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43 relations: Arrangement, Augmented triad, Backdoor progression, Bebop, Big band, Blues, Chorale, Chord (music), Chord progression, Circle of fifths, Coltrane changes, Comping, Composer, Diatonic and chromatic, Diatonic function, Diminished seventh chord, Dominant (music), Eleventh, Hans Keller, Harmony, Herzliebster Jesu, Jazz, Jazz fusion, Jazz guitar, Jazz standard, Johann Sebastian Bach, Joseph Haydn, Major seventh, Mu chord, Music theory, Musical composition, Musical note, Musician, Passing chord, Rhythm changes, Rock music, Root (chord), Secondary chord, St Matthew Passion, Steps and skips, String Quartets, Op. 76 (Haydn), Supertonic, Tritone substitution.
Arrangement
In music, an arrangement is a musical reconceptualization of a previously composed work.
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Augmented triad
An augmented triad is a chord, made up of two major thirds (an augmented fifth).
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Backdoor progression
In jazz and jazz harmony, the chord progression from iv7 to bVII7 to I (the tonic or "home" key) has been nicknamed the backdoor progressionCoker, Jerry (1997).
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Bebop
Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States, which features songs characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody.
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Big band
A big band is a type of musical ensemble that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section.
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Blues
Blues is a music genre and musical form originated by African Americans in the Deep South of the United States around the end of the 19th century.
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Chorale
Chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale.
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Chord (music)
A chord, in music, is any harmonic set of pitches consisting of two or more (usually three or more) notes (also called "pitches") that are heard as if sounding simultaneously.
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Chord progression
A chord progression or harmonic progression is a succession of musical chords, which are two or more notes, typically sounded simultaneously.
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Circle of fifths
In music theory, the circle of fifths (or circle of fourths) is the relationship among the 12 tones of the chromatic scale, their corresponding key signatures, and the associated major and minor keys.
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Coltrane changes
In jazz harmony, the Coltrane changes (Coltrane Matrix or cycle, also known as chromatic third relations and multi-tonic changes) are a harmonic progression variation using substitute chords over common jazz chord progressions.
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Comping
Comping (an abbreviation of accompanying; or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a jazz musician's improvised solo or melody lines.
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Composer
A composer (Latin ''compōnō''; literally "one who puts together") is a musician who is an author of music in any form, including vocal music (for a singer or choir), instrumental music, electronic music, and music which combines multiple forms.
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Diatonic and chromatic
Diatonic (διατονική) and chromatic (χρωματική) are terms in music theory that are most often used to characterize scales, and are also applied to musical instruments, intervals, chords, notes, musical styles, and kinds of harmony.
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Diatonic function
In tonal music theory, a function (often called harmonic function, tonal function or diatonic function, or also chord area) is the relationship of a chord to a tonal center.
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Diminished seventh chord
The diminished seventh chord is commonly used in the harmony of both Western classical music and also in jazz and popular music of the twentieth and twenty-first centuries.
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Dominant (music)
In music, the dominant is the fifth scale degree of the diatonic scale, called "dominant" because it is next in importance to the tonic, and a dominant chord is any chord built upon that pitch, using the notes of the same diatonic scale.
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Eleventh
In music or music theory an eleventh is the note eleven scale degrees from the root of a chord and also the interval between the root and the eleventh.
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Hans Keller
Hans (Heinrich) Keller (11 March 19196 November 1985) was an Austrian-born British musician and writer who made significant contributions to musicology and music criticism, as well as being a commentator on such disparate fields as psychoanalysis and football.
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Harmony
In music, harmony considers the process by which the composition of individual sounds, or superpositions of sounds, is analysed by hearing.
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Herzliebster Jesu
"Herzliebster Jesu" (often translated into English as "Ah, Holy Jesus", sometimes as "O Dearest Jesus") is a German hymn for Passiontide, written in 1630 by Johann Heermann, in 15 stanzas of 4 lines, first published in Devoti Musica Cordis in Breslau.
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in blues and ragtime.
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Jazz fusion
Jazz fusion (also known as fusion) is a musical genre that developed in the late 1960s when musicians combined aspects of jazz harmony and improvisation with styles such as funk, rock, rhythm and blues, and Latin jazz.
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Jazz guitar
The term jazz guitar may refer to either a type of guitar or to the variety of guitar playing styles used in the various genres which are commonly termed "jazz".
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Jazz standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners.
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Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a composer and musician of the Baroque period, born in the Duchy of Saxe-Eisenach.
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Joseph Haydn
(Franz) Joseph HaydnSee Haydn's name.
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Major seventh
In classical music from Western culture, a seventh is a musical interval encompassing seven staff positions (see Interval number for more details), and the major seventh is one of two commonly occurring sevenths.
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Mu chord
A mu major chord or mu chord (signified by μ) is a distinctive voicing of an add 2 or "add 9" chord.
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Music theory
Music theory is the study of the practices and possibilities of music.
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Musical composition
Musical composition can refer to an original piece of music, either a song or an instrumental music piece, the structure of a musical piece, or the process of creating or writing a new song or piece of music.
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Musical note
In music, a note is the pitch and duration of a sound, and also its representation in musical notation (♪, ♩).
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Musician
A musician is a person who plays a musical instrument or is musically talented.
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Passing chord
In music, a passing chord is a nondiatonic chord that connects, or passes between, the notes of two diatonic chords.
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Rhythm changes
In jazz and jazz harmony, "rhythm changes" refers to the 32 bar chord progression occurring in George Gershwin's song "I Got Rhythm." The progression uses an AABA form, with each A section based on repetitions of the ubiquitous I-VI-ii-V sequence (or variants such as iii-VI-ii-V), and the B section using a circle of fifths sequence based on III7-VI7-II7-V7, a progression which is sometimes given passing chords.
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Rock music
Rock music is a broad genre of popular music that originated as "rock and roll" in the United States in the early 1950s, and developed into a range of different styles in the 1960s and later, particularly in the United Kingdom and in the United States.
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Root (chord)
In music theory, the concept of root is the idea that a chord can be represented and named by one of its notes.
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Secondary chord
A secondary chord is an analytical label for a specific harmonic device that is prevalent in the tonal idiom of Western music beginning in the common practice period, the use of diatonic functions for tonicization. In the tonal idiom, a song or piece of music has a tonic note and chord, which is based on the root of the key that the piece is in. The most important chords in a tonal song or piece are the tonic chord (labeled as I in harmonic analysis) and the dominant chord (V). A piece or song is said to be in the key of the tonic. In the key of C major, the tonic chord is C major and the dominant chord is G. Chords are named after the function they serve and their position (for example, the "dominant" is considered the most important after the tonic and the "subdominant" is the same distance from the tonic as the dominant but below rather than above) and numbered by the scale step of the chord's base note (the root of the vi chord is the sixth scale step). Secondary chords are altered or borrowed chords, chords which are not in the key. Secondary chords are referred to as the function they are serving of the key or chord to which they function and written "function/key". Thus, the dominant of the dominant is written "V/V" and read as, "five of five," or, "dominant of the dominant". Any scale degree with a major or minor chord on it may have any secondary function applied to it; secondary functions may be applied to diminished triads in some special circumstances. Secondary chords were not used until the Baroque period and are found more frequently and freely in the Classical period, even more so in the Romantic period, and, although they began to be used less frequently with the breakdown of conventional harmony in modern classical music, secondary dominants are a "cornerstone," of popular music and jazz of the 20th century.Benward & Saker (2003), p.273-7.
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St Matthew Passion
The St Matthew Passion (Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander.
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Steps and skips
In music, a step, or conjunct motion,Bonds, Mark Evan (2006).
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String Quartets, Op. 76 (Haydn)
The six String Quartets, Op. 76 by Joseph Haydn were composed in 1797 or 1798 and dedicated to the Hungarian count Joseph Georg von ErdődyIn full, Joseph Georg Erasmus Adrian Gabriel Michael Anton Franz von Erdödy.
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Supertonic
In music, the supertonic is the second degree or note of a diatonic scale, one step above the tonic.
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Tritone substitution
The tritone substitution is one of the most common chord substitutions found in jazz and was the precursor to more complex substitution patterns like Coltrane changes.
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Chord quality alteration, Dominant substitute, Harmonic generalization, Harmonic substitution, Substitute chord, Substituted chord.
References
[1] https://en.wikipedia.org/wiki/Chord_substitution
