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Romantic ballet

Index Romantic ballet

The Romantic ballet is defined primarily by an era in ballet in which the ideas of Romanticism in art and literature influenced the creation of ballets. [1]

50 relations: Adolphe Adam, Albert (dancer), Arthur Saint-Léon, Ballet, Ballet blanc, Ballet dancer, Ballet master, Carlotta Grisi, Catarina or La Fille du Bandit, Cesare Pugni, Choreography, Coppélia, Corps de ballet, Corset, Divertissement, Fanny Cerrito, Fanny Elssler, Filippo Taglioni, Gas lighting, Giselle, Her Majesty's Theatre, Jean Coralli, Joseph Mazilier, Jules Perrot, La Esmeralda (ballet), La Fille de marbre, La fille du Danube, La Péri (Burgmüller), La Sylphide, La Vivandière or Markitenka, Le Corsaire, Le Diable amoureux (ballet), Le diable à quatre (ballet), Le papillon (ballet), London, Lucile Grahn, Marie Taglioni, Marius Petipa, Ondine, ou La naïade, Paquita, Paris Opera Ballet, Pas de Quatre, Pastiche, Pauline Leroux, Pointe shoe, Pointe technique, Romanticism, Salle Le Peletier, Tulle, Tutu (clothing).

Adolphe Adam

Adolphe Charles Adam (24 July 1803 – 3 May 1856) was a French composer and music critic.

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Albert (dancer)

François-Ferdinand Decombe (15 April 1789, Bordeaux - 18 July 1865, Fontainebleau) was a French ballet dancer and ballet master, under the stage name Albert.

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Arthur Saint-Léon

Arthur Saint-Léon (17 September 1821, Paris – 2 September 1870) was the Maître de Ballet of St. Petersburg Imperial Ballet from 1859 until 1869 and is famous for creating the choreography of the ballet Coppélia.

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Ballet

Ballet is a type of performance dance that originated during the Italian Renaissance in the 15th century and later developed into a concert dance form in France and Russia.

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Ballet blanc

In ballet, a ballet blanc ("white ballet") is a scene in which the ballerina and the female corps de ballet all wear white dresses or tutus.

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Ballet dancer

A ballet dancer (ballerina fem., ballerino masc.) is a person who practices the art of classical ballet.

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Ballet master

Ballet Master (also Balletmaster, Ballet Mistress, Premier Maître de ballet or Premier Maître de ballet en Chef) is the term used for an employee of a ballet company who is responsible for the level of competence of the dancers in their company.

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Carlotta Grisi

Carlotta Grisi (born Caronne Adele Josephine Marie Grisi; 28 June 1819 – 20 May 1899) was an Italian ballet dancer.

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Catarina or La Fille du Bandit

Catarina ou la Fille du bandit is a ballet in three acts and four scenes, with libretto and choreography by Jules Perrot and music by Cesare Pugni.

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Cesare Pugni

Cesare Pugni (Цезарь Пуни) (31 May 1802&ndash) born in Genoa, was an Italian composer of ballet music, a pianist and a violinist.

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Choreography

Choreography is the art or practice of designing sequences of movements of physical bodies (or their depictions) in which motion, form, or both are specified.

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Coppélia

Coppélia (sometimes subtitled: The Girl With The Enamel Eyes) is a comic ballet originally choreographed by Arthur Saint-Léon to the music of Léo Delibes, with libretto by Charles-Louis-Étienne Nuitter.

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Corps de ballet

In ballet, the corps de ballet (from French, body of the ballet) is the group of dancers who are not soloists.

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Corset

A corset is a garment worn to hold and train the torso into a desired shape, traditionally a smaller waist or larger bottom, for aesthetic or medical purposes (either for the duration of wearing it or with a more lasting effect).

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Divertissement

Divertissement (from the French 'diversion' or 'amusement') is used, in a similar sense to the Italian 'divertimento', for a light piece of music for a small group of players, however the French term has additional meanings.

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Fanny Cerrito

Francesca "Fanny" Cerrito (11 May 1817 – 6 May 1909) was an Italian ballet dancer and choreographer.

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Fanny Elssler

Fanny Elssler (born Franziska Elßler; 23 June 1810 - 27 November 1884) was an Austrian ballerina of the Romantic Period.

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Filippo Taglioni

Filippo Taglioni (aka Philippe Taglioni; 5 November 1777 – 11 February 1871) was an Italian dancer and choreographer and personal teacher to his own daughter, the famous Romantic ballerina Marie Taglioni.

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Gas lighting

Gas lighting is production of artificial light from combustion of a gaseous fuel, such as hydrogen, methane, carbon monoxide, propane, butane, acetylene, ethylene, or natural gas.

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Giselle

Giselle (French: Giselle, ou les Wilis) is a romantic ballet in two acts.

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Her Majesty's Theatre

Her Majesty's Theatre is a West End theatre situated on Haymarket in the City of Westminster, London.

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Jean Coralli

Jean Coralli (15 January 1779 – 1 May 1854) was a French ballet dancer and choreographer, best known for collaborating with Jules Perrot in creating Giselle (1841), the quintessential Romantic ballet of the nineteenth century.

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Joseph Mazilier

Joseph Mazilier (1 March 1801 in Marseilles – 19 May 1868 in Paris) was a 19th-century French dancer, balletmaster and choreographer.

