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Diatonic scale

Index Diatonic scale

In western music theory, a diatonic scale is a heptatonic scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps, depending on their position in the scale. [1]

91 relations: Accidental (music), Aeolian mode, Allen Forte, Babylonia, Baroque music, C major, Chord-scale system, Chromatic scale, Circle of fifths text table, Classical period (music), Common practice period, David Rothenberg, Degree (music), Diatonic and chromatic, Diatonic set theory, Divje Babe Flute, Dominant (music), Dorian mode, Erv Wilson, Generated collection, Genus (music), Gregorian mode, Gudi (instrument), Heinrich Glarean, Heptatonic scale, Hierarchy, History of music, Hurrian songs, Interval (music), Interval cycle, Ionian mode, Jazz, Jiahu, Just intonation, Key (music), Key signature, Leading-tone, Locrian mode, Lydian mode, Major scale, Major second, Major third, Maximal evenness, Mediant, Medieval music, Minor scale, Minor third, Mixolydian mode, Mnemosyne (journal), Music theory, ..., Musical acoustics, Musical keyboard, Musical note, Musical temperament, Natural (music), Octave, Perfect fifth, Phrygian mode, Piano, Piano key frequencies, Pitch (music), Prehistoric music, Ptolemy, Ptolemy's intense diatonic scale, Pythagorean comma, Pythagorean tuning, Quarter-comma meantone, Relative key, Romantic music, Rothenberg propriety, Semitone, Set (music), Set theory (music), Solfège, Staff (music), Subdominant, Submediant, Subtonic, Sumer, Supertonic, Syntonic comma, Tetrachord, Tonic (music), Tonnetz, Transposition (music), Triad (music), Tritone, Twelfth root of two, Well temperament, Wolf interval, 20th-century music. Expand index (41 more) »

Accidental (music)

In music, an accidental is a note of a pitch (or pitch class) that is not a member of the scale or mode indicated by the most recently applied key signature.

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Aeolian mode

The Aeolian mode is a musical mode or, in modern usage, a diatonic scale called the natural minor scale.

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Allen Forte

Allen Forte (December 23, 1926 – October 16, 2014) was an American music theorist and musicologist.

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Babylonia

Babylonia was an ancient Akkadian-speaking state and cultural area based in central-southern Mesopotamia (present-day Iraq).

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Baroque music

Baroque music is a style of Western art music composed from approximately 1600 to 1750.

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C major

C major (or the key of C) is a major scale based on C, with the pitches C, D, E, F, G, A, and B. C major is one of the most common key signatures used in western music.

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Chord-scale system

The chord-scale system is a method of matching, from a list of possible chords, a list of possible scales.

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Chromatic scale

The chromatic scale is a musical scale with twelve pitches, each a semitone above or below its adjacent pitches.

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Circle of fifths text table

The Circle of fifths, text table, shows the number of flats or sharps in each of the diatonic musical scales and keys.

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Classical period (music)

The Classical period was an era of classical music between roughly 1730 to 1820, associated with the style of Haydn, Mozart and Beethoven.

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Common practice period

In the history of European art music, the common practice period is the era between the formation and the decline of the tonal system.

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David Rothenberg

David Rothenberg (born 1962) is a professor of philosophy and music at the New Jersey Institute of Technology, with a special interest in animal sounds as music.

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Degree (music)

In music theory, scale degree refers to the position of a particular note on a scale relative to the tonic, the first and main note of the scale from which each octave is assumed to begin.

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Diatonic and chromatic

Diatonic (διατονική) and chromatic (χρωματική) are terms in music theory that are most often used to characterize scales, and are also applied to musical instruments, intervals, chords, notes, musical styles, and kinds of harmony.

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Diatonic set theory

Diatonic set theory is a subdivision or application of musical set theory which applies the techniques and insights of discrete mathematics to properties of the diatonic collection such as maximal evenness, Myhill's property, well formedness, the deep scale property, cardinality equals variety, and structure implies multiplicity.

