Table of Contents
15 relations: Absolute pitch, C (musical note), Concert pitch, Drone (sound), Ear training, Historically informed performance, Inner Traditions – Bear & Company, Just intonation, Musical notation, Musical note, Numerical sight-singing, Octave, Solfège, Tonal memory, W. A. Mathieu.
- Cognitive musicology
- Music cognition
- Pitch (music)
Absolute pitch
Absolute pitch (AP), often called perfect pitch, is the ability to identify or re-create a given musical note without the benefit of a reference tone. Relative pitch and Absolute pitch are Cognitive musicology, music cognition, music psychology and pitch (music).
See Relative pitch and Absolute pitch
C (musical note)
C or Do is the first note of the C major scale, the third note of the A minor scale (the relative minor of C major), and the fourth note (G, A, B, C) of the Guidonian hand, commonly pitched around 261.63 Hz.
See Relative pitch and C (musical note)
Concert pitch
Concert pitch is the pitch reference to which a group of musical instruments are tuned for a performance. Relative pitch and Concert pitch are pitch (music).
See Relative pitch and Concert pitch
Drone (sound)
In music, a drone is a harmonic or monophonic effect or accompaniment where a note or chord is continuously sounded throughout most or all of a piece.
See Relative pitch and Drone (sound)
Ear training
In music, ear training is the study and practice in which musicians learn various aural skills to detect and identify pitches, intervals, melody, chords, rhythms, solfeges, and other basic elements of music, solely by hearing. Relative pitch and ear training are Singing.
See Relative pitch and Ear training
Historically informed performance
Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of classical music which aims to be faithful to the approach, manner and style of the musical era in which a work was originally conceived.
See Relative pitch and Historically informed performance
Inner Traditions – Bear & Company
Inner Traditions – Bear & Company, also known as Inner Traditions, is a book publisher founded by Ehud Sperling in 1975 and based in Rochester, Vermont in the United States.
See Relative pitch and Inner Traditions – Bear & Company
Just intonation
In music, just intonation or pure intonation is the tuning of musical intervals as whole number ratios (such as 3:2 or 4:3) of frequencies.
See Relative pitch and Just intonation
Musical notation
Musical notation is any system used to visually represent music.
See Relative pitch and Musical notation
Musical note
In music, notes are distinct and isolatable sounds that act as the most basic building blocks for nearly all of music.
See Relative pitch and Musical note
Numerical sight-singing
Numerical sight-singing, an alternative to the solfege system of sight-singing, is a musical notation system that numbers the diatonic scale with the numbers one through eight (or, alternately, one to seven, with the octave again being one). Relative pitch and Numerical sight-singing are Singing.
See Relative pitch and Numerical sight-singing
Octave
In music, an octave (octavus: eighth) or perfect octave (sometimes called the '''diapason''') is a series of eight notes occupying the interval between (and including) two notes, one having twice the frequency of vibration of the other.
Solfège
In music, solfège or solfeggio, also called sol-fa, solfa, solfeo, among many names, is a mnemonic used in teaching aural skills, pitch and sight-reading of Western music.
See Relative pitch and Solfège
Tonal memory
In music, tonal memory or "aural recall" is the ability to remember a specific tone after it has been heard. Relative pitch and tonal memory are music psychology.
See Relative pitch and Tonal memory
W. A. Mathieu
William Allaudin Mathieu (born 1937) is a composer, pianist, choir director, music teacher, and author.
See Relative pitch and W. A. Mathieu
See also
Cognitive musicology
- Absolute pitch
- Aniruddh D. Patel
- Background music
- Biomusicology
- Bird vocalization
- Christopher Longuet-Higgins
- Cognitive Constraints on Compositional Systems
- Cognitive musicology
- Evolutionary musicology
- Generative grammar
- Generative theory of tonal music
- Jamshed Bharucha
- Mathematics of music
- Music and artificial intelligence
- Music-related memory
- Music-specific disorders
- Neuroscience of music
- Pitch (music)
- Prehistoric music
- Psychoacoustics
- Relative pitch
- Rhythm
- Temporal dynamics of music and language
- Vocal learning
Music cognition
- Absolute pitch
- Amusia
- Auditory arrhythmia
- Background music
- Beat deafness
- Biomusicology
- Catchiness
- Cognitive Constraints on Compositional Systems
- Cognitive musicology
- Culture in music cognition
- Embodied music cognition
- Entrainment (biomusicology)
- Ernst Terhardt
- Evolutionary musicology
- Generative theory of tonal music
- Implication-Realization
- Levitin effect
- Melodic expectation
- Music-related memory
- Neuroscience of music
- Psychoacoustics
- Psychology of music preference
- Relative pitch
- Spiral array model
- Timing (music)
Pitch (music)
- Absolute pitch
- Alto
- Ambitus (music)
- Baritenor
- Baritone
- Bass (sound)
- Bass (voice type)
- Bass-baritone
- Cadence (poetry)
- Concert pitch
- Contralto
- Countertenor
- Diplacusis
- Falset (music)
- Flat (music)
- Helmholtz pitch notation
- Hicaz pitch class set
- Intervals (music)
- Intonation (music)
- Meane
- Musical keys
- Musical notes
- Musical scales
- Musical tone
- Musical tuning
- Natural (music)
- Otonality and utonality
- Pitch (music)
- Pitch class
- Pitch of brass instruments
- Pitch space
- Range (music)
- Register (music)
- Relative pitch
- Savart wheel
- Scientific pitch notation
- Sharp (music)
- Sopranissimo
- Soprano
- Sub-bass
- Tenor
- Tenore contraltino
- Tessitura
- Transposition (music)
- Treble (sound)
- Treble voice
- Voice types