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24 relations: African-American music, Beat (music), Bebop, Blues, Chord progression, Funk, Gospel music, Hip hop music, Improvisation, Intertextuality, Irish traditional music, Jazz, Music, Ornament (music), Ostinato, Popular music, Repetition (music), Rhythm changes, Ring shout, Sampling (music), Thirty-two-bar form, Timbre, Tin whistle, Tonality.
African-American music
African-American music is an umbrella term covering a diverse range of musics and musical genres largely developed by African Americans.
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Beat (music)
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the mensural level (or beat level).
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Bebop
Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States, which features songs characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody.
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Blues
Blues is a music genre and musical form originated by African Americans in the Deep South of the United States around the end of the 19th century.
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Chord progression
A chord progression or harmonic progression is a succession of musical chords, which are two or more notes, typically sounded simultaneously.
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Funk
Funk is a music genre that originated in African American communities in the mid-1960s when African American musicians created a rhythmic, danceable new form of music through a mixture of soul music, jazz, and rhythm and blues (R&B).
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Gospel music
Gospel music is a genre of Christian music.
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Hip hop music
Hip hop music, also called hip-hopMerriam-Webster Dictionary entry on hip-hop, retrieved from: A subculture especially of inner-city black youths who are typically devotees of rap music; the stylized rhythmic music that commonly accompanies rap; also rap together with this music.
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Improvisation
Improvisation is creating or performing something spontaneously or making something from whatever is available.
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Intertextuality
Intertextuality is the shaping of a text's meaning by another text.
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Irish traditional music
Irish traditional music (also known as Irish trad, Irish folk music, and other variants) is a genre of folk music that developed in Ireland.
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in blues and ragtime.
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Music
Music is an art form and cultural activity whose medium is sound organized in time.
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Ornament (music)
In music, ornaments or embellishments are musical flourishes—typically, added notes—that are not essential to carry the overall line of the melody (or harmony), but serve instead to decorate or "ornament" that line (or harmony), provide added interest and variety, and give the performer the opportunity to add expressiveness to a song or piece.
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Ostinato
In music, an ostinato (derived from Italian: stubborn, compare English, from Latin: 'obstinate') is a motif or phrase that persistently repeats in the same musical voice, frequently at the same pitch.
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Popular music
Popular music is music with wide appeal that is typically distributed to large audiences through the music industry.
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Repetition (music)
Repetition is important in music, where sounds or sequences are often repeated.
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Rhythm changes
In jazz and jazz harmony, "rhythm changes" refers to the 32 bar chord progression occurring in George Gershwin's song "I Got Rhythm." The progression uses an AABA form, with each A section based on repetitions of the ubiquitous I-VI-ii-V sequence (or variants such as iii-VI-ii-V), and the B section using a circle of fifths sequence based on III7-VI7-II7-V7, a progression which is sometimes given passing chords.
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Ring shout
A shout or ring shout is an ecstatic, transcendent religious ritual, first practiced by African slaves in the West Indies and the United States, in which worshipers move in a circle while shuffling and stomping their feet and clapping their hands.
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Sampling (music)
In music, sampling is the act of taking a portion, or sample, of one sound recording and reusing it as an instrument or a sound recording in a different song or piece.
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Thirty-two-bar form
The thirty-two-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century.
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Timbre
In music, timbre (also known as tone color or tone quality from psychoacoustics) is the perceived sound quality of a musical note, sound or tone.
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Tin whistle
The tin whistle, also called the penny whistle, English flageolet, Scottish penny whistle, tin flageolet, Irish whistle, Belfast Hornpipe, feadóg stáin (or simply feadóg) and Clarke London FlageoletThe Clarke Tin Whistle By Bill Ochs is a simple, six-holed woodwind instrument.
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Tonality
Tonality is the arrangement of pitches and/or chords of a musical work in a hierarchy of perceived relations, stabilities, attractions and directionality.
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References
[1] https://en.wikipedia.org/wiki/Cut_(music)
