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Cadence (music)

Index Cadence (music)

In Western musical theory, a cadence (Latin cadentia, "a falling") is "a melodic or harmonic configuration that creates a sense of resolution."Don Michael Randel (1999). [1]

107 relations: Adagio and Rondo Concertante, Amen, Andalusian cadence, Appoggiatura, Approach chord, Auld Lang Syne, ♭VII–V7 cadence, Bar (music), Bar-line shift, Baroque music, Brandenburg Concertos, Bring the Boys Back Home, Burgundian School, Cadence (music), Cadence rampa, Cadence-lypso, Cadenza, Carl Dahlhaus, Chord (music), Chord progression, Clarinet Trio (Brahms), Classical music, Classical period (music), Coda (music), Common practice period, Common tone (chord), Concerto, Conclusion (music), Contrapuntal motion, Corelli cadence, Degree (music), Dominant (music), Dominant seventh chord, Drum cadence, Dyad (music), Edward Lowinsky, English cadence, Exposition (music), Francesco Landini, Franz Schubert, Frédéric Chopin, Full stop, Guido of Arezzo, Gustav Mahler, Harmonic, Harmonic rhythm, Harmony, Hymn, I–IV–V–I, Ii–V–I progression, ..., Inversion (music), Irregular resolution, Jazz, Johannes Brahms, Lament bass, Landini cadence, List of Caribbean music genres, List of compositions by Giovanni Pierluigi da Palestrina, Ludwig van Beethoven, Lydian cadence, Major second, Medieval music, Melody, Micrologus, Music, Music theory, Musical composition, Nonchord tone, Oswald Jonas, Oxford University Press, Phrase (music theory), Phrygian mode, Piano concertos by Wolfgang Amadeus Mozart, Picardy third, Pink Floyd, Polyphony, Princeton University Press, Renaissance music, Resolution (music), Rest (music), Rhythm, Robert Schumann, Roman numeral analysis, Romantic music, Root (chord), Secondary chord, Section (music), Semitone, Steps and skips, Supertonic, Susan McClary, Symphony, Symphony No. 9 (Mahler), Tonality, Tonic (music), Trill (music), Tritone substitution, Turnaround (music), Unison, University of Minnesota Press, V–IV–I turnaround, Violin concerto, Voicing (music), Wachet auf, ruft uns die Stimme, BWV 140, Western Michigan University, William Caplin, Wolfgang Amadeus Mozart. Expand index (57 more) »

Adagio and Rondo Concertante

The Adagio and Rondo Concertante (Adagio e Rondo concertante) in F major for piano quartet, 487, was composed by Franz Schubert in 1816.

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Amen

The word amen (Hebrew אָמֵן, Greek ἀμήν, Arabic آمِينَ) is a declaration of affirmation found in the Hebrew Bible and the New Testament.

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Andalusian cadence

The Andalusian cadence (diatonic phrygian tetrachord) is a term adopted from flamenco music for a chord progression comprising four chords descending stepwise—a vi–V–IV–III progression with respect to the major mode or i–VII–VI–V progression with respect to the minor mode.

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Appoggiatura

An appoggiatura (Vorschlag, Vorhalt; Port de voix) is a musical ornament that consists of an added non-chord note in a melody that is resolved to the regular note of the chord.

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Approach chord

In music, an approach chord (also chromatic approach chord and dominant approach chord) is a chord one half-step higher or lower than the goal, especially in the context of turnarounds and cycle-of-fourths progressions, for example the two bar 50s progression: may be filled in with approach chords: F9 being the half-step to Em, Am being the half-step to Am, D7 being the half-step to D7, and G7 being the half-step to G. G being I, Em being vi, Am being ii, and D7 being V7 (see ii-V-I turnaround and circle progression).

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Auld Lang Syne

"Auld Lang Syne" (note "s" rather than "z") is a Scots poem written by Robert Burns in 1788 and set to the tune of a traditional folk song (Roud # 6294).

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♭VII–V7 cadence

In music, the VII–V7 cadence is a cadence using the chord progression from the subtonic (VII) to dominant seventh (V7).

