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34 relations: Approach chord, Bassline, Bebop, Big band, Chord (music), Chord progression, Chord substitution, Comping, Consonance and dissonance, Diatonic and chromatic, Diminished seventh chord, Dominant (music), Dominant seventh chord, Hammond organ, Harmonization, Jazz guitar, Jazz piano, Lead sheet, Major seventh chord, Major third, Minor chord, Minor seventh chord, Minor third, Music, Musical note, Nonchord tone, Organ trio, Quartet, Rhythm section, Scale (music), Secondary chord, Tritone, Turnaround (music), V–IV–I turnaround.
Approach chord
In music, an approach chord (also chromatic approach chord and dominant approach chord) is a chord one half-step higher or lower than the goal, especially in the context of turnarounds and cycle-of-fourths progressions, for example the two bar 50s progression: may be filled in with approach chords: F9 being the half-step to Em, Am being the half-step to Am, D7 being the half-step to D7, and G7 being the half-step to G. G being I, Em being vi, Am being ii, and D7 being V7 (see ii-V-I turnaround and circle progression).
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Bassline
A bassline (also known as a bass line or bass part) is the term used in many styles of music, such as jazz, blues, funk, dub and electronic, traditional music, or classical music for the low-pitched instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric organ, or synthesizer).
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Bebop
Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States, which features songs characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody.
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Big band
A big band is a type of musical ensemble that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section.
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Chord (music)
A chord, in music, is any harmonic set of pitches consisting of two or more (usually three or more) notes (also called "pitches") that are heard as if sounding simultaneously.
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Chord progression
A chord progression or harmonic progression is a succession of musical chords, which are two or more notes, typically sounded simultaneously.
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Chord substitution
In music theory, chord substitution is the technique of using a chord in place of another in a sequence of chords, or a chord progression.
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Comping
Comping (an abbreviation of accompanying; or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a jazz musician's improvised solo or melody lines.
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Consonance and dissonance
In music, consonance and dissonance are categorizations of simultaneous or successive sounds.
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Diatonic and chromatic
Diatonic (διατονική) and chromatic (χρωματική) are terms in music theory that are most often used to characterize scales, and are also applied to musical instruments, intervals, chords, notes, musical styles, and kinds of harmony.
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Diminished seventh chord
The diminished seventh chord is commonly used in the harmony of both Western classical music and also in jazz and popular music of the twentieth and twenty-first centuries.
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Dominant (music)
In music, the dominant is the fifth scale degree of the diatonic scale, called "dominant" because it is next in importance to the tonic, and a dominant chord is any chord built upon that pitch, using the notes of the same diatonic scale.
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Dominant seventh chord
In music theory, a dominant seventh chord, or major minor seventh chord, is a chord composed of a root, major third, perfect fifth, and minor seventh.
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Hammond organ
The Hammond organ is an electric organ, invented by Laurens Hammond and John M. Hanert and first manufactured in 1935.
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Harmonization
In music, harmonization is the chordal accompaniment to a line or melody: "Using chords and melodies together, making harmony by stacking scale tones as triads".
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Jazz guitar
The term jazz guitar may refer to either a type of guitar or to the variety of guitar playing styles used in the various genres which are commonly termed "jazz".
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Jazz piano
Jazz piano is a collective term for the techniques pianists use when playing jazz.
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Lead sheet
A lead sheet is a form of musical notation that specifies the essential elements of a popular song: the melody, lyrics and harmony.
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Major seventh chord
In music, a major seventh chord is a seventh chord where the "third" note is a major third above the root, and the "seventh" note is a major seventh above the root (a fifth above the third note).
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Major third
In classical music from Western culture, a third is a musical interval encompassing three staff positions (see Interval number for more details), and the major third is a third spanning four semitones.
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Minor chord
In music theory, a minor chord is a chord having a root, a minor third, and a perfect fifth.
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Minor seventh chord
In music, a minor seventh chord is any nondominant seventh chord where the "third" note is a minor third above the root.
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Minor third
In the music theory of Western culture, a minor third is a musical interval that encompasses three half steps, or semitones.
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Music
Music is an art form and cultural activity whose medium is sound organized in time.
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Musical note
In music, a note is the pitch and duration of a sound, and also its representation in musical notation (♪, ♩).
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Nonchord tone
A nonchord tone (NCT), nonharmonic tone, or embellishing tone is a note (i.e., a pitch) in a piece of music or song that is not part of the implied or expressed chord set out by the harmonic framework.
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Organ trio
An organ trio, in a jazz context, is a group of three jazz musicians, typically consisting of a Hammond organ player, a drummer, and either a jazz guitarist or a saxophone player.
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Quartet
In music, a quartet or quartette is an ensemble of four singers or instrumental performers; or a musical composition for four voices or instruments.
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Rhythm section
A rhythm section (also called a backup band) is a group of musicians within a music ensemble or band who provide the underlying rhythm, harmony and pulse of the accompaniment, providing a rhythmic and harmonic reference and "beat" for the rest of the band.
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Scale (music)
In music theory, a scale is any set of musical notes ordered by fundamental frequency or pitch.
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Secondary chord
A secondary chord is an analytical label for a specific harmonic device that is prevalent in the tonal idiom of Western music beginning in the common practice period, the use of diatonic functions for tonicization. In the tonal idiom, a song or piece of music has a tonic note and chord, which is based on the root of the key that the piece is in. The most important chords in a tonal song or piece are the tonic chord (labeled as I in harmonic analysis) and the dominant chord (V). A piece or song is said to be in the key of the tonic. In the key of C major, the tonic chord is C major and the dominant chord is G. Chords are named after the function they serve and their position (for example, the "dominant" is considered the most important after the tonic and the "subdominant" is the same distance from the tonic as the dominant but below rather than above) and numbered by the scale step of the chord's base note (the root of the vi chord is the sixth scale step). Secondary chords are altered or borrowed chords, chords which are not in the key. Secondary chords are referred to as the function they are serving of the key or chord to which they function and written "function/key". Thus, the dominant of the dominant is written "V/V" and read as, "five of five," or, "dominant of the dominant". Any scale degree with a major or minor chord on it may have any secondary function applied to it; secondary functions may be applied to diminished triads in some special circumstances. Secondary chords were not used until the Baroque period and are found more frequently and freely in the Classical period, even more so in the Romantic period, and, although they began to be used less frequently with the breakdown of conventional harmony in modern classical music, secondary dominants are a "cornerstone," of popular music and jazz of the 20th century.Benward & Saker (2003), p.273-7.
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Tritone
In music theory, the tritone is defined as a musical interval composed of three adjacent whole tones.
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Turnaround (music)
In jazz, a turnaround is a passage at the end of a section which leads to the next section.
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V–IV–I turnaround
In music, the V–IV–I turnaround, or blues turnaround, is one of several cadential patterns traditionally found in the twelve-bar blues, and commonly found in rock and roll.
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References
[1] https://en.wikipedia.org/wiki/Passing_chord
