Similarities between Opéra comique and Opera
Opéra comique and Opera have 28 things in common (in Unionpedia): Adolphe Adam, Amanda Holden (writer), André Grétry, Aria, Étienne Méhul, Bel canto, Carmen, Christoph Willibald Gluck, Daniel Auber, Ferdinand Hérold, François-Adrien Boieldieu, François-André Danican Philidor, French Revolution, Georges Bizet, Gioachino Rossini, Giovanni Battista Pergolesi, Jean-Philippe Rameau, Luigi Cherubini, Musical theatre, Napoleon, Opera buffa, Paris Opera, Pierre-Alexandre Monsigny, Recitative, Romanticism, The New Grove Dictionary of Music and Musicians, Tragédie en musique, Tragedy.
Adolphe Adam
Adolphe Charles Adam (24 July 1803 – 3 May 1856) was a French composer and music critic.
Adolphe Adam and Opéra comique · Adolphe Adam and Opera ·
Amanda Holden (writer)
Amanda Juliet Holden (born 19 January 1948) is a British musician, librettist and translator.
Amanda Holden (writer) and Opéra comique · Amanda Holden (writer) and Opera ·
André Grétry
André Ernest Modeste Grétry (baptised 11 February 1741; died 24 September 1813) was a composer from the Prince-Bishopric of Liège (present-day Belgium), who worked from 1767 onwards in France and took French nationality.
André Grétry and Opéra comique · André Grétry and Opera ·
Aria
An aria (air; plural: arie, or arias in common usage, diminutive form arietta or ariette) in music was originally any expressive melody, usually, but not always, performed by a singer.
Aria and Opéra comique · Aria and Opera ·
Étienne Méhul
Étienne Nicolas Méhul (22 June 1763 – 18 October 1817) was a French composer, "the most important opera composer in France during the Revolution".
Étienne Méhul and Opéra comique · Étienne Méhul and Opera ·
Bel canto
Bel canto (Italian for "beautiful singing" or "beautiful song"), along with a number of similar constructions ("bellezze del canto"/"bell'arte del canto"), is a term relating to Italian singing.
Bel canto and Opéra comique · Bel canto and Opera ·
Carmen
Carmen is an opera in four acts by French composer Georges Bizet.
Carmen and Opéra comique · Carmen and Opera ·
Christoph Willibald Gluck
Christoph Willibald (Ritter von) Gluck (born on 2 July, baptized 4 July 1714As there is only a documentary record with Gluck's date of baptism, 4 July. According to his widow, he was born on 3 July, but nobody in the 18th century paid attention to the birthdate until Napoleon introduced it. A birth date was only known if the parents kept a diary. The authenticity of the 1785 document (published in the Allgemeinen Wiener Musik-Zeitung vom 6. April 1844) is disputed, by Robl. (Robl 2015, pp. 141–147).--> – 15 November 1787) was a composer of Italian and French opera in the early classical period.
Christoph Willibald Gluck and Opéra comique · Christoph Willibald Gluck and Opera ·
Daniel Auber
Daniel François Esprit Auber (29 January 178212/13 May 1871) was a French composer.
Daniel Auber and Opéra comique · Daniel Auber and Opera ·
Ferdinand Hérold
Louis Joseph Ferdinand Hérold (28 January 1791 – 19 January 1833), better known as Ferdinand Hérold, was a French operatic composer of Alsatian descent who also wrote many pieces for the piano, orchestra, and the ballet.
Ferdinand Hérold and Opéra comique · Ferdinand Hérold and Opera ·
François-Adrien Boieldieu
François-Adrien Boieldieu (16 December 1775 8 October 1834) was a French composer, mainly of operas, often called "the French Mozart".
François-Adrien Boieldieu and Opéra comique · François-Adrien Boieldieu and Opera ·
François-André Danican Philidor
François-André Danican Philidor (September 7, 1726 – August 31, 1795), often referred to as André Danican Philidor during his lifetime, was a French composer and chess player.
François-André Danican Philidor and Opéra comique · François-André Danican Philidor and Opera ·
French Revolution
The French Revolution (Révolution française) was a period of far-reaching social and political upheaval in France and its colonies that lasted from 1789 until 1799.
French Revolution and Opéra comique · French Revolution and Opera ·
Georges Bizet
Georges Bizet (25 October 18383 June 1875), registered at birth as Alexandre César Léopold Bizet, was a French composer of the romantic era.
Georges Bizet and Opéra comique · Georges Bizet and Opera ·
Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who wrote 39 operas as well as some sacred music, songs, chamber music, and piano pieces.
Gioachino Rossini and Opéra comique · Gioachino Rossini and Opera ·
Giovanni Battista Pergolesi
Giovanni Battista Draghi (4 January 1710 – 16 or 17 March 1736), often referred to as Giovanni Battista Pergolesi, was an Italian composer, violinist and organist.
Giovanni Battista Pergolesi and Opéra comique · Giovanni Battista Pergolesi and Opera ·
Jean-Philippe Rameau
Jean-Philippe Rameau (–) was one of the most important French composers and music theorists of the 18th century.
Jean-Philippe Rameau and Opéra comique · Jean-Philippe Rameau and Opera ·
Luigi Cherubini
Luigi Cherubini (8 or 14 SeptemberWillis, in Sadie (Ed.), p. 833 1760 – 15 March 1842) was a Classical and pre-Romantic composer from Italy who spent most of his working life in France.
Luigi Cherubini and Opéra comique · Luigi Cherubini and Opera ·
Musical theatre
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance.
Musical theatre and Opéra comique · Musical theatre and Opera ·
Napoleon
Napoléon Bonaparte (15 August 1769 – 5 May 1821) was a French statesman and military leader who rose to prominence during the French Revolution and led several successful campaigns during the French Revolutionary Wars.
Napoleon and Opéra comique · Napoleon and Opera ·
Opera buffa
Opera buffa ("comic opera", plural: opere buffe) is a genre of opera.
Opéra comique and Opera buffa · Opera and Opera buffa ·
Paris Opera
The Paris Opera (French) is the primary opera company of France.
Opéra comique and Paris Opera · Opera and Paris Opera ·
Pierre-Alexandre Monsigny
Pierre-Alexandre Monsigny (–) was a French composer and a member of the French Académie des Beaux-Arts (1813).
Opéra comique and Pierre-Alexandre Monsigny · Opera and Pierre-Alexandre Monsigny ·
Recitative
Recitative (also known by its Italian name "recitativo") is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms of ordinary speech.
Opéra comique and Recitative · Opera and Recitative ·
Romanticism
Romanticism (also known as the Romantic era) was an artistic, literary, musical and intellectual movement that originated in Europe toward the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850.
Opéra comique and Romanticism · Opera and Romanticism ·
The New Grove Dictionary of Music and Musicians
The New Grove Dictionary of Music and Musicians is an encyclopedic dictionary of music and musicians.
Opéra comique and The New Grove Dictionary of Music and Musicians · Opera and The New Grove Dictionary of Music and Musicians ·
Tragédie en musique
Tragédie en musique (musical tragedy), also known as tragédie lyrique (lyric tragedy), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century.
Opéra comique and Tragédie en musique · Opera and Tragédie en musique ·
Tragedy
Tragedy (from the τραγῳδία, tragōidia) is a form of drama based on human suffering that invokes an accompanying catharsis or pleasure in audiences.
The list above answers the following questions
- What Opéra comique and Opera have in common
- What are the similarities between Opéra comique and Opera
Opéra comique and Opera Comparison
Opéra comique has 80 relations, while Opera has 608. As they have in common 28, the Jaccard index is 4.07% = 28 / (80 + 608).
References
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