Faster access than browser!Similarities between Baroque music and Requiem (Mozart)
Baroque music and Requiem (Mozart) have 20 things in common (in Unionpedia): Bassoon, Cadence (music), Cello, Counterpoint, Double bass, Figured bass, Fugue, George Frideric Handel, Homophony, Key (music), Messiah (Handel), Movement (music), Ornament (music), Pipe organ, Tempo, Timpani, Tremolo, Triple metre, Trombone, Viola.
Bassoon
The bassoon is a woodwind instrument in the double reed family that typically plays music written in the bass and tenor clefs, and occasionally the treble.
Baroque music and Bassoon · Bassoon and Requiem (Mozart) ·
Cadence (music)
In Western musical theory, a cadence (Latin cadentia, "a falling") is "a melodic or harmonic configuration that creates a sense of resolution."Don Michael Randel (1999).
Baroque music and Cadence (music) · Cadence (music) and Requiem (Mozart) ·
Cello
The cello (plural cellos or celli) or violoncello is a string instrument.
Baroque music and Cello · Cello and Requiem (Mozart) ·
Counterpoint
In music, counterpoint is the relationship between voices that are harmonically interdependent (polyphony) yet independent in rhythm and contour.
Baroque music and Counterpoint · Counterpoint and Requiem (Mozart) ·
Double bass
The double bass, or simply the bass (and numerous other names), is the largest and lowest-pitched bowed string instrument in the modern symphony orchestra.
Baroque music and Double bass · Double bass and Requiem (Mozart) ·
Figured bass
Figured bass, or thoroughbass, is a kind of musical notation in which numerals and symbols (often accidentals) indicate intervals, chords, and non-chord tones that a musician playing piano, harpsichord, organ, lute (or other instruments capable of playing chords) play in relation to the bass note that these numbers and symbols appear above or below.
Baroque music and Figured bass · Figured bass and Requiem (Mozart) ·
Fugue
In music, a fugue is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition.
Baroque music and Fugue · Fugue and Requiem (Mozart) ·
George Frideric Handel
George Frideric (or Frederick) Handel (born italic; 23 February 1685 (O.S.) – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well-known for his operas, oratorios, anthems, and organ concertos.
Baroque music and George Frideric Handel · George Frideric Handel and Requiem (Mozart) ·
Homophony
In music, homophony (Greek: ὁμόφωνος, homóphōnos, from ὁμός, homós, "same" and φωνή, phōnē, "sound, tone") is a texture in which a primary part is supported by one or more additional strands that flesh out the harmony and often provide rhythmic contrast.
Baroque music and Homophony · Homophony and Requiem (Mozart) ·
Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a music composition in classical, Western art, and Western pop music.
Baroque music and Key (music) · Key (music) and Requiem (Mozart) ·
Messiah (Handel)
Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the version of the Psalms included with the Book of Common Prayer.
Baroque music and Messiah (Handel) · Messiah (Handel) and Requiem (Mozart) ·
Movement (music)
A movement is a self-contained part of a musical composition or musical form.
Baroque music and Movement (music) · Movement (music) and Requiem (Mozart) ·
Ornament (music)
In music, ornaments or embellishments are musical flourishes—typically, added notes—that are not essential to carry the overall line of the melody (or harmony), but serve instead to decorate or "ornament" that line (or harmony), provide added interest and variety, and give the performer the opportunity to add expressiveness to a song or piece.
Baroque music and Ornament (music) · Ornament (music) and Requiem (Mozart) ·
Pipe organ
The pipe organ is a musical instrument that produces sound by driving pressurized air (called wind) through organ pipes selected via a keyboard.
Baroque music and Pipe organ · Pipe organ and Requiem (Mozart) ·
Tempo
In musical terminology, tempo ("time" in Italian; plural: tempi) is the speed or pace of a given piece.
Baroque music and Tempo · Requiem (Mozart) and Tempo ·
Timpani
Timpani or kettledrums (also informally called timps) are musical instruments in the percussion family.
Baroque music and Timpani · Requiem (Mozart) and Timpani ·
Tremolo
In music, tremolo, or tremolando, is a trembling effect.
Baroque music and Tremolo · Requiem (Mozart) and Tremolo ·
Triple metre
Triple metre (or Am. triple meter, also known as triple time) is a musical metre characterized by a primary division of 3 beats to the bar, usually indicated by 3 (simple) or 9 (compound) in the upper figure of the time signature, with,, and being the most common examples.
Baroque music and Triple metre · Requiem (Mozart) and Triple metre ·
Trombone
The trombone is a musical instrument in the brass family.
Baroque music and Trombone · Requiem (Mozart) and Trombone ·
Viola
The viola is a string instrument that is bowed or played with varying techniques.
The list above answers the following questions
- What Baroque music and Requiem (Mozart) have in common
- What are the similarities between Baroque music and Requiem (Mozart)
Baroque music and Requiem (Mozart) Comparison
Baroque music has 199 relations, while Requiem (Mozart) has 344. As they have in common 20, the Jaccard index is 3.68% = 20 / (199 + 344).
References
This article shows the relationship between Baroque music and Requiem (Mozart). To access each article from which the information was extracted, please visit:
