32 relations: A (musical note), A♭ (musical note), Acoustic scale, Aeolian dominant scale, Aeolian mode, Altered scale, Augmented unison, Diatonic scale, Dorian ♭2 scale, Dorian mode, Enharmonic, Equal temperament, Frequency, G (musical note), G-sharp major, G-sharp minor, Half diminished scale, Helmholtz pitch notation, Hertz, Ionian mode, Jazz minor scale, Locrian mode, Lydian augmented scale, Lydian mode, Mixolydian mode, Phrygian mode, Piano key frequencies, Pitch (music), Root (chord), Scientific pitch notation, Semitone, Solfège.
La or A is the sixth note of the fixed-do solfège.
A (A-flat; also called la bémol) is the ninth semitone of the solfège.
In music, the acoustic scale, overtone scale, Lydian dominant scale, or Lydian 7 scale, is a seven-note synthetic scale.
The Aeolian dominant scale (also known as the Hindu scale, the Mixolydian 6, Aeolian major, and melodic major) is the fifth mode of the melodic minor scale.
The Aeolian mode is a musical mode or, in modern usage, a diatonic scale called the natural minor scale.
In jazz, the altered scale or altered dominant scale is a seven-note scale that is a dominant scale where all non-essential tones have been altered.
In modern Western tonal music theory an augmented unison or augmented prime is the interval between two notes on the same staff position, or denoted by the same note letter, whose alterations cause them, in ordinary equal temperament, to be one semitone apart.
In western music theory, a diatonic scale is a heptatonic scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps, depending on their position in the scale.
The Dorian 2 scale, also known as Phrygian 6 is the second mode of the jazz minor scale (or the ascending melodic minor scale).
Dorian mode or Doric mode can refer to three very different but interrelated subjects: one of the Ancient Greek harmoniai (characteristic melodic behaviour, or the scale structure associated with it), one of the medieval musical modes, or, most commonly, one of the modern modal diatonic scales, corresponding to the white notes from D to D, or any transposition of this.
In modern musical notation and tuning, an enharmonic equivalent is a note, interval, or key signature that is equivalent to some other note, interval, or key signature but "spelled", or named differently.
An equal temperament is a musical temperament, or a system of tuning, in which the frequency interval between every pair of adjacent notes has the same ratio.
Frequency is the number of occurrences of a repeating event per unit of time.
Sol, so, or G is the fifth note of the fixed-do solfège starting on C. As such it is the dominant, a perfect fifth above C or perfect fourth below C. When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of middle G (G4) note is approximately 391.995 Hz.
G major (or the key of G) is a theoretical key based on the musical note sharp, consisting of the pitches G, sharp, sharp, sharp, sharp, sharp and F. Its key signature has six sharps and one double sharp.
G-sharp minor is a minor scale based on sharp, consisting of the pitches G, sharp, B, sharp, sharp, E, and sharp.
The half diminished scale is a seven-note musical scale.
Helmholtz pitch notation is a system for naming musical notes of the Western chromatic scale.
The hertz (symbol: Hz) is the derived unit of frequency in the International System of Units (SI) and is defined as one cycle per second.
Ionian mode is a musical mode or, in modern usage, a diatonic scale also called the major scale.
The jazz minor scale is a derivative of the melodic minor scale, except only the ascending form of the scale is used.
The Locrian mode is either a musical mode or simply a diatonic scale.
In music, the Lydian augmented scale (Lydian 5 scale) is the third mode of the ascending melodic minor scale or jazz minor scale.
The modern Lydian mode is a seven-tone musical scale formed from a rising pattern of pitches comprising three whole tones, a semitone, two more whole tones, and a final semitone.
Mixolydian mode may refer to one of three things: the name applied to one of the ancient Greek harmoniai or tonoi, based on a particular octave species or scale; one of the medieval church modes; a modern musical mode or diatonic scale, related to the medieval mode.
The Phrygian mode (pronounced) can refer to three different musical modes: the ancient Greek tonos or harmonia sometimes called Phrygian, formed on a particular set of octave species or scales; the Medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter.
This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A4), tuned to 440 Hz (referred to as A440).
Pitch is a perceptual property of sounds that allows their ordering on a frequency-related scale, or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melodies.
In music theory, the concept of root is the idea that a chord can be represented and named by one of its notes.
Scientific pitch notation (or SPN, also known as American Standard Pitch Notation (ASPN) and International Pitch Notation (IPN)) is a method of specifying musical pitch by combining a musical note name (with accidental if needed) and a number identifying the pitch's octave.
A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically.
In music, solfège or solfeggio, also called sol-fa, solfa, solfeo, among many names, is a music education method used to teach pitch and sight singing of Western music.