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Heavy metal music and Minor sixth

Shortcuts: Differences, Similarities, Jaccard Similarity Coefficient, References.

Difference between Heavy metal music and Minor sixth

Heavy metal music vs. Minor sixth

Heavy metal (or simply metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom. In classical music from Western culture, a sixth is a musical interval encompassing six staff positions (see Interval number for more details), and the minor sixth is one of two commonly occurring sixths.

Similarities between Heavy metal music and Minor sixth

Heavy metal music and Minor sixth have 7 things in common (in Unionpedia): Classical music, Interval (music), Major third, Octave, Perfect fifth, Perfect fourth, Unison.

Classical music

Classical music is art music produced or rooted in the traditions of Western culture, including both liturgical (religious) and secular music.

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Interval (music)

In music theory, an interval is the difference between two pitches.

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Major third

In classical music from Western culture, a third is a musical interval encompassing three staff positions (see Interval number for more details), and the major third is a third spanning four semitones.

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Octave

In music, an octave (octavus: eighth) or perfect octave is the interval between one musical pitch and another with half or double its frequency.

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Perfect fifth

In music theory, a perfect fifth is the musical interval corresponding to a pair of pitches with a frequency ratio of 3:2, or very nearly so.

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Perfect fourth

In classical music from Western culture, a fourth spans exactly four letter names (staff positions), while a perfect fourth (harmonic series) always involves the same interval, regardless of key (sharps and flats) between letters. A perfect fourth is the relationship between the third and fourth harmonics, sounding neither major nor minor, but consonant with an unstable quality (additive synthesis). In the key of C, the notes C and F constitute a perfect fourth relationship, as they're separated by four semitones (C, C#, D, D#, E, F). Up until the late 19th century, the perfect fourth was often called by its Greek name, diatessaron. A perfect fourth in just intonation corresponds to a pitch ratio of 4:3, or about 498 cents, while in equal temperament a perfect fourth is equal to five semitones, or 500 cents. The perfect fourth is a perfect interval like the unison, octave, and perfect fifth, and it is a sensory consonance. In common practice harmony, however, it is considered a stylistic dissonance in certain contexts, namely in two-voice textures and whenever it appears above the bass. If the bass note also happens to be the chord's root, the interval's upper note almost always temporarily displaces the third of any chord, and, in the terminology used in popular music, is then called a suspended fourth. Conventionally, adjacent strings of the double bass and of the bass guitar are a perfect fourth apart when unstopped, as are all pairs but one of adjacent guitar strings under standard guitar tuning. Sets of tom-tom drums are also commonly tuned in perfect fourths. The 4:3 just perfect fourth arises in the C major scale between G and C.

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Unison

In music, unison is two or more musical parts sounding the same pitch or at an octave interval, usually at the same time.

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The list above answers the following questions

Heavy metal music and Minor sixth Comparison

Heavy metal music has 680 relations, while Minor sixth has 28. As they have in common 7, the Jaccard index is 0.99% = 7 / (680 + 28).

References

This article shows the relationship between Heavy metal music and Minor sixth. To access each article from which the information was extracted, please visit:

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