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Bar (music)

In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines.

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Bar-line shift

In jazz, a bar-line shift is a technique in which, during improvisation, one plays the chord from the measure before or after the given chord either intentionally or as an "accident."Coker, Jerry (1997).

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Baroque music

Baroque music is a style of Western art music composed from approximately 1600 to 1750.

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Brandenburg Concertos

The Brandenburg Concertos by Johann Sebastian Bach (BWV 1046–1051, original title: Six Concerts à plusieurs instruments)Johann Sebastian Bach's Werke, vol.

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Bring the Boys Back Home

"Bring the Boys Back Home" is a song from the Pink Floyd album, The Wall.

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Burgundian School

The Burgundian School was a group of composers active in the 15th century in what is now northern and eastern France, Belgium, and the Netherlands, centered on the court of the Dukes of Burgundy.

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Cadence (music)

In Western musical theory, a cadence (Latin cadentia, "a falling") is "a melodic or harmonic configuration that creates a sense of resolution."Don Michael Randel (1999).

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Cadence rampa

Cadence rampa (Creole: kadans ranpa) or simply kadans, is a dance music and modern méringue popularized in the Caribbean by the virtuoso Haitian sax player Webert Sicot in the early 1960s. Cadence rampa was one of the sources of cadence-lypso. Genres: Caribbean and Latin America.

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Cadence-lypso

Cadence-lypso is a fusion of cadence rampa from Haiti and calypso from mainly the English speaking countries of the Caribbean.

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Cadenza

In music, a cadenza (from cadenza, meaning cadence; plural, cadenze) is, generically, an improvised or written-out ornamental passage played or sung by a soloist or soloists, usually in a "free" rhythmic style, and often allowing virtuosic display.

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Carl Dahlhaus

Carl Dahlhaus (June 10, 1928 – March 13, 1989), a musicologist from (West) Berlin, was one of the major contributors to the development of musicology as a scholarly discipline during the post-war era.

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Chord (music)

A chord, in music, is any harmonic set of pitches consisting of two or more (usually three or more) notes (also called "pitches") that are heard as if sounding simultaneously.

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Chord progression

A chord progression or harmonic progression is a succession of musical chords, which are two or more notes, typically sounded simultaneously.

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Clarinet Trio (Brahms)

The Clarinet Trio in A minor, Op. 114 is one of four chamber works composed by Johannes Brahms featuring the clarinet as a primary instrument.

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Classical music

Classical music is art music produced or rooted in the traditions of Western culture, including both liturgical (religious) and secular music.

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Classical period (music)

The Classical period was an era of classical music between roughly 1730 to 1820, associated with the style of Haydn, Mozart and Beethoven.

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Coda (music)

In music, a coda (Italian for "tail", plural code) is a passage that brings a piece (or a movement) to an end.

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Common practice period

In the history of European art music, the common practice period is the era between the formation and the decline of the tonal system.

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Common tone (chord)

In music, a common tone is a pitch class that is a member of, or common to (shared by) two or more chords or sets). For example, a note shared between two chords in a chord progression. Common tones are a consideration in voice leading and voicing. For example, common tones between chords may influence the inversions used, with common tones often "preserved" or "retained", as this is in agreement with voice leading principles such as smoothest and least possible movement. "The note...contained in both chords is called the common tone". A common tone is a, "tone shared by both triads". Abbé Vogler (1749–1814), Weber (1779–1839), Hauptmann (1792–1868), A. B. Marx (1795–1866), and earlier theorists have emphasized, "common-tone retention and smooth voice leading in... treatment of harmonic succession ". It may be considered a guideline or a rule. Common-tone diminished seventh chords resolve to a chord whose root is common to both chords (ii resolves to I, in C: D# F A C resolves to C E G).

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Concerto

A concerto (plural concertos, or concerti from the Italian plural) is a musical composition usually composed in three movements, in which, usually, one solo instrument (for instance, a piano, violin, cello or flute) is accompanied by an orchestra or concert band.

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Conclusion (music)

In music, the conclusion is the ending of a composition and may take the form of a coda or outro.

