Faster access than browser!Similarities between Claudio Monteverdi and L'Orfeo
Claudio Monteverdi and L'Orfeo have 54 things in common (in Unionpedia): Alessandro Striggio the Younger, Baroque music, Bass (voice type), Carnival, Charon, Claude V. Palisca, Cornett, Cremona, Cremona Cathedral, Denis Stevens, Euridice (Peri), Ferdinando Gonzaga, Duke of Mantua, Florence, Francesco IV Gonzaga, Duke of Mantua, Giovanni Battista Guarini, Giovanni Pierluigi da Palestrina, Hans Redlich, Henry IV of France, House of Medici, Il ritorno d'Ulisse in patria, Intermedio, Jacopo Peri, John Eliot Gardiner, John Whenham, L'Arianna, L'incoronazione di Poppea, Leitmotif, Libretto, Luigi Dallapiccola, Madrigal, ..., Mantua, Marc'Antonio Ingegneri, Marie de' Medici, Milan, Monody, Moresca, Nino Pirrotta, Opera, Ottavio Rinuccini, Polyphony, Renaissance music, Ritornello, Robert Eitner, Stattkus-Verzeichnis, Strophic form, Tenor, The New Grove Dictionary of Music and Musicians, Theorbo, Tim Carter (musicologist), Toccata, Vespro della Beata Vergine, Vincent d'Indy, Vincenzo Gonzaga, Duke of Mantua, Viol. Expand index (24 more) »
Alessandro Striggio the Younger
Alessandro Striggio the Younger (ca. 1573 – 8 June 1630) was an Italian librettist, the son of the composer Alessandro Striggio.
Alessandro Striggio the Younger and Claudio Monteverdi · Alessandro Striggio the Younger and L'Orfeo ·
Baroque music
Baroque music is a style of Western art music composed from approximately 1600 to 1750.
Baroque music and Claudio Monteverdi · Baroque music and L'Orfeo ·
Bass (voice type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types.
Bass (voice type) and Claudio Monteverdi · Bass (voice type) and L'Orfeo ·
Carnival
Carnival (see other spellings and names) is a Western Christian and Greek Orthodox festive season that occurs before the liturgical season of Lent.
Carnival and Claudio Monteverdi · Carnival and L'Orfeo ·
Charon
In Greek mythology, Charon or Kharon (Greek Χάρων) is the ferryman of Hades who carries souls of the newly deceased across the rivers Styx and Acheron that divided the world of the living from the world of the dead.
Charon and Claudio Monteverdi · Charon and L'Orfeo ·
Claude V. Palisca
Claude Victor Palisca (Nov 24, 1921, Fiume, Italy -– Jan 11, 2001) was an internationally recognized authority on early music, especially opera of the renaissance and baroque periods, and was Henry L. and Lucy G. Moses Professor Emeritus of Music at Yale University.
Claude V. Palisca and Claudio Monteverdi · Claude V. Palisca and L'Orfeo ·
Cornett
The cornett, cornetto, or zink is an early wind instrument that dates from the Medieval, Renaissance and Baroque periods, popular from 1500 to 1650.
Claudio Monteverdi and Cornett · Cornett and L'Orfeo ·
Cremona
Cremona is a city and comune in northern Italy, situated in Lombardy, on the left bank of the Po River in the middle of the Pianura Padana (Po Valley).
Claudio Monteverdi and Cremona · Cremona and L'Orfeo ·
Cremona Cathedral
Cremona Cathedral (Duomo di Cremona, Cattedrale di Santa Maria Assunta), dedicated to the Assumption of the Blessed Virgin Mary, is a Roman Catholic cathedral in Cremona, Lombardy, northern Italy.
Claudio Monteverdi and Cremona Cathedral · Cremona Cathedral and L'Orfeo ·
Denis Stevens
Denis William Stevens CBE (2 March 1922 – 1 April 2004) was a British musicologist specialising in early music, conductor, professor of music and radio producer.
Claudio Monteverdi and Denis Stevens · Denis Stevens and L'Orfeo ·
Euridice (Peri)
Euridice (also Erudice or Eurydice) is an opera by Jacopo Peri, with additional music by Giulio Caccini.
