Similarities between Bass saxophone and Double bass
Bass saxophone and Double bass have 13 things in common (in Unionpedia): Clef, Concert band, Duke Ellington, Free jazz, Grammy Award, Hector Berlioz, Leonard Bernstein, Octave, Orchestra, Perfect fifth, Perfect fourth, Richard Strauss, Transposing instrument.
Clef
A clef (from French: clef "key") is a musical symbol used to indicate the pitch of written notes.
Bass saxophone and Clef · Clef and Double bass ·
Concert band
A concert band, also called wind ensemble, symphonic band, wind symphony, wind orchestra, wind band, symphonic winds, symphony band, or symphonic wind ensemble, is a performing ensemble consisting of members of the woodwind, brass, and percussion families of instruments, along with the double bass or bass guitar.
Bass saxophone and Concert band · Concert band and Double bass ·
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American composer, pianist, and bandleader of a jazz orchestra, which he led from 1923 until his death in a career spanning over fifty years.
Bass saxophone and Duke Ellington · Double bass and Duke Ellington ·
Free jazz
Free jazz is an approach to jazz music that was first developed in the 1950s and 60s as musicians attempted to alter, extend, or break down jazz convention, often by discarding fixed chord changes or tempos.
Bass saxophone and Free jazz · Double bass and Free jazz ·
Grammy Award
A Grammy Award (stylized as GRAMMY, originally called Gramophone Award), or Grammy, is an award presented by The Recording Academy to recognize achievement in the music industry.
Bass saxophone and Grammy Award · Double bass and Grammy Award ·
Hector Berlioz
Louis-Hector Berlioz; 11 December 1803 – 8 March 1869) was a French Romantic composer, best known for his compositions Symphonie fantastique, Harold en Italie, Roméo et Juliette, Grande messe des morts (Requiem), L'Enfance du Christ, Benvenuto Cellini, La Damnation de Faust, and Les Troyens. Berlioz made significant contributions to the modern orchestra with his Treatise on Instrumentation. He specified huge orchestral forces for some of his works, and conducted several concerts with more than 1,000 musicians. He also composed around 50 compositions for voice, accompanied by piano or orchestra. His influence was critical for the further development of Romanticism, especially in composers like Richard Wagner, Nikolai Rimsky-Korsakov, Franz Liszt, Richard Strauss, and Gustav Mahler.
Bass saxophone and Hector Berlioz · Double bass and Hector Berlioz ·
Leonard Bernstein
Leonard Bernstein (August 25, 1918 – October 14, 1990) was an American composer, conductor, author, music lecturer, and pianist.
Bass saxophone and Leonard Bernstein · Double bass and Leonard Bernstein ·
Octave
In music, an octave (octavus: eighth) or perfect octave is the interval between one musical pitch and another with half or double its frequency.
Bass saxophone and Octave · Double bass and Octave ·
Orchestra
An orchestra is a large instrumental ensemble typical of classical music, which mixes instruments from different families, including bowed string instruments such as violin, viola, cello and double bass, as well as brass, woodwinds, and percussion instruments, each grouped in sections.
Bass saxophone and Orchestra · Double bass and Orchestra ·
Perfect fifth
In music theory, a perfect fifth is the musical interval corresponding to a pair of pitches with a frequency ratio of 3:2, or very nearly so.
Bass saxophone and Perfect fifth · Double bass and Perfect fifth ·
Perfect fourth
In classical music from Western culture, a fourth spans exactly four letter names (staff positions), while a perfect fourth (harmonic series) always involves the same interval, regardless of key (sharps and flats) between letters. A perfect fourth is the relationship between the third and fourth harmonics, sounding neither major nor minor, but consonant with an unstable quality (additive synthesis). In the key of C, the notes C and F constitute a perfect fourth relationship, as they're separated by four semitones (C, C#, D, D#, E, F). Up until the late 19th century, the perfect fourth was often called by its Greek name, diatessaron. A perfect fourth in just intonation corresponds to a pitch ratio of 4:3, or about 498 cents, while in equal temperament a perfect fourth is equal to five semitones, or 500 cents. The perfect fourth is a perfect interval like the unison, octave, and perfect fifth, and it is a sensory consonance. In common practice harmony, however, it is considered a stylistic dissonance in certain contexts, namely in two-voice textures and whenever it appears above the bass. If the bass note also happens to be the chord's root, the interval's upper note almost always temporarily displaces the third of any chord, and, in the terminology used in popular music, is then called a suspended fourth. Conventionally, adjacent strings of the double bass and of the bass guitar are a perfect fourth apart when unstopped, as are all pairs but one of adjacent guitar strings under standard guitar tuning. Sets of tom-tom drums are also commonly tuned in perfect fourths. The 4:3 just perfect fourth arises in the C major scale between G and C.
Bass saxophone and Perfect fourth · Double bass and Perfect fourth ·
Richard Strauss
Richard Georg Strauss (11 June 1864 – 8 September 1949) was a leading German composer of the late Romantic and early modern eras.
Bass saxophone and Richard Strauss · Double bass and Richard Strauss ·
Transposing instrument
A transposing instrument is a musical instrument whose music is recorded in staff notation at a pitch different from the pitch that actually sounds (concert pitch).
Bass saxophone and Transposing instrument · Double bass and Transposing instrument ·
The list above answers the following questions
- What Bass saxophone and Double bass have in common
- What are the similarities between Bass saxophone and Double bass
Bass saxophone and Double bass Comparison
Bass saxophone has 95 relations, while Double bass has 445. As they have in common 13, the Jaccard index is 2.41% = 13 / (95 + 445).
References
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