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63 relations: Accession Day tilt, Anthony Toto, Antonis Mor, Armada Portrait, Art of the United Kingdom, Bartolommeo Penni, Broughton Castle, Cornelis Ketel, Court painter, Cultural depictions of Elizabeth I of England, Elizabethan and Jacobean furniture, Elizabethan era, England, English art, English Renaissance, Erna Auerbach, George Garrard, George Gower, Gerlach Flicke, Ghent-Bruges school, Gianfrancesco Penni, Girolamo da Treviso, Hans Eworth, Hans Holbein the Younger, Henry VII Chapel, Hieronimo Custodis, John de Critz, Levina Teerlinc, List of British artists, Luca Penni, Lucas Cornelisz de Kock, Lucas de Heere, Lucas Horenbout, Marcus Gheeraerts the Elder, Marcus Gheeraerts the Younger, Master of the Revels, Michael Sittow, Nicholas Hilliard, Nonsuch Palace, Northern Mannerism, Northern Renaissance, Outline of painting history, Pietro Torrigiano, Portraiture of Elizabeth I of England, Principal Painter in Ordinary, Quentin Matsys, Quentin Metsys the Younger, Renaissance art, Robert Peake the Elder, Rowland Lockey, ..., Serjeant Painter, Simon Bening, Steven van der Meulen, The Ambassadors (Holbein), Valet de chambre, William Scrots, William Segar, 1510 in art, 1520 in art, 1561 in art, 1576 in art, 1590 in art, 1636 in art. Expand index (13 more) »
Accession Day tilt
The Accession Day tilts were a series of elaborate festivities held annually at the court of Elizabeth I of England to celebrate her Accession Day, 17 November, also known as Queen's Day.
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Anthony Toto
Anthony Toto or "Antony", real name Antonio di Nunziato d'Antonio (1498–1554), was an Italian painter and architect, a Florentine pupil of Ridolfo Ghirlandajo.
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Antonis Mor
Sir Anthonis Mor, also known as Anthonis Mor van Dashorst and Antonio Moro (c. 1517 – 1577) was a Netherlandish portrait painter, much in demand by the courts of Europe.
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Armada Portrait
The Armada Portrait of Elizabeth I of England is the name of any of three surviving versions of an allegorical panel painting depicting the Tudor queen surrounded by symbols of imperial majesty against a backdrop representing the defeat of the Spanish Armada in 1588.
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Art of the United Kingdom
The Art of the United Kingdom refers to all forms of visual art in or associated with the United Kingdom since the formation of the Kingdom of Great Britain in 1707 and encompass English art, Scottish art, Welsh art and Irish art, and forms part of Western art history.
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Bartolommeo Penni
Bartolommeo Penni was a Florentine High Renaissance painter active in the 16th century, the brother of the painters Luca Penni and Gianfrancesco Penni - the three brothers originally came from a family of weavers.
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Broughton Castle
Broughton Castle is a medieval fortified manor house in the village of Broughton which is about two miles south-west of Banbury, Oxfordshire, England on the B4035 road.
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Cornelis Ketel
Cornelis or Cornelius Ketel (18 March 1548 – 8 August 1616) was a Dutch Mannerist painter, active in Elizabethan London from 1573 to 1581, and in Amsterdam from 1581 to the early 17th century, now known essentially as a portrait-painter, though he was also a poet and orator, and from 1595 began to sculpt as well.
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Court painter
A court painter was an artist who painted for the members of a royal or noble family, sometimes on a fixed salary and on an exclusive basis where the artist was not supposed to undertake other work.
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Cultural depictions of Elizabeth I of England
Elizabeth I of England has inspired artistic and cultural works for over four centuries.
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Elizabethan and Jacobean furniture
Elizabethan furniture is the form which the Renaissance took in England in furniture and general ornament, and in furniture it is as distinctive a form as its French and Italian counterparts.
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Elizabethan era
The Elizabethan era is the epoch in the Tudor period of the history of England during the reign of Queen Elizabeth I (1558–1603).
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England
England is a country that is part of the United Kingdom.
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English art
English art is the body of visual arts made in England.
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English Renaissance
The English Renaissance was a cultural and artistic movement in England dating from the late 15th century to the early 17th century.
