Faster access than browser!Similarities between Berlin: Symphony of a Metropolis and Experimental film
Berlin: Symphony of a Metropolis and Experimental film have 12 things in common (in Unionpedia): Alberto Cavalcanti, Alexandr Hackenschmied, Avant-garde, Charles Sheeler, Documentary film, Dziga Vertov, Man with a Movie Camera, Manhatta, Paul Strand, Rien que les heures, Soviet montage theory, Walter Ruttmann.
Alberto Cavalcanti
Alberto de Almeida Cavalcanti (February 6, 1897 – August 23, 1982) was a Brazilian-born film director and producer.
Alberto Cavalcanti and Berlin: Symphony of a Metropolis · Alberto Cavalcanti and Experimental film ·
Alexandr Hackenschmied
Alexandr Hackenschmied, born Alexander Siegried George Smahel, known later as Alexander Hammid (17 December 1907, Linz – 26 July 2004, New York City) was a Czech-American photographer, film director, cinematographer and editor.
Alexandr Hackenschmied and Berlin: Symphony of a Metropolis · Alexandr Hackenschmied and Experimental film ·
Avant-garde
The avant-garde (from French, "advance guard" or "vanguard", literally "fore-guard") are people or works that are experimental, radical, or unorthodox with respect to art, culture, or society.
Avant-garde and Berlin: Symphony of a Metropolis · Avant-garde and Experimental film ·
Charles Sheeler
Charles Sheeler (July 16, 1883 – May 7, 1965) was an American painter and commercial photographer.
Berlin: Symphony of a Metropolis and Charles Sheeler · Charles Sheeler and Experimental film ·
Documentary film
A documentary film is a nonfictional motion picture intended to document some aspect of reality, primarily for the purposes of instruction, education, or maintaining a historical record.
Berlin: Symphony of a Metropolis and Documentary film · Documentary film and Experimental film ·
Dziga Vertov
Dziga Vertov (Дзига Вертов; born David Abelevich Kaufman, Дави́д А́белевич Ка́уфман., and also known as Denis Kaufman; 2 January 1896 – 12 February 1954) was a Soviet pioneer documentary film and newsreel director, as well as a cinema theorist.
Berlin: Symphony of a Metropolis and Dziga Vertov · Dziga Vertov and Experimental film ·
Man with a Movie Camera
Man with a Movie Camera (Человек с кино-аппаратом (Chelovek s kinoapparatom), Людина з кіноапаратом (Liudyna z Kinoaparatom) – sometimes called A Man with a Movie Camera, The Man with the Movie Camera, The Man with a Camera, The Man with the Kinocamera, or Living Russia) – is an experimental 1929 Soviet silent documentary film, directed by Dziga Vertov and edited by his wife Elizaveta Svilova.
Berlin: Symphony of a Metropolis and Man with a Movie Camera · Experimental film and Man with a Movie Camera ·
Manhatta
Manhatta (1921) is a short documentary film directed by painter Charles Sheeler and photographer Paul Strand.
Berlin: Symphony of a Metropolis and Manhatta · Experimental film and Manhatta ·
Paul Strand
Paul Strand (October 16, 1890 – March 31, 1976) was an American photographer and filmmaker who, along with fellow modernist photographers like Alfred Stieglitz and Edward Weston, helped establish photography as an art form in the 20th century.
Berlin: Symphony of a Metropolis and Paul Strand · Experimental film and Paul Strand ·
Rien que les heures
Rien que les heures (English: Nothing But Time or Nothing But the Hours) is a 1926 experimental silent film by Brazilian director Alberto Cavalcanti showing the life of Paris through one day in 45 minutes.
Berlin: Symphony of a Metropolis and Rien que les heures · Experimental film and Rien que les heures ·
Soviet montage theory
Soviet montage theory is an approach to understanding and creating cinema that relies heavily upon editing (montage is French for "assembly" or "editing").
Berlin: Symphony of a Metropolis and Soviet montage theory · Experimental film and Soviet montage theory ·
Walter Ruttmann
Walter Ruttmann (28 December 1887 – 15 July 1941) was a German film director and along with Hans Richter, Viking Eggeling and Oskar Fischinger was an early German practitioner of experimental film.
Berlin: Symphony of a Metropolis and Walter Ruttmann · Experimental film and Walter Ruttmann ·
The list above answers the following questions
- What Berlin: Symphony of a Metropolis and Experimental film have in common
- What are the similarities between Berlin: Symphony of a Metropolis and Experimental film
Berlin: Symphony of a Metropolis and Experimental film Comparison
Berlin: Symphony of a Metropolis has 32 relations, while Experimental film has 236. As they have in common 12, the Jaccard index is 4.48% = 12 / (32 + 236).
References
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