Faster access than browser!Similarities between Canadian Electroacoustic Community and Synthesizer
Canadian Electroacoustic Community and Synthesizer have 22 things in common (in Unionpedia): Additive synthesis, Computer music, Digital audio workstation, Digital signal processing, Digital waveguide synthesis, Electroacoustic music, Electronic music, Frequency modulation synthesis, Granular synthesis, Hugh Le Caine, John Chowning, Karplus–Strong string synthesis, Linear predictive coding, Milton Babbitt, Morton Subotnick, Musique concrète, Otto Luening, Physical modelling synthesis, Subtractive synthesis, Synthesizer, Timbre, Vladimir Ussachevsky.
Additive synthesis
Additive synthesis is a sound synthesis technique that creates timbre by adding sine waves together.
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Computer music
Computer music is the application of computing technology in music composition, to help human composers create new music or to have computers independently create music, such as with algorithmic composition programs.
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Digital audio workstation
A digital audio workstation (DAW) is an electronic device or application software used for recording, editing and producing audio files.
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Digital signal processing
Digital signal processing (DSP) is the use of digital processing, such as by computers or more specialized digital signal processors, to perform a wide variety of signal processing operations.
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Digital waveguide synthesis
Digital waveguide synthesis is the synthesis of audio using a digital waveguide.
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Electroacoustic music
Electroacoustic music originated in Western art music around the middle of the 20th century, following the incorporation of electric sound production into compositional practice.
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Electronic music
Electronic music is music that employs electronic musical instruments, digital instruments and circuitry-based music technology.
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Frequency modulation synthesis
Frequency modulation synthesis (or FM synthesis) is a form of sound synthesis where the timbre of a simple waveform (such as a square, triangle, or sawtooth) called the carrier, is changed by modulating its frequency with a modulator frequency that is also in the same or similar audio range, so that a more complex timbre results.
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Granular synthesis
Granular synthesis is a basic sound synthesis method that operates on the microsound time scale.
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Hugh Le Caine
Hugh Le Caine (May 27, 1914 – July 3, 1977) was a Canadian physicist, composer, and instrument builder.
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John Chowning
John M. Chowning (born August 22, 1934 in Salem, New Jersey) is an American composer, musician, inventor, and professor best known for his work at Stanford University and his invention of FM synthesis while there.
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Karplus–Strong string synthesis
Karplus–Strong string synthesis is a method of physical modelling synthesis that loops a short waveform through a filtered delay line to simulate the sound of a hammered or plucked string or some types of percussion.
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Linear predictive coding
Linear predictive coding (LPC) is a tool used mostly in audio signal processing and speech processing for representing the spectral envelope of a digital signal of speech in compressed form, using the information of a linear predictive model.
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Milton Babbitt
Milton Byron Babbitt (May 10, 1916 – January 29, 2011) was an American composer, music theorist, and teacher.
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Morton Subotnick
Morton Subotnick (born April 14, 1933, in Los Angeles, California) is an American composer of electronic music, best known for his Silver Apples of the Moon, the first electronic work commissioned by a record company, Nonesuch.
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Musique concrète
Musique concrète (meaning "concrete music")" problem for any translator of an academic work in French is that the language is relatively abstract and theoretical compared to English; one might even say that the mode of thinking itself tends to be more schematic, with a readiness to see material for study in terms of highly abstract dualisms and correlations, which on occasion does not sit easily with the perhaps more pragmatic English language.
Canadian Electroacoustic Community and Musique concrète · Musique concrète and Synthesizer ·
Otto Luening
Otto Clarence Luening (June 15, 1900 – September 2, 1996) was a German-American composer and conductor, and an early pioneer of tape music and electronic music.
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Physical modelling synthesis
Physical modelling synthesis refers to sound synthesis methods in which the waveform of the sound to be generated is computed using a mathematical model, a set of equations and algorithms to simulate a physical source of sound, usually a musical instrument.
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Subtractive synthesis
Subtractive synthesis is a method of sound synthesis in which partials of an audio signal (often one rich in harmonics) are attenuated by a filter to alter the timbre of the sound.
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Synthesizer
A synthesizer (often abbreviated as synth, also spelled synthesiser) is an electronic musical instrument that generates electric signals that are converted to sound through instrument amplifiers and loudspeakers or headphones.
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Timbre
In music, timbre (also known as tone color or tone quality from psychoacoustics) is the perceived sound quality of a musical note, sound or tone.
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Vladimir Ussachevsky
Vladimir Alexeevich Ussachevsky (November 3, 1911 in Hailar, China – January 2, 1990 in New York, New York) was a composer, particularly known for his work in electronic music.
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The list above answers the following questions
- What Canadian Electroacoustic Community and Synthesizer have in common
- What are the similarities between Canadian Electroacoustic Community and Synthesizer
Canadian Electroacoustic Community and Synthesizer Comparison
Canadian Electroacoustic Community has 96 relations, while Synthesizer has 461. As they have in common 22, the Jaccard index is 3.95% = 22 / (96 + 461).
References
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