Claudio Monteverdi and Euridice (Peri) · Euridice (Peri) and L'Orfeo ·
Ferdinando Gonzaga, Duke of Mantua
Ferdinand I Gonzaga (April 26, 1587 – October 29, 1626) was Duke of Mantua and Duke of Montferrat from 1612 until his death.
Claudio Monteverdi and Ferdinando Gonzaga, Duke of Mantua · Ferdinando Gonzaga, Duke of Mantua and L'Orfeo ·
Florence
Florence (Firenze) is the capital city of the Italian region of Tuscany.
Claudio Monteverdi and Florence · Florence and L'Orfeo ·
Francesco IV Gonzaga, Duke of Mantua
Francesco IV Gonzaga (7 May 1586 – 22 December 1612), was Duke of Mantua and (as Francesco II) Duke of Montferrat between 9 February and 22 December 1612.
Claudio Monteverdi and Francesco IV Gonzaga, Duke of Mantua · Francesco IV Gonzaga, Duke of Mantua and L'Orfeo ·
Giovanni Battista Guarini
Giovanni Battista Guarini (10 December 1538 – 7 October 1612) was an Italian poet, dramatist, and diplomat.
Claudio Monteverdi and Giovanni Battista Guarini · Giovanni Battista Guarini and L'Orfeo ·
Giovanni Pierluigi da Palestrina
Giovanni Pierluigi da Palestrina (1525 – 2 February 1594) was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition.
Claudio Monteverdi and Giovanni Pierluigi da Palestrina · Giovanni Pierluigi da Palestrina and L'Orfeo ·
Hans Redlich
Hans Ferdinand Redlich (11 February 1903 – 27 November 1968) was an Austrian classical composer, conductor, musicologist and writer.
Claudio Monteverdi and Hans Redlich · Hans Redlich and L'Orfeo ·
Henry IV of France
Henry IV (Henri IV, read as Henri-Quatre; 13 December 1553 – 14 May 1610), also known by the epithet Good King Henry, was King of Navarre (as Henry III) from 1572 to 1610 and King of France from 1589 to 1610.
Claudio Monteverdi and Henry IV of France · Henry IV of France and L'Orfeo ·
House of Medici
The House of Medici was an Italian banking family and political dynasty that first began to gather prominence under Cosimo de' Medici in the Republic of Florence during the first half of the 15th century.
Claudio Monteverdi and House of Medici · House of Medici and L'Orfeo ·
Il ritorno d'Ulisse in patria
Il ritorno d'Ulisse in patria (SV 325, The Return of Ulysses to his Homeland) is an opera consisting of a prologue and five acts (later revised to three), set by Claudio Monteverdi to a libretto by Giacomo Badoaro.
Claudio Monteverdi and Il ritorno d'Ulisse in patria · Il ritorno d'Ulisse in patria and L'Orfeo ·
Intermedio
The intermedio (also intromessa, introdutto, tramessa, tramezzo, intermezzo), in the Italian Renaissance, was a theatrical performance or spectacle with music and often dance which was performed between the acts of a play to celebrate special occasions in Italian courts.
Claudio Monteverdi and Intermedio · Intermedio and L'Orfeo ·
Jacopo Peri
Jacopo Peri (Zazzerino) (20 August 156112 August 1633) was an Italian composer and singer of the transitional period between the Renaissance and Baroque styles, and is often called the inventor of opera.
Claudio Monteverdi and Jacopo Peri · Jacopo Peri and L'Orfeo ·
John Eliot Gardiner
Sir John Eliot Gardiner, CBE HonFBA (born 20 April 1943) is an English conductor, particularly known for his performances of the works of Johann Sebastian Bach and of other baroque music.
Claudio Monteverdi and John Eliot Gardiner · John Eliot Gardiner and L'Orfeo ·
John Whenham
John Whenham is an English musicologist and academic who specializes in early Italian baroque music.
