Faster access than browser!Similarities between Classical music and Madrigal
Classical music and Madrigal have 28 things in common (in Unionpedia): Adrian Willaert, Baroque music, Cantata, Carlo Gesualdo, Chamber music, Chromaticism, Cipriano de Rore, Claudio Monteverdi, Figured bass, Francesco Landini, Giovanni Pierluigi da Palestrina, György Ligeti, Harpsichord, Heinrich Schütz, Jacques Arcadelt, Jan Pieterszoon Sweelinck, John Dowland, Lute, Motet, Opera, Orlande de Lassus, Polyphony, Printing press, Renaissance music, Strophic form, The New Grove Dictionary of Music and Musicians, Theorbo, William Byrd.
Adrian Willaert
Adrian Willaert (– 7 December 1562) was a Netherlandish composer of the Renaissance and founder of the Venetian School.
Adrian Willaert and Classical music · Adrian Willaert and Madrigal ·
Baroque music
Baroque music is a style of Western art music composed from approximately 1600 to 1750.
Baroque music and Classical music · Baroque music and Madrigal ·
Cantata
A cantata (literally "sung", past participle feminine singular of the Italian verb cantare, "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir.
Cantata and Classical music · Cantata and Madrigal ·
Carlo Gesualdo
Carlo Gesualdo da Venosa (8 March 1566 – 8 September 1613) was Prince of Venosa and Count of Conza.
Carlo Gesualdo and Classical music · Carlo Gesualdo and Madrigal ·
Chamber music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room.
Chamber music and Classical music · Chamber music and Madrigal ·
Chromaticism
Chromaticism is a compositional technique interspersing the primary diatonic pitches and chords with other pitches of the chromatic scale.
Chromaticism and Classical music · Chromaticism and Madrigal ·
Cipriano de Rore
Cipriano de Rore (occasionally Cypriano) (1515 or 1516 – between 11 and 20 September 1565) was a Franco-Flemish composer of the Renaissance, active in Italy.
Cipriano de Rore and Classical music · Cipriano de Rore and Madrigal ·
Claudio Monteverdi
Claudio Giovanni Antonio Monteverdi (15 May 1567 (baptized) – 29 November 1643) was an Italian composer, string player and choirmaster.
Classical music and Claudio Monteverdi · Claudio Monteverdi and Madrigal ·
Figured bass
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols (often accidentals) indicate intervals, chords, and non-chord tones that a musician playing piano, harpsichord, organ, lute (or other instruments capable of playing chords) play in relation to the bass note that these numbers and symbols appear above or below.
Classical music and Figured bass · Figured bass and Madrigal ·
Francesco Landini
Francesco degli Organi, Francesco il Cieco, or Francesco da Firenze, called by later generations Francesco Landini or Landino (c. 1325 or 1335 – September 2, 1397) was an Italian composer, organist, singer, poet and instrument maker.
Classical music and Francesco Landini · Francesco Landini and Madrigal ·
Giovanni Pierluigi da Palestrina
Giovanni Pierluigi da Palestrina (1525 – 2 February 1594) was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition.
Classical music and Giovanni Pierluigi da Palestrina · Giovanni Pierluigi da Palestrina and Madrigal ·
György Ligeti
György Sándor Ligeti (Ligeti György Sándor,; 28 May 1923 – 12 June 2006) was a Hungarian-Austrian composer of contemporary classical music.
Classical music and György Ligeti · György Ligeti and Madrigal ·
Harpsichord
A harpsichord is a musical instrument played by means of a keyboard which activates a row of levers that in turn trigger a mechanism that plucks one or more strings with a small plectrum.
Classical music and Harpsichord · Harpsichord and Madrigal ·
Heinrich Schütz
Heinrich Schütz (– 6 November 1672) was a German composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach and often considered to be one of the most important composers of the 17th century.
Classical music and Heinrich Schütz · Heinrich Schütz and Madrigal ·
Jacques Arcadelt
Jacques Arcadelt (also Jacob Arcadelt; 14 October 1568) was a Franco-Flemish composer of the Renaissance, active in both Italy and France, and principally known as a composer of secular vocal music.
Classical music and Jacques Arcadelt · Jacques Arcadelt and Madrigal ·
Jan Pieterszoon Sweelinck
Jan Pieterszoon Sweelinck (April or May, 1562 – 16 October 1621) was a Dutch composer, organist, and pedagogue whose work straddled the end of the Renaissance and beginning of the Baroque eras.
Classical music and Jan Pieterszoon Sweelinck · Jan Pieterszoon Sweelinck and Madrigal ·
John Dowland
John Dowland (1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer.
Classical music and John Dowland · John Dowland and Madrigal ·
Lute
A lute is any plucked string instrument with a neck (either fretted or unfretted) and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body.
Classical music and Lute · Lute and Madrigal ·
Motet
In western music, a motet is a mainly vocal musical composition, of highly diverse form and style, from the late medieval era to the present.
Classical music and Motet · Madrigal and Motet ·
Opera
Opera (English plural: operas; Italian plural: opere) is a form of theatre in which music has a leading role and the parts are taken by singers.
Classical music and Opera · Madrigal and Opera ·
Orlande de Lassus
Orlande de Lassus (also Roland de Lassus, Orlando di Lasso, Orlandus Lassus, Orlande de Lattre or Roland de Lattre; 1532, possibly 1530 – 14 June 1594) was a Netherlandish or Franco-Flemish composer of the late Renaissance.
Classical music and Orlande de Lassus · Madrigal and Orlande de Lassus ·
Polyphony
In music, polyphony is one type of musical texture, where a texture is, generally speaking, the way that melodic, rhythmic, and harmonic aspects of a musical composition are combined to shape the overall sound and quality of the work.
Classical music and Polyphony · Madrigal and Polyphony ·
Printing press
A printing press is a device for applying pressure to an inked surface resting upon a print medium (such as paper or cloth), thereby transferring the ink.
Classical music and Printing press · Madrigal and Printing press ·
Renaissance music
Renaissance music is vocal and instrumental music written and performed in Europe during the Renaissance era.
Classical music and Renaissance music · Madrigal and Renaissance music ·
Strophic form
Strophic form, also called verse-repeating or chorus form, is the term applied to songs in which all verses or stanzas of the text are sung to the same music.
Classical music and Strophic form · Madrigal and Strophic form ·
The New Grove Dictionary of Music and Musicians
The New Grove Dictionary of Music and Musicians is an encyclopedic dictionary of music and musicians.
Classical music and The New Grove Dictionary of Music and Musicians · Madrigal and The New Grove Dictionary of Music and Musicians ·
Theorbo
The theorbo is a plucked string instrument of the lute family, with an extended neck and a second pegbox.
Classical music and Theorbo · Madrigal and Theorbo ·
William Byrd
William Byrd (birth date variously given as c.1539/40 or 1543 – 4 July 1623), was an English composer of the Renaissance.
Classical music and William Byrd · Madrigal and William Byrd ·
The list above answers the following questions
- What Classical music and Madrigal have in common
- What are the similarities between Classical music and Madrigal
Classical music and Madrigal Comparison
Classical music has 495 relations, while Madrigal has 169. As they have in common 28, the Jaccard index is 4.22% = 28 / (495 + 169).
References
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