Faster access than browser!Similarities between Funerary art and Sculpture
Funerary art and Sculpture have 96 things in common (in Unionpedia): Alexander Sarcophagus, Alexander the Great, Ancient Greece, Ancient Greek temple, Angkor Wat, Antonio Canova, Archaic Greece, Art Deco, Baroque, Borobudur, British Museum, Bronze Age, Cambodia, Chinese ritual bronzes, Christian art, Conceptual art, Crosier, Donatello, Early Christianity, Eastern Orthodox Church, Eighteenth Dynasty of Egypt, Etruscan art, Florence, Funerary art, Gautama Buddha, Gian Lorenzo Bernini, Gothic art, Han dynasty, Hellenistic art, Hellenistic period, ..., High Renaissance, Hinduism, Incense, Insular art, Jade, Jaina Island, Java, Jerusalem, John Boardman (art historian), K'inich Janaab' Pakal, Ka statue, Kingdom of Kush, Kouros, Lebanon, Magna Graecia, Maquette, Mausoleum at Halicarnassus, Maya civilization, Mesoamerica, Michelangelo, Modernism, Mughal Empire, Neoclassicism, Neolithic, Nubian pyramids, Oaxaca, Olmecs, Petroglyph, Porphyry (geology), Qin Shi Huang, Reformation, Relief, Renaissance, Reserve head, Roman Empire, Roman Republic, Runestone, Samarkand, Sancai, Sanchi, Sanxingdui, Sarcophagus, Sarcophagus of Junius Bassus, Scaliger Tombs, Scholar-official, Seven Wonders of the Ancient World, Shang dynasty, Shinto, Sidon, Socialist realism, Stained glass, Stele, Stupa, Sutton Hoo, Tanagra figurine, Tang dynasty, Tang dynasty tomb figures, Terracotta, Terracotta Army, Tomb of the Scipios, Traditional African masks, Tutankhamun, Twenty-fifth Dynasty of Egypt, Ushabti, Verona, War memorial. Expand index (66 more) »
Alexander Sarcophagus
The Alexander Sarcophagus is a late 4th century BC Hellenistic stone sarcophagus adorned with bas-relief carvings of Alexander the Great.
Alexander Sarcophagus and Funerary art · Alexander Sarcophagus and Sculpture ·
Alexander the Great
Alexander III of Macedon (20/21 July 356 BC – 10/11 June 323 BC), commonly known as Alexander the Great (Aléxandros ho Mégas), was a king (basileus) of the ancient Greek kingdom of Macedon and a member of the Argead dynasty.
Alexander the Great and Funerary art · Alexander the Great and Sculpture ·
Ancient Greece
Ancient Greece was a civilization belonging to a period of Greek history from the Greek Dark Ages of the 13th–9th centuries BC to the end of antiquity (AD 600).
Ancient Greece and Funerary art · Ancient Greece and Sculpture ·
Ancient Greek temple
Greek temples (dwelling, semantically distinct from Latin templum, "temple") were structures built to house deity statues within Greek sanctuaries in ancient Greek religion.
Ancient Greek temple and Funerary art · Ancient Greek temple and Sculpture ·
Angkor Wat
Angkor Wat (អង្គរវត្ត, "Capital Temple") is a temple complex in Cambodia and the largest religious monument in the world, on a site measuring.
Angkor Wat and Funerary art · Angkor Wat and Sculpture ·
Antonio Canova
Antonio Canova (1 November 1757 – 13 October 1822) was an Italian Neoclassical sculptor, famous for his marble sculptures.
Antonio Canova and Funerary art · Antonio Canova and Sculpture ·
Archaic Greece
Archaic Greece was the period in Greek history lasting from the eighth century BC to the second Persian invasion of Greece in 480 BC, following the Greek Dark Ages and succeeded by the Classical period.
Archaic Greece and Funerary art · Archaic Greece and Sculpture ·
Art Deco
Art Deco, sometimes referred to as Deco, is a style of visual arts, architecture and design that first appeared in France just before World War I. Art Deco influenced the design of buildings, furniture, jewelry, fashion, cars, movie theatres, trains, ocean liners, and everyday objects such as radios and vacuum cleaners.
Art Deco and Funerary art · Art Deco and Sculpture ·
Baroque
The Baroque is a highly ornate and often extravagant style of architecture, art and music that flourished in Europe from the early 17th until the late 18th century.
Baroque and Funerary art · Baroque and Sculpture ·
Borobudur
Borobudur, or Barabudur (Candi Borobudur, Candhi Barabudhur) is a 9th-century Mahayana Buddhist temple in Magelang Regency, not far from the town of Muntilan, in Central Java, Indonesia.
Borobudur and Funerary art · Borobudur and Sculpture ·
British Museum
The British Museum, located in the Bloomsbury area of London, United Kingdom, is a public institution dedicated to human history, art and culture.
British Museum and Funerary art · British Museum and Sculpture ·
Bronze Age
The Bronze Age is a historical period characterized by the use of bronze, and in some areas proto-writing, and other early features of urban civilization.
Bronze Age and Funerary art · Bronze Age and Sculpture ·
Cambodia
Cambodia (កម្ពុជា, or Kampuchea:, Cambodge), officially known as the Kingdom of Cambodia (ព្រះរាជាណាចក្រកម្ពុជា, prĕəh riəciənaacak kampuciə,; Royaume du Cambodge), is a sovereign state located in the southern portion of the Indochina peninsula in Southeast Asia.
Cambodia and Funerary art · Cambodia and Sculpture ·
Chinese ritual bronzes
Sets of ritual bronzes (in chinese: 中国青铜器) are the most impressive surviving objects from the Chinese Bronze Age.
Chinese ritual bronzes and Funerary art · Chinese ritual bronzes and Sculpture ·
Christian art
Christian art is sacred art which uses themes and imagery from Christianity.
Christian art and Funerary art · Christian art and Sculpture ·
Conceptual art
Conceptual art, sometimes simply called conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic, technical, and material concerns.
Conceptual art and Funerary art · Conceptual art and Sculpture ·
Crosier
A crosier (also known as a crozier, paterissa, pastoral staff, or bishop's staff) is a stylized staff carried by high-ranking Roman Catholic, Eastern Catholic, Eastern Orthodox, Oriental Orthodox, Anglican, and some Lutheran, United Methodist and Pentecostal prelates.
Crosier and Funerary art · Crosier and Sculpture ·
Donatello
Donato di Niccolò di Betto Bardi (c. 1386 – 13 December 1466), better known as Donatello, was an Italian Renaissance sculptor from Florence.
Donatello and Funerary art · Donatello and Sculpture ·
Early Christianity
Early Christianity, defined as the period of Christianity preceding the First Council of Nicaea in 325, typically divides historically into the Apostolic Age and the Ante-Nicene Period (from the Apostolic Age until Nicea).
Early Christianity and Funerary art · Early Christianity and Sculpture ·
Eastern Orthodox Church
The Eastern Orthodox Church, also known as the Orthodox Church, or officially as the Orthodox Catholic Church, is the second-largest Christian Church, with over 250 million members.
Eastern Orthodox Church and Funerary art · Eastern Orthodox Church and Sculpture ·
Eighteenth Dynasty of Egypt
The Eighteenth Dynasty of Egypt (notated Dynasty XVIII, alternatively 18th Dynasty or Dynasty 18) is classified as the first Dynasty of the Ancient Egyptian New Kingdom period, lasting from 1549/1550 BC to 1292 BC.
Eighteenth Dynasty of Egypt and Funerary art · Eighteenth Dynasty of Egypt and Sculpture ·
Etruscan art
Etruscan art was produced by the Etruscan civilization in central Italy between the 9th and 2nd centuries BC.
Etruscan art and Funerary art · Etruscan art and Sculpture ·
Florence
Florence (Firenze) is the capital city of the Italian region of Tuscany.
Florence and Funerary art · Florence and Sculpture ·
Funerary art
Funerary art is any work of art forming, or placed in, a repository for the remains of the dead.
Funerary art and Funerary art · Funerary art and Sculpture ·
Gautama Buddha
Gautama Buddha (c. 563/480 – c. 483/400 BCE), also known as Siddhārtha Gautama, Shakyamuni Buddha, or simply the Buddha, after the title of Buddha, was an ascetic (śramaṇa) and sage, on whose teachings Buddhism was founded.
Funerary art and Gautama Buddha · Gautama Buddha and Sculpture ·
Gian Lorenzo Bernini
Gian Lorenzo Bernini (also Gianlorenzo or Giovanni Lorenzo; 7 December 1598 – 28 November 1680) was an Italian sculptor and architect.
Funerary art and Gian Lorenzo Bernini · Gian Lorenzo Bernini and Sculpture ·
Gothic art
Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century AD, led by the concurrent development of Gothic architecture.
