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Choir and Renaissance music

Shortcuts: Differences, Similarities, Jaccard Similarity Coefficient, References.

Difference between Choir and Renaissance music

Choir vs. Renaissance music

A choir (also known as a quire, chorale or chorus) is a musical ensemble of singers. Renaissance music is vocal and instrumental music written and performed in Europe during the Renaissance era.

Similarities between Choir and Renaissance music

Choir and Renaissance music have 27 things in common (in Unionpedia): Ancient Greece, Baroque music, Chord progression, Concertato, Florentine Camerata, Giovanni Pierluigi da Palestrina, Guillaume Du Fay, Harpsichord, Hymn, Isorhythm, John Dunstaple, Josquin des Prez, Lute, Madrigal, Mass (music), Monody, Motet, Old Hall Manuscript, Opera, Polyphony, Seconda pratica, Thomas Tallis, Trumpet, Unison, Venetian School (music), Violin family, William Byrd.

Ancient Greece

Ancient Greece was a civilization belonging to a period of Greek history from the Greek Dark Ages of the 13th–9th centuries BC to the end of antiquity (AD 600).

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Baroque music

Baroque music is a style of Western art music composed from approximately 1600 to 1750.

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Chord progression

A chord progression or harmonic progression is a succession of musical chords, which are two or more notes, typically sounded simultaneously.

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Concertato

Concertato is a term in early Baroque music referring to either a genre or a style of music in which groups of instruments or voices share a melody, usually in alternation, and almost always over a basso continuo.

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Florentine Camerata

The Florentine Camerata, also known as the Camerata de' Bardi, were a group of humanists, musicians, poets and intellectuals in late Renaissance Florence who gathered under the patronage of Count Giovanni de' Bardi to discuss and guide trends in the arts, especially music and drama.

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Giovanni Pierluigi da Palestrina

Giovanni Pierluigi da Palestrina (1525 – 2 February 1594) was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition.

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Guillaume Du Fay

Guillaume Du Fay (also Dufay, Du Fayt; 5 August, c. 1397; accessed June 23, 2015. – 27 November 1474) was a Franco-Flemish composer of the early Renaissance.

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Harpsichord

A harpsichord is a musical instrument played by means of a keyboard which activates a row of levers that in turn trigger a mechanism that plucks one or more strings with a small plectrum.

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Hymn

A hymn is a type of song, usually religious, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification.

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Isorhythm

Isorhythm (from the Greek for "the same rhythm") is a musical technique using a repeating rhythmic pattern, called a talea, in at least one voice part throughout a composition.

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John Dunstaple

John Dunstaple (or Dunstable, c. 1390 – 24 December 1453) was an English composer of polyphonic music of the late medieval era and early Renaissance periods.

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Josquin des Prez

Josquin des Prez (– 27 August 1521), often referred to simply as Josquin, was a French composer of the Renaissance.

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Lute

A lute is any plucked string instrument with a neck (either fretted or unfretted) and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body.

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Madrigal

A madrigal is a secular vocal music composition of the Renaissance and early Baroque eras.

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Mass (music)

The Mass (italic), a form of sacred musical composition, is a choral composition that sets the invariable portions of the Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism) to music.

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Monody

In poetry, the term monody has become specialized to refer to a poem in which one person laments another's death.

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Motet

In western music, a motet is a mainly vocal musical composition, of highly diverse form and style, from the late medieval era to the present.

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Old Hall Manuscript

The Old Hall Manuscript (British Library, Additional MS 57950) is the largest, most complete, and most significant source of English sacred music of the late 14th and early 15th centuries, and as such represents the best source for late Medieval English music.

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Opera

Opera (English plural: operas; Italian plural: opere) is a form of theatre in which music has a leading role and the parts are taken by singers.

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Polyphony

In music, polyphony is one type of musical texture, where a texture is, generally speaking, the way that melodic, rhythmic, and harmonic aspects of a musical composition are combined to shape the overall sound and quality of the work.

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Seconda pratica

Seconda pratica, Italian for "second practice", is the counterpart to prima pratica and is more commonly referred to as Stile moderno.

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Thomas Tallis

Thomas Tallis (1505 – 23 November 1585) was an English composer who occupies a primary place in anthologies of English choral music, and is considered one of England's greatest composers.

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Trumpet

A trumpet is a brass instrument commonly used in classical and jazz ensembles.

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Unison

In music, unison is two or more musical parts sounding the same pitch or at an octave interval, usually at the same time.

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Venetian School (music)

In music history, the Venetian School was the body and work of composers working in Venice from about 1550 to around 1610.

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Violin family

The violin family of musical instruments was developed in Italy in the 16th century.

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William Byrd

William Byrd (birth date variously given as c.1539/40 or 1543 – 4 July 1623), was an English composer of the Renaissance.

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The list above answers the following questions

Choir and Renaissance music Comparison

Choir has 275 relations, while Renaissance music has 210. As they have in common 27, the Jaccard index is 5.57% = 27 / (275 + 210).

References

This article shows the relationship between Choir and Renaissance music. To access each article from which the information was extracted, please visit:

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