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Alan Parker and British Film Institute

Shortcuts: Differences, Similarities, Jaccard Similarity Coefficient, References.

Difference between Alan Parker and British Film Institute

Alan Parker vs. British Film Institute

Sir Alan William Parker (born 14 February 1944) is an English film director, producer and screenwriter. The British Film Institute (BFI) is a film and charitable organisation which promotes and preserves filmmaking and television in the United Kingdom.

Similarities between Alan Parker and British Film Institute

Alan Parker and British Film Institute have 4 things in common (in Unionpedia): BFI National Archive, British Academy of Film and Television Arts, Cinema of the United Kingdom, London.

BFI National Archive

The BFI National Archive is a department of the British Film Institute, and one of the largest film archives in the world.

Alan Parker and BFI National Archive · BFI National Archive and British Film Institute · See more »

British Academy of Film and Television Arts

The British Academy of Film and Television Arts (BAFTA) is an independent charity that supports, develops and promotes the art forms of the moving image – film, television and game in the United Kingdom.

Alan Parker and British Academy of Film and Television Arts · British Academy of Film and Television Arts and British Film Institute · See more »

Cinema of the United Kingdom

The United Kingdom has had a significant film industry for over a century.

Alan Parker and Cinema of the United Kingdom · British Film Institute and Cinema of the United Kingdom · See more »

London

London is the capital and most populous city of England and the United Kingdom.

Alan Parker and London · British Film Institute and London · See more »

The list above answers the following questions

Alan Parker and British Film Institute Comparison

Alan Parker has 93 relations, while British Film Institute has 69. As they have in common 4, the Jaccard index is 2.47% = 4 / (93 + 69).

References

This article shows the relationship between Alan Parker and British Film Institute. To access each article from which the information was extracted, please visit:

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