Castrato and La clemenza di Tito

Shortcuts: Differences, Similarities, Jaccard Similarity Coefficient, References.

Difference between Castrato and La clemenza di Tito

Castrato vs. La clemenza di Tito

A castrato (Italian, plural: castrati) is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. La clemenza di Tito (English: The Clemency of Titus), K. 621, is an opera seria in two acts composed by Wolfgang Amadeus Mozart to an Italian libretto by Caterino Mazzolà, after Metastasio.

Similarities between Castrato and La clemenza di Tito

Castrato and La clemenza di Tito have 4 things in common (in Unionpedia): Mezzo-soprano, Opera seria, Soprano, Voice type.

Mezzo-soprano

A mezzo-soprano or mezzo (meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types.

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Opera seria

Opera seria (plural: opere serie; usually called dramma per musica or melodramma serio) is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770.

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Soprano

A soprano is a type of classical female singing voice and has the highest vocal range of all voice types.

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Voice type

A voice type classifies a singing voice by vocal range, vocal weight, tessitura, vocal timbre, vocal transition points (passaggia) like breaks and lifts, and vocal register.

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The list above answers the following questions

What Castrato and La clemenza di Tito have in common
What are the similarities between Castrato and La clemenza di Tito

Castrato and La clemenza di Tito Comparison

Castrato has 123 relations, while La clemenza di Tito has 153. As they have in common 4, the Jaccard index is 1.45% = 4 / (123 + 153).

References

This article shows the relationship between Castrato and La clemenza di Tito. To access each article from which the information was extracted, please visit:

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