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Jules Perrot

Jules-Joseph Perrot (18 August 1810 – 29 August 1892) was a dancer and choreographer who later became Balletmaster of the Imperial Ballet in St. Petersburg, Russia.

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La Esmeralda (ballet)

La Esmeralda is a ballet in three acts and five scenes, inspired by the novel Notre-Dame de Paris by Victor Hugo, originally choreographed by Jules Perrot to music by Cesare Pugni, with sets by William Grieve and costumes by Mme.

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La Fille de marbre

La Fille de marbre is a ballet-pantomime in 2 acts by Arthur Saint-Léon, with music by Cesare Pugni, premiered on 20 October 1847 at the Opéra de Paris.

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La fille du Danube

La Fille du Danube (The Daughter of the Danube) is a ballet in two acts and four scenes, choreographed by Filippo Taglioni to music by Adolphe Adam.

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La Péri (Burgmüller)

La Péri is a fantastic ballet choreographed by Jean Coralli (1779-1854) to music composed by Friedrich Burgmüller.

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La Sylphide

La Sylphide (The Sylph; Sylfiden) is a romantic ballet in two acts.

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La Vivandière or Markitenka

La Vivandière (or Markitenka, as it is known in Russia) is a ballet in one act with choreography by Arthur Saint-Léon and Fanny Cerrito, and music by Cesare Pugni.

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Le Corsaire

Le Corsaire is a ballet typically presented in three acts, with a libretto originally created by Jules-Henri Vernoy de Saint-Georges loosely based on the poem The Corsair by Lord Byron.

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Le Diable amoureux (ballet)

Le Diable amoureux (also known as Satanella or Love and Hell) is a ballet pantomime in three acts and eight scenes, originally choreographed by Joseph Mazilier to the music of Napoléon Henri Reber and François Benoist.

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Le diable à quatre (ballet)

Le Diable à quatre is a ballet in two acts and three scenes (or in three acts), with choreography by Joseph Mazilier, music by Adolphe Adam, and libretto by Adolphe de Leuven, first presented by the Ballet of the Académie Royale de Musique on 11 August 1845, with Carlotta Grisi (as Mazourka) and Lucien Petipa (as Count Polinski).

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Le papillon (ballet)

Le papillon (The Butterfly) is a 'fantastic ballet' in two acts (four scenes) of 1860, with choreography by Marie Taglioni and music by Jacques Offenbach to a libretto by Jules-Henri Vernoy de Saint-Georges.

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London

London is the capital and most populous city of England and the United Kingdom.

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Lucile Grahn

Lucile Alexia Grahn-Young (30 June 1819 – 4 April 1907) was the first internationally renowned Danish ballerina and one of the popular dancers of the Romantic ballet era.

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Marie Taglioni

Marie Taglioni, Comtesse Gilbert de Voisins (23 April 1804 – 22 April 1884) was a Swedish ballet dancer of the Romantic ballet era, a central figure in the history of European dance.

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Marius Petipa

Marius Ivanovich Petipa (Russian: Ма́риус Ива́нович Петипа́), born Victor Marius Alphonse Petipa (11 March 1818) was a French and Russian ballet dancer, pedagogue and choreographer.

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Ondine, ou La naïade

Ondine, ou La naïade is a ballet in three acts and six scenes with choreography by Jules Perrot, music by Cesare Pugni, and a libretto inspired by the novel Undine by Friedrich de la Motte Fouqué.

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Paquita

Paquita is a ballet in two acts and three scenes originally choreographed by Joseph Mazilier to music by Édouard Deldevez and Ludwig Minkus.

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Paris Opera Ballet

The Paris Opera Ballet (French: "Ballet de l'Opéra national de Paris") is an integral part of the Paris Opera and the oldest national ballet company.

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Pas de Quatre

Grand Pas de Quatre is a ballet divertissement choreographed by Jules Perrot in 1845, on the suggestion of Benjamin Lumley, Director at Her Majesty's Theatre, to music composed by Cesare Pugni.

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Pastiche

A pastiche is a work of visual art, literature, theatre, or music that imitates the style or character of the work of one or more other artists.

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Pauline Leroux

Adèle-Louise-Pauline Leroux (19 August 1809–5 February 1891) was a French dancer and ballerina of the 19th-century Romantic ballet era and a member of the Paris Opera Ballet.

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Pointe shoe

A pointe shoe is a type of shoe worn by ballet dancers when performing pointe work.

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Pointe technique

Pointe technique is the part of classical ballet technique that concerns pointe work, in which a ballet dancer supports all body weight on the tips of fully extended feet within pointe shoes.

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Romanticism

Romanticism (also known as the Romantic era) was an artistic, literary, musical and intellectual movement that originated in Europe toward the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850.

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Salle Le Peletier

The Salle Le Peletier (sometimes referred to as the Salle de la rue Le Peletier or the Opéra Le Peletier) was the home of the Paris Opera from 1821 until the building was destroyed by fire in 1873.

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Tulle

Tulle is a commune in central France.

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Tutu (clothing)

The modern tutu is a dress worn as a costume in a ballet performance, often with attached bodice.

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Romantic Ballet.

References

[1] https://en.wikipedia.org/wiki/Romantic_ballet

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