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46 relations: Appoggiatura, Beat (music), Bebop, Carl Philipp Emanuel Bach, Changing tones, Chord (music), Christmas Concerto (Corelli), Classical music, Common practice period, Consonance and dissonance, Counterpoint, Diatonic and chromatic, Diatonic function, Dominant (music), Elektra chord, Equal temperament, Extended chord, Factor (chord), Free Composition, Glissando, Goldberg Variations, Harmony, Heinrich Schenker, Homophony, Interval (music), Johann Joseph Fux, Key (music), Modal frame, Music, Music history, Musical note, Nonchord tone, Organ (music), Ornament (music), Pandiatonicism, Pedal point, Pitch (music), Popular music, Portamento, Resolution (music), Romantic music, Semitone, Seventh chord, Song, Tonality, Tonic (music).
Appoggiatura
An appoggiatura (Vorschlag, Vorhalt; Port de voix) is a musical ornament that consists of an added non-chord note in a melody that is resolved to the regular note of the chord.
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Beat (music)
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the mensural level (or beat level).
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Bebop
Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States, which features songs characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody.
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Carl Philipp Emanuel Bach
Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, was a German Classical period musician and composer, the fifth child and second (surviving) son of Johann Sebastian Bach and Maria Barbara Bach.
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Changing tones
In music, changing tones (also called double neighboring tones and neighbor group) consists of two consecutive non-chord tones.
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Chord (music)
A chord, in music, is any harmonic set of pitches consisting of two or more (usually three or more) notes (also called "pitches") that are heard as if sounding simultaneously.
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Christmas Concerto (Corelli)
Concerto grosso in G minor, Op.
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Classical music
Classical music is art music produced or rooted in the traditions of Western culture, including both liturgical (religious) and secular music.
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Common practice period
In the history of European art music, the common practice period is the era between the formation and the decline of the tonal system.
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Consonance and dissonance
In music, consonance and dissonance are categorizations of simultaneous or successive sounds.
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Counterpoint
In music, counterpoint is the relationship between voices that are harmonically interdependent (polyphony) yet independent in rhythm and contour.
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Diatonic and chromatic
Diatonic (διατονική) and chromatic (χρωματική) are terms in music theory that are most often used to characterize scales, and are also applied to musical instruments, intervals, chords, notes, musical styles, and kinds of harmony.
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Diatonic function
In tonal music theory, a function (often called harmonic function, tonal function or diatonic function, or also chord area) is the relationship of a chord to a tonal center.
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Dominant (music)
In music, the dominant is the fifth scale degree of the diatonic scale, called "dominant" because it is next in importance to the tonic, and a dominant chord is any chord built upon that pitch, using the notes of the same diatonic scale.
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Elektra chord
The Elektra chord is a "complexly dissonant signature-chord"Lawrence Kramer.
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Equal temperament
An equal temperament is a musical temperament, or a system of tuning, in which the frequency interval between every pair of adjacent notes has the same ratio.
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Extended chord
In music, extended chords are tertian chords (built from thirds) or triads with notes extended, or added, beyond the seventh.
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Factor (chord)
In music, a factor or chord factor is a member or component of a chord.
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Free Composition
Free Composition (Der freie Satz) is a treatise by Heinrich Schenker, and possibly Schenker's best known work.
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Glissando
In music, a glissando (plural: glissandi, abbreviated gliss.) is a glide from one pitch to another.
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Goldberg Variations
The Goldberg Variations, BWV 988, are a work written for harpsichord by Johann Sebastian Bach, consisting of an aria and a set of 30 variations.
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Harmony
In music, harmony considers the process by which the composition of individual sounds, or superpositions of sounds, is analysed by hearing.
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Heinrich Schenker
Heinrich Schenker (19 June 1868, Wiśniowczyk – 14 January 1935, Vienna) was a music theorist, music critic, teacher, pianist, and composer, best known for his approach to musical analysis, now usually called Schenkerian analysis.
