Similarities between Johann Sebastian Bach and Psalm 137
Johann Sebastian Bach and Psalm 137 have 7 things in common (in Unionpedia): Cambridge University Press, Cantata, Chorale prelude, Franz Liszt, Giovanni Pierluigi da Palestrina, Great Eighteen Chorale Preludes, Motet.
Cambridge University Press
Cambridge University Press (CUP) is the publishing business of the University of Cambridge.
Cambridge University Press and Johann Sebastian Bach · Cambridge University Press and Psalm 137 ·
Cantata
A cantata (literally "sung", past participle feminine singular of the Italian verb cantare, "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir.
Cantata and Johann Sebastian Bach · Cantata and Psalm 137 ·
Chorale prelude
In music, a chorale prelude is a short liturgical composition for organ using a chorale tune as its basis.
Chorale prelude and Johann Sebastian Bach · Chorale prelude and Psalm 137 ·
Franz Liszt
Franz Liszt (Liszt Ferencz, in modern usage Liszt Ferenc;Liszt's Hungarian passport spelt his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simply "c" in all words except surnames; this has led to Liszt's given name being rendered in modern Hungarian usage as "Ferenc". From 1859 to 1867 he was officially Franz Ritter von Liszt; he was created a Ritter (knight) by Emperor Francis Joseph I in 1859, but never used this title of nobility in public. The title was necessary to marry the Princess Carolyne zu Sayn-Wittgenstein without her losing her privileges, but after the marriage fell through, Liszt transferred the title to his uncle Eduard in 1867. Eduard's son was Franz von Liszt. 22 October 181131 July 1886) was a prolific 19th-century Hungarian composer, virtuoso pianist, conductor, music teacher, arranger, organist, philanthropist, author, nationalist and a Franciscan tertiary during the Romantic era.
Franz Liszt and Johann Sebastian Bach · Franz Liszt and Psalm 137 ·
Giovanni Pierluigi da Palestrina
Giovanni Pierluigi da Palestrina (1525 – 2 February 1594) was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition.
Giovanni Pierluigi da Palestrina and Johann Sebastian Bach · Giovanni Pierluigi da Palestrina and Psalm 137 ·
Great Eighteen Chorale Preludes
The Great Eighteen Chorale Preludes, BWV 651–668, are a set of chorale preludes for organ prepared by Johann Sebastian Bach in Leipzig in his final decade (1740–1750), from earlier works composed in Weimar, where he was court organist.
Great Eighteen Chorale Preludes and Johann Sebastian Bach · Great Eighteen Chorale Preludes and Psalm 137 ·
Motet
In western music, a motet is a mainly vocal musical composition, of highly diverse form and style, from the late medieval era to the present.
The list above answers the following questions
- What Johann Sebastian Bach and Psalm 137 have in common
- What are the similarities between Johann Sebastian Bach and Psalm 137
Johann Sebastian Bach and Psalm 137 Comparison
Johann Sebastian Bach has 474 relations, while Psalm 137 has 133. As they have in common 7, the Jaccard index is 1.15% = 7 / (474 + 133).
References
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