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Chord (music) and Polonaise in A-flat major, Op. 53

Shortcuts: Differences, Similarities, Jaccard Similarity Coefficient, References.

Difference between Chord (music) and Polonaise in A-flat major, Op. 53

Chord (music) vs. Polonaise in A-flat major, Op. 53

A chord, in music, is any harmonic set of pitches consisting of two or more (usually three or more) notes (also called "pitches") that are heard as if sounding simultaneously. The Polonaise in A major, Op.

Similarities between Chord (music) and Polonaise in A-flat major, Op. 53

Chord (music) and Polonaise in A-flat major, Op. 53 have 11 things in common (in Unionpedia): Accompaniment, Arpeggio, Chromatic scale, Key (music), Modulation (music), Octave, Ostinato, Perfect fourth, Piano, Scale (music), Tonic (music).

Accompaniment

Accompaniment is the musical part which provides the rhythmic and/or harmonic support for the melody or main themes of a song or instrumental piece.

Accompaniment and Chord (music) · Accompaniment and Polonaise in A-flat major, Op. 53 · See more »

Arpeggio

A broken chord is a chord broken into a sequence of notes.

Arpeggio and Chord (music) · Arpeggio and Polonaise in A-flat major, Op. 53 · See more »

Chromatic scale

The chromatic scale is a musical scale with twelve pitches, each a semitone above or below its adjacent pitches.

Chord (music) and Chromatic scale · Chromatic scale and Polonaise in A-flat major, Op. 53 · See more »

Key (music)

In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a music composition in classical, Western art, and Western pop music.

Chord (music) and Key (music) · Key (music) and Polonaise in A-flat major, Op. 53 · See more »

Modulation (music)

In music, modulation is most commonly the act or process of changing from one key (tonic, or tonal center) to another.

Chord (music) and Modulation (music) · Modulation (music) and Polonaise in A-flat major, Op. 53 · See more »

Octave

In music, an octave (octavus: eighth) or perfect octave is the interval between one musical pitch and another with half or double its frequency.

Chord (music) and Octave · Octave and Polonaise in A-flat major, Op. 53 · See more »

Ostinato

In music, an ostinato (derived from Italian: stubborn, compare English, from Latin: 'obstinate') is a motif or phrase that persistently repeats in the same musical voice, frequently at the same pitch.

Chord (music) and Ostinato · Ostinato and Polonaise in A-flat major, Op. 53 · See more »

Perfect fourth

In classical music from Western culture, a fourth spans exactly four letter names (staff positions), while a perfect fourth (harmonic series) always involves the same interval, regardless of key (sharps and flats) between letters. A perfect fourth is the relationship between the third and fourth harmonics, sounding neither major nor minor, but consonant with an unstable quality (additive synthesis). In the key of C, the notes C and F constitute a perfect fourth relationship, as they're separated by four semitones (C, C#, D, D#, E, F). Up until the late 19th century, the perfect fourth was often called by its Greek name, diatessaron. A perfect fourth in just intonation corresponds to a pitch ratio of 4:3, or about 498 cents, while in equal temperament a perfect fourth is equal to five semitones, or 500 cents. The perfect fourth is a perfect interval like the unison, octave, and perfect fifth, and it is a sensory consonance. In common practice harmony, however, it is considered a stylistic dissonance in certain contexts, namely in two-voice textures and whenever it appears above the bass. If the bass note also happens to be the chord's root, the interval's upper note almost always temporarily displaces the third of any chord, and, in the terminology used in popular music, is then called a suspended fourth. Conventionally, adjacent strings of the double bass and of the bass guitar are a perfect fourth apart when unstopped, as are all pairs but one of adjacent guitar strings under standard guitar tuning. Sets of tom-tom drums are also commonly tuned in perfect fourths. The 4:3 just perfect fourth arises in the C major scale between G and C.

Chord (music) and Perfect fourth · Perfect fourth and Polonaise in A-flat major, Op. 53 · See more »

Piano

The piano is an acoustic, stringed musical instrument invented in Italy by Bartolomeo Cristofori around the year 1700 (the exact year is uncertain), in which the strings are struck by hammers.

Chord (music) and Piano · Piano and Polonaise in A-flat major, Op. 53 · See more »

Scale (music)

In music theory, a scale is any set of musical notes ordered by fundamental frequency or pitch.

Chord (music) and Scale (music) · Polonaise in A-flat major, Op. 53 and Scale (music) · See more »

Tonic (music)

In music, the tonic is the first scale degree of a diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music and traditional music.

Chord (music) and Tonic (music) · Polonaise in A-flat major, Op. 53 and Tonic (music) · See more »

The list above answers the following questions

Chord (music) and Polonaise in A-flat major, Op. 53 Comparison

Chord (music) has 173 relations, while Polonaise in A-flat major, Op. 53 has 48. As they have in common 11, the Jaccard index is 4.98% = 11 / (173 + 48).

References

This article shows the relationship between Chord (music) and Polonaise in A-flat major, Op. 53. To access each article from which the information was extracted, please visit:

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