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Homophony
In music, homophony (Greek: ὁμόφωνος, homóphōnos, from ὁμός, homós, "same" and φωνή, phōnē, "sound, tone") is a texture in which a primary part is supported by one or more additional strands that flesh out the harmony and often provide rhythmic contrast.
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Interval (music)
In music theory, an interval is the difference between two pitches.
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Johann Joseph Fux
Johann Joseph Fux (c. 1660 – 13 February 1741) was an Austrian composer, music theorist and pedagogue of the late Baroque era.
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Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a music composition in classical, Western art, and Western pop music.
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Modal frame
A modal frame in music is "a number of types permeating and unifying African, European, and American song" and melody.
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Music
Music is an art form and cultural activity whose medium is sound organized in time.
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Music history
Music history, sometimes called historical musicology, is the highly diverse subfield of the broader discipline of musicology that studies music from a historical viewpoint.
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Musical note
In music, a note is the pitch and duration of a sound, and also its representation in musical notation (♪, ♩).
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Nonchord tone
A nonchord tone (NCT), nonharmonic tone, or embellishing tone is a note (i.e., a pitch) in a piece of music or song that is not part of the implied or expressed chord set out by the harmonic framework.
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Organ (music)
In music, the organ (from Greek ὄργανον organon, "organ, instrument, tool") is a keyboard instrument of one or more pipe divisions or other means for producing tones, each played with its own keyboard, played either with the hands on a keyboard or with the feet using pedals.
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Ornament (music)
In music, ornaments or embellishments are musical flourishes—typically, added notes—that are not essential to carry the overall line of the melody (or harmony), but serve instead to decorate or "ornament" that line (or harmony), provide added interest and variety, and give the performer the opportunity to add expressiveness to a song or piece.
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Pandiatonicism
Pandiatonicism is a musical technique of using the diatonic (as opposed to the chromatic) scale without the limitations of functional tonality.
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Pedal point
In music, a pedal point (also pedal tone, pedal note, organ point, or pedal) is a sustained tone, typically in the bass, during which at least one foreign, i.e., dissonant harmony is sounded in the other parts.
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Pitch (music)
Pitch is a perceptual property of sounds that allows their ordering on a frequency-related scale, or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melodies.
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Popular music
Popular music is music with wide appeal that is typically distributed to large audiences through the music industry.
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Portamento
In music, portamento (plural: portamenti, from portamento, meaning "carriage" or "carrying") is a pitch sliding from one note to another.
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Resolution (music)
Resolution in western tonal music theory is the move of a note or chord from dissonance (an unstable sound) to a consonance (a more final or stable sounding one).
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Romantic music
Romantic music is a period of Western classical music that began in the late 18th or early 19th century.
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Semitone
A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically.
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Seventh chord
A seventh chord is a chord consisting of a triad plus a note forming an interval of a seventh above the chord's root.
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Song
A song, most broadly, is a single (and often standalone) work of music that is typically intended to be sung by the human voice with distinct and fixed pitches and patterns using sound and silence and a variety of forms that often include the repetition of sections.
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Tonality
Tonality is the arrangement of pitches and/or chords of a musical work in a hierarchy of perceived relations, stabilities, attractions and directionality.
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Tonic (music)
In music, the tonic is the first scale degree of a diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music and traditional music.
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Accented Passing Tone, Anticipation (music), Auxiliary note, Auxiliary tone, Auxilliary note, Chromatic appoggiatura, Chromatic nonharmonic tone, Chromatic passing tone, Echappee, Echappée, Escape note, Escape tone, Escaped note, Harmonic suspension, Hilfsklang, Nebennote, Neighbor note, Neighbor tone, Neighboring tone, Neighbour note, Neighbour tone, Neighbour-note, Neighbouring harmony, Non-chord tone, Non-harmonic note, Non-harmonic tone, Non-harmony note, Nonharmonic, Nonharmonic bass, Nonharmonic tone, Passing note, Passing notes, Passing tone, Retardation (music), Suspended tone, Suspension (music), Syncope (music), Échappée.
References
[1] https://en.wikipedia.org/wiki/Nonchord_tone
