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Raja Harishchandra and Satyavadi Raja Harishchandra

Shortcuts: Differences, Similarities, Jaccard Similarity Coefficient, References.

Difference between Raja Harishchandra and Satyavadi Raja Harishchandra

Raja Harishchandra vs. Satyavadi Raja Harishchandra

Raja Harishchandra is a 1913 Indian silent film, directed and produced by Dadasaheb Phalke, and is often considered as the first full-length Indian feature film. Satyavadi Raja Harishchandra (सत्यवादी राजा हरिश्चंद्र; Truthful King Harishchandra) is a 1917 silent black and white Indian short film directed and produced by Dhundiraj Govind Phalke.

Similarities between Raja Harishchandra and Satyavadi Raja Harishchandra

Raja Harishchandra and Satyavadi Raja Harishchandra have 11 things in common (in Unionpedia): Anna Salunke, Cinema of India, D. D. Dabke, Dadasaheb Phalke, Harishchandra, Intertitle, Marathi language, National Film Archive of India, Silent film, Varanasi, Vishvamitra.

Anna Salunke

Anna Hari Salunke, also known as A. Salunke and Annasaheb Saluke, was an Indian actor who performed female roles in early Indian cinema and also a cinematographer.

Anna Salunke and Raja Harishchandra · Anna Salunke and Satyavadi Raja Harishchandra · See more »

Cinema of India

The Cinema of India consists of films produced in the nation of India.

Cinema of India and Raja Harishchandra · Cinema of India and Satyavadi Raja Harishchandra · See more »

D. D. Dabke

D.

D. D. Dabke and Raja Harishchandra · D. D. Dabke and Satyavadi Raja Harishchandra · See more »

Dadasaheb Phalke

Dhundiraj Govind Phalke, popularly known as Dadasaheb Phalke (दादासाहेब फाळके) (30 April 1870 – 16 February 1944), was an Indian producer-director-screenwriter, known as the Father of Indian cinema.

Dadasaheb Phalke and Raja Harishchandra · Dadasaheb Phalke and Satyavadi Raja Harishchandra · See more »

Harishchandra

Harishchandra is a legendary Indian king, who appears in several legends in texts such as Aitareya Brahmana, Mahabharata, the Markandeya Purana, and the Devi-Bhagavata Purana and was the son of Sathyavrata (Trishanku).

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Intertitle

In films, an intertitle (also known as a title card) is a piece of filmed, printed text edited into the midst of (i.e. inter-) the photographed action at various points.

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Marathi language

Marathi (मराठी Marāṭhī) is an Indo-Aryan language spoken predominantly by the Marathi people of Maharashtra, India.

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National Film Archive of India

The National Film Archive of India was established as a media unit of the Ministry of Information and Broadcasting in February 1964.

National Film Archive of India and Raja Harishchandra · National Film Archive of India and Satyavadi Raja Harishchandra · See more »

Silent film

A silent film is a film with no synchronized recorded sound (and in particular, no spoken dialogue).

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Varanasi

Varanasi, also known as Benares, Banaras (Banāras), or Kashi (Kāśī), is a city on the banks of the Ganges in the Uttar Pradesh state of North India, south-east of the state capital, Lucknow, and east of Allahabad.

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Vishvamitra

Brahmarshi Vishvamitra is one of the most venerated rishis or sages of ancient India.

Raja Harishchandra and Vishvamitra · Satyavadi Raja Harishchandra and Vishvamitra · See more »

The list above answers the following questions

Raja Harishchandra and Satyavadi Raja Harishchandra Comparison

Raja Harishchandra has 124 relations, while Satyavadi Raja Harishchandra has 19. As they have in common 11, the Jaccard index is 7.69% = 11 / (124 + 19).

References

This article shows the relationship between Raja Harishchandra and Satyavadi Raja Harishchandra. To access each article from which the information was extracted, please visit:

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