Faster access than browser!Similarities between Anita Loos and The Women (1939 film)
Anita Loos and The Women (1939 film) have 11 things in common (in Unionpedia): Anita Loos, Clare Boothe Luce, F. Scott Fitzgerald, George Cukor, Hunt Stromberg, Jane Murfin, Joan Crawford, Metro-Goldwyn-Mayer, Motion Picture Production Code, Paulette Goddard, The Women (play).
Anita Loos
Anita Loos (April 26, 1889 – August 18, 1981) was an American screenwriter, playwright and author, best known for her blockbuster comic novel, Gentlemen Prefer Blondes.
Anita Loos and Anita Loos · Anita Loos and The Women (1939 film) ·
Clare Boothe Luce
Clare Boothe Luce (March 10, 1903 – October 9, 1987) was an American author, politician, U.S. Ambassador and public conservative figure.
Anita Loos and Clare Boothe Luce · Clare Boothe Luce and The Women (1939 film) ·
F. Scott Fitzgerald
Francis Scott Key Fitzgerald (September 24, 1896 – December 21, 1940) was an American fiction writer, whose works illustrate the Jazz Age.
Anita Loos and F. Scott Fitzgerald · F. Scott Fitzgerald and The Women (1939 film) ·
George Cukor
George Dewey Cukor (July 7, 1899 – January 24, 1983) was an American film director.
Anita Loos and George Cukor · George Cukor and The Women (1939 film) ·
Hunt Stromberg
Hunt Stromberg (July 12, 1894 – August 23, 1968) was a film producer during Hollywood's Golden Age.
Anita Loos and Hunt Stromberg · Hunt Stromberg and The Women (1939 film) ·
Jane Murfin
Jane Murfin (October 27, 1884 – August 10, 1955) was an American playwright and screenwriter.
Anita Loos and Jane Murfin · Jane Murfin and The Women (1939 film) ·
Joan Crawford
Joan Crawford (born Lucille Fay LeSueur; March 23, c. 1904 – May 10, 1977) was an American film and television actress who began her career as a dancer and stage showgirl. In 1999, the American Film Institute ranked Crawford tenth on its list of the greatest female stars of Classic Hollywood Cinema. Beginning her career as a dancer in traveling theatrical companies, before debuting as a chorus girl on Broadway, Crawford signed a motion picture contract with Metro-Goldwyn-Mayer in 1925. In the 1930s, Crawford's fame rivaled, and later outlasted, MGM colleagues Norma Shearer and Greta Garbo. Crawford often played hard-working young women who find romance and success. These stories were well received by Depression-era audiences, and were popular with women. Crawford became one of Hollywood's most prominent movie stars, and one of the highest-paid women in the United States, but her films began losing money, and, by the end of the 1930s, she was labelled "box office poison". But her career gradually improved in the early 1940s, and she made a major comeback in 1945 by starring in Mildred Pierce, for which she won the Academy Award for Best Actress. She would go on to receive Best Actress nominations for Possessed (1947) and Sudden Fear (1952). She continued to act in film and television throughout the 1950s and 1960s; she achieved box office success with the highly successful horror film Whatever Happened To Baby Jane? (1962), in which she starred alongside Bette Davis, her long-time rival. In 1955, Crawford became involved with the Pepsi-Cola Company through her marriage to company Chairman Alfred Steele. After his death in 1959, Crawford was elected to fill his vacancy on the board of directors, serving until she was forcibly retired in 1973. After the release of the British horror film Trog in 1970, Crawford retired from the screen. Following a public appearance in 1974, after which unflattering photographs were published, Crawford withdrew from public life and became increasingly reclusive until her death in 1977. Crawford married four times. Her first three marriages ended in divorce; the last ended with the death of husband Alfred Steele. She adopted five children, one of whom was reclaimed by his birth mother. Crawford's relationships with her two elder children, Christina and Christopher, were acrimonious. Crawford disinherited the two, and, after Crawford's death, Christina wrote a well-known "tell-all" memoir titled Mommie Dearest (1978).
Anita Loos and Joan Crawford · Joan Crawford and The Women (1939 film) ·
Metro-Goldwyn-Mayer
Metro-Goldwyn-Mayer Studios Inc. (initialized as MGM or hyphenated as M-G-M, also known as Metro-Goldwyn-Mayer Pictures, Metro-Goldwyn-Mayer or simply Metro, and for a former interval known as Metro-Goldwyn-Mayer/United Artists, or MGM/UA) is an American media company, involved primarily in the production and distribution of feature films and television programs.
Anita Loos and Metro-Goldwyn-Mayer · Metro-Goldwyn-Mayer and The Women (1939 film) ·
Motion Picture Production Code
The Motion Picture Production Code was the set of industry moral guidelines that was applied to most United States motion pictures released by major studios from 1930 to 1968.
Anita Loos and Motion Picture Production Code · Motion Picture Production Code and The Women (1939 film) ·
Paulette Goddard
Paulette Goddard (born Marion Levy; June 3, 1910 – April 23, 1990) was an American actress, a child fashion model and a performer in several Broadway productions as a Ziegfeld Girl; she became a major star of Paramount Pictures in the 1940s.
Anita Loos and Paulette Goddard · Paulette Goddard and The Women (1939 film) ·
The Women (play)
The Women is a 1936 American play, a comedy of manners by Clare Boothe Luce.
Anita Loos and The Women (play) · The Women (1939 film) and The Women (play) ·
The list above answers the following questions
- What Anita Loos and The Women (1939 film) have in common
- What are the similarities between Anita Loos and The Women (1939 film)
Anita Loos and The Women (1939 film) Comparison
Anita Loos has 218 relations, while The Women (1939 film) has 68. As they have in common 11, the Jaccard index is 3.85% = 11 / (218 + 68).
References
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