Faster access than browser!Similarities between Igor Stravinsky and Music
Igor Stravinsky and Music have 19 things in common (in Unionpedia): Antonín Dvořák, Arnold Schoenberg, Berne Convention, Carl Philipp Emanuel Bach, Concerto grosso, Fugue, Greek mythology, Motif (music), Musical form, Orchestration, Orlande de Lassus, Ostinato, Pyotr Ilyich Tchaikovsky, Richard Wagner, Serialism, String quartet, Symphony, The New York Times, World War I.
Antonín Dvořák
Antonín Leopold Dvořák (8 September 1841 – 1 May 1904) was a Czech composer.
Antonín Dvořák and Igor Stravinsky · Antonín Dvořák and Music ·
Arnold Schoenberg
Arnold Franz Walter Schoenberg or Schönberg (13 September 187413 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter.
Arnold Schoenberg and Igor Stravinsky · Arnold Schoenberg and Music ·
Berne Convention
The Berne Convention for the Protection of Literary and Artistic Works, usually known as the Berne Convention, is an international agreement governing copyright, which was first accepted in Berne, Switzerland, in 1886.
Berne Convention and Igor Stravinsky · Berne Convention and Music ·
Carl Philipp Emanuel Bach
Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, was a German Classical period musician and composer, the fifth child and second (surviving) son of Johann Sebastian Bach and Maria Barbara Bach.
Carl Philipp Emanuel Bach and Igor Stravinsky · Carl Philipp Emanuel Bach and Music ·
Concerto grosso
The concerto grosso (Italian for big concert(o), plural concerti grossi) is a form of baroque music in which the musical material is passed between a small group of soloists (the concertino) and full orchestra (the ripieno or concerto grosso).
Concerto grosso and Igor Stravinsky · Concerto grosso and Music ·
Fugue
In music, a fugue is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition.
Fugue and Igor Stravinsky · Fugue and Music ·
Greek mythology
Greek mythology is the body of myths and teachings that belong to the ancient Greeks, concerning their gods and heroes, the nature of the world, and the origins and significance of their own cult and ritual practices.
Greek mythology and Igor Stravinsky · Greek mythology and Music ·
Motif (music)
In music, a motif (also motive) is a short musical idea, a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition: "The motive is the smallest structural unit possessing thematic identity".
Igor Stravinsky and Motif (music) · Motif (music) and Music ·
Musical form
The term musical form (or musical architecture) refers to the overall structure or plan of a piece of music; it describes the layout of a composition as divided into sections.
Igor Stravinsky and Musical form · Music and Musical form ·
Orchestration
Orchestration is the study or practice of writing music for an orchestra (or, more loosely, for any musical ensemble, such as a concert band) or of adapting music composed for another medium for an orchestra.
Igor Stravinsky and Orchestration · Music and Orchestration ·
Orlande de Lassus
Orlande de Lassus (also Roland de Lassus, Orlando di Lasso, Orlandus Lassus, Orlande de Lattre or Roland de Lattre; 1532, possibly 1530 – 14 June 1594) was a Netherlandish or Franco-Flemish composer of the late Renaissance.
Igor Stravinsky and Orlande de Lassus · Music and Orlande de Lassus ·
Ostinato
In music, an ostinato (derived from Italian: stubborn, compare English, from Latin: 'obstinate') is a motif or phrase that persistently repeats in the same musical voice, frequently at the same pitch.
Igor Stravinsky and Ostinato · Music and Ostinato ·
Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky Often "Peter Ilich Tchaikovsky" in English.
Igor Stravinsky and Pyotr Ilyich Tchaikovsky · Music and Pyotr Ilyich Tchaikovsky ·
Richard Wagner
Wilhelm Richard Wagner (22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his later works were later known, "music dramas").
Igor Stravinsky and Richard Wagner · Music and Richard Wagner ·
Serialism
In music, serialism is a method of composition using series of pitches, rhythms, dynamics, timbres or other musical elements.
Igor Stravinsky and Serialism · Music and Serialism ·
String quartet
A string quartet is a musical ensemble of four string players – two violin players, a viola player and a cellist – or a piece written to be performed by such a group.
Igor Stravinsky and String quartet · Music and String quartet ·
Symphony
A symphony is an extended musical composition in Western classical music, most often written by composers for orchestra.
Igor Stravinsky and Symphony · Music and Symphony ·
The New York Times
The New York Times (sometimes abbreviated as The NYT or The Times) is an American newspaper based in New York City with worldwide influence and readership.
Igor Stravinsky and The New York Times · Music and The New York Times ·
World War I
World War I (often abbreviated as WWI or WW1), also known as the First World War, the Great War, or the War to End All Wars, was a global war originating in Europe that lasted from 28 July 1914 to 11 November 1918.
The list above answers the following questions
- What Igor Stravinsky and Music have in common
- What are the similarities between Igor Stravinsky and Music
Igor Stravinsky and Music Comparison
Igor Stravinsky has 245 relations, while Music has 623. As they have in common 19, the Jaccard index is 2.19% = 19 / (245 + 623).
References
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