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Dorian ♭2 scale

Index Dorian ♭2 scale

The Dorian 2 scale, also known as Phrygian 6 is the second mode of the jazz minor scale (or the ascending melodic minor scale). [1]

23 relations: Acoustic scale, Aeolian dominant scale, Altered chord, Altered scale, Assyrian folk dance, Assyrian folk/pop music, Borrowed chord, Dorian mode, Half diminished scale, Jazz minor scale, Jazz scale, Lydian augmented scale, Major sixth, Minor scale, Minor seventh, Minor sixth, Minor third, Perfect fifth, Perfect fourth, Phrygian mode, Semitone, Supertonic, Unison.

Acoustic scale

In music, the acoustic scale, overtone scale, Lydian dominant scale, or Lydian 7 scale, is a seven-note synthetic scale.

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Aeolian dominant scale

The Aeolian dominant scale (also known as the Hindu scale, the Mixolydian 6, Aeolian major, and melodic major) is the fifth mode of the melodic minor scale.

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Altered chord

In music, an altered chord, an example of alteration, is a chord with one or more notes from the diatonic scale replaced by a neighboring pitch in the chromatic scale.

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Altered scale

In jazz, the altered scale or altered dominant scale is a seven-note scale that is a dominant scale where all non-essential tones have been altered.

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Assyrian folk dance

Assyrian Folk Dances are dances that are performed throughout the world by Assyrians, mostly on occasions such as weddings, community parties and other jubilant events.

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Assyrian folk/pop music

Assyrian folk/pop music, also known as Assyrian folk music, Assyrian pop music or Syriac music (ܡܘܣܝܩܝ ܣܦܝܢܘܬܐ ܐܬܘܪܝܬܐ/ܣܘܪܝܝܬܐ), is the traditional music style of Assyrian people.

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Borrowed chord

A borrowed chord (also called mode mixture,Romeo, Sheila (1999). Complete Rock Keyboard Method: Mastering Rock Keyboard, p.42.. Bouchard, Joe and Romeo, Sheila (2007). The Total Rock Keyboardist, p.120. Alfred Music.. modal mixture, substitutedWhite (1911), p.42. modal interchange) is a chord borrowed from the parallel key (minor or major scale with the same tonic).

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Dorian mode

Dorian mode or Doric mode can refer to three very different but interrelated subjects: one of the Ancient Greek harmoniai (characteristic melodic behaviour, or the scale structure associated with it), one of the medieval musical modes, or, most commonly, one of the modern modal diatonic scales, corresponding to the white notes from D to D, or any transposition of this.

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Half diminished scale

The half diminished scale is a seven-note musical scale.

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Jazz minor scale

The jazz minor scale is a derivative of the melodic minor scale, except only the ascending form of the scale is used.

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Jazz scale

A jazz scale is any musical scale used in jazz.

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Lydian augmented scale

In music, the Lydian augmented scale (Lydian 5 scale) is the third mode of the ascending melodic minor scale or jazz minor scale.

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Major sixth

In music from Western culture, a sixth is a musical interval encompassing six note letter names or staff positions (see Interval number for more details), and the major sixth is one of two commonly occurring sixths.

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Minor scale

In music theory, the term minor scale refers to three scale formations – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending) – rather than just one as with the major scale.

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Minor seventh

In music theory, a minor seventh is one of two musical intervals that span seven staff positions.

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Minor sixth

In classical music from Western culture, a sixth is a musical interval encompassing six staff positions (see Interval number for more details), and the minor sixth is one of two commonly occurring sixths.

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Minor third

In the music theory of Western culture, a minor third is a musical interval that encompasses three half steps, or semitones.

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Perfect fifth

In music theory, a perfect fifth is the musical interval corresponding to a pair of pitches with a frequency ratio of 3:2, or very nearly so.

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Perfect fourth

In classical music from Western culture, a fourth spans exactly four letter names (staff positions), while a perfect fourth (harmonic series) always involves the same interval, regardless of key (sharps and flats) between letters. A perfect fourth is the relationship between the third and fourth harmonics, sounding neither major nor minor, but consonant with an unstable quality (additive synthesis). In the key of C, the notes C and F constitute a perfect fourth relationship, as they're separated by four semitones (C, C#, D, D#, E, F). Up until the late 19th century, the perfect fourth was often called by its Greek name, diatessaron. A perfect fourth in just intonation corresponds to a pitch ratio of 4:3, or about 498 cents, while in equal temperament a perfect fourth is equal to five semitones, or 500 cents. The perfect fourth is a perfect interval like the unison, octave, and perfect fifth, and it is a sensory consonance. In common practice harmony, however, it is considered a stylistic dissonance in certain contexts, namely in two-voice textures and whenever it appears above the bass. If the bass note also happens to be the chord's root, the interval's upper note almost always temporarily displaces the third of any chord, and, in the terminology used in popular music, is then called a suspended fourth. Conventionally, adjacent strings of the double bass and of the bass guitar are a perfect fourth apart when unstopped, as are all pairs but one of adjacent guitar strings under standard guitar tuning. Sets of tom-tom drums are also commonly tuned in perfect fourths. The 4:3 just perfect fourth arises in the C major scale between G and C.

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Phrygian mode

The Phrygian mode (pronounced) can refer to three different musical modes: the ancient Greek tonos or harmonia sometimes called Phrygian, formed on a particular set of octave species or scales; the Medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter.

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Semitone

A semitone, also called a half step or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically.

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Supertonic

In music, the supertonic is the second degree or note of a diatonic scale, one step above the tonic.

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Unison

In music, unison is two or more musical parts sounding the same pitch or at an octave interval, usually at the same time.

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References

[1] https://en.wikipedia.org/wiki/Dorian_♭2_scale

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