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East Asian Gothic typeface and Regular script

Shortcuts: Differences, Similarities, Jaccard Similarity Coefficient, References.

Difference between East Asian Gothic typeface and Regular script

East Asian Gothic typeface vs. Regular script

Gothic typefaces (Japanese: ゴシック体 goshikku-tai; Korean: 돋움 dotum, 고딕체 godik-che) are a type style characterised by strokes of even thickness and lack of decorations akin to sans serif styles in Western typography. Regular script (Hepburn: kaisho), also called 正楷, 真書 (zhēnshū), 楷體 (kǎitǐ) and 正書 (zhèngshū), is the newest of the Chinese script styles (appearing by the Cao Wei dynasty ca. 200 CE and maturing stylistically around the 7th century), hence most common in modern writings and publications (after the Ming and gothic styles, used exclusively in print).

Similarities between East Asian Gothic typeface and Regular script

East Asian Gothic typeface and Regular script have 2 things in common (in Unionpedia): Kana, Ming (typefaces).

Kana

are syllabic Japanese scripts, a part of the Japanese writing system contrasted with the logographic Chinese characters known in Japan as kanji (漢字).

East Asian Gothic typeface and Kana · Kana and Regular script · See more »

Ming (typefaces)

Ming or Song is a category of typefaces used to display Chinese characters, which are used in the Chinese, Japanese and Korean languages.

East Asian Gothic typeface and Ming (typefaces) · Ming (typefaces) and Regular script · See more »

The list above answers the following questions

East Asian Gothic typeface and Regular script Comparison

East Asian Gothic typeface has 11 relations, while Regular script has 45. As they have in common 2, the Jaccard index is 3.57% = 2 / (11 + 45).

References

This article shows the relationship between East Asian Gothic typeface and Regular script. To access each article from which the information was extracted, please visit:

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