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Erna Auerbach
Erna Auerbach (Frankfurt am Main 1897–London 1975) was a German-born artist and art historian best known for her work on artists of the Tudor-era in England.
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George Garrard
George Garrard (31 May 1760 – 8 October 1826) was an English animal, landscape and portrait painter, modeller, sculptor, engraver and printmaker.
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George Gower
George Gower (c.1540–1596) was an English portrait painter who became Serjeant Painter to Queen Elizabeth I in 1581.
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Gerlach Flicke
Gerlach Flicke (fl. 1545 - 1558), Latin name Gerbarus Fleccius, anglicised in the 16th century as "Garlicke", was a German portrait painter who is known for his work in London as an artist of the Tudor court.
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Ghent-Bruges school
The Ghent-Bruges School is a manner or movement of manuscript illumination from about 1475 to about 1550 that developed in southern Netherlands, now Belgium.
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Gianfrancesco Penni
Gianfrancesco Penni (1488/1496–1528), also known as Giovan Francesco, was an Italian painter.
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Girolamo da Treviso
Girolamo da Treviso (1508 – September 10, 1544), also known as Girolamo di Tommaso da Treviso the Younger and Girolamo Trevigi, was an Italian Renaissance painter in Henry VIII's court in England.
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Hans Eworth
Hans Eworth (or Ewouts; c. 1520–1574) was a Flemish painter active in England in the mid-16th century.
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Hans Holbein the Younger
Hans Holbein the Younger (Hans Holbein der Jüngere) (– between 7 October and 29 November 1543) was a German artist and printmaker who worked in a Northern Renaissance style, known as one of the greatest portraitists of the 16th century.
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Henry VII Chapel
The Henry VII Lady Chapel, now more often known just as the Henry VII Chapel, is a large Lady chapel at the far eastern end of Westminster Abbey, paid for by the will of Henry VII.
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Hieronimo Custodis
Hieronimo Custodis (also spelled Hieronymus, Heironimos) (died c. 1593) was a Flemish portrait painter active in England in the reign of Elizabeth I.Strong 1969, p. 195 A native of Antwerp, Custodis was one of many Flemish artists of the Tudor court who had fled to England to avoid the persecution of Protestants in the Spanish Netherlands.
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John de Critz
John de Critz or John Decritz (1551/2 – 14 March 1642 (buried)) was one of a number of painters of Flemish and Dutch origin active at the English royal court during the reigns of James I of England and Charles I of England.
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Levina Teerlinc
Levina Teerlinc (1510s – 23 June 1576) was a Flemish Renaissance miniaturist who served as a painter to the English court of Henry VIII, Edward VI, Mary I and Elizabeth I. She was the most important miniaturist at the English court between Hans Holbein the Younger and Nicholas Hilliard.
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List of British artists
This is a partial list of artists active in Britain, arranged chronologically (artists born in the same year should be arranged alphabetically within that year).
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Luca Penni
Luca Penni (c.1500/1504–1556) was an Italian painter of the 16th century best known for his work in France as part of the First School of Fontainebleau.
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Lucas Cornelisz de Kock
Lucas Cornelisz de Kock or Kunst (1495–1552) was a Dutch Renaissance painter active in the Tudor court.
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Lucas de Heere
Lucas de Heere (1534 – 29 August 1584) was a Flemish portrait painter, poet and writer.
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Lucas Horenbout
Lucas Horenbout, often called Hornebolte in England (c.1490/1495–1544), was a Flemish artist who moved to England in the mid-1520s and worked there as "King's Painter" and court miniaturist to King Henry VIII from 1525 until his death.
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Marcus Gheeraerts the Elder
Marcus Gheeraerts the Elder (c. 1520 – c. 1590) was a Flemish printmaker and painter associated with the English court of the mid-16th century and mainly remembered as the illustrator of the 1567 edition of Aesop's Fables.
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Marcus Gheeraerts the Younger
Marcus Gheeraerts (also written as Gerards or Geerards) (Bruges, 1561/62 – 19 January 1636) was a Flemish artist working at the Tudor court, described as "the most important artist of quality to work in England in large-scale between Eworth and Van Dyck"Strong 1969, p. 22 He was brought to England as a child by his father Marcus Gheeraerts the Elder, also a painter.
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Master of the Revels
The Master of the Revels was the holder of a position within the English, and later the British, royal household, heading the "Revels Office" or "Office of the Revels".
