Logo
Unionpedia
Communication
Get it on Google Play
New! Download Unionpedia on your Android™ device!
Download
Faster access than browser!
 

Der Messias and Requiem (Mozart)

Shortcuts: Differences, Similarities, Jaccard Similarity Coefficient, References.

Difference between Der Messias and Requiem (Mozart)

Der Messias vs. Requiem (Mozart)

Der Messias, K. 572, is Wolfgang Amadeus Mozart's 1789 German-language version of Messiah, George Frideric Handel's 1741 oratorio. The Requiem in D minor, K. 626, is a requiem mass by Wolfgang Amadeus Mozart.

Similarities between Der Messias and Requiem (Mozart)

Der Messias and Requiem (Mozart) have 29 things in common (in Unionpedia): Alastair Miles, Alto, Amen, Bach-Collegium Stuttgart, Bass (voice type), Bassoon, Breitkopf & Härtel, Cello, Clarinet, Coloratura, Da capo, Deutsche Grammophon, Edith Mathis, Gächinger Kantorei, George Frideric Handel, Gottfried van Swieten, Homophony, Köchel catalogue, Messiah (Handel), Peter Schreier, Robert Lloyd (bass), SATB, Soprano, Tenor, Theo Adam, Timpani, Trombone, Trumpet, Wolfgang Amadeus Mozart.

Alastair Miles

Alastair Miles (born 11 July 1961, Harrow, England) is a British operatic and concert bass who has had an international career since the late 1980s.

Alastair Miles and Der Messias · Alastair Miles and Requiem (Mozart) · See more »

Alto

The musical term alto, meaning "high" in Italian (Latin: altus), refers to the second highest part of a contrapuntal musical texture and is also applied to its associated vocal range, especially in choral music.

Alto and Der Messias · Alto and Requiem (Mozart) · See more »

Amen

The word amen (Hebrew אָמֵן, Greek ἀμήν, Arabic آمِينَ) is a declaration of affirmation found in the Hebrew Bible and the New Testament.

Amen and Der Messias · Amen and Requiem (Mozart) · See more »

Bach-Collegium Stuttgart

Bach-Collegium Stuttgart is an internationally known German instrumental ensemble, founded by Helmuth Rilling in 1965 to accompany the Gächinger Kantorei in choral music with orchestra.

Bach-Collegium Stuttgart and Der Messias · Bach-Collegium Stuttgart and Requiem (Mozart) · See more »

Bass (voice type)

A bass is a type of classical male singing voice and has the lowest vocal range of all voice types.

Bass (voice type) and Der Messias · Bass (voice type) and Requiem (Mozart) · See more »

Bassoon

The bassoon is a woodwind instrument in the double reed family that typically plays music written in the bass and tenor clefs, and occasionally the treble.

Bassoon and Der Messias · Bassoon and Requiem (Mozart) · See more »

Breitkopf & Härtel

Breitkopf & Härtel is the world's oldest music publishing house.

Breitkopf & Härtel and Der Messias · Breitkopf & Härtel and Requiem (Mozart) · See more »

Cello

The cello (plural cellos or celli) or violoncello is a string instrument.

Cello and Der Messias · Cello and Requiem (Mozart) · See more »

Clarinet

The clarinet is a musical-instrument family belonging to the group known as the woodwind instruments.

Clarinet and Der Messias · Clarinet and Requiem (Mozart) · See more »

Coloratura

The word coloratura is originally from Italian, literally meaning "coloring", and derives from the Latin word colorare ("to color").

Coloratura and Der Messias · Coloratura and Requiem (Mozart) · See more »

Da capo

Da capo,, is an Italian musical term that means "from the beginning" (literally, "from the head").

Da capo and Der Messias · Da capo and Requiem (Mozart) · See more »

Deutsche Grammophon

Deutsche Grammophon is a German classical music record label that was the precursor of corporation called PolyGram.

Der Messias and Deutsche Grammophon · Deutsche Grammophon and Requiem (Mozart) · See more »

Edith Mathis

Edith Mathis (born 11 February 1938) is a Swiss soprano and a leading exponent of the works of Wolfgang Amadeus Mozart worldwide.

Der Messias and Edith Mathis · Edith Mathis and Requiem (Mozart) · See more »

Gächinger Kantorei

Gächinger Kantorei (Gächingen Chorale) is an internationally known German mixed choir, founded by Helmuth Rilling in 1954 in Gächingen (part of St. Johann close to Reutlingen) and conducted by him until 2013, succeeded by Hans-Christoph Rademann.

Der Messias and Gächinger Kantorei · Gächinger Kantorei and Requiem (Mozart) · See more »

George Frideric Handel

George Frideric (or Frederick) Handel (born italic; 23 February 1685 (O.S.) – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well-known for his operas, oratorios, anthems, and organ concertos.

Der Messias and George Frideric Handel · George Frideric Handel and Requiem (Mozart) · See more »

Gottfried van Swieten

Gottfried, Freiherr van Swieten (October 29, 1733 – March 29, 1803) was a Dutch-born Austrian diplomat, librarian, and government official who served the Austrian Empire during the 18th century.

Der Messias and Gottfried van Swieten · Gottfried van Swieten and Requiem (Mozart) · See more »

Homophony

In music, homophony (Greek: ὁμόφωνος, homóphōnos, from ὁμός, homós, "same" and φωνή, phōnē, "sound, tone") is a texture in which a primary part is supported by one or more additional strands that flesh out the harmony and often provide rhythmic contrast.

Der Messias and Homophony · Homophony and Requiem (Mozart) · See more »

Köchel catalogue

The Köchel-Verzeichnis or Köchelverzeichnis is a chronological catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig von Köchel, in which the entries are abbreviated K. and KV.

Der Messias and Köchel catalogue · Köchel catalogue and Requiem (Mozart) · See more »

Messiah (Handel)

Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the version of the Psalms included with the Book of Common Prayer.

Der Messias and Messiah (Handel) · Messiah (Handel) and Requiem (Mozart) · See more »

Peter Schreier

Peter Schreier (born 29 July 1935) is a German tenor and conductor.

Der Messias and Peter Schreier · Peter Schreier and Requiem (Mozart) · See more »

Robert Lloyd (bass)

Robert Andrew Lloyd CBE (born 2 March 1940) is an English operatic bass.

Der Messias and Robert Lloyd (bass) · Requiem (Mozart) and Robert Lloyd (bass) · See more »

SATB

In music, SATB is an initialism for soprano, alto, tenor, bass, defining the voice types required by a chorus or choir to perform a particular musical work.

Der Messias and SATB · Requiem (Mozart) and SATB · See more »

Soprano

A soprano is a type of classical female singing voice and has the highest vocal range of all voice types.

Der Messias and Soprano · Requiem (Mozart) and Soprano · See more »

Tenor

Tenor is a type of classical male singing voice, whose vocal range is normally the highest male voice type, which lies between the baritone and countertenor voice types.

Der Messias and Tenor · Requiem (Mozart) and Tenor · See more »

Theo Adam

Theo Adam (born 1 August 1926) is a German classical bass-baritone who had an active international career in operas, concerts, and recitals from the 1940s through the 1990s.

Der Messias and Theo Adam · Requiem (Mozart) and Theo Adam · See more »

Timpani

Timpani or kettledrums (also informally called timps) are musical instruments in the percussion family.

Der Messias and Timpani · Requiem (Mozart) and Timpani · See more »

Trombone

The trombone is a musical instrument in the brass family.

Der Messias and Trombone · Requiem (Mozart) and Trombone · See more »

Trumpet

A trumpet is a brass instrument commonly used in classical and jazz ensembles.

Der Messias and Trumpet · Requiem (Mozart) and Trumpet · See more »

Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the classical era.

Der Messias and Wolfgang Amadeus Mozart · Requiem (Mozart) and Wolfgang Amadeus Mozart · See more »

The list above answers the following questions

Der Messias and Requiem (Mozart) Comparison

Der Messias has 106 relations, while Requiem (Mozart) has 344. As they have in common 29, the Jaccard index is 6.44% = 29 / (106 + 344).

References

This article shows the relationship between Der Messias and Requiem (Mozart). To access each article from which the information was extracted, please visit:

Hey! We are on Facebook now! »