Claudio Monteverdi and John Whenham · John Whenham and L'Orfeo ·
L'Arianna
L'Arianna (English: Ariadne) (SV 291), composed in 1607–1608, was the (now lost) second opera by Italian composer Claudio Monteverdi.
Claudio Monteverdi and L'Arianna · L'Arianna and L'Orfeo ·
L'incoronazione di Poppea
L'incoronazione di Poppea (SV 308, The Coronation of Poppaea) is an Italian opera by Claudio Monteverdi, with a libretto by Giovanni Francesco Busenello, first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1643 carnival season.
Claudio Monteverdi and L'incoronazione di Poppea · L'Orfeo and L'incoronazione di Poppea ·
Leitmotif
A leitmotif or leitmotiv is a "short, constantly recurring musical phrase"Kennedy (1987), Leitmotiv associated with a particular person, place, or idea.
Claudio Monteverdi and Leitmotif · L'Orfeo and Leitmotif ·
Libretto
A libretto is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical.
Claudio Monteverdi and Libretto · L'Orfeo and Libretto ·
Luigi Dallapiccola
Luigi Dallapiccola (February 3, 1904 – February 19, 1975) was an Italian composer known for his lyrical twelve-tone compositions.
Claudio Monteverdi and Luigi Dallapiccola · L'Orfeo and Luigi Dallapiccola ·
Madrigal
A madrigal is a secular vocal music composition of the Renaissance and early Baroque eras.
Claudio Monteverdi and Madrigal · L'Orfeo and Madrigal ·
Mantua
Mantua (Mantova; Emilian and Latin: Mantua) is a city and comune in Lombardy, Italy, and capital of the province of the same name.
Claudio Monteverdi and Mantua · L'Orfeo and Mantua ·
Marc'Antonio Ingegneri
Marc'Antonio Ingegneri (also spelled Ingegnieri, Ingignieri, Ingignero, Inzegneri) (c. 1535 or 1536 – 1 July 1592) was an Italian composer of the late Renaissance.
Claudio Monteverdi and Marc'Antonio Ingegneri · L'Orfeo and Marc'Antonio Ingegneri ·
Marie de' Medici
Marie de' Medici (Marie de Médicis, Maria de' Medici; 26 April 1575 – 3 July 1642) was Queen of France as the second wife of King Henry IV of France, of the House of Bourbon.
Claudio Monteverdi and Marie de' Medici · L'Orfeo and Marie de' Medici ·
Milan
Milan (Milano; Milan) is a city in northern Italy, capital of Lombardy, and the second-most populous city in Italy after Rome, with the city proper having a population of 1,380,873 while its province-level municipality has a population of 3,235,000.
Claudio Monteverdi and Milan · L'Orfeo and Milan ·
Monody
In poetry, the term monody has become specialized to refer to a poem in which one person laments another's death.
Claudio Monteverdi and Monody · L'Orfeo and Monody ·
Moresca
Moresca (Italian), morisca (Spanish), or moresque, mauresque (French), also known in French as the danse des bouffons, is a 15th/16th century pantomime dance in which the executants wore Moorish costumes.
Claudio Monteverdi and Moresca · L'Orfeo and Moresca ·
Nino Pirrotta
Nino Pirrotta (13 June 1908 in Palermo – 20 January 1998 in Palermo) was an Italian musicologist of international renown who specialized in Italian music from the late medieval, Renaissance and early Baroque eras.
Claudio Monteverdi and Nino Pirrotta · L'Orfeo and Nino Pirrotta ·
Opera
Opera (English plural: operas; Italian plural: opere) is a form of theatre in which music has a leading role and the parts are taken by singers.
Claudio Monteverdi and Opera · L'Orfeo and Opera ·
Ottavio Rinuccini
Ottavio Rinuccini (20 January 1562 – 28 March 1621) was an Italian poet, courtier, and opera librettist at the end of the Renaissance and beginning of the Baroque eras.
Claudio Monteverdi and Ottavio Rinuccini · L'Orfeo and Ottavio Rinuccini ·
Polyphony
In music, polyphony is one type of musical texture, where a texture is, generally speaking, the way that melodic, rhythmic, and harmonic aspects of a musical composition are combined to shape the overall sound and quality of the work.
Claudio Monteverdi and Polyphony · L'Orfeo and Polyphony ·
Renaissance music
Renaissance music is vocal and instrumental music written and performed in Europe during the Renaissance era.
Claudio Monteverdi and Renaissance music · L'Orfeo and Renaissance music ·
Ritornello
A ritornello (Italian; "little return") is a recurring passage in Baroque music for orchestra or chorus.
Claudio Monteverdi and Ritornello · L'Orfeo and Ritornello ·
Robert Eitner
Robert Eitner (22 October 1832 - 2 February 1905) was a German musicologist, researcher and bibliographer.
Claudio Monteverdi and Robert Eitner · L'Orfeo and Robert Eitner ·
Stattkus-Verzeichnis
The Stattkus-Verzeichnis (SV) is a catalogue of the musical compositions of the Italian composer Claudio Monteverdi.
Claudio Monteverdi and Stattkus-Verzeichnis · L'Orfeo and Stattkus-Verzeichnis ·
Strophic form
Strophic form, also called verse-repeating or chorus form, is the term applied to songs in which all verses or stanzas of the text are sung to the same music.
Claudio Monteverdi and Strophic form · L'Orfeo and Strophic form ·
Tenor
Tenor is a type of classical male singing voice, whose vocal range is normally the highest male voice type, which lies between the baritone and countertenor voice types.
Claudio Monteverdi and Tenor · L'Orfeo and Tenor ·
The New Grove Dictionary of Music and Musicians
The New Grove Dictionary of Music and Musicians is an encyclopedic dictionary of music and musicians.
Claudio Monteverdi and The New Grove Dictionary of Music and Musicians · L'Orfeo and The New Grove Dictionary of Music and Musicians ·
Theorbo
The theorbo is a plucked string instrument of the lute family, with an extended neck and a second pegbox.
Claudio Monteverdi and Theorbo · L'Orfeo and Theorbo ·
Tim Carter (musicologist)
Tim Carter (born 1954) is an Australian musicologist with a special focus on late Renaissance music and Italian Baroque music.
Claudio Monteverdi and Tim Carter (musicologist) · L'Orfeo and Tim Carter (musicologist) ·
Toccata
Toccata (from Italian toccare, literally, "to touch") is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuosic passages or sections, with or without imitative or fugal interludes, generally emphasizing the dexterity of the performer's fingers.
Claudio Monteverdi and Toccata · L'Orfeo and Toccata ·
Vespro della Beata Vergine
Vespro della Beata Vergine (Vespers for the Blessed Virgin; SV 206 and 206a) – more properly in Latin Vesperæ in Festis Beatæ Mariæ Virginis, or casually Vespers of 1610 – is a musical composition by Claudio Monteverdi.
Claudio Monteverdi and Vespro della Beata Vergine · L'Orfeo and Vespro della Beata Vergine ·
Vincent d'Indy
Paul Marie Théodore Vincent d'Indy (27 March 18512 December 1931) was a French composer and teacher.
Claudio Monteverdi and Vincent d'Indy · L'Orfeo and Vincent d'Indy ·
Vincenzo Gonzaga, Duke of Mantua
Vincenzo Ι Gonzaga (21 September 1562 – 9 February 1612) was ruler of the Duchy of Mantua and the Duchy of Montferrat from 1587 to 1612.
Claudio Monteverdi and Vincenzo Gonzaga, Duke of Mantua · L'Orfeo and Vincenzo Gonzaga, Duke of Mantua ·
Viol
The viol, viola da gamba, or (informally) gamba, is any one of a family of bowed, fretted and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings.
The list above answers the following questions
- What Claudio Monteverdi and L'Orfeo have in common
- What are the similarities between Claudio Monteverdi and L'Orfeo
Claudio Monteverdi and L'Orfeo Comparison
Claudio Monteverdi has 224 relations, while L'Orfeo has 165. As they have in common 54, the Jaccard index is 13.88% = 54 / (224 + 165).
References
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