Funerary art and Gothic art · Gothic art and Sculpture ·
Han dynasty
The Han dynasty was the second imperial dynasty of China (206 BC–220 AD), preceded by the Qin dynasty (221–206 BC) and succeeded by the Three Kingdoms period (220–280 AD). Spanning over four centuries, the Han period is considered a golden age in Chinese history. To this day, China's majority ethnic group refers to themselves as the "Han Chinese" and the Chinese script is referred to as "Han characters". It was founded by the rebel leader Liu Bang, known posthumously as Emperor Gaozu of Han, and briefly interrupted by the Xin dynasty (9–23 AD) of the former regent Wang Mang. This interregnum separates the Han dynasty into two periods: the Western Han or Former Han (206 BC–9 AD) and the Eastern Han or Later Han (25–220 AD). The emperor was at the pinnacle of Han society. He presided over the Han government but shared power with both the nobility and appointed ministers who came largely from the scholarly gentry class. The Han Empire was divided into areas directly controlled by the central government using an innovation inherited from the Qin known as commanderies, and a number of semi-autonomous kingdoms. These kingdoms gradually lost all vestiges of their independence, particularly following the Rebellion of the Seven States. From the reign of Emperor Wu (r. 141–87 BC) onward, the Chinese court officially sponsored Confucianism in education and court politics, synthesized with the cosmology of later scholars such as Dong Zhongshu. This policy endured until the fall of the Qing dynasty in 1911 AD. The Han dynasty saw an age of economic prosperity and witnessed a significant growth of the money economy first established during the Zhou dynasty (c. 1050–256 BC). The coinage issued by the central government mint in 119 BC remained the standard coinage of China until the Tang dynasty (618–907 AD). The period saw a number of limited institutional innovations. To finance its military campaigns and the settlement of newly conquered frontier territories, the Han government nationalized the private salt and iron industries in 117 BC, but these government monopolies were repealed during the Eastern Han dynasty. Science and technology during the Han period saw significant advances, including the process of papermaking, the nautical steering ship rudder, the use of negative numbers in mathematics, the raised-relief map, the hydraulic-powered armillary sphere for astronomy, and a seismometer for measuring earthquakes employing an inverted pendulum. The Xiongnu, a nomadic steppe confederation, defeated the Han in 200 BC and forced the Han to submit as a de facto inferior partner, but continued their raids on the Han borders. Emperor Wu launched several military campaigns against them. The ultimate Han victory in these wars eventually forced the Xiongnu to accept vassal status as Han tributaries. These campaigns expanded Han sovereignty into the Tarim Basin of Central Asia, divided the Xiongnu into two separate confederations, and helped establish the vast trade network known as the Silk Road, which reached as far as the Mediterranean world. The territories north of Han's borders were quickly overrun by the nomadic Xianbei confederation. Emperor Wu also launched successful military expeditions in the south, annexing Nanyue in 111 BC and Dian in 109 BC, and in the Korean Peninsula where the Xuantu and Lelang Commanderies were established in 108 BC. After 92 AD, the palace eunuchs increasingly involved themselves in court politics, engaging in violent power struggles between the various consort clans of the empresses and empresses dowager, causing the Han's ultimate downfall. Imperial authority was also seriously challenged by large Daoist religious societies which instigated the Yellow Turban Rebellion and the Five Pecks of Rice Rebellion. Following the death of Emperor Ling (r. 168–189 AD), the palace eunuchs suffered wholesale massacre by military officers, allowing members of the aristocracy and military governors to become warlords and divide the empire. When Cao Pi, King of Wei, usurped the throne from Emperor Xian, the Han dynasty would eventually collapse and ceased to exist.
Funerary art and Han dynasty · Han dynasty and Sculpture ·
Hellenistic art
Hellenistic art is the art of the period in classical antiquity generally taken to begin with the death of Alexander the Great in 323 BC and end with the conquest of the Greek world by the Romans, a process well underway by 146 BCE, when the Greek mainland was taken, and essentially ending in 31 BCE with the conquest of Ptolemaic Egypt following the Battle of Actium.
Funerary art and Hellenistic art · Hellenistic art and Sculpture ·
Hellenistic period
The Hellenistic period covers the period of Mediterranean history between the death of Alexander the Great in 323 BC and the emergence of the Roman Empire as signified by the Battle of Actium in 31 BC and the subsequent conquest of Ptolemaic Egypt the following year.
Funerary art and Hellenistic period · Hellenistic period and Sculpture ·
High Renaissance
In art history, the High Renaissance is the period denoting the apogee of the visual arts in the Italian Renaissance.
