Faster access than browser!Similarities between Johann Sebastian Bach and Orgelbüchlein
Johann Sebastian Bach and Orgelbüchlein have 68 things in common (in Unionpedia): Adolf Bernhard Marx, Albert Schweitzer, André Isoir, Arnstadt, BACH motif, Bach-Werke-Verzeichnis, Bassline, Brandenburg Concertos, Breitkopf & Härtel, Cambridge University Press, Canon (music), Canonic Variations on "Vom Himmel hoch da komm' ich her", Cantus firmus, Cello, Charles Sanford Terry (historian), Chorale prelude, Christ lag in Todes Banden, BWV 4, Christmas Oratorio, Christoph Wolff, Clavier-Übung III, Dieterich Buxtehude, Dorian mode, Felix Mendelssohn, Ferruccio Busoni, Fugue, Georg Böhm, Gottes Zeit ist die allerbeste Zeit, BWV 106, Great Eighteen Chorale Preludes, Halle (Saale), Harvard University Press, ..., Heinrich Schütz, Helmut Walcha, Ich hatte viel Bekümmernis, BWV 21, International Music Score Library Project, James Kibbie, Jan Pieterszoon Sweelinck, Jesu, meine Freude, BWV 227, Johann Adam Reincken, Johann Ernst III, Duke of Saxe-Weimar, Johann Friedrich Agricola, Johann Kirnberger, Johann Ludwig Krebs, Johann Pachelbel, Lüneburg, Leipzig, List of compositions by Johann Sebastian Bach, List of organ compositions by Johann Sebastian Bach, Liturgical year, Lutheran chorale, Magnificat (Bach), Martin Luther, Mühlhausen, Minor scale, Ogg, Orgelbüchlein, Oxford University Press, Philipp Spitta, Schübler Chorales, Spitta's Johann Sebastian Bach, St John Passion, St Matthew Passion, St. John's Church, Lüneburg, St. Thomas School, Leipzig, Stile antico, Thuringia, Trio sonata, Weimar, Weinen, Klagen, Sorgen, Zagen, BWV 12. Expand index (38 more) »
Adolf Bernhard Marx
Friedrich Heinrich Adolf Bernhard Marx (15 March 1795, Halle – 17 May 1866, Berlin) was a German composer, musical theorist and critic.
Adolf Bernhard Marx and Johann Sebastian Bach · Adolf Bernhard Marx and Orgelbüchlein ·
Albert Schweitzer
Albert Schweitzer, OM (14 January 1875 – 4 September 1965) was a French-German theologian, organist, writer, humanitarian, philosopher, and physician.
Albert Schweitzer and Johann Sebastian Bach · Albert Schweitzer and Orgelbüchlein ·
André Isoir
André Isoir (20 July 1935 – 20 July 2016) was a French organist.
André Isoir and Johann Sebastian Bach · André Isoir and Orgelbüchlein ·
Arnstadt
Arnstadt is a town in Ilm-Kreis, Thuringia, Germany, on the river Gera about 20 kilometres south of Erfurt, the capital of Thuringia.
Arnstadt and Johann Sebastian Bach · Arnstadt and Orgelbüchlein ·
BACH motif
In music, the BACH motif is the motif, a succession of notes important or characteristic to a piece, B flat, A, C, B natural.
BACH motif and Johann Sebastian Bach · BACH motif and Orgelbüchlein ·
Bach-Werke-Verzeichnis
The Bach-Werke-Verzeichnis (BWV; Bach-Works-Catalogue) is a catalogue of compositions by Johann Sebastian Bach.
Bach-Werke-Verzeichnis and Johann Sebastian Bach · Bach-Werke-Verzeichnis and Orgelbüchlein ·
Bassline
A bassline (also known as a bass line or bass part) is the term used in many styles of music, such as jazz, blues, funk, dub and electronic, traditional music, or classical music for the low-pitched instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric organ, or synthesizer).
Bassline and Johann Sebastian Bach · Bassline and Orgelbüchlein ·
Brandenburg Concertos
The Brandenburg Concertos by Johann Sebastian Bach (BWV 1046–1051, original title: Six Concerts à plusieurs instruments)Johann Sebastian Bach's Werke, vol.
Brandenburg Concertos and Johann Sebastian Bach · Brandenburg Concertos and Orgelbüchlein ·
Breitkopf & Härtel
Breitkopf & Härtel is the world's oldest music publishing house.