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Divje Babe Flute

The Divje Babe Flute is a cave bear femur pierced by spaced holes that was found in 1995 at the Divje Babe archeological park located near Cerkno in northwestern Slovenia.

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Dominant (music)

In music, the dominant is the fifth scale degree of the diatonic scale, called "dominant" because it is next in importance to the tonic, and a dominant chord is any chord built upon that pitch, using the notes of the same diatonic scale.

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Dorian mode

Dorian mode or Doric mode can refer to three very different but interrelated subjects: one of the Ancient Greek harmoniai (characteristic melodic behaviour, or the scale structure associated with it), one of the medieval musical modes, or, most commonly, one of the modern modal diatonic scales, corresponding to the white notes from D to D, or any transposition of this.

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Erv Wilson

Ervin Wilson (June 11, 1928 – December 8, 2016) was a Mexican/American (dual citizen) music theorist.

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Generated collection

In diatonic set theory, a generated collection is a collection or scale formed by repeatedly adding a constant interval in integer notation, the generator, also known as an interval cycle, around the chromatic circle until a complete collection or scale is formed.

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Genus (music)

Genus (Gr.: γένος, pl. γένη, lat. genus, pl. genera "type, kind") is a term used in the Ancient Greek and Roman theory of music to describe certain classes of intonations of the two movable notes within a tetrachord.

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Gregorian mode

A Gregorian mode (or church mode) is one of the eight systems of pitch organization used in Gregorian chant.

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Gudi (instrument)

The Jiahu gǔdí (贾湖骨笛) is the oldest known musical instrument from China, dating back to around 6000 BC.

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Heinrich Glarean

Heinrich Glarean (also Glareanus) (28 February or 3 June 1488 – 27 or 28 March 1563) was a Swiss music theorist, poet and humanist.

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Heptatonic scale

A heptatonic scale is a musical scale that has seven pitches per octave.

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Hierarchy

A hierarchy (from the Greek hierarchia, "rule of a high priest", from hierarkhes, "leader of sacred rites") is an arrangement of items (objects, names, values, categories, etc.) in which the items are represented as being "above", "below", or "at the same level as" one another A hierarchy can link entities either directly or indirectly, and either vertically or diagonally.

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History of music

Music is found in every known culture, past and present, varying widely between times and places.

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Hurrian songs

The Hurrian songs are a collection of music inscribed in cuneiform on clay tablets excavated from the ancient AmoriteDennis Pardee, "Ugaritic", in, edited by Roger D. Woodard, 5–6.

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Interval (music)

In music theory, an interval is the difference between two pitches.

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Interval cycle

In music, an interval cycle is a collection of pitch classes created from a sequence of the same interval class.

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Ionian mode

Ionian mode is a musical mode or, in modern usage, a diatonic scale also called the major scale.

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Jazz

Jazz is a music genre that originated in the African-American communities of New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in blues and ragtime.

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Jiahu

Jiahu was the site of a Neolithic settlement based in the central plain of ancient China, near the Yellow River.

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Just intonation

In music, just intonation (sometimes abbreviated as JI) or pure intonation is any musical tuning in which the frequencies of notes are related by ratios of small whole numbers.

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Key (music)

In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a music composition in classical, Western art, and Western pop music.

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Key signature

In musical notation, a key signature is a set of sharp, flat, and rarely, natural symbols placed together on the staff.

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Leading-tone

In music theory, a leading-note (also subsemitone, and called the leading-tone in the US) is a note or pitch which resolves or "leads" to a note one semitone higher or lower, being a lower and upper leading-tone, respectively.

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Locrian mode

The Locrian mode is either a musical mode or simply a diatonic scale.

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Lydian mode

The modern Lydian mode is a seven-tone musical scale formed from a rising pattern of pitches comprising three whole tones, a semitone, two more whole tones, and a final semitone.

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Major scale

The major scale (or Ionian scale) is one of the most commonly used musical scales, especially in Western music.

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Major second

In Western music theory, a major second (sometimes also called whole tone) is a second spanning two semitones.

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Major third

In classical music from Western culture, a third is a musical interval encompassing three staff positions (see Interval number for more details), and the major third is a third spanning four semitones.

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Maximal evenness

In diatonic set theory, maximal evenness is a quality of a collection or scale in which every generic interval has either one or two consecutive (adjacent) specific intervals—in other words a scale that is "spread out as much as possible." This property was first described by music theorist John Clough and mathematician Jack Douthett in "Maximally Even Sets" (1991).

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Mediant

In music, the mediant (Latin: to be in the middle) is the third scale degree of a diatonic scale, being the note halfway between the tonic and the dominant.

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Medieval music

Medieval music consists of songs, instrumental pieces, and liturgical music from about 500 A.D. to 1400.

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Minor scale

In music theory, the term minor scale refers to three scale formations – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending) – rather than just one as with the major scale.

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Minor third

In the music theory of Western culture, a minor third is a musical interval that encompasses three half steps, or semitones.

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Mixolydian mode

Mixolydian mode may refer to one of three things: the name applied to one of the ancient Greek harmoniai or tonoi, based on a particular octave species or scale; one of the medieval church modes; a modern musical mode or diatonic scale, related to the medieval mode.

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Mnemosyne (journal)

Mnemosyne is an academic journal of Classical Studies published by Brill Publishers.

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Music theory

Music theory is the study of the practices and possibilities of music.

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Musical acoustics

Musical acoustics or music acoustics is a branch of acoustics concerned with researching and describing the physics of music – how sounds are employed to make music.

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Musical keyboard

A musical keyboard is the set of adjacent depressible levers or keys on a musical instrument.

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Musical note

In music, a note is the pitch and duration of a sound, and also its representation in musical notation (♪, ♩).

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Musical temperament

In musical tuning, a temperament is a tuning system that slightly compromises the pure intervals of just intonation to meet other requirements.

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Natural (music)

In music theory, a natural is an accidental which cancels previous accidentals and represents the unaltered pitch of a note.

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Octave

In music, an octave (octavus: eighth) or perfect octave is the interval between one musical pitch and another with half or double its frequency.

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Perfect fifth

In music theory, a perfect fifth is the musical interval corresponding to a pair of pitches with a frequency ratio of 3:2, or very nearly so.

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Phrygian mode

The Phrygian mode (pronounced) can refer to three different musical modes: the ancient Greek tonos or harmonia sometimes called Phrygian, formed on a particular set of octave species or scales; the Medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter.

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Piano

The piano is an acoustic, stringed musical instrument invented in Italy by Bartolomeo Cristofori around the year 1700 (the exact year is uncertain), in which the strings are struck by hammers.

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Piano key frequencies

This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A4), tuned to 440 Hz (referred to as A440).

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Pitch (music)

Pitch is a perceptual property of sounds that allows their ordering on a frequency-related scale, or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melodies.

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Prehistoric music

Prehistoric music (previously primitive music) is a term in the history of music for all music produced in preliterate cultures (prehistory), beginning somewhere in very late geological history.

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Ptolemy

Claudius Ptolemy (Κλαύδιος Πτολεμαῖος, Klaúdios Ptolemaîos; Claudius Ptolemaeus) was a Greco-Roman mathematician, astronomer, geographer, astrologer, and poet of a single epigram in the Greek Anthology.

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Ptolemy's intense diatonic scale

Ptolemy's intense diatonic scale, also known as Ptolemaic sequence, justly tuned major scale, or syntonous (or syntonic) diatonic scale, is a tuning for the diatonic scale proposed by Ptolemy, declared by Zarlino to be the only tuning that could be reasonably sung, and corresponding with modern just intonation.

