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117 relations: Aerial perspective, American shot, Angle of view, B-roll, Background light, Backlighting (lighting design), Bird's-eye view, Boom shot, Bullet time, Cameo lighting, Camera angle, Camera coverage, Camera dolly, Camera operator, Chroma key, Cinematic techniques, Close-up, Compositing, Computer-generated imagery, Computing, Continuity editing, Crane shot, Cross-cutting, Cutaway (filmmaking), Deep focus, Diegesis, Digital compositing, Dissolve (filmmaking), Dolly zoom, Dutch angle, Ellipsis (linguistics), Establishing shot, Eyeline match, Fast cutting, Fill light, Film, Film editing, Film frame, Film industry, Film score, Filmmaking, Flanging, Flashback (narrative), Flashforward, Follow shot, Footage, Forced perspective, Freeze-frame shot, Full frame, Garrett Brown, ..., Gimbal, Glossary of motion picture terms, Hanging miniature, Hard and soft light, Head shot, High-angle shot, High-key lighting, Insert (filmmaking), Interactive movie, Interactivity, Intertitle, Jump cut, Key light, L cut, Lens flare, List of one shot music videos, Long shot, Long take, Low-angle shot, Low-key lighting, Master shot, Match cut, Match moving, Medium shot, Mise-en-scène, Money shot, Montage (filmmaking), Mood lighting, Multiple-camera setup, Outline of film, Over the shoulder shot, Panning (camera), Point-of-view shot, Racking focus, Reaction shot, Rembrandt lighting, Reverberation, Screen direction, Shot (filmmaking), Shot reverse shot, Single-camera setup, Slow cutting, Smash cut, SMPTE timecode, Split screen (video production), Stage lighting, Stalker vision, Steadicam, Stereoscopy, Stop motion, Substitution splice, Tilt (camera), Tracking shot, Trunk shot, Two shot, Video game graphics, Video production, Vignetting, Walk and talk, West Side Story (film), Whip pan, Wipe (transition), Worm's-eye view, Zoom lens, Zooming (filmmaking), 3D computer graphics, 3D film. Expand index (67 more) »
Aerial perspective
Aerial perspective or atmospheric perspective refers to the effect the atmosphere has on the appearance of an object as it is viewed from a distance.
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American shot
"American shot" is a translation of a phrase from French film criticism, "plan américain" and refers to a medium-long ("knee") film shot of a group of characters, who are arranged so that all are visible to the camera.
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Angle of view
In photography, angle of view (AOV) describes the angular extent of a given scene that is imaged by a camera.
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B-roll
In film and television production, B-roll, B roll, B-reel or B reel is supplemental or alternative footage intercut with the main shot.
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Background light
A background light is used to illuminate the background area of a set.
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Backlighting (lighting design)
In lighting design, backlighting is the process of illuminating the subject from the back.
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Bird's-eye view
A bird's-eye view is an elevated view of an object from above, with a perspective as though the observer were a bird, often used in the making of blueprints, floor plans, and maps.
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Boom shot
"A Boom shot, Jib shot, or Crane shot refer to high-angle shots, sometimes with the camera moving.".
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Bullet time
Bullet time (also known as frozen moment, the big freeze, dead time, flow motion or time slice) is a visual effect or visual impression of detaching the time and space of a camera (or viewer) from that of its visible subject.
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Cameo lighting
Cameo lighting in film is a spotlight that accentuates a single person and maybe a few props in a scene.
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Camera angle
The camera angle marks the specific location at which the movie camera or video camera is placed to take a shot.
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Camera coverage
Camera coverage, in filmmaking and video production, is the amount of footage shot and different camera angles used to capture a scene.
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Camera dolly
A camera dolly is a wheeled cart or similar device used in filmmaking and television production to create smooth horizontal camera movements.
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Camera operator
A camera operator, sometimes informally called a cameraman, is a professional operator of a film or video camera.
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Chroma key
Chroma key compositing, or chroma keying, is a visual effects/post-production technique for compositing (layering) two images or video streams together based on color hues (chroma range).
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Cinematic techniques
This article contains a list of cinematic techniques that are divided into categories and briefly described.
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Close-up
A close up or closeup in filmmaking, television production, still photography and the comic strip medium is a type of shot, which tightly frames a person or an object.
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Compositing
Compositing is the combining of visual elements from separate sources into single images, often to create the illusion that all those elements are parts of the same scene.
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Computer-generated imagery
Computer-generated imagery (CGI) is the application of computer graphics to create or contribute to images in art, printed media, video games, films, television programs, shorts, commercials, videos, and simulators.
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Computing
Computing is any goal-oriented activity requiring, benefiting from, or creating computers.