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Contrapuntal motion

In music theory, contrapuntal motion is the general movement of two melodic lines with respect to each other.

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Corelli cadence

The Corelli cadence, or Corelli clash, named for its association with the violin music of the Corelli school, is a cadence characterized by a major and/or minor second clash between the tonic and the leading-tone or the tonic and supertonic.

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Degree (music)

In music theory, scale degree refers to the position of a particular note on a scale relative to the tonic, the first and main note of the scale from which each octave is assumed to begin.

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Dominant (music)

In music, the dominant is the fifth scale degree of the diatonic scale, called "dominant" because it is next in importance to the tonic, and a dominant chord is any chord built upon that pitch, using the notes of the same diatonic scale.

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Dominant seventh chord

In music theory, a dominant seventh chord, or major minor seventh chord, is a chord composed of a root, major third, perfect fifth, and minor seventh.

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Drum cadence

In music, a drum cadence or street beat is a work played exclusively by the percussion section of a modern marching band (see marching percussion).

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Dyad (music)

In music, a dyad (less commonly, doad) is a set of two notes or pitches that, in particular contexts, may imply a chord.

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Edward Lowinsky

Edward Elias Lowinsky (January 12, 1908 – October 11, 1985) was an American musicologist born in Stuttgart, Germany to Leopold L. and Clara Rosenfeld.

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English cadence

In conventional classical music theory, the English cadence is a distinctive contrapuntal pattern particular to the authentic or perfect cadence.

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Exposition (music)

In musical form and analysis, exposition is the initial presentation of the thematic material of a musical composition, movement, or section.

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Francesco Landini

Francesco degli Organi, Francesco il Cieco, or Francesco da Firenze, called by later generations Francesco Landini or Landino (c. 1325 or 1335 – September 2, 1397) was an Italian composer, organist, singer, poet and instrument maker.

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Franz Schubert

Franz Peter Schubert (31 January 179719 November 1828) was an Austrian composer of the late Classical and early Romantic eras.

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Frédéric Chopin

Frédéric François Chopin (1 March 181017 October 1849) was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for solo piano.

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Full stop

The full point or full stop (British and broader Commonwealth English) or period (North American English) is a punctuation mark.

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Guido of Arezzo

Guido of Arezzo (also Guido Aretinus, Guido Aretino, Guido da Arezzo, Guido Monaco, or Guido d'Arezzo, or Guy of Arezzo also Guy d'Arezzo) (991/992 – after 1033) was an Italian music theorist of the Medieval era.

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Gustav Mahler

Gustav Mahler (7 July 1860 – 18 May 1911) was an Austro-Bohemian late-Romantic composer, and one of the leading conductors of his generation.

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Harmonic

A harmonic is any member of the harmonic series, a divergent infinite series.

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Harmonic rhythm

In music theory, harmonic rhythm, also known as harmonic tempo is the rate at which the chords change (or progress) in a musical composition, in relation to the rate of notes.

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Harmony

In music, harmony considers the process by which the composition of individual sounds, or superpositions of sounds, is analysed by hearing.

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Hymn

A hymn is a type of song, usually religious, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification.

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I–IV–V–I

In music, I–IV–V–I or IV-V-I is a common chord progression and cadence that, "unequivocally defines the point of origin and the total system, the key."Jonas, Oswald (1982).

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Ii–V–I progression

The ⅱ–Ⅴ–I progression (occasionally referred to as ⅱ–Ⅴ–I turnaround, and ⅱ–Ⅴ–I) is a common cadential chord progression used in a wide variety of music genres, including jazz harmony.

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Inversion (music)

There are inverted chords, inverted melodies, inverted intervals, and (in counterpoint) inverted voices.

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Irregular resolution

In music, an irregular resolution is resolution by a dominant seventh chord or diminished seventh chord to a chord other than the tonic.

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Jazz

Jazz is a music genre that originated in the African-American communities of New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in blues and ragtime.

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Johannes Brahms

Johannes Brahms (7 May 1833 – 3 April 1897) was a German composer and pianist of the Romantic period.

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Lament bass

In music, the lament bass is a ground bass, built from a descending perfect fourth from tonic to dominant, with each step harmonized.

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Landini cadence

A Landini cadence (Landini sixth or Landini sixth cadence), or under-third cadence,van der Merwe, Peter (2005).

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List of Caribbean music genres

Caribbean music genres are diverse.

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List of compositions by Giovanni Pierluigi da Palestrina

This is a list of compositions by Giovanni Pierluigi da Palestrina, sorted by genre.

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Ludwig van Beethoven

Ludwig van Beethoven (baptised 17 December 1770Beethoven was baptised on 17 December. His date of birth was often given as 16 December and his family and associates celebrated his birthday on that date, and most scholars accept that he was born on 16 December; however there is no documentary record of his birth.26 March 1827) was a German composer and pianist.

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Lydian cadence

A Lydian cadence is a type of half-cadence that was popular in the Ars nova style of the 14th and early 15th century.

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Major second

In Western music theory, a major second (sometimes also called whole tone) is a second spanning two semitones.

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Medieval music

Medieval music consists of songs, instrumental pieces, and liturgical music from about 500 A.D. to 1400.

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Melody

A melody (from Greek μελῳδία, melōidía, "singing, chanting"), also tune, voice, or line, is a linear succession of musical tones that the listener perceives as a single entity.

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Micrologus

The Micrologus is a treatise on Medieval music written by Guido of Arezzo, dating to approximately 1026.

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Music

Music is an art form and cultural activity whose medium is sound organized in time.

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Music theory

Music theory is the study of the practices and possibilities of music.

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Musical composition

Musical composition can refer to an original piece of music, either a song or an instrumental music piece, the structure of a musical piece, or the process of creating or writing a new song or piece of music.

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Nonchord tone

A nonchord tone (NCT), nonharmonic tone, or embellishing tone is a note (i.e., a pitch) in a piece of music or song that is not part of the implied or expressed chord set out by the harmonic framework.

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Oswald Jonas

Oswald Jonas (January 10, 1897 – March 19, 1978) was a music theorist and musicologist and student of Heinrich Schenker.

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Oxford University Press

Oxford University Press (OUP) is the largest university press in the world, and the second oldest after Cambridge University Press.

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Phrase (music theory)

In music theory, a phrase (φράση) is a unit of musical meter that has a complete musical sense of its own, built from figures, motifs, and cells, and combining to form melodies, periods and larger sections.

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Phrygian mode

The Phrygian mode (pronounced) can refer to three different musical modes: the ancient Greek tonos or harmonia sometimes called Phrygian, formed on a particular set of octave species or scales; the Medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter.

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Piano concertos by Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart wrote 27 original concertos for piano and orchestra.

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Picardy third

A Picardy third, Picardy cadence or, in French, tierce picarde, is a major chord of the tonic at the end of a musical section that is either modal or in a minor key.

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Pink Floyd

Pink Floyd were an English rock band formed in London in 1965.

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Polyphony

In music, polyphony is one type of musical texture, where a texture is, generally speaking, the way that melodic, rhythmic, and harmonic aspects of a musical composition are combined to shape the overall sound and quality of the work.

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Princeton University Press

Princeton University Press is an independent publisher with close connections to Princeton University.

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Renaissance music

Renaissance music is vocal and instrumental music written and performed in Europe during the Renaissance era.

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Resolution (music)

Resolution in western tonal music theory is the move of a note or chord from dissonance (an unstable sound) to a consonance (a more final or stable sounding one).

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Rest (music)

A rest is an interval of silence in a piece of music, marked by a symbol indicating the length of the pause.

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Rhythm

Rhythm (from Greek ῥυθμός, rhythmos, "any regular recurring motion, symmetry") generally means a "movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions".

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Robert Schumann

Robert Schumann (8 June 181029 July 1856) was a German composer and an influential music critic.

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Roman numeral analysis

In music, Roman numeral analysis uses Roman numerals to represent chords.

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Romantic music

Romantic music is a period of Western classical music that began in the late 18th or early 19th century.

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Root (chord)

In music theory, the concept of root is the idea that a chord can be represented and named by one of its notes.

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Secondary chord

A secondary chord is an analytical label for a specific harmonic device that is prevalent in the tonal idiom of Western music beginning in the common practice period, the use of diatonic functions for tonicization. In the tonal idiom, a song or piece of music has a tonic note and chord, which is based on the root of the key that the piece is in. The most important chords in a tonal song or piece are the tonic chord (labeled as I in harmonic analysis) and the dominant chord (V). A piece or song is said to be in the key of the tonic. In the key of C major, the tonic chord is C major and the dominant chord is G. Chords are named after the function they serve and their position (for example, the "dominant" is considered the most important after the tonic and the "subdominant" is the same distance from the tonic as the dominant but below rather than above) and numbered by the scale step of the chord's base note (the root of the vi chord is the sixth scale step). Secondary chords are altered or borrowed chords, chords which are not in the key. Secondary chords are referred to as the function they are serving of the key or chord to which they function and written "function/key". Thus, the dominant of the dominant is written "V/V" and read as, "five of five," or, "dominant of the dominant". Any scale degree with a major or minor chord on it may have any secondary function applied to it; secondary functions may be applied to diminished triads in some special circumstances. Secondary chords were not used until the Baroque period and are found more frequently and freely in the Classical period, even more so in the Romantic period, and, although they began to be used less frequently with the breakdown of conventional harmony in modern classical music, secondary dominants are a "cornerstone," of popular music and jazz of the 20th century.Benward & Saker (2003), p.273-7.

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Section (music)

In music, a section is a complete, but not independent, musical idea.

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Semitone

A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically.

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Steps and skips

In music, a step, or conjunct motion,Bonds, Mark Evan (2006).

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Supertonic

In music, the supertonic is the second degree or note of a diatonic scale, one step above the tonic.

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Susan McClary

Susan Kaye McClary (born 2 October 1946) is a musicologist associated with the "New Musicology".

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Symphony

A symphony is an extended musical composition in Western classical music, most often written by composers for orchestra.

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Symphony No. 9 (Mahler)

Symphony No.

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Tonality

Tonality is the arrangement of pitches and/or chords of a musical work in a hierarchy of perceived relations, stabilities, attractions and directionality.

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Tonic (music)

In music, the tonic is the first scale degree of a diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music and traditional music.

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Trill (music)

The trill (or shake, as it was known from the 16th until the 19th century) is a musical ornament consisting of a rapid alternation between two adjacent notes, usually a semitone or tone apart, which can be identified with the context of the trill.

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Tritone substitution

The tritone substitution is one of the most common chord substitutions found in jazz and was the precursor to more complex substitution patterns like Coltrane changes.

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Turnaround (music)

In jazz, a turnaround is a passage at the end of a section which leads to the next section.

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Unison

In music, unison is two or more musical parts sounding the same pitch or at an octave interval, usually at the same time.

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University of Minnesota Press

The University of Minnesota Press is a university press that is part of the University of Minnesota.

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V–IV–I turnaround

In music, the V–IV–I turnaround, or blues turnaround, is one of several cadential patterns traditionally found in the twelve-bar blues, and commonly found in rock and roll.

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Violin concerto

A violin concerto is a concerto for solo violin (occasionally, two or more violins) and instrumental ensemble (customarily orchestra).

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Voicing (music)

In music theory, voicing refers to either of the two closely related concepts of.

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Wachet auf, ruft uns die Stimme, BWV 140

Wachet auf, ruft uns die Stimme (Awake, calls the voice to us),, also known as Sleepers Wake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas.

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Western Michigan University

Western Michigan University (WMU) is a public research university in Kalamazoo, Michigan, United States.

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William Caplin

William E. Caplin (born 1948) is an American music theorist who lives and works in Montreal, Quebec, Canada, where he is a James McGill Professor at the Schulich School of Music of McGill University.

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Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the classical era.

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References

[1] https://en.wikipedia.org/wiki/Cadence_(music)

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