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Michael Sittow
Michael Sittow (1469 – 1525), also known as Master Michiel, Michel Sittow, Michiel, Miguel and many other variants, was a painter from Reval (now Tallinn, Estonia) who was trained in the tradition of Early Netherlandish painting.
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Nicholas Hilliard
Nicholas Hilliard (c. 1547 – 7 January 1619) was an English goldsmith and limner best known for his portrait miniatures of members of the courts of Elizabeth I and James I of England.
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Nonsuch Palace
Nonsuch Palace was a Tudor royal palace, built by Henry VIII in Surrey, England; it stood from 1538 to 1682–83.
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Northern Mannerism
Northern Mannerism is the form of Mannerism found in the visual arts north of the Alps in the 16th and early 17th centuries.
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Northern Renaissance
The Northern Renaissance was the Renaissance that occurred in Europe north of the Alps.
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Outline of painting history
The following outline is provided as an overview of and topical guide to the history of painting: History of painting – painting is the production of paintings, that is, the practice of applying paint, pigment, color or other medium to a surface (support base, such as paper, canvas, or a wall); the medium is commonly applied to the base with a brush but other implements, such as knives, sponges, and airbrushes, can be used.
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Pietro Torrigiano
Pietro Torrigiano (24 November 1472 – August 1528) was an Italian sculptor of the Florentine school.
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Portraiture of Elizabeth I of England
The portraiture of Elizabeth I of England illustrates the evolution of English royal portraits in the Early Modern period from the representations of simple likenesses to the later complex imagery used to convey the power and aspirations of the state, as well as of the monarch at its head.
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Principal Painter in Ordinary
The title of Principal Painter in Ordinary to the King or Queen of England or, later, Great Britain, was awarded to a number of artists, nearly all mainly portraitists.
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Quentin Matsys
Quentin Massys (Quinten Matsijs) (1466–1530) was a Belgian painter in the Flemish tradition and a founder of the Antwerp school.
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Quentin Metsys the Younger
Quentin Metsys the Younger (Quinten or Massys; c. 1543 – 1589) was a Flemish Renaissance painter, one of several of his countrymen active as artists of the Tudor court in the reign of Elizabeth I of England.
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Renaissance art
Contributions to painting and architecture have been especially rich.
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Robert Peake the Elder
Robert Peake the Elder (c. 1551–1619) was an English painter active in the later part of Elizabeth I's reign and for most of the reign of James I. In 1604, he was appointed picture maker to the heir to the throne, Prince Henry; and in 1607, serjeant-painter to King James I – a post he shared with John De Critz.
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Rowland Lockey
Rowland Lockey (c. 1565–1616) was an English painter and goldsmith.
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Serjeant Painter
The Serjeant Painter was an honorable and lucrative position with the British monarchy.
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Simon Bening
Simon Bening (c. 1483 – 1561) was a Flemish miniaturist, generally regarded as the last major artist of the Netherlandish tradition.
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Steven van der Meulen
Steven van der Meulen (born in Antwerp; died in London, c. 1563–64) was a Flemish artist active c. 1543-1564.
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The Ambassadors (Holbein)
The Ambassadors (1533) is a painting by Hans Holbein the Younger.
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Valet de chambre
Valet de chambre, or varlet de chambre, was a court appointment introduced in the late Middle Ages, common from the 14th century onwards.
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William Scrots
William (or Guillim) Scrots (or Scrotes or Stretes) (active 1537–1553) was a painter of the Tudor court and an exponent of the Mannerist style of painting in the Netherlands.
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William Segar
Sir William Segar (c. 1554–1633) was a portrait painter and officer of arms to the court of Elizabeth I of England; he became Garter King of Arms under James I. Like other artists of the Tudor court, Segar was active in more than one medium, painting portraits of luminaries of the court in addition to his duties in the College of Arms.
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1510 in art
The year 1510 in art involved some significant events and new works.
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1520 in art
The year 1520 in art involved some significant events and new works.
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1561 in art
The year 1561 in art involved some significant events and new works.
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1576 in art
The year 1576 in art involved some significant events and new works.
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1590 in art
The year 1590 in art involved some significant events and new works.
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1636 in art
Events from the year 1636 in art.
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References
[1] https://en.wikipedia.org/wiki/Artists_of_the_Tudor_court