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Continuity editing
Continuity editing is the process, in film and video creation, of combining more-or-less related shots, or different components cut from a single shot, into a sequence so as to direct the viewer's attention to a pre-existing consistency of story across both time and physical location.
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Crane shot
In filmmaking and video production, a crane shot is a shot taken by a camera on a moving crane or jib.
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Cross-cutting
Cross-cutting is an editing technique most often used in films to establish action occurring at the same time, and usually in the same place.
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Cutaway (filmmaking)
In film and video, a cutaway shot is the interruption of a continuously filmed action by inserting a view of something else.
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Deep focus
Deep focus is a photographic and cinematographic technique using a large depth of field.
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Diegesis
Diegesis (from the Greek διήγησις from διηγεῖσθαι, "to narrate") is a style of fiction storytelling that presents an interior view of a world in which.
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Digital compositing
Digital compositing is the process of digitally assembling multiple images to make a final image, typically for print, motion pictures or screen display.
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Dissolve (filmmaking)
In the post-production process of film editing and video editing, a dissolve is a gradual transition from one image to another.
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Dolly zoom
The dolly zoom is an in-camera effect that appears to undermine normal visual perception.
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Dutch angle
The Dutch angle, also known as Dutch tilt, canted angle, or oblique angle, is a type of camera shot where the camera is set at an angle on its roll axis so that the shot is composed with vertical lines at an angle to the side of the frame, or so that the horizon line of the shot is not parallel with the bottom of the camera frame.
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Ellipsis (linguistics)
In linguistics, ellipsis (from the ἔλλειψις, élleipsis, "omission") or an elliptical construction is the omission from a clause of one or more words that are nevertheless understood in the context of the remaining elements.
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Establishing shot
An establishing shot in filmmaking and television production sets up, or establishes the context for a scene by showing the relationship between its important figures and objects.
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Eyeline match
An eyeline match is a film editing technique associated with the continuity editing system.
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Fast cutting
Fast cutting is a film editing technique which refers to several consecutive shots of a brief duration (e.g. 3 seconds or less).
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Fill light
In television, film, stage, or photographic lighting, a fill light (often simply fill) may be used to reduce the contrast of a scene to match the dynamic range of the recording media and record the same amount of detail typically seen by eye in average lighting and considered normal.
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Film
A film, also called a movie, motion picture, moving pícture, theatrical film, or photoplay, is a series of still images that, when shown on a screen, create the illusion of moving images.
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Film editing
Film editing is a technical part of the post-production process of filmmaking.
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Film frame
In filmmaking, video production, animation, and related fields, a frame is one of the many still images which compose the complete moving picture.
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Film industry
The film industry or motion picture industry comprises the technological and commercial institutions of filmmaking, i.e., film production companies, film studios, cinematography, animation, film production, screenwriting, pre-production, post production, film festivals, distribution; and actors, film directors, and other film crew personnel.
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Film score
A film score (also sometimes called background score, background music, film soundtrack, film music, or incidental music) is original music written specifically to accompany a film.
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Filmmaking
Filmmaking (or, in an academic context, film production) is the process of making a film, generally in the sense of films intended for extensive theatrical exhibition.
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Flanging
Flanging is an audio effect produced by mixing two identical signals together, one signal delayed by a small and gradually changing period, usually smaller than 20 milliseconds.
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Flashback (narrative)
A flashback (sometimes called an analepsis) is an interjected scene that takes the narrative back in time from the current point in the story.
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Flashforward
A flashforward (also spelled flash-forward; also called a prolepsis) is a scene that temporarily takes the narrative forward in time from the current point of the story in literature, film, television and other media.
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Follow shot
Follow shot is a specific camera angle in which the subject being filmed is seemingly pursued by the camera, for example by a Steadicam.
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Footage
In filmmaking and video production, footage is raw, unedited material as originally filmed by a movie camera or recorded by a video camera, which typically must be edited to create a motion picture, video clip, television show or similar completed work.
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Forced perspective
Forced perspective is a technique which employs optical illusion to make an object appear farther away, closer, larger or smaller than it actually is.
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Freeze-frame shot
In film and video, a freeze frame is when a single frame of content shows repeatedly on the screen—"freezing" the action.
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Full frame
In cinematography, full frame refers to the use of the full film gate at maximum width and height for 35 mm film cameras.
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Garrett Brown
Garrett Brown (born April 6, 1942) is an American inventor, best known as the inventor of the Steadicam.
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Gimbal
A gimbal is a pivoted support that allows the rotation of an object about a single axis.
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Glossary of motion picture terms
Most of the terms listed in Wikipedia glossaries are already defined and explained within Wikipedia itself.
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Hanging miniature
Hanging miniature is an in-camera special effect similar to a matte shot where a model, rather than a painting, is placed in foreground and the action takes place in the background.
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Hard and soft light
Hard and soft light are different types of lighting that are commonly used in photography and filmmaking.
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Head shot
A head shot or headshot is a specific type of portrait where the focus is on person's face.
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High-angle shot
A high-angle shot is a cinematic technique where the camera looks down on the subject from a high angle and the point of focus often gets "swallowed up." High-angle shots can make the subject seem vulnerable or powerless when applied with the correct mood, setting, and effects.
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High-key lighting
High-key lighting is a style of lighting for film, television, or photography that aims to reduce the lighting ratio present in the scene.
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Insert (filmmaking)
In film, an insert is a shot of part of a scene as filmed from a different angle and/or focal length from the master shot.
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Interactive movie
An interactive movie, also known as a movie game, is a video game that presents the gameplay in a cinematic, scripted manner, often through the use of full-motion video of either animated or live-action footage.
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Interactivity
Across the many fields concerned with interactivity, including information science, computer science, human-computer interaction, communication, and industrial design, there is little agreement over the meaning of the term "interactivity", although all are related to interaction with computers and other machines with a user interface.
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Intertitle
In films, an intertitle (also known as a title card) is a piece of filmed, printed text edited into the midst of (i.e. inter-) the photographed action at various points.
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Jump cut
A jump cut is a cut in film editing in which two sequential shots of the same subject are taken from camera positions that vary only slightly if at all.
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Key light
The key light is the first and usually most important light that a photographer, cinematographer, lighting cameraman, or other scene composer will use in a lighting setup.
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L cut
An L cut is a variant of a split edit film editing technique in which the audio from preceding scene overlaps the picture from the following scene, so that the audio cuts after the picture, and continues playing over the beginning of the next scene.
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Lens flare
Lens flare refers to a phenomenon wherein light is scattered or flared in a lens system, often in response to a bright light, producing a sometimes undesirable artifact within the image.
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List of one shot music videos
One-shot refers to any music video which consists of a single long take.
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Long shot
In photography, filmmaking and video production, a long shot (sometimes referred to as a full shot or, and to remove ambiguity, wide shot) typically shows the entire object or human figure and is usually intended to place it in some relation to its surroundings.
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Long take
In filmmaking, a long take is a shot lasting much longer than the conventional editing pace either of the film itself or of films in general.
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Low-angle shot
In cinematography, a low-angle shot, is a shot from a camera angle positioned low on the vertical axis, anywhere below the eye line, looking up.
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Low-key lighting
Low-key lighting is a style of lighting for photography, film or television.
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Master shot
A master shot is a film recording of an entire dramatized scene, from start to finish, from an angle that keeps all the players in view.
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Match cut
In film, a match cut is a cut from one shot to another where the two shots are matched by the action or subject and subject matter.
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Match moving
In cinematography, match moving is a cinematic technique that allows the insertion of computer graphics into live-action footage with correct position, scale, orientation, and motion relative to the photographed objects in the shot.
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Medium shot
In film, a medium shot, mid shot (MS), or waist shot is a camera angle shot from a medium distance.
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Mise-en-scène
Mise-en-scène ("placing on stage") is an expression used to describe the design aspect of a theatre or film production, which essentially means "visual theme" or "telling a story"—both in visually artful ways through storyboarding, cinematography and stage design, and in poetically artful ways through direction.
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Money shot
A money shot is a moving or stationary visual element of a film, video, television broadcast, or print publication that is disproportionately expensive to produce or is perceived as essential to the overall importance or revenue-generating potential of the work.
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Montage (filmmaking)
Montage is a technique in film editing in which a series of short shots are edited into a sequence to condense space, time, and information.
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Mood lighting
Mood lighting is igniting or illumination, designed to create a temporary state of mind or feeling.
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Multiple-camera setup
The multiple-camera setup, multiple-camera mode of production, multi-camera or simply multicam is a method of filmmaking and video production.
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Outline of film
The following outline is provided as an overview of and topical guide to film: Film – refers to motion pictures as individual projects and to the field in general.
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Over the shoulder shot
In film or video, an over the shoulder shot (also over shoulder, ab tu, OTS, or third-person shot) is a shot of someone or something taken from the perspective or camera angle from the shoulder of another person.
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Panning (camera)
In cinematography and photography panning means swivelling a still or video camera horizontally from a fixed position.
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Point-of-view shot
A point of view shot (also known as POV shot, first-person shot or a subjective camera) is a short film scene that shows what a character (the subject) is looking at (represented through the camera).
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Racking focus
A rack focus in filmmaking and television production is the practice of changing the focus of the lens during a shot.
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Reaction shot
In motion picture film production, cinematography and video production, a reaction shot is a shot which cuts away from the main scene in order to show the reaction of a character to it, a basic unit of film grammar.
