be any sorrow),, is a church cantata by Johann Sebastian Bach.

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Schübler Chorales

Sechs Chorale von verschiedener Art: auf einer Orgel mit 2 Clavieren und Pedal vorzuspielen ('six chorales of diverse kinds, to be played on an organ with two manuals and pedal'), commonly known as the Schübler Chorales (Schübler-Choräle), BWV 645–650, is a set of chorale preludes composed by Johann Sebastian Bach.

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Schlage doch, gewünschte Stunde, BWV 53

Schlage doch, gewünschte Stunde (Haste to strike, oh longed for hour), BWV 53, is an aria for alto, probably for a funeral.

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Schleicht, spielende Wellen, BWV 206

Schleicht, spielende Wellen (Glide, O sparkling waves and murmur softly), BWV 206, is a secular cantata composed by Johann Sebastian Bach in Leipzig and first performed on 7 October 1736.

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Schmücke dich, o liebe Seele, BWV 180

Johann Sebastian Bach composed the church cantata Schmücke dich, o liebe Seele (Adorn yourself, O dear soul),, in Leipzig for the 20th Sunday after Trinity and first performed it on 22 October 1724.

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Schweigt stille, plaudert nicht, BWV 211

Schweigt stille, plaudert nicht (Be still, stop chattering), BWV 211, also known as the Coffee Cantata, is a secular cantata by Johann Sebastian Bach.

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Schwingt freudig euch empor, BWV 36

Johann Sebastian Bach composed the church cantata Schwingt freudig euch empor (Soar joyfully upwards),, in Leipzig in 1731 for the first Sunday in Advent.

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Schwingt freudig euch empor, BWV 36c

Schwingt freudig euch empor (Soar joyfully aloft), BWV 36c, is a secular cantata by Johann Sebastian Bach.

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Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64

Sehet, welch eine Liebe hat uns der Vater erzeiget (Behold, what a love has the Father shown to us),, is a church cantata by Johann Sebastian Bach.

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Sehet, wir gehn hinauf gen Jerusalem, BWV 159

Sehet, wir gehn hinauf gen Jerusalem (Behold, let us go up to Jerusalem),, is a church cantata by Johann Sebastian Bach.

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Sei gegrüßet, Jesu gütig (chorale partita)

Sei gegrüßet, Jesu gütig, BWV 768, also known as Partite diverse sopra "Sei gegrüßet, Jesu gütig", is a chorale partita for organ by Johann Sebastian Bach.

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Sei Lob und Ehr dem höchsten Gut, BWV 117

Sei Lob und Ehr dem höchsten Gut (Praise and honour be to the highest good), BWV 117, is a church cantata by Johann Sebastian Bach.

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Selig ist der Mann, BWV 57

italic (Blessed is the man),, is a church cantata by Johann Sebastian Bach.

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Sie werden aus Saba alle kommen, BWV 65

Sie werden aus Saba alle kommen (They will all come forth out of Sheba),, is a church cantata by Johann Sebastian Bach.

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Sie werden euch in den Bann tun, BWV 183

Sie werden euch in den Bann tun (They will put you under banishment),, is a church cantata by Johann Sebastian Bach.

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Sie werden euch in den Bann tun, BWV 44

Sie werden euch in den Bann tun (They will put you under banishment),, is a church cantata by Johann Sebastian Bach.

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Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei, BWV 179

Johann Sebastian Bach composed the church cantata Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei (See to it, that your fear of God be not hypocrisy),, in Leipzig for the eleventh Sunday after Trinity and first performed it on 8 August 1723.

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Siehe, es hat überwunden der Löwe

Siehe, es hat überwunden der Löwe (Behold, the lion has triumphed), TWV 1:1328, BWV 219, is a church cantata by Georg Philipp Telemann, written for Michaelmas in 1723.

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Siehe, ich will viel Fischer aussenden, BWV 88

Johann Sebastian Bach composed the church cantata Siehe, ich will viel Fischer aussenden (Behold, I will send out many fishers),, is a cantata by Johann Sebastian Bach in Leipzig for the fifth Sunday after Trinity within the liturgical year and first performed it on 21 July 1726.

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Sinfonia in D major, BWV 1045

Sinfonia in D major, BWV 1045, specifically known as, Violin Concerto movement BWV 1045, is an orchestral work for solo violin, three trumpets, timpani, two oboes, strings and Continuo by Johann Sebastian Bach.

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Singet dem Herrn ein neues Lied, BWV 190

Singet dem Herrn ein neues Lied (Sing a new song to the Lord),, is a church cantata by Johann Sebastian Bach.

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Singet dem Herrn ein neues Lied, BWV 190a

Singet dem Herrn ein neues Lied (Sing a new song to the Lord), BWV 190a, is a cantata by Johann Sebastian Bach.

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Singet dem Herrn ein neues Lied, BWV 225

Singet dem Herrn ein neues Lied (Sing unto the Lord a new song), BWV 225 is a motet by Johann Sebastian Bach.

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Six Little Preludes (Bach)

The Six Little Preludes (BWV 933-938) are a group of preludes written by the composer Johann Sebastian Bach for harpsichord.

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Six Sonatas for Violin and Harpsichord, BWV 1014–1019

The six sonatas for violin and obbligato harpsichord BWV 1014–1019 by Johann Sebastian Bach are works in trio sonata form, with the two upper parts in the harpsichord and violin over a bass line supplied by the harpsichord and an optional viola da gamba.

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Sonata in G major for two flutes and basso continuo, BWV 1039

The sonata in G major for two flutes and basso continuo, BWV 1039 is a trio sonata by Johann Sebastian Bach.

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Sonatas and Partitas for Solo Violin (Bach)

The sonatas and partitas for solo violin (BWV 1001–1006) are a set of six works composed by Johann Sebastian Bach.

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Sonatas for viola da gamba and harpsichord (Bach)

The sonatas for viola da gamba and harpsichord, BWV 1027–1029, are three sonatas composed by Johann Sebastian Bach for viola da gamba and harpsichord.

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St John Passion

The Passio secundum Joannem or St John Passion (Johannes-Passion), BWV 245, is a Passion or oratorio by Johann Sebastian Bach, the older of the surviving Passions by Bach.

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St Luke Passion, BWV 246

The St Luke Passion (Lukas-Passion), BWV 246, is a Passion setting formerly attributed to Johann Sebastian Bach.

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St Mark Passion (attributed to Keiser)

Jesus Christus ist um unsrer Missetat willen verwundet is a St Mark Passion which originated in the early 18th century and is most often attributed to Reinhard Keiser.

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St Mark Passion, BWV 247

The St Mark Passion (Markus-Passion), BWV 247, is a lost Passion setting by Johann Sebastian Bach, first performed in Leipzig on Good Friday, 23 March 1731 and again, in a revised version, in 1744.

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St Matthew Passion

The St Matthew Passion (Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander.

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Stabat Mater (Pergolesi)

Stabat Mater is a musical setting of the Stabat Mater sequence, composed by Giovanni Battista Pergolesi in 1736.

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Steigt freudig in die Luft, BWV 36a

Steigt freudig in die Luft (Soar joyfully in the air), BWV 36a, is a lost secular cantata by Johann Sebastian Bach.

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Suite in G minor, BWV 995

The Suite in G Minor, BWV 995, was transcribed by composer Johann Sebastian Bach between the spring of 1727 and the winter of 1731 from his own Cello Suite No. 5, BWV 1011.

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Sylvius Leopold Weiss

Sylvius Leopold Weiss (12 October 168716 October 1750) was a German composer and lutenist.

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Tönet, ihr Pauken! Erschallet, Trompeten! BWV 214

Tönet, ihr Pauken! Erschallet, Trompeten! (Resound, ye drums! Ring out, ye trumpets!), BWV 214, is a cantata by Johann Sebastian Bach, composed in 1733 as a congratulatory cantata for the birthday of Maria Josepha, Queen of Poland and Electress of Saxony.

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Telemann-Werke-Verzeichnis

The Telemann-Werke-Verzeichnis (Telemann Works Catalogue), abbreviated TWV, is the numbering system identifying compositions by Georg Philipp Telemann, published by Martin Ruhnke.

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The Art of Fugue

The Art of Fugue (or The Art of the Fugue; Die Kunst der Fuge), BWV 1080, is an incomplete musical work of unspecified instrumentation by Johann Sebastian Bach (1685–1750).

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The Diapason (magazine)

The Diapason is a magazine serving those who build and play organs.

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The Musical Offering

The Musical Offering (German title: Musikalisches Opfer or Das Musikalische Opfer), BWV 1079, is a collection of keyboard canons and fugues and other pieces of music by Johann Sebastian Bach, all based on a single musical theme given to him by Frederick the Great (Frederick II of Prussia), to whom they are dedicated.

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The New Grove Dictionary of Music and Musicians

The New Grove Dictionary of Music and Musicians is an encyclopedic dictionary of music and musicians.

