27 relations: Cadence (music), Chord (music), Degree (music), Diatonic function, Diatonic scale, Dodecagram, Dominant (music), Harmony, Hugo Riemann, Leading-tone, Major scale, Music, Music theory, Musical analysis, Musical note, Neapolitan chord, Oswald Jonas, Predominant chord, Primary triad, Recapitulation (music), Roman numeral analysis, Solfège, Sonata form, Subtonic, Tonality, Tonic (music), Triad (music).
In Western musical theory, a cadence (Latin cadentia, "a falling") is, "a melodic or harmonic configuration that creates a sense of resolution."Don Michael Randel (1999).
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A chord, in music, is any harmonic set of three or more notes that is heard as if sounding simultaneously.
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In music theory, a scale degree is the name given to a particular note of a scale to specify its position relative to the tonic (the main note of the scale).
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In tonal music theory, a diatonic function (also chord area) is the specific, recognized role of each of the 7 notes and their chords in relation to the diatonic key.
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In music theory, a diatonic scale (or heptatonia prima) is a scale composed of seven distinct pitch classes.
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A dodecagram is a star polygon that has twelve vertices.
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In music, the dominant is the fifth scale degree of the diatonic scale, called "dominant" because it is next in importance to the tonic, and a dominant chord is any chord built upon that pitch, using the notes of the same diatonic scale.
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In music, harmony is the use of simultaneous pitches (tones, notes), or chords.
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Karl Wilhelm Julius Hugo Riemann (July 18, 1849 – July 10, 1919) was a German music theorist and composer.
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In music theory, a leading-note (also subsemitone, and called the leading-tone in the US) is a note or pitch which resolves or "leads" to a note one semitone higher or lower, being a lower and upper leading-tone, respectively.
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The major scale or Ionian scale is one of the most commonly used musical scales, especially in Western music.
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Music is an art form whose medium is sound and silence.
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Music theory is the study of the practices and possibilities of music.
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Musical analysis is the attempt to answer the question how does this music work?.
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In music, the term note has two primary meanings.
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In music theory, a Neapolitan chord (or simply a "Neapolitan") is a major chord built on the lowered second (supertonic) scale degree.
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Oswald Jonas (January 10, 1897 – March 19, 1978) was a music theorist and musicologist and student of Heinrich Schenker.
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In music theory, a predominant chord (also pre-dominant) is any chord which normally resolves to a dominant chord.
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In music, a primary triad is one of the three triads, or three-note chords built from major or minor thirds, most important in tonal and diatonic music, as opposed to an auxiliary triad or secondary triad.
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In music theory, the recapitulation is one of the sections of a movement written in sonata form.
In music, Roman numeral analysis involves the use of Roman numerals to represent chords.
In music, solfège or solfeggio, also called sol-fa, solfa, solfeo, solfejo, among many names, is a music education method used to teach pitch and sight singing.
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Sonata form (also sonata-allegro form or first movement form) is a large-scale musical structure used widely since the middle of the 18th century (the early Classical period).
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In music, the subtonic is the scale degree below the tonic or, more specifically, the flattened seventh (VII): the lowered or minor seventh degree of the scale, a whole step below the tonic, as opposed to the leading tone, which is only a half step below the tonic.
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Tonality is a musical system in which pitches or chords are arranged so as to induce a hierarchy of perceived relations, stabilities, and attractions.
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In music, the tonic is the first scale degree of a diatonic scale and the tonal center or final resolution tone.
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In music, a triad is a set of three notes that can be stacked in thirds.
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