Breitkopf & Härtel and Johann Sebastian Bach · Breitkopf & Härtel and Orgelbüchlein ·
Cambridge University Press
Cambridge University Press (CUP) is the publishing business of the University of Cambridge.
Cambridge University Press and Johann Sebastian Bach · Cambridge University Press and Orgelbüchlein ·
Canon (music)
In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitations of the melody played after a given duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or dux), while the imitative melody, which is played in a different voice, is called the follower (or comes).
Canon (music) and Johann Sebastian Bach · Canon (music) and Orgelbüchlein ·
Canonic Variations on "Vom Himmel hoch da komm' ich her"
The Canonic Variations on "Vom Himmel hoch da komm' ich her" ("From Heaven above to Earth I come"), BWV 769, are a set of five variations in canon for organ with two manuals and pedals by Johann Sebastian Bach on the Christmas hymn by Martin Luther of the same name.
Canonic Variations on "Vom Himmel hoch da komm' ich her" and Johann Sebastian Bach · Canonic Variations on "Vom Himmel hoch da komm' ich her" and Orgelbüchlein ·
Cantus firmus
In music, a cantus firmus ("fixed song") is a pre-existing melody forming the basis of a polyphonic composition.
Cantus firmus and Johann Sebastian Bach · Cantus firmus and Orgelbüchlein ·
Cello
The cello (plural cellos or celli) or violoncello is a string instrument.
Cello and Johann Sebastian Bach · Cello and Orgelbüchlein ·
Charles Sanford Terry (historian)
Charles Sanford Terry (24 October 1864, Newport Pagnell – 5 November 1936, Aberdeen) was an English historian and musicologist who published extensively on Scottish and European history as well as the life and works of J. S. Bach.
Charles Sanford Terry (historian) and Johann Sebastian Bach · Charles Sanford Terry (historian) and Orgelbüchlein ·
Chorale prelude
In music, a chorale prelude is a short liturgical composition for organ using a chorale tune as its basis.
Chorale prelude and Johann Sebastian Bach · Chorale prelude and Orgelbüchlein ·
Christ lag in Todes Banden, BWV 4
Christ lag in Todes Banden (also spelled Todesbanden) ("Christ lay in death's bonds" or "Christ lay in the snares of death"),, is a cantata for Easter by German composer Johann Sebastian Bach, one of his earliest church cantatas.
Christ lag in Todes Banden, BWV 4 and Johann Sebastian Bach · Christ lag in Todes Banden, BWV 4 and Orgelbüchlein ·
Christmas Oratorio
The Christmas Oratorio,, is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season.
Christmas Oratorio and Johann Sebastian Bach · Christmas Oratorio and Orgelbüchlein ·
Christoph Wolff
Christoph Wolff (born May 24, 1940) is a German-born musicologist.
Christoph Wolff and Johann Sebastian Bach · Christoph Wolff and Orgelbüchlein ·
Clavier-Übung III
The Clavier-Übung III, sometimes referred to as the German Organ Mass, is a collection of compositions for organ by Johann Sebastian Bach, started in 1735–36 and published in 1739.
Clavier-Übung III and Johann Sebastian Bach · Clavier-Übung III and Orgelbüchlein ·
Dieterich Buxtehude
Dieterich Buxtehude (Diderich,; c. 1637/39 – 9 May 1707) was a Danish-German organist and composer of the Baroque period.
Dieterich Buxtehude and Johann Sebastian Bach · Dieterich Buxtehude and Orgelbüchlein ·
Dorian mode
Dorian mode or Doric mode can refer to three very different but interrelated subjects: one of the Ancient Greek harmoniai (characteristic melodic behaviour, or the scale structure associated with it), one of the medieval musical modes, or, most commonly, one of the modern modal diatonic scales, corresponding to the white notes from D to D, or any transposition of this.
Dorian mode and Johann Sebastian Bach · Dorian mode and Orgelbüchlein ·
Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 4 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early romantic period.
Felix Mendelssohn and Johann Sebastian Bach · Felix Mendelssohn and Orgelbüchlein ·
Ferruccio Busoni
Ferruccio Busoni (1 April 1866 – 27 July 1924) (given names: Ferruccio Dante Michelangiolo Benvenuto) was an Italian composer, pianist, conductor, editor, writer, and teacher.
Ferruccio Busoni and Johann Sebastian Bach · Ferruccio Busoni and Orgelbüchlein ·
Fugue
In music, a fugue is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition.