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The Well-Tempered Clavier

The Well-Tempered Clavier, BWV 846–893, is a collection of two sets of preludes and fugues in all 24 major and minor keys, composed for solo keyboard by Johann Sebastian Bach.

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Tilge, Höchster, meine Sünden, BWV 1083

Tilge, Höchster, meine Sünden, BWV 1083, is an arrangement by Johann Sebastian Bach of Pergolesi's 1736 ''Stabat Mater''.

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Toccata and Fugue in D minor, BWV 538

The Toccata and Fugue in D minor, BWV 538, is an organ piece by Johann Sebastian Bach.

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Toccata and Fugue in D minor, BWV 565

The Toccata and Fugue in D minor, BWV 565, is a piece of organ music written, according to its oldest extant sources, by Johann Sebastian Bach.

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Toccata and Fugue in F major, BWV 540

The Toccata and Fugue in F Major, BWV 540 is an organ work written by Johann Sebastian Bach.

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Toccata, Adagio and Fugue in C major, BWV 564

Toccata, Adagio, and Fugue in C major (BWV 564) is an organ composition by Johann Sebastian Bach.

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Tomaso Albinoni

Tomaso Giovanni Albinoni (8 June 1671 – 17 January 1751) was an Italian Baroque composer.

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Triple Concerto, BWV 1044

The Triple Concerto, BWV 1044, is a concerto in A minor for traverso, violin, harpsichord, and string orchestra by Johann Sebastian Bach.

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Tritt auf die Glaubensbahn, BWV 152

Tritt auf die Glaubensbahn (Step upon the path of faith),, is a church cantata by Johann Sebastian Bach.

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Tue Rechnung! Donnerwort, BWV 168

Johann Sebastian Bach composed the church cantata Tue Rechnung! Donnerwort (Settle account! Word of thunder),, in Leipzig for the ninth Sunday after Trinity and first performed it on 29 July 1725.

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Twelve Concertos, Op. 7 (Vivaldi)

A set of twelve concertos was published by Estienne Roger in 1716-1717 under Antonio Vivaldi's name, as his Opus 7.

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Twelve Little Preludes

Twelve Little Preludes (French: Douze petits Préludes; German: Zwölf kleine Praeludien), BWV 924–930, 939–942 and 999, is a 19th-century compilation of short pieces, collected from various 18th-century manuscripts written by Johann Sebastian Bach and others.

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Uns ist ein Kind geboren, BWV 142

Uns ist ein Kind geboren (Unto us a child is born),, is a Christmas cantata by an unknown composer.

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Unser Mund sei voll Lachens, BWV 110

Unser Mund sei voll Lachens (May our mouth be full of laughter),, is a church cantata by Johann Sebastian Bach.

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Vereinigte Zwietracht der wechselnden Saiten, BWV 207

Vereinigte Zwietracht der wechselnden Saiten (United discord of quivering strings), BWV 207, is a secular cantata composed by Johann Sebastian Bach and first performed on 11 December 1726 in Leipzig.

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Vergnügte Pleißenstadt, BWV 216

Vergnügte Pleißenstadt (Contented Pleisse-town), BWV 216, is a secular cantata composed by Johann Sebastian Bach, which survives in an incomplete state.

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Vergnügte Ruh, beliebte Seelenlust, BWV 170

Johann Sebastian Bach composed the church cantata Vergnügte Ruh, beliebte Seelenlust (Delightful rest, beloved pleasure of the soul),, in Leipzig for the sixth Sunday after Trinity.

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Verjaget, zerstreuet, zerrüttet, ihr Sterne, BWV 249b

Verjaget, zerstreuet, zerrüttet, ihr Sterne (Dispel them, disperse them, you heavens), BWV 249b, is a lost cantata by Johann Sebastian Bach.

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Viol

The viol, viola da gamba, or (informally) gamba, is any one of a family of bowed, fretted and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings.

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Violin Concerto in A minor (Bach)

The Violin Concerto in A minor, BWV 1041, was composed by Johann Sebastian Bach.

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Violin Concerto in E major (Bach)

The Violin Concerto in E major, BWV 1042, by Johann Sebastian Bach is a concerto based on the three-movement Venetian concerto model, albeit with a few unusual features as each movement has "un-Italian characteristics".

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Wachet auf, ruft uns die Stimme, BWV 140

Wachet auf, ruft uns die Stimme (Awake, calls the voice to us),, also known as Sleepers Wake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas.

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Wachet! betet! betet! wachet! BWV 70

Wachet! betet! betet! wachet! (Watch! Pray! Pray! Watch!) is the title of two church cantatas by Johann Sebastian Bach.

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Wahrlich, wahrlich, ich sage euch, BWV 86

(Truly, truly I say to you),, is a church cantata by Johann Sebastian Bach.

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Warum betrübst du dich, mein Herz, BWV 138

Johann Sebastian Bach composed the church cantata Warum betrübst du dich, mein Herz (Why do you trouble yourself, my heart),, in Leipzig for the 15th Sunday after Trinity and first performed it on 5 September 1723.

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Was frag ich nach der Welt, BWV 94

Johann Sebastian Bach composed the church cantata Was frag ich nach der Welt (What should I ask of the world), in Leipzig for the ninth Sunday after Trinity and first performed it on 6 August 1724.

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Was Gott tut, das ist wohlgetan, BWV 100

Was Gott tut, das ist wohlgetan (What God does is done well),, is a church cantata by Johann Sebastian Bach.

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Was Gott tut, das ist wohlgetan, BWV 98

Johann Sebastian Bach composed the church cantata Was Gott tut, das ist wohlgetan (What God does is well done), BWV 98, in Leipzig for the 21st Sunday after Trinity and first performed it on 10 November 1726.

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Was Gott tut, das ist wohlgetan, BWV 99

Johann Sebastian Bach composed the church cantata Was Gott tut, das ist wohlgetan (What God does is well done),, in Leipzig for the 15th Sunday after Trinity and first performed it on 17 September 1724.

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Was mein Gott will, das g'scheh allzeit, BWV 111

Was mein Gott will, das g'scheh allzeit (What my God wants, may it always happen),, is a cantata by Johann Sebastian Bach for use in a Lutheran service.

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Was mir behagt, ist nur die muntre Jagd, BWV 208

Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208, also known as the Hunting Cantata, is a secular cantata composed in 1713 by Johann Sebastian Bach for the 31st birthday of Duke Christian of Saxe-Weissenfels on 23 February 1713.

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Was mir behagt, ist nur die muntre Jagd, BWV 208a

Was mir behagt, ist nur die muntre Jagd (The merry hunt is all that I love), BWV 208a, is a secular cantata composed by Johann Sebastian Bach.

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Was soll ich aus dir machen, Ephraim, BWV 89

Johann Sebastian Bach composed the church cantata Was soll ich aus dir machen, Ephraim (What shall I make of you, Ephraim),, in Leipzig for the 22nd Sunday after Trinity and first performed it on 24 October 1723.

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Was willst du dich betrüben, BWV 107

Johann Sebastian Bach composed the church cantata Was willst du dich betrüben (Why would you grieve),, in Leipzig for the seventh Sunday after Trinity and first performed on 23 July 1724.

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Wär Gott nicht mit uns diese Zeit, BWV 14

Johann Sebastian Bach composed the church cantata Wär Gott nicht mit uns diese Zeit (Were God not with us at this time),, in Leipzig in 1735 for the fourth Sunday after Epiphany and first performed it on 30 January 1735, a few weeks after his Christmas Oratorio.

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Weichet nur, betrübte Schatten, BWV 202

Weichet nur, betrübte Schatten (Dissipate, you troublesome shadows), BWV202, is a secular cantata by Johann Sebastian Bach.

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Weimar concerto transcriptions (Bach)

The concerto transcriptions of Johann Sebastian Bach date from his second period at the court in Weimar (1708–1717).

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Weinen, Klagen, Sorgen, Zagen, BWV 12

Weinen, Klagen, Sorgen, Zagen (Weeping, lamenting, worrying, fearing),, is a church cantata by Johann Sebastian Bach.

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Wer da gläubet und getauft wird, BWV 37

Wer da gläubet und getauft wird (He who believes and is baptised),, is a cantata by Johann Sebastian Bach, a church cantata for the feast of the Ascension of Jesus.

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Wer Dank opfert, der preiset mich, BWV 17

Johann Sebastian Bach composed the church cantata Wer Dank opfert, der preiset mich (He who offers thanks praises Me),, in Leipzig for the fourteenth Sunday after Trinity and first performed it on 22 September 1726.

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Wer ist der, so von Edom kömmt

Wer ist der, so von Edom kömmt is a pasticcio Passion oratorio based on compositions by Carl Heinrich Graun, Georg Philipp Telemann, Johann Sebastian Bach and others.

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Wer mich liebet, der wird mein Wort halten, BWV 59

Wer mich liebet, der wird mein Wort halten (Whoever loves me will keep my word),, is a church cantata by Johann Sebastian Bach.

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Wer mich liebet, der wird mein Wort halten, BWV 74

Wer mich liebet, der wird mein Wort halten ("If a man love me, he will keep my words", more literally: "He who loves me will obey my commands"), BWV 74, is a church cantata by Johann Sebastian Bach.

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Wer nur den lieben Gott läßt walten, BWV 93

Johann Sebastian Bach composed the church cantata Wer nur den lieben Gott läßt walten (Who only lets dear God rule),, in Leipzig for the fifth Sunday after Trinity and first performed it on 9 July 1724.

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Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47

Johann Sebastian Bach composed the church cantata Wer sich selbst erhöhet, der soll erniedriget werden (Whoever exalts himself, will be abased / KJV: For whosoever exalteth himself shall be abased),, in Leipzig for the 17th Sunday after Trinity and first performed it on 13 October 1726.

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Wer sucht die Pracht, wer wünscht den Glanz, BWV 221

Wer sucht die Pracht, wer wünscht den Glanz (Who seeks the splendour, who desires the radiance), BWV 221, is a cantata by an unknown composer, formerly attributed to Johann Sebastian Bach.

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Wer weiß, wie nahe mir mein Ende? BWV 27

Wer weiß, wie nahe mir mein Ende? (Who knows how near to me my end?),, is a church cantata by Johann Sebastian Bach.

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Widerstehe doch der Sünde, BWV 54

Widerstehe doch der Sünde (Just resist sin), BWV 54, is a church cantata by Johann Sebastian Bach.

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Wie schön leuchtet der Morgenstern, BWV 1

Wie schön leuchtet der Morgenstern (How beautifully the morning star shines),, is a church cantata by Johann Sebastian Bach.

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Wilhelm Friedemann Bach

Wilhelm Friedemann Bach (22 November 1710 – 1 July 1784), the second child and eldest son of Johann Sebastian Bach and Maria Barbara Bach, was a German composer and performer.

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Wilhelm Hieronymus Pachelbel

Wilhelm Hieronymus Pachelbel (baptized 29 August 1686 – 1764) was a German composer and organist, the elder son of Johann Pachelbel.

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Wir danken dir, Gott, wir danken dir, BWV 29

Wir danken dir, Gott, wir danken dir (We thank you, God, we thank you),, is a sacred cantata by Johann Sebastian Bach.

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Wir müssen durch viel Trübsal, BWV 146

Wir müssen durch viel Trübsal (We must through great sadness),, is a cantata by Johann Sebastian Bach, a church cantata for the third Sunday after Easter.

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Wo gehest du hin? BWV 166

Wo gehest du hin? ("Where are you heading?", literally: "Where do you go?"),, is a church cantata by Johann Sebastian Bach.

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Wo Gott der Herr nicht bei uns hält, BWV 1128

Wo Gott der Herr nicht bei uns hält is a chorale fantasia for organ composed by Johann Sebastian Bach in the early 18th century.

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Wo Gott der Herr nicht bei uns hält, BWV 178

Wo Gott der Herr nicht bei uns hält (Where God the Lord stands with us not), BWV 178, is a church cantata by Johann Sebastian Bach.

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Wo soll ich fliehen hin, BWV 5

Johann Sebastian Bach composed the church cantata Wo soll ich fliehen hin (Where shall I flee),, in Leipzig for the 19th Sunday after Trinity and first performed it on 15 October 1724.

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Wohl dem, der sich auf seinen Gott, BWV 139

Johann Sebastian Bach composed the church cantata Wohl dem, der sich auf seinen Gott (Fortunate the person who upon his God),, in Leipzig for the 23rd Sunday after Trinity and first performed it on 12 November 1724.

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Wolfgang Schmieder

Wolfgang Schmieder (May 29, 1901 – November 8, 1990) was a German music librarian, and musicologist.

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Zerreißet, zersprenget, zertrümmert die Gruft, BWV 205

Zerreißet, zersprenget, zertrümmert die Gruft (Destroy, burst, shatter the tomb), is a secular cantata by Johann Sebastian Bach.

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Redirects here:

BWV, BWV catalogue, Bach Werke Verzeichnis, Bach Work Catalog, Bach-Werke Verzeichnis, Bachwerkeverzeichnis, List of compositions by Johann Sebastian Bach by BWV number.

References

[1] https://en.wikipedia.org/wiki/Bach-Werke-Verzeichnis

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