Funerary art and High Renaissance · High Renaissance and Sculpture ·
Hinduism
Hinduism is an Indian religion and dharma, or a way of life, widely practised in the Indian subcontinent.
Funerary art and Hinduism · Hinduism and Sculpture ·
Incense
Incense is aromatic biotic material which releases fragrant smoke when burned.
Funerary art and Incense · Incense and Sculpture ·
Insular art
Insular art, also known as Hiberno-Saxon art, is the style of art produced in the post-Roman history of Ireland and Britain.
Funerary art and Insular art · Insular art and Sculpture ·
Jade
Jade is an ornamental mineral, mostly known for its green varieties, which is featured prominently in ancient Asian art.
Funerary art and Jade · Jade and Sculpture ·
Jaina Island
Jaina Island is a pre-Columbian Maya archaeological site in the present-day Mexican state of Campeche.
Funerary art and Jaina Island · Jaina Island and Sculpture ·
Java
Java (Indonesian: Jawa; Javanese: ꦗꦮ; Sundanese) is an island of Indonesia.
Funerary art and Java · Java and Sculpture ·
Jerusalem
Jerusalem (יְרוּשָׁלַיִם; القُدس) is a city in the Middle East, located on a plateau in the Judaean Mountains between the Mediterranean and the Dead Sea.
Funerary art and Jerusalem · Jerusalem and Sculpture ·
John Boardman (art historian)
Sir John Boardman, (born 20 August 1927) is a classical art historian and archaeologist, "Britain's most distinguished historian of ancient Greek art.".
Funerary art and John Boardman (art historian) · John Boardman (art historian) and Sculpture ·
K'inich Janaab' Pakal
K'inich Janaab Pakal IThe ruler's name, when transcribed is K'INICH-JANA:B-PAKAL-la, translated "Radiant ? Shield", Martin & Grube 2008, p. 162.
Funerary art and K'inich Janaab' Pakal · K'inich Janaab' Pakal and Sculpture ·
Ka statue
A ka statue is a type of ancient Egyptian statue intended to provide a resting place for the ka (life-force or spirit) of the person after death.
Funerary art and Ka statue · Ka statue and Sculpture ·
Kingdom of Kush
The Kingdom of Kush or Kush was an ancient kingdom in Nubia, located at the confluences of the Blue Nile, White Nile and the Atbarah River in what are now Sudan and South Sudan.
Funerary art and Kingdom of Kush · Kingdom of Kush and Sculpture ·
Kouros
A kouros (κοῦρος, plural kouroi) is the modern term given to free-standing ancient Greek sculptures that first appear in the Archaic period in Greece and represent nude male youths.
Funerary art and Kouros · Kouros and Sculpture ·
Lebanon
Lebanon (لبنان; Lebanese pronunciation:; Liban), officially known as the Lebanese RepublicRepublic of Lebanon is the most common phrase used by Lebanese government agencies.
Funerary art and Lebanon · Lebanon and Sculpture ·
Magna Graecia
Magna Graecia (Latin meaning "Great Greece", Μεγάλη Ἑλλάς, Megálē Hellás, Magna Grecia) was the name given by the Romans to the coastal areas of Southern Italy in the present-day regions of Campania, Apulia, Basilicata, Calabria and Sicily that were extensively populated by Greek settlers; particularly the Achaean settlements of Croton, and Sybaris, and to the north, the settlements of Cumae and Neapolis.
Funerary art and Magna Graecia · Magna Graecia and Sculpture ·
Maquette
A maquette (French word for scale model, sometimes referred to by the Italian names plastico or modello) is a small scale model or rough draft of an unfinished sculpture.
Funerary art and Maquette · Maquette and Sculpture ·
Mausoleum at Halicarnassus
The Mausoleum at Halicarnassus or Tomb of Mausolus (Μαυσωλεῖον τῆς Ἁλικαρνασσοῦ; Halikarnas Mozolesi) was a tomb built between 353 and 350 BC at Halicarnassus (present Bodrum, Turkey) for Mausolus, a satrap in the Persian Empire, and his sister-wife Artemisia II of Caria. The structure was designed by the Greek architects Satyros and Pythius of Priene. The Mausoleum was approximately in height, and the four sides were adorned with sculptural reliefs, each created by one of four Greek sculptors—Leochares, Bryaxis, Scopas of Paros and Timotheus. The finished structure of the mausoleum was considered to be such an aesthetic triumph that Antipater of Sidon identified it as one of his Seven Wonders of the Ancient World. It was destroyed by successive earthquakes from the 12th to the 15th century, the last surviving of the six destroyed wonders. The word mausoleum has now come to be used generically for an above-ground tomb.