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Rembrandt lighting
Rembrandt lighting is a lighting technique that is used in studio portrait photography.
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Reverberation
Reverberation, in psychoacoustics and acoustics, is a persistence of sound after the sound is produced.
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Screen direction
In film editing, video editing and post production, screen direction is the direction that actors or objects appear to be moving on the screen from the point of view of the camera or audience.
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Shot (filmmaking)
In filmmaking and video production, a shot is a series of frames, that runs for an uninterrupted period of time.
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Shot reverse shot
Shot reverse shot (or shot/countershot) is a film technique where one character is shown looking at another character (often off-screen), and then the other character is shown looking back at the first character.
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Single-camera setup
The single-camera setup, or single-camera mode of production, also known as Portable Single Camera, is a method of filmmaking and video production.
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Slow cutting
Slow cutting is a film editing technique which uses shots of long duration.
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Smash cut
A smash cut is a technique in film and other moving picture media where one scene abruptly cuts to another for aesthetic, narrative, or emotional purpose.
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SMPTE timecode
SMPTE timecode is a set of cooperating standards to label individual frames of video or film with a timecode.
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Split screen (video production)
In film and video production, split screen is the visible division of the screen, traditionally in half, but also in several simultaneous images, rupturing the illusion that the screen's frame is a seamless view of reality, similar to that of the human eye.
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Stage lighting
Stage lighting is the craft of lighting as it applies to the production of theatre, dance, opera and other performance arts.
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Stalker vision
Stalker vision or monster vision is a cinema technique used to convey a sense of being watched.
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Steadicam
Steadicam is a brand of camera stabilizer mounts for motion picture cameras invented by Garrett Brown and introduced in 1975 by Cinema Products Corporation.
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Stereoscopy
Stereoscopy (also called stereoscopics, or stereo imaging) is a technique for creating or enhancing the illusion of depth in an image by means of stereopsis for binocular vision.
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Stop motion
Stop motion is an animated-film making technique in which objects are physically manipulated in small increments between individually photographed frames so that they appear to exhibit independent motion when the series of frames is played back as a fast sequence.
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Substitution splice
The substitution splice or stop trick is a cinematic special effect in which filmmakers achieve an appearance, disappearance, or transformation by altering one or more selected aspects of the mise-en-scène between two shots while maintaining the same framing and other aspects of the scene in both shots.
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Tilt (camera)
Tilting is a cinematographic technique in which the camera stays in a fixed position but rotates up/down in a vertical plane.
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Tracking shot
A tracking shot is any shot where the camera moves alongside the object(s) it is recording.
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Trunk shot
The trunk shot is a cinematic camera angle which captures film from inside the trunk of a car.
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Two shot
A two shot is a type of shot in which the frame encompasses a view of two people (the subjects).
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Video game graphics
A variety of computer graphic techniques have been used to display video game content throughout the history of video games.
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Video production
Video production is the process of producing video content.
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Vignetting
In photography and optics, vignetting (vignette) is a reduction of an image's brightness or saturation toward the periphery compared to the image center.
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Walk and talk
Walk and talk is a storytelling-technique used in filmmaking and television production in which a number of characters have a conversation while walking somewhere.
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West Side Story (film)
West Side Story is a 1961 American romantic musical tragedy film directed by Robert Wise and Jerome Robbins.
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Whip pan
A whip pan is a type of pan shot in which the camera pans so quickly that the picture blurs into indistinct streaks.
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Wipe (transition)
Examples of various wipe transitions A wipe is a type of film transition where one shot replaces another by travelling from one side of the frame to another or with a special shape.
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Worm's-eye view
A worm's-eye view is a view of an object from below, as though the observer were a worm; the opposite of a bird's-eye view.
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Zoom lens
A zoom lens is a mechanical assembly of lens elements for which the focal length (and thus angle of view) can be varied, as opposed to a fixed focal length (FFL) lens (see prime lens).
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Zooming (filmmaking)
Zooming in filmmaking and television production refers to the technique of changing the focal length of a zoom lens (and hence the angle of view) during a shot – this technique is also called a zoom.
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3D computer graphics
3D computer graphics or three-dimensional computer graphics, (in contrast to 2D computer graphics) are graphics that use a three-dimensional representation of geometric data (often Cartesian) that is stored in the computer for the purposes of performing calculations and rendering 2D images.
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3D film
A three-dimensional stereoscopic film (also known as three-dimensional sangu, 3D film or S3D film) is a motion picture that enhances the illusion of depth perception, hence adding a third dimension.
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Aerial shot, Cinematic technique, Diegetic sound, Film Techniques, Film technique, Film techniques, List of film techniques, Non-diegetic sound.
References
[1] https://en.wikipedia.org/wiki/Cinematic_techniques