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Pythagorean comma

In musical tuning, the Pythagorean comma (or ditonic comma), named after the ancient mathematician and philosopher Pythagoras, is the small interval (or comma) existing in Pythagorean tuning between two enharmonically equivalent notes such as C and B, or D and C. It is equal to the frequency ratio (1.5)12/128.

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Pythagorean tuning

Pythagorean tuning is a system of musical tuning in which the frequency ratios of all intervals are based on the ratio 3:2.

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Quarter-comma meantone

Quarter-comma meantone, or -comma meantone, was the most common meantone temperament in the sixteenth and seventeenth centuries, and was sometimes used later.

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Relative key

In music, relative keys are the major and minor scales that have the same key signatures.

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Romantic music

Romantic music is a period of Western classical music that began in the late 18th or early 19th century.

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Rothenberg propriety

In diatonic set theory, Rothenberg propriety is an important concept, lack of contradiction and ambiguity, in the general theory of musical scales which was introduced by David Rothenberg in a seminal series of papers in 1978.

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Semitone

A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically.

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Set (music)

A set (pitch set, pitch-class set, set class, set form, set genus, pitch collection) in music theory, as in mathematics and general parlance, is a collection of objects.

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Set theory (music)

Musical set theory provides concepts for categorizing musical objects and describing their relationships.

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Solfège

In music, solfège or solfeggio, also called sol-fa, solfa, solfeo, among many names, is a music education method used to teach pitch and sight singing of Western music.

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Staff (music)

In Western musical notation, the staff (US) or stave (UK) (plural for either: '''staves''') is a set of five horizontal lines and four spaces that each represent a different musical pitch or, in the case of a percussion staff, different percussion instruments.

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Subdominant

In music, the subdominant is the technical name for the fourth tonal degree of the diatonic scale.

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Submediant

In music, the submediant is the sixth scale degree of the diatonic scale, the 'lower mediant', halfway between the tonic and the subdominant or 'lower dominant'.

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Subtonic

In music, the subtonic is the scale degree below the tonic or, more specifically, the flattened seventh (VII): the lowered or minor seventh degree of the scale, a whole step below the tonic, as opposed to the leading tone, which is only a half step below the tonic.

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Sumer

SumerThe name is from Akkadian Šumeru; Sumerian en-ĝir15, approximately "land of the civilized kings" or "native land".

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Supertonic

In music, the supertonic is the second degree or note of a diatonic scale, one step above the tonic.

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Syntonic comma

In music theory, the syntonic comma, also known as the chromatic diesis, the comma of Didymus, the Ptolemaic comma, or the diatonic comma is a small comma type interval between two musical notes, equal to the frequency ratio 81:80 (.

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Tetrachord

In music theory, a tetrachord (τετράχορδoν, tetrachordum) is a series of four notes separated by three smaller intervals.

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Tonic (music)

In music, the tonic is the first scale degree of a diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music and traditional music.

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Tonnetz

In musical tuning and harmony, the Tonnetz (tone-network) is a conceptual lattice diagram representing tonal space first described by Leonhard Euler in 1739.

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Transposition (music)

In music transposition refers to the process, or operation, of moving a collection of notes (pitches or pitch classes) up or down in pitch by a constant interval.

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Triad (music)

In music, a triad is a set of three notes (or "pitches") that can be stacked vertically in thirds.

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Tritone

In music theory, the tritone is defined as a musical interval composed of three adjacent whole tones.

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Twelfth root of two

The twelfth root of two or is an algebraic irrational number.

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Well temperament

Well temperament (also good temperament, circular or circulating temperament) is a type of tempered tuning described in 20th-century music theory.

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Wolf interval

In music theory, the wolf fifth (sometimes also called Procrustean fifth, or imperfect fifth) Paul, Oscar (1885).

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20th-century music

During the 20th century there was a vast increase in the variety of music that people had access to.

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C natural, Diatonic collection, Diatonic major scale, Diatonic scales, Guido scale, Heptatonia prima.

References

[1] https://en.wikipedia.org/wiki/Diatonic_scale

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