Funerary art and Mausoleum at Halicarnassus · Mausoleum at Halicarnassus and Sculpture ·
Maya civilization
The Maya civilization was a Mesoamerican civilization developed by the Maya peoples, and noted for its hieroglyphic script—the only known fully developed writing system of the pre-Columbian Americas—as well as for its art, architecture, mathematics, calendar, and astronomical system.
Funerary art and Maya civilization · Maya civilization and Sculpture ·
Mesoamerica
Mesoamerica is an important historical region and cultural area in the Americas, extending from approximately central Mexico through Belize, Guatemala, El Salvador, Honduras, Nicaragua, and northern Costa Rica, and within which pre-Columbian societies flourished before the Spanish colonization of the Americas in the 15th and 16th centuries.
Funerary art and Mesoamerica · Mesoamerica and Sculpture ·
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni or more commonly known by his first name Michelangelo (6 March 1475 – 18 February 1564) was an Italian sculptor, painter, architect and poet of the High Renaissance born in the Republic of Florence, who exerted an unparalleled influence on the development of Western art.
Funerary art and Michelangelo · Michelangelo and Sculpture ·
Modernism
Modernism is a philosophical movement that, along with cultural trends and changes, arose from wide-scale and far-reaching transformations in Western society during the late 19th and early 20th centuries.
Funerary art and Modernism · Modernism and Sculpture ·
Mughal Empire
The Mughal Empire (گورکانیان, Gūrkāniyān)) or Mogul Empire was an empire in the Indian subcontinent, founded in 1526. It was established and ruled by a Muslim dynasty with Turco-Mongol Chagatai roots from Central Asia, but with significant Indian Rajput and Persian ancestry through marriage alliances; only the first two Mughal emperors were fully Central Asian, while successive emperors were of predominantly Rajput and Persian ancestry. The dynasty was Indo-Persian in culture, combining Persianate culture with local Indian cultural influences visible in its traits and customs. The Mughal Empire at its peak extended over nearly all of the Indian subcontinent and parts of Afghanistan. It was the second largest empire to have existed in the Indian subcontinent, spanning approximately four million square kilometres at its zenith, after only the Maurya Empire, which spanned approximately five million square kilometres. The Mughal Empire ushered in a period of proto-industrialization, and around the 17th century, Mughal India became the world's largest economic power, accounting for 24.4% of world GDP, and the world leader in manufacturing, producing 25% of global industrial output up until the 18th century. The Mughal Empire is considered "India's last golden age" and one of the three Islamic Gunpowder Empires (along with the Ottoman Empire and Safavid Persia). The beginning of the empire is conventionally dated to the victory by its founder Babur over Ibrahim Lodi, the last ruler of the Delhi Sultanate, in the First Battle of Panipat (1526). The Mughal emperors had roots in the Turco-Mongol Timurid dynasty of Central Asia, claiming direct descent from both Genghis Khan (founder of the Mongol Empire, through his son Chagatai Khan) and Timur (Turco-Mongol conqueror who founded the Timurid Empire). During the reign of Humayun, the successor of Babur, the empire was briefly interrupted by the Sur Empire. The "classic period" of the Mughal Empire started in 1556 with the ascension of Akbar the Great to the throne. Under the rule of Akbar and his son Jahangir, the region enjoyed economic progress as well as religious harmony, and the monarchs were interested in local religious and cultural traditions. Akbar was a successful warrior who also forged alliances with several Hindu Rajput kingdoms. Some Rajput kingdoms continued to pose a significant threat to the Mughal dominance of northwestern India, but most of them were subdued by Akbar. All Mughal emperors were Muslims; Akbar, however, propounded a syncretic religion in the latter part of his life called Dīn-i Ilāhī, as recorded in historical books like Ain-i-Akbari and Dabistān-i Mazāhib. The Mughal Empire did not try to intervene in the local societies during most of its existence, but rather balanced and pacified them through new administrative practices and diverse and inclusive ruling elites, leading to more systematic, centralised, and uniform rule. Traditional and newly coherent social groups in northern and western India, such as the Maratha Empire|Marathas, the Rajputs, the Pashtuns, the Hindu Jats and the Sikhs, gained military and governing ambitions during Mughal rule, which, through collaboration or adversity, gave them both recognition and military experience. The reign of Shah Jahan, the fifth emperor, between 1628 and 1658, was the zenith of Mughal architecture. He erected several large monuments, the best known of which is the Taj Mahal at Agra, as well as the Moti Masjid, Agra, the Red Fort, the Badshahi Mosque, the Jama Masjid, Delhi, and the Lahore Fort. The Mughal Empire reached the zenith of its territorial expanse during the reign of Aurangzeb and also started its terminal decline in his reign due to Maratha military resurgence under Category:History of Bengal Category:History of West Bengal Category:History of Bangladesh Category:History of Kolkata Category:Empires and kingdoms of Afghanistan Category:Medieval India Category:Historical Turkic states Category:Mongol states Category:1526 establishments in the Mughal Empire Category:1857 disestablishments in the Mughal Empire Category:History of Pakistan.
Funerary art and Mughal Empire · Mughal Empire and Sculpture ·
Neoclassicism
Neoclassicism (from Greek νέος nèos, "new" and Latin classicus, "of the highest rank") is the name given to Western movements in the decorative and visual arts, literature, theatre, music, and architecture that draw inspiration from the "classical" art and culture of classical antiquity.
Funerary art and Neoclassicism · Neoclassicism and Sculpture ·
Neolithic
The Neolithic was a period in the development of human technology, beginning about 10,200 BC, according to the ASPRO chronology, in some parts of Western Asia, and later in other parts of the world and ending between 4500 and 2000 BC.
Funerary art and Neolithic · Neolithic and Sculpture ·
Nubian pyramids
Nubian pyramids are pyramids that were built by the rulers of the ancient Kushite kingdoms.
Funerary art and Nubian pyramids · Nubian pyramids and Sculpture ·
Oaxaca
Oaxaca (from Huāxyacac), officially the Free and Sovereign State of Oaxaca (Estado Libre y Soberano de Oaxaca), is one of the 31 states which, along with Mexico City, make up the 32 federative entities of Mexico.
Funerary art and Oaxaca · Oaxaca and Sculpture ·
Olmecs
The Olmecs were the earliest known major civilization in Mexico following a progressive development in Soconusco.
Funerary art and Olmecs · Olmecs and Sculpture ·
Petroglyph
Petroglyphs are images created by removing part of a rock surface by incising, picking, carving, or abrading, as a form of rock art.
Funerary art and Petroglyph · Petroglyph and Sculpture ·
Porphyry (geology)
Porphyry is a textural term for an igneous rock consisting of large-grained crystals such as feldspar or quartz dispersed in a fine-grained silicate rich, generally aphanitic matrix or groundmass.
Funerary art and Porphyry (geology) · Porphyry (geology) and Sculpture ·
Qin Shi Huang
Qin Shi Huang (18 February 25910 September 210) was the founder of the Qin dynasty and was the first emperor of a unified China.
Funerary art and Qin Shi Huang · Qin Shi Huang and Sculpture ·
Reformation
The Reformation (or, more fully, the Protestant Reformation; also, the European Reformation) was a schism in Western Christianity initiated by Martin Luther and continued by Huldrych Zwingli, John Calvin and other Protestant Reformers in 16th century Europe.
Funerary art and Reformation · Reformation and Sculpture ·
Relief
Relief is a sculptural technique where the sculpted elements remain attached to a solid background of the same material.
Funerary art and Relief · Relief and Sculpture ·
Renaissance
The Renaissance is a period in European history, covering the span between the 14th and 17th centuries.
Funerary art and Renaissance · Renaissance and Sculpture ·
Reserve head
Reserve heads (also known as "Magical heads" or "Replacement heads", the latter term derived from the original German term "Ersatzköpfe") are distinctive sculptures made primarily of fine limestone that have been found in a number of non-royal tombs of the Fourth dynasty of Egypt; primarily from the reigns of pyramid-building pharaohs Khufu to Khafre, circa 2551-2496 B.C.Berman. (2003) p. 75 While each of the heads share characteristics in common with each other (and some examples may be more caricature than reflecting a true-life appearance), the striking individuality of the pieces makes them some of the earliest examples of portrait sculpture in existence.
Funerary art and Reserve head · Reserve head and Sculpture ·
Roman Empire
The Roman Empire (Imperium Rōmānum,; Koine and Medieval Greek: Βασιλεία τῶν Ῥωμαίων, tr.) was the post-Roman Republic period of the ancient Roman civilization, characterized by government headed by emperors and large territorial holdings around the Mediterranean Sea in Europe, Africa and Asia.
Funerary art and Roman Empire · Roman Empire and Sculpture ·
Roman Republic
The Roman Republic (Res publica Romana) was the era of classical Roman civilization beginning with the overthrow of the Roman Kingdom, traditionally dated to 509 BC, and ending in 27 BC with the establishment of the Roman Empire.
Funerary art and Roman Republic · Roman Republic and Sculpture ·
Runestone
A runestone is typically a raised stone with a runic inscription, but the term can also be applied to inscriptions on boulders and on bedrock.
Funerary art and Runestone · Runestone and Sculpture ·
Samarkand
Samarkand (Uzbek language Uzbek alphabet: Samarqand; سمرقند; Самарканд; Σαμαρκάνδη), alternatively Samarqand, is a city in modern-day Uzbekistan and is one of the oldest continuously inhabited cities in Central Asia.
Funerary art and Samarkand · Samarkand and Sculpture ·
Sancai
Sancai is a versatile type of decoration on Chinese pottery using glazes or slip, predominantly in the three colours of brown (or amber), green, and a creamy off-white.
Funerary art and Sancai · Sancai and Sculpture ·
Sanchi
Sanchi Stupa, also written Sanci, is a Buddhist complex, famous for its Great Stupa, on a hilltop at Sanchi Town in Raisen District of the State of Madhya Pradesh, India.
Funerary art and Sanchi · Sanchi and Sculpture ·
Sanxingdui
Sanxingdui is the name of an archaeological site and a major Bronze Age culture in modern Sichuan, China.
Funerary art and Sanxingdui · Sanxingdui and Sculpture ·
Sarcophagus
A sarcophagus (plural, sarcophagi) is a box-like funeral receptacle for a corpse, most commonly carved in stone, and usually displayed above ground, though it may also be buried.
Funerary art and Sarcophagus · Sarcophagus and Sculpture ·
Sarcophagus of Junius Bassus
The Sarcophagus of Junius Bassus is a marble Early Christian sarcophagus used for the burial of Junius Bassus, who died in 359.
Funerary art and Sarcophagus of Junius Bassus · Sarcophagus of Junius Bassus and Sculpture ·
Scaliger Tombs
The Scaliger Tombs (Italian: Arche scaligere) is a group of five Gothic funerary monuments in Verona, Italy, celebrating the Scaliger family, who ruled in Verona from the 13th to the late 14th century.
Funerary art and Scaliger Tombs · Scaliger Tombs and Sculpture ·
Scholar-official
Scholar-officials, also known as Literati, Scholar-gentlemen, Scholar-bureaucrats or Scholar-gentry were politicians and government officials appointed by the emperor of China to perform day-to-day political duties from the Han dynasty to the end of the Qing dynasty in 1912, China's last imperial dynasty.
Funerary art and Scholar-official · Scholar-official and Sculpture ·
Seven Wonders of the Ancient World
The Seven Wonders of the World or the Seven Wonders of the Ancient World is a list of remarkable constructions of classical antiquity given by various authors in guidebooks or poems popular among ancient Hellenic tourists.
Funerary art and Seven Wonders of the Ancient World · Sculpture and Seven Wonders of the Ancient World ·
Shang dynasty
The Shang dynasty or Yin dynasty, according to traditional historiography, ruled in the Yellow River valley in the second millennium BC, succeeding the Xia dynasty and followed by the Zhou dynasty.
Funerary art and Shang dynasty · Sculpture and Shang dynasty ·
Shinto
or kami-no-michi (among other names) is the traditional religion of Japan that focuses on ritual practices to be carried out diligently to establish a connection between present-day Japan and its ancient past.
Funerary art and Shinto · Sculpture and Shinto ·
Sidon
Sidon (صيدا, صيدون,; French: Saida; Phoenician: 𐤑𐤃𐤍, Ṣīdūn; Biblical Hebrew:, Ṣīḏōn; Σιδών), translated to 'fishery' or 'fishing-town', is the third-largest city in Lebanon.
Funerary art and Sidon · Sculpture and Sidon ·
Socialist realism
Socialist realism is a style of idealized realistic art that was developed in the Soviet Union and was imposed as the official style in that country between 1932 and 1988, as well as in other socialist countries after World War II.
Funerary art and Socialist realism · Sculpture and Socialist realism ·
Stained glass
The term stained glass can refer to coloured glass as a material or to works created from it.
Funerary art and Stained glass · Sculpture and Stained glass ·
Stele
A steleAnglicized plural steles; Greek plural stelai, from Greek στήλη, stēlē.
Funerary art and Stele · Sculpture and Stele ·
Stupa
A stupa (Sanskrit: "heap") is a mound-like or hemispherical structure containing relics (śarīra - typically the remains of Buddhist monks or nuns) that is used as a place of meditation.
Funerary art and Stupa · Sculpture and Stupa ·
Sutton Hoo
Sutton Hoo, near Woodbridge, Suffolk, is the site of two 6th- and early 7th-century cemeteries.
Funerary art and Sutton Hoo · Sculpture and Sutton Hoo ·
Tanagra figurine
The Tanagra figurines were a mold-cast type of Greek terracotta figurines produced from the later fourth century BCE, primarily in the Boeotian town of Tanagra.
Funerary art and Tanagra figurine · Sculpture and Tanagra figurine ·
Tang dynasty
The Tang dynasty or the Tang Empire was an imperial dynasty of China preceded by the Sui dynasty and followed by the Five Dynasties and Ten Kingdoms period.
Funerary art and Tang dynasty · Sculpture and Tang dynasty ·
Tang dynasty tomb figures
Tang dynasty tomb figures are pottery figures of people and animals made in the Tang dynasty of China (618–906) as grave goods to be placed in tombs.
Funerary art and Tang dynasty tomb figures · Sculpture and Tang dynasty tomb figures ·
Terracotta
Terracotta, terra cotta or terra-cotta (Italian: "baked earth", from the Latin terra cocta), a type of earthenware, is a clay-based unglazed or glazed ceramic, where the fired body is porous.
Funerary art and Terracotta · Sculpture and Terracotta ·
Terracotta Army
The Terracotta Army is a collection of terracotta sculptures depicting the armies of Qin Shi Huang, the first Emperor of China.
Funerary art and Terracotta Army · Sculpture and Terracotta Army ·
Tomb of the Scipios
The Tomb of the Scipios (Latin sepulcrum Scipionum), also called the hypogaeum Scipionum, was the common tomb of the patrician Scipio family during the Roman Republic for interments between the early 3rd century BC and the early 1st century AD.
Funerary art and Tomb of the Scipios · Sculpture and Tomb of the Scipios ·
Traditional African masks
Ritual and ceremonial masks are an essential feature of the traditional culture of the peoples of a part of Sub-Saharan Africa, e.g. roughly between the Sahara and the Kalahari Desert.
Funerary art and Traditional African masks · Sculpture and Traditional African masks ·
Tutankhamun
Tutankhamun (alternatively spelled with Tutenkh-, -amen, -amon) was an Egyptian pharaoh of the 18th dynasty (ruled c. 1332–1323 BC in the conventional chronology), during the period of Egyptian history known as the New Kingdom or sometimes the New Empire Period.
Funerary art and Tutankhamun · Sculpture and Tutankhamun ·
Twenty-fifth Dynasty of Egypt
The Twenty-fifth Dynasty of Egypt (notated Dynasty XXV, alternatively 25th Dynasty or Dynasty 25), also known as the Nubian Dynasty or the Kushite Empire, was the last dynasty of the Third Intermediate Period that occurred after the Nubian invasion of Ancient Egypt.
Funerary art and Twenty-fifth Dynasty of Egypt · Sculpture and Twenty-fifth Dynasty of Egypt ·
Ushabti
The ushabti (also called shabti or shawabti, with a number of variant spellings, Ancient Egyptian plural: ushabtiu) was a funerary figurine used in Ancient Egypt.
Funerary art and Ushabti · Sculpture and Ushabti ·
Verona
Verona (Venetian: Verona or Veròna) is a city on the Adige river in Veneto, Italy, with approximately 257,000 inhabitants and one of the seven provincial capitals of the region.
Funerary art and Verona · Sculpture and Verona ·
War memorial
A war memorial is a building, monument, statue or other edifice to celebrate a war or victory, or (predominating in modern times) to commemorate those who died or were injured in a war.
Funerary art and War memorial · Sculpture and War memorial ·
The list above answers the following questions
- What Funerary art and Sculpture have in common
- What are the similarities between Funerary art and Sculpture
Funerary art and Sculpture Comparison
Funerary art has 459 relations, while Sculpture has 1048. As they have in common 96, the Jaccard index is 6.37% = 96 / (459 + 1048).
References
This article shows the relationship between Funerary art and Sculpture. To access each article from which the information was extracted, please visit:
