Faster access than browser!Similarities between Piano Sonata No. 16 (Mozart) and Sonata form
Piano Sonata No. 16 (Mozart) and Sonata form have 19 things in common (in Unionpedia): B-flat major, C major, Cadence (music), Charles Rosen, Classical period (music), Dominant (music), Exposition (music), F major, Franz Schubert, G major, Key (music), Modulation (music), Movement (music), Musical development, Recapitulation (music), Sonata form, Subdominant, Tonic (music), Wolfgang Amadeus Mozart.
B-flat major
In music theory, Bflat major is a major scale based on flat, with pitches B, C, D, flat, F, G, and A. Its key signature has two flats.
B-flat major and Piano Sonata No. 16 (Mozart) · B-flat major and Sonata form ·
C major
C major (or the key of C) is a major scale based on C, with the pitches C, D, E, F, G, A, and B. C major is one of the most common key signatures used in western music.
C major and Piano Sonata No. 16 (Mozart) · C major and Sonata form ·
Cadence (music)
In Western musical theory, a cadence (Latin cadentia, "a falling") is "a melodic or harmonic configuration that creates a sense of resolution."Don Michael Randel (1999).
Cadence (music) and Piano Sonata No. 16 (Mozart) · Cadence (music) and Sonata form ·
Charles Rosen
Charles Welles Rosen (May 5, 1927December 9, 2012) was an American pianist and writer on music.
Charles Rosen and Piano Sonata No. 16 (Mozart) · Charles Rosen and Sonata form ·
Classical period (music)
The Classical period was an era of classical music between roughly 1730 to 1820, associated with the style of Haydn, Mozart and Beethoven.
Classical period (music) and Piano Sonata No. 16 (Mozart) · Classical period (music) and Sonata form ·
Dominant (music)
In music, the dominant is the fifth scale degree of the diatonic scale, called "dominant" because it is next in importance to the tonic, and a dominant chord is any chord built upon that pitch, using the notes of the same diatonic scale.
Dominant (music) and Piano Sonata No. 16 (Mozart) · Dominant (music) and Sonata form ·
Exposition (music)
In musical form and analysis, exposition is the initial presentation of the thematic material of a musical composition, movement, or section.
Exposition (music) and Piano Sonata No. 16 (Mozart) · Exposition (music) and Sonata form ·
F major
F major (or the key of F) is a major scale based on F, with the pitches F, G, A, flat, C, D, and E. Its key signature has one flat: B. Its relative minor is D minor and its parallel minor is F minor.
F major and Piano Sonata No. 16 (Mozart) · F major and Sonata form ·
Franz Schubert
Franz Peter Schubert (31 January 179719 November 1828) was an Austrian composer of the late Classical and early Romantic eras.
Franz Schubert and Piano Sonata No. 16 (Mozart) · Franz Schubert and Sonata form ·
G major
G major (or the key of G) is a major scale based on G, with the pitches G, A, B, C, D, E, and sharp.
G major and Piano Sonata No. 16 (Mozart) · G major and Sonata form ·
Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a music composition in classical, Western art, and Western pop music.
Key (music) and Piano Sonata No. 16 (Mozart) · Key (music) and Sonata form ·
Modulation (music)
In music, modulation is most commonly the act or process of changing from one key (tonic, or tonal center) to another.
Modulation (music) and Piano Sonata No. 16 (Mozart) · Modulation (music) and Sonata form ·
Movement (music)
A movement is a self-contained part of a musical composition or musical form.
Movement (music) and Piano Sonata No. 16 (Mozart) · Movement (music) and Sonata form ·
Musical development
In classical music, musical development is a process by which a musical idea is communicated in the course of a composition.
Musical development and Piano Sonata No. 16 (Mozart) · Musical development and Sonata form ·
Recapitulation (music)
In music theory, the recapitulation is one of the sections of a movement written in sonata form.
Piano Sonata No. 16 (Mozart) and Recapitulation (music) · Recapitulation (music) and Sonata form ·
Sonata form
Sonata form (also sonata-allegro form or first movement form) is a musical structure consisting of three main sections: an exposition, a development, and a recapitulation.
Piano Sonata No. 16 (Mozart) and Sonata form · Sonata form and Sonata form ·
Subdominant
In music, the subdominant is the technical name for the fourth tonal degree of the diatonic scale.
Piano Sonata No. 16 (Mozart) and Subdominant · Sonata form and Subdominant ·
Tonic (music)
In music, the tonic is the first scale degree of a diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music and traditional music.
Piano Sonata No. 16 (Mozart) and Tonic (music) · Sonata form and Tonic (music) ·
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the classical era.
Piano Sonata No. 16 (Mozart) and Wolfgang Amadeus Mozart · Sonata form and Wolfgang Amadeus Mozart ·
The list above answers the following questions
- What Piano Sonata No. 16 (Mozart) and Sonata form have in common
- What are the similarities between Piano Sonata No. 16 (Mozart) and Sonata form
Piano Sonata No. 16 (Mozart) and Sonata form Comparison
Piano Sonata No. 16 (Mozart) has 35 relations, while Sonata form has 178. As they have in common 19, the Jaccard index is 8.92% = 19 / (35 + 178).
References
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