Fugue and Johann Sebastian Bach · Fugue and Orgelbüchlein ·
Georg Böhm
Georg Böhm (2 September 1661 – 18 May 1733) was a German Baroque organist and composer.
Georg Böhm and Johann Sebastian Bach · Georg Böhm and Orgelbüchlein ·
Gottes Zeit ist die allerbeste Zeit, BWV 106
Gottes Zeit ist die allerbeste Zeit (God's time is the very best time),, also known as Actus tragicus, is an early sacred cantata composed by Johann Sebastian Bach in Mühlhausen, intended for a funeral.
Gottes Zeit ist die allerbeste Zeit, BWV 106 and Johann Sebastian Bach · Gottes Zeit ist die allerbeste Zeit, BWV 106 and Orgelbüchlein ·
Great Eighteen Chorale Preludes
The Great Eighteen Chorale Preludes, BWV 651–668, are a set of chorale preludes for organ prepared by Johann Sebastian Bach in Leipzig in his final decade (1740–1750), from earlier works composed in Weimar, where he was court organist.
Great Eighteen Chorale Preludes and Johann Sebastian Bach · Great Eighteen Chorale Preludes and Orgelbüchlein ·
Halle (Saale)
Halle (Saale) is a city in the southern part of the German state Saxony-Anhalt.
Halle (Saale) and Johann Sebastian Bach · Halle (Saale) and Orgelbüchlein ·
Harvard University Press
Harvard University Press (HUP) is a publishing house established on January 13, 1913, as a division of Harvard University, and focused on academic publishing.
Harvard University Press and Johann Sebastian Bach · Harvard University Press and Orgelbüchlein ·
Heinrich Schütz
Heinrich Schütz (– 6 November 1672) was a German composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach and often considered to be one of the most important composers of the 17th century.
Heinrich Schütz and Johann Sebastian Bach · Heinrich Schütz and Orgelbüchlein ·
Helmut Walcha
Helmut Walcha (October 27, 1907 – August 11, 1991) was a blind German organist who specialized in the works of the Dutch and German baroque masters and is known for his recordings of the complete organ works of Johann Sebastian Bach.
Helmut Walcha and Johann Sebastian Bach · Helmut Walcha and Orgelbüchlein ·
Ich hatte viel Bekümmernis, BWV 21
Johann Sebastian Bach composed the church cantata Ich hatte viel Bekümmernis (I had much grief),, in Weimar, possibly in 1713, partly even earlier.
Ich hatte viel Bekümmernis, BWV 21 and Johann Sebastian Bach · Ich hatte viel Bekümmernis, BWV 21 and Orgelbüchlein ·
International Music Score Library Project
The International Music Score Library Project (IMSLP), also known as the Petrucci Music Library after publisher Ottaviano Petrucci, is a subscription-based project for the creation of a virtual library of public-domain music scores.
International Music Score Library Project and Johann Sebastian Bach · International Music Score Library Project and Orgelbüchlein ·
James Kibbie
James Kibbie (born March 13, 1949) is an American concert organist, recording artist and pedagogue.
James Kibbie and Johann Sebastian Bach · James Kibbie and Orgelbüchlein ·
Jan Pieterszoon Sweelinck
Jan Pieterszoon Sweelinck (April or May, 1562 – 16 October 1621) was a Dutch composer, organist, and pedagogue whose work straddled the end of the Renaissance and beginning of the Baroque eras.
Jan Pieterszoon Sweelinck and Johann Sebastian Bach · Jan Pieterszoon Sweelinck and Orgelbüchlein ·
Jesu, meine Freude, BWV 227
Jesu, meine Freude, BWV 227, is a motet composed by Johann Sebastian Bach.
Jesu, meine Freude, BWV 227 and Johann Sebastian Bach · Jesu, meine Freude, BWV 227 and Orgelbüchlein ·
Johann Adam Reincken
Johann Adam Reincken (also Jan Adams, Jean Adam, Reinken, Reinkinck, Reincke, Reinicke, Reinike; baptized 10 December 1643 – 24 November 1722) was a Dutch/German organist and composer.
Johann Adam Reincken and Johann Sebastian Bach · Johann Adam Reincken and Orgelbüchlein ·
Johann Ernst III, Duke of Saxe-Weimar
Johann Ernst III, Duke of Saxe-Weimar (Weimar, 22 June 1664 – Weimar, 10 May 1707), was a duke of Saxe-Weimar.
Johann Ernst III, Duke of Saxe-Weimar and Johann Sebastian Bach · Johann Ernst III, Duke of Saxe-Weimar and Orgelbüchlein ·
Johann Friedrich Agricola
Johann Friedrich Agricola (4 January 1720 – 2 December 1774) was a German composer, organist, singer, pedagogue, and writer on music.
Johann Friedrich Agricola and Johann Sebastian Bach · Johann Friedrich Agricola and Orgelbüchlein ·
Johann Kirnberger
Johann Philipp Kirnberger (also Kernberg; 24 April 1721, Saalfeld – 27 July 1783, Berlin) was a musician, composer (primarily of fugues), and music theorist.
Johann Kirnberger and Johann Sebastian Bach · Johann Kirnberger and Orgelbüchlein ·
Johann Ludwig Krebs
Johann Ludwig Krebs (baptized 12 October 1713 – 1 January 1780) was a German Baroque musician and composer for the pipe organ, harpsichord, other instruments and orchestras.
Johann Ludwig Krebs and Johann Sebastian Bach · Johann Ludwig Krebs and Orgelbüchlein ·
Johann Pachelbel
Johann Pachelbel (baptised 1 September 1653 – buried 9 March 1706) was a German composer, organist, and teacher who brought the south German organ tradition to its peak.
Johann Pachelbel and Johann Sebastian Bach · Johann Pachelbel and Orgelbüchlein ·
Lüneburg
Lüneburg (officially the Hanseatic City of Lüneburg, German: Hansestadt Lüneburg,, Low German Lümborg, Latin Luneburgum or Lunaburgum, Old High German Luneburc, Old Saxon Hliuni, Polabian Glain), also called Lunenburg in English, is a town in the German state of Lower Saxony.
Johann Sebastian Bach and Lüneburg · Lüneburg and Orgelbüchlein ·
Leipzig
Leipzig is the most populous city in the federal state of Saxony, Germany.
Johann Sebastian Bach and Leipzig · Leipzig and Orgelbüchlein ·
List of compositions by Johann Sebastian Bach
Johann Sebastian Bach composed cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias.
Johann Sebastian Bach and List of compositions by Johann Sebastian Bach · List of compositions by Johann Sebastian Bach and Orgelbüchlein ·
List of organ compositions by Johann Sebastian Bach
Organ compositions by Johann Sebastian Bach refers to the compositions in the seventh chapter of the Bach-Werke-Verzeichnis (BWV, catalogue of Bach's compositions), or, in the New Bach Edition, the compositions in Series IV.
Johann Sebastian Bach and List of organ compositions by Johann Sebastian Bach · List of organ compositions by Johann Sebastian Bach and Orgelbüchlein ·
Liturgical year
The liturgical year, also known as the church year or Christian year, as well as the kalendar, consists of the cycle of liturgical seasons in Christian churches that determines when feast days, including celebrations of saints, are to be observed, and which portions of Scripture are to be read either in an annual cycle or in a cycle of several years.
Johann Sebastian Bach and Liturgical year · Liturgical year and Orgelbüchlein ·
Lutheran chorale
A Lutheran chorale is a musical setting of a Lutheran hymn, intended to be sung by a congregation in a German Protestant Church service.
Johann Sebastian Bach and Lutheran chorale · Lutheran chorale and Orgelbüchlein ·
Magnificat (Bach)
Johann Sebastian Bach's Magnificat is a musical setting of the biblical canticle Magnificat.
Johann Sebastian Bach and Magnificat (Bach) · Magnificat (Bach) and Orgelbüchlein ·
Martin Luther
Martin Luther, (10 November 1483 – 18 February 1546) was a German professor of theology, composer, priest, monk, and a seminal figure in the Protestant Reformation.
Johann Sebastian Bach and Martin Luther · Martin Luther and Orgelbüchlein ·
Mühlhausen
Mühlhausen is a city in the north-west of Thuringia, Germany, north of Niederdorla, the country's geographical centre, north-west of Erfurt, east of Kassel and south-east of Göttingen.
Johann Sebastian Bach and Mühlhausen · Mühlhausen and Orgelbüchlein ·
Minor scale
In music theory, the term minor scale refers to three scale formations – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending) – rather than just one as with the major scale.
Johann Sebastian Bach and Minor scale · Minor scale and Orgelbüchlein ·
Ogg
Ogg is a free, open container format maintained by the Xiph.Org Foundation.
Johann Sebastian Bach and Ogg · Ogg and Orgelbüchlein ·
Orgelbüchlein
The Orgelbüchlein ("Little Organ Book") BWV 599−644 is a collection of 46 chorale preludes for organ written by Johann Sebastian Bach.
Johann Sebastian Bach and Orgelbüchlein · Orgelbüchlein and Orgelbüchlein ·
Oxford University Press
Oxford University Press (OUP) is the largest university press in the world, and the second oldest after Cambridge University Press.
Johann Sebastian Bach and Oxford University Press · Orgelbüchlein and Oxford University Press ·
Philipp Spitta
Julius August Philipp Spitta (27 December 1841 – 13 April 1894) was a German music historian and musicologist best known for his 1873 biography of Johann Sebastian Bach.
Johann Sebastian Bach and Philipp Spitta · Orgelbüchlein and Philipp Spitta ·
Schübler Chorales
Sechs Chorale von verschiedener Art: auf einer Orgel mit 2 Clavieren und Pedal vorzuspielen ('six chorales of diverse kinds, to be played on an organ with two manuals and pedal'), commonly known as the Schübler Chorales (Schübler-Choräle), BWV 645–650, is a set of chorale preludes composed by Johann Sebastian Bach.
Johann Sebastian Bach and Schübler Chorales · Orgelbüchlein and Schübler Chorales ·
Spitta's Johann Sebastian Bach
Johann Sebastian Bach is a 19th-century biography of Johann Sebastian Bach by Philipp Spitta.
Johann Sebastian Bach and Spitta's Johann Sebastian Bach · Orgelbüchlein and Spitta's Johann Sebastian Bach ·
St John Passion
The Passio secundum Joannem or St John Passion (Johannes-Passion), BWV 245, is a Passion or oratorio by Johann Sebastian Bach, the older of the surviving Passions by Bach.
Johann Sebastian Bach and St John Passion · Orgelbüchlein and St John Passion ·
St Matthew Passion
The St Matthew Passion (Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander.
Johann Sebastian Bach and St Matthew Passion · Orgelbüchlein and St Matthew Passion ·
St. John's Church, Lüneburg
The Church of John the Baptist (Germ. St. Johannis or Johanniskirche) is the oldest Lutheran church in Lüneburg, Germany.
Johann Sebastian Bach and St. John's Church, Lüneburg · Orgelbüchlein and St. John's Church, Lüneburg ·
St. Thomas School, Leipzig
St.
Johann Sebastian Bach and St. Thomas School, Leipzig · Orgelbüchlein and St. Thomas School, Leipzig ·
Stile antico
Stile antico (literally "ancient style"), is a term describing a manner of musical composition from the sixteenth century onwards that was historically conscious, as opposed to stile moderno, which adhered to more modern trends.
Johann Sebastian Bach and Stile antico · Orgelbüchlein and Stile antico ·
Thuringia
The Free State of Thuringia (Freistaat Thüringen) is a federal state in central Germany.
Johann Sebastian Bach and Thuringia · Orgelbüchlein and Thuringia ·
Trio sonata
The trio sonata is a musical form that was found throughout the Baroque era and occurred in two forms in the last decades of the 17th century to the first half of the 18th century: the sonata da camera and the sonata da chiesa.
Johann Sebastian Bach and Trio sonata · Orgelbüchlein and Trio sonata ·
Weimar
Weimar (Vimaria or Vinaria) is a city in the federal state of Thuringia, Germany.
Johann Sebastian Bach and Weimar · Orgelbüchlein and Weimar ·
Weinen, Klagen, Sorgen, Zagen, BWV 12
Weinen, Klagen, Sorgen, Zagen (Weeping, lamenting, worrying, fearing),, is a church cantata by Johann Sebastian Bach.
Johann Sebastian Bach and Weinen, Klagen, Sorgen, Zagen, BWV 12 · Orgelbüchlein and Weinen, Klagen, Sorgen, Zagen, BWV 12 ·
The list above answers the following questions
- What Johann Sebastian Bach and Orgelbüchlein have in common
- What are the similarities between Johann Sebastian Bach and Orgelbüchlein
Johann Sebastian Bach and Orgelbüchlein Comparison
Johann Sebastian Bach has 474 relations, while Orgelbüchlein has 279. As they have in common 68, the Jaccard index is 9.03% = 68 / (474 + 279).
References
This article shows the relationship between Johann Sebastian Bach and Orgelbüchlein. To access each article from which the information was extracted, please visit:
