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14 relations: Cross-cutting, Cutting on action, Diegesis, Dissolve (filmmaking), Ellipsis (narrative device), Establishing shot, Eyeline match, Flashback (narrative), Jump cut, Montage (filmmaking), Object permanence, Soviet montage theory, 180-degree rule, 30-degree rule.
Cross-cutting
Cross-cutting is an editing technique most often used in films to establish action occurring at the same time, and usually in the same place.
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Cutting on action
Cutting on action or matching on action refers to film editing and video editing techniques where the editor cuts from one shot to another view that matches the first shot's action.
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Diegesis
Diegesis (from the Greek διήγησις from διηγεῖσθαι, "to narrate") is a style of fiction storytelling that presents an interior view of a world in which.
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Dissolve (filmmaking)
In the post-production process of film editing and video editing, a dissolve is a gradual transition from one image to another.
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Ellipsis (narrative device)
Ellipsis, often represented in text as "...", is the narrative device of omitting a portion of the sequence of events, allowing the reader to fill in the narrative gaps.
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Establishing shot
An establishing shot in filmmaking and television production sets up, or establishes the context for a scene by showing the relationship between its important figures and objects.
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Eyeline match
An eyeline match is a film editing technique associated with the continuity editing system.
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Flashback (narrative)
A flashback (sometimes called an analepsis) is an interjected scene that takes the narrative back in time from the current point in the story.
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Jump cut
A jump cut is a cut in film editing in which two sequential shots of the same subject are taken from camera positions that vary only slightly if at all.
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Montage (filmmaking)
Montage is a technique in film editing in which a series of short shots are edited into a sequence to condense space, time, and information.
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Object permanence
Object permanence is the understanding that objects continue to exist even when they cannot be perceived (seen, heard, touched, smelled or sensed in any way).
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Soviet montage theory
Soviet montage theory is an approach to understanding and creating cinema that relies heavily upon editing (montage is French for "assembly" or "editing").
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180-degree rule
In film making, the 180-degree rule is a basic guideline regarding the on-screen spatial relationship between a character and another character or object within a scene.
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30-degree rule
The 30-degree rule is a basic film editing guideline that states the camera should move at least 30 degrees relative to the subject between successive shots of the same subject.
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Discontinuous editing, Découpage Classique, Invisible style.
