24 relations: Accent (music), Anacrusis, Bar (music), Bar-line shift, Beat (music), British English, Comparison of American and British English, Edward T. Cone, Gardner Read, Hugo Distler, Igor Stravinsky, List of musical symbols, Mensurstrich, Metre (music), Musical form, Musical notation, Phrase (music theory), Quarter note, Repeat sign, Rhythm, Rhythm in Arabian music, Tala (music), Time signature, Vihuela.
In music, an accent is an emphasis, stress, or stronger attack placed on a particular note or set of notes, or chord, either as a result of its context or specifically indicated by an accent mark.
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In poetic and musical meter, and by analogy in publishing, an anacrusis (plural anacruses) is a brief introduction (not to be confused with a literary or musical introduction, foreword, or with a preface).
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In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines.
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In jazz, a bar-line shift is a technique in which, during improvisation, one plays the chord from the measure before or after the given chord either intentionally or as an "accident."Coker, Jerry (1997).
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In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the mensural level (or beat level).
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British English is the standard dialect of English language as spoken and written in the United Kingdom.
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The English language was first introduced to the Americas by British colonization, beginning in the late 16th and early 17th centuries.
Edward Toner Cone (May 4, 1917 – October 23, 2004) was an American composer, music theorist, pianist, and philanthropist.
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Gardner Read (January 2, 1913 in Evanston, Illinois – November 10, 2005 in Manchester-by-the-Sea, Massachusetts) was an American composer and musical scholar.
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Hugo Distler (24 June 1908 – 1 November 1942)Slonimsky & Kuhn, Baker's Biographical Dictionary of Musicians, v. 2, p. 889 was a German organist, choral conductor, teacher and composer.
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Igor Fyodorovich Stravinsky (ˈiɡərʲ ˈfʲɵdərəvʲɪtɕ strɐˈvʲinskʲɪj; 6 April 1971) was a Russian-born composer, pianist, and conductor.
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Musical symbols are the marks and symbols, used since about the 13th century in the musical notation of musical scores, styles, and instruments to describe pitch, rhythm, tempo and, to some degree, its articulation (a composition in its fundamentals).
(plural) is a German term used in musical notation to denote a barline that is drawn between staves, but not across them.
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In music, metre (Am. meter) refers to the regularly recurring patterns and accents such as bars and beats.
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The term musical form (or musical architecture) refers to the overall structure or plan of a piece of music; it describes the layout of a composition as divided into sections.
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Music notation or musical notation is any system used to visually represent aurally perceived music played with instruments or sung by the human voice through the use of written, printed, or otherwise-produced symbols.
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In music theory, a phrase (φράση) is a unit of musical meter that has a complete musical sense of its own, built from figures, motifs, and cells, and combining to form melodies, periods and larger sections.
A quarter note (American) or crotchet (British, from the sense 'hook') is a note played for one quarter of the duration of a whole note (or semibreve).
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In music, a repeat sign is a sign that indicates a section should be repeated.
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Rhythm (from Greek ῥυθμός, rhythmos, "any regular recurring motion, symmetry") generally means a "movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions".
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Rhythm in Arabian music is analysed by means of rhythmic units called awzan and iqa'at.
A Tala (IAST tāla), sometimes spelled Taal or Tal, literally means a "clap, tapping one's hand on one's arm, a musical measure".
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The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are to be contained in each measure (bar) and which note value is equivalent to one beat.
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The vihuela is a guitar-shaped string instrument from 15th and 16th century Spain, Portugal and Italy, usually with five or six doubled strings.
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