Equal temperament and Modulation (music)

Shortcuts: Differences, Similarities, Jaccard Similarity Coefficient, References.

Difference between Equal temperament and Modulation (music)

Equal temperament vs. Modulation (music)

An equal temperament is a musical temperament, or a system of tuning, in which the frequency interval between every pair of adjacent notes has the same ratio. In music, modulation is most commonly the act or process of changing from one key (tonic, or tonal center) to another.

Similarities between Equal temperament and Modulation (music)

Equal temperament and Modulation (music) have 7 things in common (in Unionpedia): Circle of fifths, Classical music, Diatonic and chromatic, Enharmonic, Johann Sebastian Bach, Polytonality, Twelve-tone technique.

Circle of fifths

In music theory, the circle of fifths (or circle of fourths) is the relationship among the 12 tones of the chromatic scale, their corresponding key signatures, and the associated major and minor keys.

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Classical music

Classical music is art music produced or rooted in the traditions of Western culture, including both liturgical (religious) and secular music.

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Diatonic and chromatic

Diatonic (διατονική) and chromatic (χρωματική) are terms in music theory that are most often used to characterize scales, and are also applied to musical instruments, intervals, chords, notes, musical styles, and kinds of harmony.

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Enharmonic

In modern musical notation and tuning, an enharmonic equivalent is a note, interval, or key signature that is equivalent to some other note, interval, or key signature but "spelled", or named differently.

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Johann Sebastian Bach

Johann Sebastian Bach (28 July 1750) was a composer and musician of the Baroque period, born in the Duchy of Saxe-Eisenach.

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Polytonality

Polytonality (also polyharmony) is the musical use of more than one key simultaneously.

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Twelve-tone technique

Twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition devised by Austrian composer Arnold Schoenberg (1874–1951) and associated with the "Second Viennese School" composers, who were the primary users of the technique in the first decades of its existence.

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The list above answers the following questions

What Equal temperament and Modulation (music) have in common
What are the similarities between Equal temperament and Modulation (music)

Equal temperament and Modulation (music) Comparison

Equal temperament has 149 relations, while Modulation (music) has 66. As they have in common 7, the Jaccard index is 3.26% = 7 / (149 + 66).

References

This article shows the relationship between Equal temperament and Modulation (music). To access each article from which the information was extracted, please visit:

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